IMPERIAL
BY
Chrysler

 

 

I M P E R I A L
1 9 5 5

 

 

I n _1 9 5 5 . . .

 

Few years rival 1955 as a boom season, or for signaling cultural shifts that were quickly taking place—in and out of the auto industry. American auto production jumped 44 percent in the model year, topping 7.9 million cars—a new record.
Close to seven out of 10 families had an automobile (or even two). The horsepower race was in full swing, led by the new Chrysler 300—so named for its engine output. Kaiser-Willys Corporation was now the only automaker without a V-8 engine—and the company was about to exit the business.
Chrysler’s “Forward Look” ranked a most dramatic of all American automobiles, helping that beleaguered company to hike its market share to a healthy 17 percent—up from 11 percent a year earlier. Imperial now listed as separate make . . .some long-wheelbase Crown Imperial are built.

Legislation was introduced to make seatbelts required. Ford and Chrysler announced dealer-installed belts. Dealers in 311 cities launched a free safety program, aiming at two million vehicles.
The American Automobile Association halted sanctioning of auto races, and urged manufacturers to emphasize safety, not speed. Michigan was the first state to require a driver’s education course before issuing a license to youths under 18.
Not only did two-tone paint gain popularity, but three-tones hit the market—some in strange pastel shades. Color-coordinate interiors grew more lavish. Tubeless tires became standard, and seven out of ten new cars had an automatic transmission.
In effort to modify its image, the National Used Car Dealers Association voted to change its name to National Independent Automobile Dealers Association—the designation used today.

Even though today’s enthusiats can easly discern a Ford from a Chevrolet, a Buick from a DeSoto, experts at the time expressed dismay about the growing similarities among car models. The wrapped windshield, for one, suggested to some critics that automakers were merely following each other’s lead—imitating rather than innovating.
In fact, each make had fewer unique mechanical features than in past season. Therefore, ads pushed styling, size, price, and power, along with less-tangible inducements such as atatus and comfort. Dealers began to decry the profussion of color and option possibilities, complaining that they couldn’t stock enough cars to safety starry-eyed customers—who found it harder than ever to make up their minds.
Wages had been rising faster than car prices ever since the end of World War II. The average full-time worker now earned $76 a week, or $3851 per year—and the average car retailed for $2300.
More than half of families took in over $5000 yearly, up from one-third of families in 1950. Unemployment was no cause for concern, dipping below four percent.
A whoopping 72 percent car purchasers bought on time, versus 59 percent of those who signed on the dotted line in ’53. Two-year payment periods were elbowed aside by longer-term schedules and low, low down payments. Auto contracts totaled $14 billion—more than half the total installment credit.
The National Automobile Dealers Association warned against “crazy credit terms.” Repossessions were on the rise. Even General Motors Acceptance Corp. expresed concern that “some customers who should buy used cars are being induced through easy terms to take delivery of new cars.”
Americans also tended to order their cars well-equipped, typically loaded down with options, shunning the price-leader specials that might have satisfied them a few years earlier.

The first McDonald’s was erected in 1955—though few dared predict its eventual impact on American culture. Colonel Sanders had Kentucky Fried Chicken restaurants under way, and Disneyland opened in Anaheim, California. An LP (long-playing) record cost $3.98 or so, and GM stock split three for one. Shoppers could buy Crest toothpaste, and “Ann Landers” dispensed her first snippets of advice to newspaper readers. Kids wore Davy Crockett hats, in response to a TV series about the frontier hero. Male teens turned to pink shirts and charcoal gray suits with “pegged” (narrow) cuffs.
Some 4.5 million Americans read the scandal-riddled Confidential magazine, and President Eisenhower gave his firs televised presidential press conference. The minimum wage rose from 75 cents an hour to a dólar an hour.

Marty won the Oscar for best picture—and its star, Ernest Borgnine, took best-actor honors. James Dean starred in three films before his untimely death in an automobile accident on September 30. Meanwhile, Elizabeth Taylor married singer Eddie Fischer.
Fats Domino warbled “Ain’t That a Shame,” The Pletters crooned “Only You,” and Chuck Berry rocked his ode to “Maybelline.” TV premieres included The Honeymooners with Jackie Gleason, and Bob Keeshin’s Captain Kangaroo. Annette Funicello led The Mickey Mouse Club, and Gunsmoke debuted as the first “adult” western. A few critics condemned the jungle of TV antennas dotting rooftops, but most American eagerly sampled the latest video wares.
Best-selling-books included Sloan Wilson’s Man in the Gray Flannel Suit, an early warning of the conformity that was building fast in white-collar America.

Housewives,not yet taking to the workforce in droves, were encourage to own all the latest labor-saving gadgets, so families might have more leisure time—perhaps to tour the countryside in that dazzling new piece of Detroit iron. In fact, the Ethyl Corporation launched a “Drive More” campaign to encourage consumption of gasoline.
Auto dealers pushed hard to secure those record-breaking sales in ’55, sometimes cutting their markups to the bone in a quest for volume. More than 61 million vehicles were on the road, eight-million of them more than 15 years old. One-fourth of the American fleet had seen more than seven seasons, and were thus prime candidates for replacement with a spanking-new hardtop or sedan.
Detroit had another round of restylings in the wings to grab a few million more sales. But danger for dealers—and the industry—lay ahead. Not only did the Senate begin to probe merchandising techniques, led by subcomittee chairman Mike Monroney, but investigators alleged that GM might qualify as a monopoly—subject to forced breakup.


 

1955 Imperial Sedan 4-door

 

 

IMPERIAL

Car life, 1955


With the accent on beauty and quality, Chrysler presents the impressive Imperial to the fine-car field.


With the introduction of the new 1955 Imperial, Chrysler brings to the fine-car field a new car and a dramatic new concept in American automotive styling,” said E. C. Quinn, , president, Chrysler Division, Chrysler Corporation. “The Imperial is slim, taut and commanding in appearance and combines elegance and distinction with a feeling of agility that sets it apart. We feel that ownership of an Imperial will be the most rewarding period of any motorist’s life.”

Imperial Has Individual Design
The new Imperial’s designers aimed at creating an impressive motor car, large and commanding yet with slim lines and classic proportions to keep it free from bulkiness. Its body is not shared with any other car in the Chrysler Corporation line and it is built on its own assembly line.
The long, low sloping Imperial hood suggests power and affords excellent driver visibility. The roof runs in a smooth, tapering line from the sun cap visor to the rear deck. Its slimness serves to concentrate the mass of the car low to the ground.
A character line, formed in the side metal and accented by a thrusting chromed lance-like molding, runs back from the headlight and into the rear fender, giving the Imperial a strong feeling of forward motion, emphasizing the car’s length and lowness, and unifying the side treatment. Fenders have been clearly defined to avoid bulkiness and full wheel openings emphasize the functional beauty of the wheels.
The superscenic windshield is wrapped around both top and bottom, terminating in side pillars, which are sloped rearward to convey the feeling of forward motion. It is topped by a sun cap visor which flairs into the roof line.
The Imperial’s divided grille, with its simple box-check effect, conveys the feeling of slimness by reducing front end bulk. The tapering area of body metal that divides the two grille elements points up the simplicity of the dual openings and, by carrying the body color down to the bumper line, adds to the feeling of lowness.
The bumper, which wraps around and extends to the wheel openings, underlines the front end treatment. At its outer ends, large, nacelle-like bumper guards emerge from heavily chromed hoods set against the fenders. The size and outboard location of these guards serve to accent width, and the chromed hoods which flow over them integrate the bumpers with the body. Parking lamps are deeply inset inside the guards and are protected by crossed bars of chrome.
A large Imperial eagle spans the dividing strip between the grille elements and assures positive model identification.

Rear View Distinctive
The unity of design which characterizes the new Imperial is evident when the car is viewed from the rear. Bumper guards, repeating the front end motif, are inset into chromed hoods and blend with the side and rear fender treatment. Their extreme outboard location adds a strong accent to width. Slim backup lights are recessed into the tall bumper guards and below them twin tailpipes extend through the bumper.
Centers of interest in the rear end treatment are the gun sight taillights mounted on chrome saddles on top of the rear fenders. Unlike the taillights found on any other cars, they add to the distinctive character of the new Imperial. Mounted high and wide, they accent, by contrast, the sweeping lines of the rear fenders and are important aids in parking. When the lights are on, the recessed button in the forward end of the taillight nacelle glows with a subdued amber light, thus defining rear fender location. The gas tank filler tube is concealed beneath a hinged cover which is actually the rear half of the right fender saddle.
Imperial cars are available in two lines for 1955—the Custom Imperial on 130-inch wheelbase and the Crown Imperial on a 150-inch wheelbase. Custom Imperials are offered in six-passenger sedan and Newport hardtop coupe.
Crown Imperial eight-passenger sedan and limousine models are offered for 1955. Over twenty feet in overall length, these cars have the same proportioning of elements that is characteristic of the Custom Imperial models. Despite their length and impressive size, they retain slimness and a feeling of vitality. Major body trim items such as grille, side moldings, bumpers, and taillights are identical to those found on Custom Imperial models, assuring positive identification between these lines.
Imperials feature 16 solid and 17 two-tone color combinations of exterior finishes, plus 21 cloth, leather and vinyl interior trim options.
Every engineering feature designed for luxury motoring is incorporated in the new Imperial. Heading the list are the improved 250-horsepower FirePower V-8 hemispherical head engine, fully-automatic PowerFlite transmission, with PowerFlite range selector on the dash, full-time coaxial power steering, four-way power-operated front seat, double-width-pedal power brakes, a new beating and ventilating system, and a new high-capacity air conditioning unit.
Other features included power window lifts, search-tuning radio, luxury coil spring seat, rigid full-length box-section frame, new suspension and new steering linkage. Crown Imperials are equipped with disc brakes—the only disc brakes offered on an American automobile.


 

 

The Imperial

The most elegant member of the Chrysler lines shows a strong influence

Road Test Magazine, 1955

 


The Imperial is a completely new car that has the custom look and several features of styling drawn from the series of experimental cars that Chrysler has been showing around the country.
The Imperial I tested was the standard model with 130-inch wheelbase. The Crown Imperial has a mammoth 149½-inch wheelbase and will appeal chiefly to the carriage trade as a limousine that can carry eight persons.
Actually, there’s a lot of similarity between the Chrysler New Yorker and this new prestige car, especially under the hood where the engine is identical, four-barrel carburetor, dual exhausts, and all. The chassis is longer, but otherwise design is about the same underneath the body with one exception: the much larger and heavier Crown Imperial has disc brakes, the first ones ever offered on American car. You’ll be seeing more disc brakes before many years—possibly in ‘56—for they cool better, have more effective braking area and fade less.
My test Imperial was a two-tone gray four-door sedan that had everything from power window lifts to power brakes. PowerFlite automatic transmission is standard on this car.
In spite of its size, the Imperial’s styling gives the car a low, long, lean appearance without much suggestion of bulk. I did not have the feeling of driving such a large car, even though, as a rule, I personally prefer much smaller machines. Little details distinguish this fine car. The parking lights, set low and far outboard in the distinctive bumper, are given an individualistic touch with protective chromed cross bars. The grille suggests kinship to the Chrysler line, but is deeper and is more detailed with an extra horizontal bar in each of the divided sides. The chrome line around the bottom of the body and around the fender cutouts wraps around the front, over the parking lamps, and increases the illusion of great width. But perhaps the most interesting styling note is the tail-light treatment which hails directly from the d’Elegance show car. Up high, and actually a thing apart from the rest of the car, these tail-lights are easily seen from the driver’s seat.
The instrument panel is exactly like that of the Chrysler so the comments on the panel need not be repeated. The steering wheel, too, is like that of the smaller car, thumbplates and all. But elsewhere inside, the Imperial is given distinctly styling with color combinations and materials not duplicated in the Chrysler line. Armrest actually form ledges built into the doors; these ledges hold ashtrays, power windows controls, and are faced, on portions, with chrome which is duplicated in facing plates for the door handles.
Rich blues and greens and somber grays predominated in the interiors; seat back facing are usually heavy broadcloths which carry down toward the seat center as a symbol which is worked into the decor. Bolsters are pleated, as is the back of the front seat. Carpeting is very thick pile and removable footrests for rear seat passengers fit snugly against the bottom of the front seat back. Chrome is everywhere, but it has been used tastefully to a greater degree, perhaps, than ever before in the interior of a domestic car.
The performance was not surprising, although it was extremely good for a large car. But the handling was a surprise. I had been quite pleased with the Chrysler New Yorker’s handling, for ordinarily I feel inhibited by the usual roll and’ sway of the ultra-soft riding large cars. The Imperial, however, cornered every bit as well as the Chrysler, if not a bit better. Power steering of course—and I would prefer faster steering, but in spite of increased weight and size, the Imperial will get around with surprising agility. In traffic too, the car handled very well, and excellent visibility, probably the best in the Chrysler Corporation’s expanded line, made driving a pleasure.
My objections to the Imperial reflect, largely, my personal beefs on the four other cars in this line: the position of the PowerFlite gear ratio selector lever, the indicator, key starting, clock too far right for easy reading, etc. As the Chrysler, the instruments are complete, well lighted, etc., but are so low on the dash as to require much eye shift for the normal driving position. I found the turn signals do not cancel when turning back from from less than 90-degree turn (not an exclusive by any means), the wipers leave large blind spots at each side of the windshield, and at night there is more windshield reflection from the instruments and dash panel chrome than these should be on such an expensive car.
The Imperial will perform like a whirlwind; it’s in good taste, but does look rich; and even though it’s large, the standard 130-inch wheelbase version tested is a remarkably maneuverable car, giving you the feeling of ridding in luxury, yet having the capabilities of the fleetfooted smaller cars.


 

 

1955 Imperial Newport

 

 

Specifications

1955 Imperial Newport

 

Base price
$4,720
Standard equipment
331.1-cid, 250-bhp V-8. PowerFlite automatic transmission, Full-Time power steering, power brakes, electric window lifts, four-way power-seat, windshield washer, reverse lights, Safety Cushion dash panel, electric clock
Options
Custom conditioner heater, air conditioning, Electro-Touch tuning radio with foot control, Solex tinted glass
Price as tested
$6,000 (est.)
ENGINE
Type
90-degree V-8
Bore x stroke
3.81" x 3.63"
Displacement
331.1 cubic inches
Compression ratio
8.5:1
Bhp (gross) @ rpm
250 @ 4,600
Torque @ rpm
340 lb/ft @ 2.800
Taxable horsepower
46.5
Valve gear
ohv hemi
Valve lifters
Hydraulic
Main bearing
5
Carburetor
1 Carter WCFB-2126S-4-bbl with vacuum secondaries, automatic choke
Fuel system
Mechanical pump
Lubrication system
Full pressure
Cooling system
Pressure-vent w/centrifugal pump
Exhaust system
Dual with reverse-flow mufflers
Electrical system
6 volt, positive ground
TRANSMISSION
Type
2-speed automatic

Ratios

Reverse: 2.39:1, Low: 1.72:1, Drive: 1.00:1
Max. torque converter
2.60:1
DIFFERENTIAL
Type
Hypoid, semi-floating
Ratio
3.54:1
STEERING
Type
Recirculating ball w/hydraulic servo
Turns lock-to-lock
3.5
Ratio: gear
16.2:1
Ratio: overall
21.0:1
Turning circle
45.2 feet
BRAKES
Type
Four-wheel hydraulic w/vacuum servo, internal expanding drums w/dual cylinder on front wheels
Size
12.0 x 2.0 inches
Swept area
201.0 square inches
Parking brake
Mechanical, single 7-inch internal-expanding drum on rear of transmission
CONSTRUCTION
Type
Body-on-frame
Body
Welded steel stampings
Frame
Steel box-section side rails with three lateral crossmembers
Body style
2-door, 6-seat pillarless coupe
SUSPENSION
Front
Independent, non-parallel control arms, coil springs with concentric shock absorbers, anti-roll bar
Rear
Live axle, tapered semi-eliptic springs with interliners, "straddled-mounted" shock absorbers
Shock absorbers
Oriflow hydraulic
Wheels
15 x 6L stamped steel
Tires
4-ply tubeless 8.20 x 15
WEIGHTS AND MEASURES
Wheelbase
130.0"
Overal length
223.0"
Overall width
79.1"
Overal hight
61.2"
Front track
61.0"
Rear track
60.4"
Min. ground clearance
6.2"
Shipping weight
4,490 pounds
CAPACITIES
Crankcase
5 quarts
Oil filter
1 quart
Transmission
11 quarts
Rear axle
3.5 pints
Cooling system
26 quarts
Fuel tank
20 gallons
CALCULATED DATA
bhp/cid
0.75
lb/bhp
18.0
lb/cid
13.6
PSI (brakes)
22.3

 

 

1955 IMPERIAL: Models

 
Weight
Price
Production
C69 (wb 130.0)
  sedan 4-door
4,565
4,483
7,840
  Newport hardtop coupe
4,490
4,720
3,418
  convertible coupe
4,600
--
1
  chassis
--
--
1
C70 Crown Imperial (wb 149.5)
  sedan 4-door, 8-pass.
5,180
6,973
45
  limousine 4-door
5,230
7,095
127
1955 engines: Type and cid
bore x stroke
bhp
availability
V-8, 331.0
3.81 x 3.63
250
S-all

 

1955 IMPERIAL: Links

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

 

 

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