"The amalgamation
of 'nrita' the pure form of dance which is presented in the form of 'Belis',
Bhangis' and 'Karanas' with 'nrity' in which emotions and feelings are
shown through gestures mime and various body movements was superb. She
danced with asuperb dignity making all the spectator sit spell-bound"
------ Dainik Bhaskar (Bhupal) 1988
"Jayanti
Mukherjee is a gifted disciple of Guru Pt. Om Prakash Maharaj from Calcutta.
She emerged on the stage with " Bhavani Vandana" the concept of Durga.
The bhakti bhavana was eloquently drawn in Jayanti's enactment. She showed
good intricate foot work in a graceful manner in traditional numbers and
finess in layakri in "Tarana"
------Free Press Journal (Mumbai), 31st December 1989
"Indeed
Jayanti has already made her mark as a front ranking kathak dancer ............
she developed a keen sense of laya and tala and what emerged as her strong
point - the fanciful assimilation of varied styles of Kathak dances"
------ Sunday Mail, 7 April 1991
"Jayanti Mukherjee's brilliant kathak recital on the fourth day of the Classical Music and Dance Festival jointly organised by the Eastern Zonal Cultural Centre and West Bengal State Music Academy became a memorable event. It marked a departure from the usual fare and spoke of a welcome change in the dancer. It revealed a more mature dancer and a finished performer" ------ The Statesman 1993
"Captuaring the essence of rhythm her teental execution in the Dheema, Madhya and Drut layas warmed up the audience on an otherwise chilly evening ------ The Telegraph Weekend 1993