| Gary Moore - Out In The Fields - The Very Best Of Gary Moore (Disc 1)
(1998)
|
| Album |
| Artist/Composer |
Gary Moore |
| Length |
70:49 |
| CD Number |
CD |
| Genre |
Instrumental Rock |
| Label |
Virgin |
| Index |
55 |
| In Collection |
Yes |
|
| Track List |
| 01 |
Out In The Fields |
04:16 |
| 02 |
Over The Hills And Far Away |
05:20 |
| 03 |
Run For Cover |
04:11 |
| 04 |
Parisienne Walkways (Live) |
05:48 |
| 05 |
Empty Rooms |
04:15 |
| 06 |
The Loner |
05:53 |
| 07 |
Military Man |
05:37 |
| 08 |
After The War |
04:05 |
| 09 |
Cold Day In Hell |
04:24 |
| 10 |
The Wild Frontier |
04:13 |
| 11 |
Still In Love With You (Live) |
05:55 |
| 12 |
Wishing Well |
04:04 |
| 13 |
Friday On My Mind |
04:14 |
| 14 |
Still Got The Blues |
04:09 |
| 15 |
Ready For Love |
04:25 |
| Personal |
| Price |
€ 0,00 |
| Rating |
70% |
|
| Details |
| Spars |
DDD |
| Rare |
No |
| Sound |
Stereo |
|
| Notes |
| Irish guitarist Gary Moore has built an entire career on stubborn self-recycling. Just when listeners think they have him pegged within a particular musical style (heavy metal guitar slinger, soft-hearted acoustic player, jazz fusion experimentalist, electric blues purist), the enduring six-string legend throws a curve ball and changes artistic direction - seemingly just to spite his critics. Because of this, his extensive recorded legacy as a solo artist has defied adequate encapsulation into greatest-hits packages, and in America, where his profile has never exceeded the status of a connoisseur's favorite, taking a first stab at discovering his work becomes an even more vexing task. Out in the Fields: The Very Best of Gary Moore doesn't solve this problem, but it does alleviate it somewhat by concentrating on Moore's best-known guise among the aforementioned connoisseur club - hard rock and heavy metal guitar shredder. Included here are the rare mainstream hits ("Out in the Fields," "Wild Frontier"), balls-out metal headbangers ("Run for Cover," "Military Man"), sublime ballads ("Parisienne Walkways," "Empty Rooms"), and later-day blues successes ("Cold Day in Hell," "Still Got the Blues"). In an imperfect world and a less-than-perfect career, this is about as spot-on as one can expect. |
|