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Just listen...
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Simply breath taking.. A real creative endeavor. Keys Brown I am scared of this tune. It is like the darkest horror, cold breeze. You expressed very well that feeling, I am afraid of you . This tune grew on me with every
listen . Outstanding!
Jim McIntyre |
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Cool, spooky feel… Ron Roos
It transmits feelings. Very interesting and original.
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A very strong beginning. The composer has gone trough very strong feelings, cause you could feel them in this one. The feelings were very dark, I 've got chilled feeling, nearly became afraid of these feelings.
Jari Vester
This piece really grew on me after several listening.......Very inventive and unusual orchestration- and very effective Jim McIntyre What a mood!. Very beautiful. Lavio Pareschi |
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This is a 10 on the creativity scale. Peter Gill A fantastic work Stephen H Whoah! This is really a walk in a different direction. Vicman This song is very fun, imaginative, unique, and daring - I enjoyed
every minute of it. Weird! Very weird… The minimum I can say is: very creative and original. Lavio Pareschi |
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Jovica ....... this was so damned cool Jim McIntyre Bravo master , you have done a top work, this is simple near perfect JariVester
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This piece fuses middle-eastern tonalities with the motives and instruments involved beautifully.....an oustanding composition. Donya Quick
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DANCE, MONSTER, TO MY GENTLE MUSIC
I dont think i've ever heard anything like this one. The sound is unique and awesome. Charles Lu If into World Music and wondering how to do it
with Midi - Then throw on those headphones and give a listen ! |
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. If you like Prog-Rock Style - then give a listen Keys Brown It seems like there was maybe 3 songs here in an oddly successful juxtaposition of ideas . The percussion throughout was excellent , and really innovative at the one minute 20 sec . Jim McIntyre I can see the composer has got bright ideas, I am looking forward to hear the next tune you'll release.
Jari Vester |
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But just as I find in your music, introspection, growth, and progress is always there. Richard Martin |


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