as composer/performer/improviser i am often working with electronic-sound produced by or taken from everyday-tools, like household-electronics, hairdryers, metalwool for cleaning pots and pans or old computers. they are combined in strange ways to reveal some more hidden aspects of their functionality, and strive to transform them into instruments. music-like structures are more or less a side-effect of the process of the search for the proper abuse of these things. on the other hand when working in the digital realm, i try to explore its boundaries and implicit faults, striving for interactions which keep a live of their own and react to human input in an unpredictable way.