Chain Dance

The Chain dance is a dance where a kajira obtains a length of chain from a Master and uses it in a dance showing her submission and acceptance of being a slave. The chain will be wrapped around her body and she will writhe and fight at first but will be succumb by her desire and the fire within her belly and in the end she will rejoice at having the chain around her slave's heart. *kajira begins to writhe upon the floor taking one end of the chain tightly in her hands she pulls it up her body..gasping softly as the cool metal licks at her tender enflamed center..she brings the end of the chain to her lips and kisses it gently before twining it around her neck loosely before rolling again..the remaining length of chain coiling around her and gently but firmly entrapping her slender form once more.. **kajira raises herself to her knees and begins to sway gently to the music loosening the coils of chain..whimpering softly as she loses it's protective hold..she picks up the chain..looking at it with hungry pleading eyes and then as the music picks up speed and fills her again she begins to spin..the chain coiling tightly around her and trapping her again..forcing her to her knees as it holds her in it's grasp.. **kajira tosses back her head a serene smile on her face as she knows that these chains that bind her match the invisible chains that coil around her heart and mark her as slave..the music ends and she raises her head..her eyes lowered in her submission*

A Chain Dance by a slave from Port Kar Nomads of Gor pg. 159

The figure of the woman, swathed in black, heavily veiled, descended the steps of the slave wagon. Once at the foot of the stairs she stopped and stood for a long moment. Then the musicians began, the hand-drums first, a rhythm of heartbeat and flight. To the music, beautifully, it seemed the frightened figure ran first here and then there, occasionally avoiding imaginary objects or throwing up her arms, ran as though through the crowds of a burning city-alone, yet somehow suggesting the presence about her of hunted others. Now, in the background, scarcely to be seen, was the figure of a warrior in scarlet cape. He, too, in his way, though hardly seeming to move, approached, and it seemed that wherever the girl might flee there was found the warrior. And then at last his hand was upon her shoulder and she threw back her head and lifted her hands and it seemed her entire body was wretchedness and despair. He turned the figure to him and, with both hands, brushed away hood and veil. There was a cry of delight from the crowd. The girl's face was fixed in the dancer's stylized moan of terror, but she was beautiful. I had seen her before, of course, as had Kamchak, but it was startling still to see her thus in the firelight-her hair was long and silken black, her eyes dark, the color of her skin tannish. She seemed to plead with the warrior but he did not move. She seemed to writhe in misery and try to escape his grip but she did not. Then he removed his hands from her shoulders and, as the crowd cried out, she sank in abject misery at his feet and performed the ceremony of submission, kneeling, lowering the head and lifting and extending the arms, wrists crossed. The warrior then turned from her and held out one hand. Someone from the darkness threw him, coiled, the chain and collar. He gestured for the woman to rise and she did so and stood before him, head lowered. He pushed up her head and then, with a click that could be heard throughout the enclosure, closed the collar-a Turian collar-about her throat. The chain to which the collar was attached was a good deal longer than that of the Sirik, containing perhaps twenty feet of length. Then, to the music, the girl seemed to twist and turn and move away from him, as he played out the chain, until she stood wretched some twenty feet from him at the chain's length. She did not move then for a moment, but stood crouched down, her hands on the chain. I saw that Aphris and Elizabeth were watching fascinated. Kamchak, too, would not take his eyes from the woman. The music had stopped. Then with a suddenness that almost made me jump and the crowd cry out with delight the music began again but this time as a barbaric cry of rebellion and rage and the wench from Port Kar was suddenly a chained she-larl biting and tearing at the chain and she had cast her black robes from her and stood savage revealed in diaphanous, swirling yellow Pleasure Silk. There was now a frenzy and hatred in the dance, a fury even to the baring of teeth and snarling. She turned within the collar, as the Turian collar is designed to permit. She circled the warrior like a captive moon to his imprisoning scarlet sun, always at the length of the chain. Then he would take up a fist of chain, drawing her each time inches closer. At times he would permit her to draw back again, but never to the full length of the chain, and each time he permitted her to withdraw, it was less than the last. The dance consists of several phases, depending on the general orbit allowed the girl by the chain. Certain of these phases are very slow, in which there is almost no movement, save perhaps the turning of a head or the movement of a hand; others are defiant and swift; some are graceful and pleading; each time, as the common thread, she is drawn closer to the capped warrior. At last his fist was within the Turian collar itself and he drew the girl, piteous and exhausted, to his lips, subduing her with his kiss, and then her arms were about his neck and unresisting, obedient, her head to his chest, she was lifted lightly in his arms and carried from the firelight.


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