Bu bolumde, ortak serginin Ibrahim GOGER'e ait fotograf calismalari yeralmaktadir. Minimalist bir yaklasimin izlendigi fotograflar, orjinal halleriyle taranarak digital ortama aktarilmistir. Sergide fotograf bolumunun son isi, ayna uzerine serigrafi teknigiyle basilmis korkuluk figurudur . Izleyiciler aynadan kendilerini gorebilmektedirler.

Fotograflarin yapiminda Ilford film ve kart kullanildi, cekimler Bronica GS1 ile 6x7 formatinda yapildi. Baskilar icin Durst M805 agrandisman kullanilmistir. Sergide siyah-beyaz baski Ÿzeri boyama, film montaj ve kolaj teknikleri uygulanmistir. Fotograflarin baski boyutu 50x60 cm., cerceveli boyut 70x90 cm.dir.

These photographs were exhibited with Nilhan Saygon's paintings and Esber Karayalcin's sculptures under the same topic at Turkish American Association in 1989 ( May 12-June 3). The exhibition was opened at Guvenpark, Ankara as a garden exhibition in 1989, 5 June, the World Enviroments Day Facilities involves the exhibition also at that time. The target of the exhibition was to make social reactions against to filthy enviroment and deformation of CFC on oson layer of atmosphere. And the artists want people to think about passive role of community in this situation which will be a big problem .

In this section, there are the exhibition's photographic studies of Ibrahim Goger. The photographs that shows minimalist approach were scanned from original copies to digital medium. The last one in the photograph section is a figure of scarecrow. It is printed on a mirror by serigraphic technique. The spectators can see themselves in this mirror.

Ilford film and paper were used in printing steps. Bronica GS1 were used to take the photographs. Prints were carried out with Durst M805 enlarger. The dimension of photographs are 50x60 cm, and 70x90 cm (with frame).