"VILLAGE WOOING"
"Shaw's 'Village' treats senses ...
"Villa mixes elegant dinner, lively conversation perfectly"
Reviewed by Linda Jo Scott
Published July 22, 1997, Battle Creek (MI) Enquirer


Special to the Enquirer

Once again the Union City Victorian Villa offers the most pleasant, elegant evening of the summer. One really ought to arrive a half-hour before dinner in order to walk the gardens, meander through the exquisite bedrooms (those that are not occupied, of course), even take those steep third-floor steps up into the cupola.

Out by the gazebo, one sees a mostly empty punch bowl and many tables covered in white, the remains, no doubt, of a garden wedding earlier that day. At six, dinner is quietly, elegantly served in the tastefully added dining annex.

Champagne, salad made from greens already spotted in the Villa gardens, sourdough rosemary bread, fresh blackberry sorbetti, old-fashioned pot roast, "decadent mocha fudge mousse pie," it is all one could imagine for a fancy dinner.

Katari Brown and John Sherwood in "Village Wooing"

One then retires to the large tent in the garden for another one of John Sherwood's magical evenings. This time Sherwood has chosen not Houdini, not Sherlock Holmes, but a short three-act delight by George Bernard Shaw called "Village Wooing."

When one hears of an evening of Shaw on top of such sumptuous food, one fears some accompanying yawning and snoring. But not this Shaw! Even though he was able to weave in many of his favorite hobby horses, such as women's rights, the differences between the sexes, economics, and the role of the writer in shaping opinion, he did it with amazing brevity and light humor.

All told, "Village Wooing" was a perfect choice. It consists of three conversations which take place in the early '30s between a rather testy Shavian gentleman and a plucky village shopkeeper. The first occurs on board the Empress of Patagonia on the Red Sea. The second occurs some months later, in the village shop/post office/telephone office in the Wiltshire Downs of England. And the third finds its venue in that same shop, several months later.

Sherwood and his wife, Katari Brown, gave their usual scintillating performances. Consummate artists with clever banter, they carried the showto its ultimate romantic ending without a moment's lapse.

After the performance, Sherwood and Brown invited the audience to join them on the deck for drinks and music. The lively conversation en route and between numbers seemed merely a continuation of the play. Even their skillful British accents lingered, ever so lightly, ever so naturally.

In conclusion, gentle readers, take a step back into time. Treat yourselves to an evening that will make you feel as though you've made a quick trip to England and back, for a fraction of the cost or bother!

Linda Jo Scott is on the faculty of Olivet College.

Contact JOHN C. SHERWOOD by e-mail.


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