THE MYTHOLOGY OF PLACE:

JAMES K. BAXTER'S OTAGO WORLDS

Lawrence Jones
V

The Brighton World
Page 47 

Such poems exhibit clearly the qualities that Curnow had praised, and Otago images are frequent in the remainder of the poems of the 1940s. They become less frequent in the poems written in Wellington in the 1950s and early 1960s, although in  person sometimes or in memory more often Baxter returns to Otago 'to get back a full sight of loss', to be 'Delivered from a false season / To the natural winter of the heart'.    That 'imaginary journey over the neck of Big Rock'  is especially evident in the Pig Island Letters  poems of the early 1960s. The poems of the Burns Fellowship years and those immediately following, the poems written between 1966 and 1969, are, naturally enough, full of Otago images taken direct from life as well as from memory (or, sometimes, from the interplay of the two), used in a more mature way than in the early poems.  In the last years a new iconcography and mythology arises from Jerusalem and to a lesser extent Wellington and Auckland.  What turned  out to be the last act in the mythic drama of self was acted out before a different landscape and different cityscapes and with different tribes, drug addicts and social drop-outs rather than his Gaelic ancestors or his bohemian drinking friends. The Otago images recur, however, when Baxter remembers Eden, 'the rocks at MacKenzie's corner / Where the river and the road both take a sharp turn',  or when he dreams of 'Lazy swimming greenbone', or when he meditates on his father's death and thinks of 'the demon- / hearted breakers and the worn / elbows of seastone'.    Certainly many of his strongest and most characteristic poems start with Otago images, often giving Baxter that 'reality prior to the poem', the 'New Zealand referent', the 'contact with base' that Curnow thought that he needed.    They are  an integral part of the material from which he weaves a coherent poetic myth inclusive of and greater than his individual poems, one of the great imaginative creations of New Zealand literature. 
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