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| About String Work | ||||
| This strand of work was undertaken at college and is largely formal in character. I started making forms in this way because it was relatively unique; that is I had never seen similar work. I fond its rhythmical elements I explored this technique extensively for two years and then it became less and less of a challenge to produce and realize the forms I thought of. My creative thought processes where becoming too well defined by these forms, method and aesthetic. I found that I didn�t know why I produced such forms, I couldn�t explain what they actually where and I had realized that this wasn�t what I wanted to do with my idiosyncratic processes. I stopped doing this when I came to university but I may revisit this process after graduation, as I now understand why and what I want to communicate with image and sculpture, I think it may have some practical applicatory value; it may be commercially viable. |
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