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8 1/2
Fellini |
The best work from one of the best directors. If you've seen it, you know why it's here. |
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Animal
Crackers Heerman (The Marx Brothers) |
Pure joy. |
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Apocalypse
Now Coppola |
Absolute intensity. Comes together like a dream. |
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Blade
Runner Scott |
Scott recently revealed in an interview that Deckard was a replicant. My understanding is that the only scene that would lead to this conclusion was left on this editing room floor. He said that he didn't think it was that big of a deal, but personally, I wish he would left it ambiguous. Still, genre-breaking, beautifully rendered, and just about perfect. |
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Citizen
Kane Wells |
This is art folks. Double-bonus is the pure entertainment factor. |
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Hamlet Branagh |
What can I say, I really was hoping he didn't have to die at the end and was crushed when he did. Taking a work this old and still surprising the audience is a mark of genius. |
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Love
and Death Allen |
Cross-over from zany humor to the dense themes of Allen's later work. It isn't his best, but it has always been my favorite. |
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M Lang |
A complex film that defined Film Noir. |
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The
Seventh Seal Bergman |
Would you like to play a game of chess? This film had such a deep psychological impact the motif appears in Bill & Ted's Bogus Journey, The Last Action Hero, and Love and Death (perhaps more, but these are the ones I'm aware of - if you know others e-mail them to me). |
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Young
Frankenstein Brooks |
This was a toss-up between Young Frankenstein and The Producers. Hard call. The Producers has a better script, but I think YF is funnier. Based on the number of spontanious moments of out-loud laughter, I went with YF. |
Comment or submit your own list to [email protected]
and I will post them.