Halloween: The Series
Episode 4.2: Unidentified Falling Object 

We open on a night sky, filled with bright and shining stars twinkling in the clearness of a winter night as the crescent moon hovers over the landscape. We pan down to see a cornfield, crickets chirping and frogs calling over the scene. There is a barn just outside the cornfield. An old 1957 Chevy sits just outside of it. On the hood of this Chevy car lays a young couple, college-age, stretched out on top of blanket spread across the top. The dark-headed athletic male, Wes Sprague, has his arms wrapped around a young woman, Carrie Rivers, an attractive sandy-haired blonde with bright blue eyes, but an intelligent demeanor about her. 

WES
Do you believe it, Carrie? After all those years of driving that tractor around, we can finally settle down and get married just like our parents always wanted us to. 

CARRIE
I know. College graduation is a long-time coming. What are you gonna do about the farm? Are you gonna sell it or hire someone to run it for you? 

WES
I think my parents would want me to hold on to it, so I’ll probably hire a good man to maintain it for me. After all, I busted my butt for five years getting my degree to get myself into the city. 

CARRIE
I’m just so happy that we’re finally about to get settled. No more long farm hours, working all hours just to stay afloat. We’ll have a life outside of Littleton. Away from the small town mentality. 

WES
Yeah, I know. I’m looking forward to moving over to Chicago and starting up with a major newspaper there. The Chicago Times must be looking for a good reporter or two. 

CARRIE
All you need now is a major story to write about and you’ll be set. 

Suddenly, from the sky above them comes a terribly bright light, shining down on them as their fearful gazes look up into the sky. The lights turn to a weird green color as Wes and Carrie view a large UFO hovering in the sky above them, lights twinkling on and off. Wes and Carrie stand in awe. 

WES
I can’t believe this! 

Wes jumps up from the car and takes off into the cornfield as Carrie watches on with fear. She looks up at the hovering UFO as Wes gets further and further into the corn. Carrie stands and goes after him. 

There is a loud whirring noise as Wes gets directly underneath the UFO, looking up in awe. Carrie continues her pursuit, getting the edge of the corn, eyeing Wes in the field through the blinking green lights. She looks on in shock as a green light shoots out of the UFO, directly down at Wes. Carrie’s eyes widen. 

CARRIE
Oh, my God! Wes! No! 

Wes is suddenly lifted into the air and shoots up into the light, seemingly sucked into the UFO like a vaccuum. He disappears into a doorway as Carrie screams. Just as swiftly as the UFO arrived, it suddenly shuts down its light and shoots off into the sky, leaving Carrie alone in the quiet night. She stares at the spot where Wes was standing. Her breathing becomes rapid. 

CARRIE
Oh, God. No! Wes! No-o-o-o-o-o! 

Carrie cries tears as ‘The Halloween Theme’ begins to play… The title card appears reading: 

HALLOWEEN: the series 

The music becomes a far more rock and roll version of the theme tune and various images from season two and three flash up. The cast characters are named as: 

Paul Rudd as TOMMY DOYLE
Carrie-Anne Moss as DEBRA LOOMIS
Johnny Depp as LONNIE ELAMB
Rebecca Gayheart as HELEN JACOBS
with 
ColinBaker as ADAM TRAVERS 

We open on a day shot of the Elamb house, where we see Lonnie Elamb emerge from his house carrying a small bag as Debra Loomis follows him out of the house. They seem to be in the middle of an argument as the winter sun shines down on them. 

DEBRA
Lonnie, I just don’t understand why you want me to stay home. Lindsey is my friend, too, and I’d like to congratulate her on her college graduation just like the the two of you. 

LONNIE
I just need a little space, okay, Debbie? We need some time apart to think about some things. 

DEBRA
What things? 

LONNIE
I still can’t get the mental image out of my head. You and that crusty undead boob Manfred. It just doesn’t sit well with me right now. 

DEBRA
Lonnie, you can’t hold that against me. 

LONNIE
I’m not. I’m just going away for a few days. 

DEBRA
You know where to reach me. 

Tommy pulls up in his Jeep and comes to a stop outside the house. Tommy emerges from the Jeep and walks over to Lonnie and Debra on the sidewalk. 

TOMMY
You got everything locked up tight, Lonnie? 

LONNIE
Yeah. Josh is looking after the house, so I don’t have to worry about a whole lot. He’s pretty responsible these days. Deb, I’ll call you the minute we get there, okay? 

DEBRA
You promise? 

Lonnie nods his head and gives her a quick peck on the lips before throwing his bags into Tommy’s Jeep. Tommy notices the tension and nods to Debra sympathetically. 

TOMMY
Take care. 

DEBRA
Give Lindsey my best. Drive safe. 

Tommy nods to her and climbs into the Jeep, starting the engine. He looks over at Lonnie with annoyance. 

TOMMY
You’re throwing away the best thing that ever happened to you. 

LONNIE
Mind your own business, Doyle. 

Tommy shrugs and pulls away in his car as Debra watches the car disappear down the road. We cut to Haddonfield University, where Helen is now walking up a sidewalk with a back pack slung over her shoulder and a notebook in her hands. As she is walking, red-headed Colin Moritz steps into the picture, grinning at Helen like a school boy with a crush. 

COLIN
Hi, Helen. How are you today? 

HELEN
Oh, hi, Colin. I’m doing okay. Just making it, you know? 

COLIN
I understand. Say, Helen. There’s been another UFO sighting over in Littleton. A guy disappeared right in front of his girlfriend. I think the aliens got him, but the government is covering it up. 

HELEN
That’s, uh, nice, Colin. I really need to get to class. 

COLIN
You wanna go with me up to Littleton this weekend to stake out the scene of the disappearance? The science club would have to vote me president if I cracked this case. And I would be a major celebrity at the next Star Trek convention! What do you say? 

HELEN
Well…I can’t. Sorry, Colin. I already have plans. 

COLIN
Oh, it’s okay. I totally understand. Maybe some other time. 

From the building emerges Greg Bradford, his arm around Emily Hodges as they laugh. They see Colin and Helen and stop to look at them. 

EMILY
Well, look. They’re practically making out right here in public. 

GREG
I swear, Moritz. You are such a dork. 

He walks over and steps up in Colin’s face. 

GREG
Haven’t I told you to stay away from Helen? Haven’t I told you about all the nasty things this girl has done? She’s a freak, just like you’re a freak. 

COLIN
But— 

GREG
But nothing, Colin. You can’t get a girlfriend, so you have to settle for the trash whore of Haddonfield. 

Helen stares at Greg with boiling anger. 

COLIN
I didn’t mean to imply any romantic flirtations between myself and Miss Jacobs. I was simply being a friendly acquaintance and inviting her to— 

Greg grabs Colin and pins him against the wall, getting directly into his line of sight with a grimace on his face. 

GREG
Get out of here, dweeb. 

Greg shoves Colin away and he walks away in a timid manner, looking back briefly with fear before disappearing into the crowd. Greg turns to Helen as Emily laughs. 

EMILY
Helen, you give trash a bad name. 

GREG
For real. I mean, what kind of disgusting whore actually has intercourse with her own father? 

Greg and Emily begin to laugh as Helen turns and walks away, tears forming in her eyes. We cut to Country Manor, where Debra has arrived for work and is straightening out her desk. Through the door walks Dr. Mark McGee, a slight smile on his face. 

MARK
Hey, there, sweetheart. 

DEBRA
(looking up and smiling)
Hey, Mark. What brings you by? 

MARK
Well, one of the patients wants to see you, but I mostly just wanted to make sure you were okay. You’ve been a little down in recent months, it seems. 

DEBRA
I’ll be fine, Mark. Thanks for your concern. Which patient wants to see me? 

MARK
Leland Jericho. 

Debra is quiet for a second, but then nods her head. 

DEBRA
I’ll be there shortly. Thanks for telling me. 

Mark nods and exits as we cut to inside Tommy’s Jeep, where Tommy and Lonnie are driving down the road in complete silence. Tommy looks over at Lonnie, seeming like he wants to say something. 

TOMMY
Can I say something? 

LONNIE
It’s your Jeep. 

TOMMY
You’re being totally hypocritical. 

LONNIE
How do you figure that? 

TOMMY
You’re giving Debra the cold shoulder for the whole Manfred thing and what she did to that nurse. But, if I remember correctly, there was a time last year when you were overcome by a dark force and tried to kill me, Debra, and Adam with a knife. But, Debra forgave you because it was out of your control. All of us did. 

LONNIE
That was different. 

TOMMY
Not really. 

Lonnie just stares out the window and frowns. 

LONNIE
I didn’t ever get with another woman. You don’t understand. 

TOMMY
I guess not, because you’re gonna drive her away, and as much as I think you two don’t belong together, I don’t want to see Debra hurt. 

LONNIE
What else is new? Debra kills a woman, gets with an evil vampire, and tries to kill her friends. But, as per usual, it’s ME hurting HER. Why do I even consider you guys my friends? 

TOMMY
But it wasn’t her, Lonnie. That’s the point. Debra would never do that to you. 

LONNIE
Maybe you should just drive the car and quit the talking. 

TOMMY
And maybe you should shock everyone for once and listen to what others have to say. 

Lonnie just shakes his head and takes out a Walkman, throwing the earphones on and turning on the music. Tommy shakes his head and continues to drive. We cut to Haddonfield University, where Helen is walking down a path with tears forming in her eyes as she spots Sue Adams and Josh Jamison up ahead of her. Sue smiles and waves at her as Helen stops, hesitating before walking over to them. 

SUE
Hey, what’s wrong with you? 

HELEN
Nothing. I’ve just had a bad day. 

JOSH
Looking extremely bad to me. Why are you crying? 

HELEN
I just thought that college would be different, you know? That maybe some people would grow up and stop acting like babies. 

JOSH
Helen, don’t talk about Sue like that. She’s doing the best she can given her natural lack of maturity. 

Sue frowns and smacks Josh on the arm and he feigns being hurt as Helen stifles a laugh, wiping away some tears. 

HELEN
I wasn’t talking about Sue, Josh. I was talking about Greg Bradford. He’s such a jerk. He practically yelled it out across campus about what happened with me and my dad. And then, there was Emily Hodges right there beside him as his personal cheerleader. 

SUE
I don’t know what’s wrong with him lately. 

JOSH
Well, I do. He wants you, Sue, and he’s pissed off that you don’t want him. 

SUE
I can’t help that. I don’t know how else to tell him to stay away from me. 

HELEN
I’m hurt even more because I used to be friends with him. He used to be like my second brother and now he’s like my mortal enemy. Garry wants nothing to do with him, either. 

SUE
Just ignore him and let him go through whatever faze he’s going through. That’s the only way he will straighten up. 

JOSH
And if that doesn’t work, we’ll steal his naked baby pictures and post them on the big bulletin board in the general studies department. 

Helen laughs and shakes her head as we cut to Country Manor, where Debra walks down a long hallway, leading to a small door at the end of it. She peers through, seeing a large room with a taped boundary on the floor. On the other side of the tape is Leland Jericho, his long, flowing gray hair down in full glory as he plays with his chess board by himself. Debra opens the door and enters the room. Leland doesn’t turn around as she stands there, waiting. 

LELAND
I thank you for coming, Dr. Loomis. I must admit that I didn’t know if you would show considering my past history with your beloved boyfriend. 

DEBRA
I’m intrigued as to why you wanted to see me. 

LELAND
I was starting to feel ignored. Here I’ve been kept in maximum security now for weeks on end and not one visitor. Not one “thank you” for helping in the apprehension of the Fallen Angel. I must stress my disappointment in his room being taken away from mine. I think I was just starting to reach his inner child, to explore his rage beneath his quiet nature. 

DEBRA
He was threatening suicide, Mr. Jericho. 

LELAND
Exactly. However, it has come to my attention that you’ve been a bad girl, Dr. Loomis. A very bad girl indeed. Tell me, doctor. What did it feel like to kill another human being? 

Debra sits there in silence, studying him as he has hit a nerve. 

DEBRA
How did you find out about that? 

LELAND
The police may be baffled, but the Gods are not. Little birdies talk to me. Tell me, Debra. Do you feel any remorse? 

DEBRA
You still didn’t answer my question. 

LELAND
Oh, rest assured, my dear. You secret is safe with me. I won’t tell a soul. I understand that my testimony would be most helpful in a court of law. I would have the jury at my beckon call. 

Leland smiles at his sarcasm as Debra looks shaken. 

DEBRA
Of course I feel remorse. Who wouldn’t? I didn’t mean to kill anyone. There was something inside me, something that took my free will. It’s not my fault. 

LELAND
Not your fault? Maybe not, but it was you who will pay the consequences. The guilt alone will eat away at you until you crumble, until you fall down on your knees and pray to the heavens above to take you from this earth. 

DEBRA
Is that what you did after you preyed on your first victim? 

LELAND
Of course not. I’m a man without conscience. 

DEBRA
I don’t believe that. I think you just like to put fear into people, but you only resect those who don’t fear you. That’s why you like Lonnie so much, that and you were in love with his mother. What I don’t understand is why you’re so concerned about my feelings. 

LELAND
It’s not every day that innocents are tainted and brought over that line that divides light and darkness. How does it feel with the lights out? 

Tears form in Debra’s eyes. 

DEBRA
It feels terrible. 

LELAND
How do you cross back over that line once you’ve made the leap? How do you put the nagging pain at ease within your own soul? How do you continue life knowing that you’ve impacted someone else’s in such a negative way? That woman had family. She had a child. She had a life. And it was taken away in an instant, because of you, because of your inability to control your own actions. How do you gain redemption for your wrongs? 

DEBRA
I don’t know. 

LELAND
Repair that which you have broken. 

Debra just shakes her head and turns as Leland turns back to his game. 

LELAND
If you ever need to talk, you know where to find me. 

Debra just turns and exits as Leland moves a chess piece into place. We cut to Chicago, Illinois, where Tommy and Lonnie are emerging from a car outside of an apartment building. They look around the place as Lindsey Wallace emerges from an apartment, excited to see them. She runs over and jumps into Tommy’s arms with a scream. 

LINDSEY
Oh, my! I thought you guys would never make it! 

LONNIE
You and me both. 

Tommy glares at Lonnie as Lindsey hugs Tommy and then Lonnie. Lindsey smiles and looks at them. 

LINDSEY
I love you guys. I’m so glad you came, especially since my parents got snowed in over in Colorado on their skiing trip. It’s a little strange around here, though. One of my classmates disappeared last night. His girlfriend claims a UFO took him away. Strange, strange stuff. 

LONNIE
We’ve come to expect that whenever we see you, Lindsey. 

LINDSEY
Oh, Lonnie. Still that attention-deprived vain jerk I always knew. It’s sad that I’ve missed you. 

LONNIE
It sure is. 

TOMMY
Well, I’ve missed you, too, Lindsey. Come on. Let’s get settled before the big graduation party. 

Lindsey puts one arm around Tommy and the other around Lonnie. She smiles at both of them. 

LINDSEY
Just like when we were kids, huh, guys? 

Lonnie looks depressed as Tommy smiles. We cut to Haddonfield University, where Greg Bradford is whispering with Emily Hodges. She smiles, turns, and gets in her car as Josh Jamison walks up behind them. Emily pulls away as Josh walks over to Greg, who turns and looks at him with contempt. 

GREG
What do you want, Josh? 

JOSH
You know, I understand that you have a problem with Sue’s rejection. It’s only natural. But, leave Helen out of the equation. She’s done nothing to you. 

GREG
What makes you think my problem with Helen has anything to do with your prissy little girlfriend, Josh? Maybe I just don’t like Helen. Did that ever cross your mind? 

JOSH
So, it’s okay to make people feel bad simply because you don’t like them? 

GREG
In my eyes, it is. 

JOSH
Well, when you put it that way— 

Josh quickly decks Greg with a hard right fist, sending him sprawling to the ground. Greg lands with a thud as Josh holds out his arms while standing over Greg and looks down at him. 

JOSH
How did that feel, jerkweed? 

Josh turns and walks away as several students come over to make sure Greg is okay. Greg glares as Josh walks away. We cut back to Littleton, Illinois, where Lindsey, Tommy, and Lonnie are seated in Lindsey’s apartment. Tommy and Lindsey are deep in conversation as Lonnie stares out the window in thought. 

LINDSEY
I still crack up about the time that I threw eggs at your house and you thought it was Lonnie for about three years. 

TOMMY
Yes. I remember. You always have been good at stirring things up. 

Lindsey looks over at Lonnie, who is not even listening. 

LINDSEY
Earth to Lonnie. Tommy just gave you a perfect opening for another “Lindsey is possessed” joke and you didn’t even take the bait. 

LONNIE
Sorry. Old age is creeping in and all. 

Lindsey frowns at Lonnie as Tommy skims through the local newspaper, which bears the headline of the disappearance in the cornfield. 

TOMMY
What did the police say about the disappearance? 

LINDSEY
They say that the girlfriend is crazy and I think they believe she may have had something to do with it. I don’t really know what to believe, as Carrie has always seemed like a real nice girl. I don’t think she would make something up about a UFO if she didn’t believe that’s what she actually saw. 

LONNIE
So, UFO, eh? Bright lights and everything? 

TOMMY
I believe her. Numerous reputable individuals have reported UFO sightings, as well as several people who have claim to have been abducted. On a positive note, most returned unharmed and with little memory of what happened when they were missing. 

LONNIE
He would know that. 

Tommy looks over at Lonnie and frowns. 

TOMMY
I wouldn’t mind star gazing later to look for UFOs. What do you say? 

LONNIE
I don’t think so. I just want to see the graduation and party the night away. Aliens and their little saucers aren’t my thing. 

TOMMY
Fine. Miss the discovery of the century. 

LONNIE
Thanks. I appreciate it. I’m gonna wait in the car. 

Lonnie gets up and walks out of the apartment and shuts the door behind him as we cut back to Haddonfield, where Debra Loomis is walking down a street with her hands buried in her pockets. The winter wind blows, giving her a chill as she watches a young boy, Mickey Stone (Episode 2.12), sitting on the front porch of his house. Mickey looks depressed as he bounces a tennis ball on the ground in front of him repeatedly, barely looking around as his sad demeanor has overcome him. Debra seems to feel his pain as she stares at him from across the street. From out of the house comes Mickey’s father, Matthew Stone. Matthew sits down next to Mickey and looks sadly at him. 

MATTHEW
Are you gonna come inside, Mickey? 

MICKEY
I don’t want to live here anymore, dad. Every time I walk into that house, I’m reminded that mom’s not coming home anymore. 

MATTHEW
Mickey, I’m sorry. I miss your mother, too. I hope the police find whoever killed her, but we can’t stop living life just because she’s gone. We have each other and that’s important. Okay, champ? I need you to be strong and to help me out with the things she used to do. 

MICKEY
She’s never coming back, dad! She’s dead! She’s never gonna tuck me into bed again! She’s never gonna have dinner ready for us when we get home, even after spending a 12-hour shift working for the sick people down at the hospital! I hope God punishes the person that took her away from us! I hope they die! 

Matthew hugs Mickey and holds him closely. 

MATTHEW
Listen to me, son. Don’t ever say that. Don’t ever wish anyone dead again. Got it? 

MICKEY
Sorry. I just miss mom. I miss her so much. 

MATHEW
I do, too, Mickey. I do, too. 

Debra watches them with tears in her eyes as a hand grips her shoulders from behind. Debra whips around to see Adam Travers, looking worriedly at her as Wolf stares at her with his tongue hanging out of his mouth. 

ADAM
Hello, there. Fancy seeing you out and about. 

DEBRA
You scared me. I was just, uh, taking a walk. 

Adam glances over at Matthew and Mickey as they go back inside their house. Adam turns and looks at Debra with suspicion. 

ADAM
Wasn’t that... 

DEBRA
It’s not what you think, Adam. 

ADAM
Debra, you can’t torture yourself like this. Nothing you do will ever bring back that man’s wife or that boy’s mother. Matthew and Mickey Stone will recover. It’ll be a long, hard process, but they will be fine and life will go on. You musn’t hang around and spy on them for signs of happiness. You must do the same and move on. 

DEBRA
I ruined their family. That nurse I killed at the hospital. She had a name. It was Laura Stone. 

ADAM
It wasn’t you. You have no amends to make. Manfred is responsible for all of it. You can’t carry the burden of Laura Stone’s death on your head. 

DEBRA
You’re right. It’ll just bring me down. 

ADAM
Come on. Wolf and I will walk you home. 

Adam puts his arm around Debra as she steals a glance at the Stone home and walks away with Adam and Wolf down the road. We cut to Littleton, Illinois, where Tommy and Lonnie are seated in a large audience. They are calling out names over the intercom as people walk up and receive their degrees. Lindey waves at them from the stage as they get closer to her name. 

ANNOUNCER
Jake Waggoner. 

Jake Waggoner walks across the stage and gets his degree. 

ANNOUNCER
Lindsey Wallace. 

Tommy and Lonnie cheer loudly as Lindsey does a little dance on her way to get her degree. She grabs her degree and poses with it in Tommy’s and Lonnie’s direction before exiting off the stage. We cut to later that night. The graduation ceremony is over and there is a huge party happening, as people are dancing, some are guzzling beer, while others, like Tommy are sitting at the edge of the cornfield and gazing up at the stars with a telescope. Lindsey walks up behind him and taps him on the shoulder. 

LINDSEY
Excuse me? There’s a big party going on back at the farm and you’re sitting out here star gazing. What’s up with that? 

TOMMY
I’m not the partying type, Lindsey. I like the quiet. 

LINDSEY
You really need to lay back every once in a while. You could get high blood pressure, or even heart problems with all the emotions you suppress. Let loose, live free. It’s not all doom and gloom, I promise. 

TOMMY
I miss you, Lindsey. I really do. But this just isn’t my idea of a good time. 

LINDSEY
Well, I’m coming home soon, so you don’t have to worry about the “missing me” thing. 

TOMMY
Really? 

LINDSEY
I have an interview with the Haddonfield Times tomorrow, so my career in investigative journalism could be kicked off right in my old hometown. 

TOMMY
It’d be great to have you back home. 

LINDSEY
Time will tell. I’m gonna go back to the party and have fun. You know, fun? That thing people do when they don’t conceal themselves inside their homes and shut out the world? 

TOMMY
I’ve heard of it. 

LINDSEY
Feel free to come and join us. 

TOMMY
I’ll think about it. 

LINDSEY
Bye. 

Lindsey turns and walks off as Tommy looks through his telescope up at the stars. We cut to the Stone residence, where Debra has returned. She walks cautiously up to the door, carrying a basket with a ribbon tied to it. The door opens before she knocks and she is startled as Matthew Stone steps out into the moonlight. 

MATTHEW
Can I help you? 

DEBRA
Hi. I’m Dr. Debra Loomis. I was just, uh… 

MATTHEW
Bringing by a fruit basket? 

DEBRA
Well, yes. But, I also wanted to say how sorry I am for what you and your son are having to go through right now. I know it must be difficult. 

MATTHEW
Did you know Laura? 

DEBRA
Just briefly. But, I thought I’d give you a condolence gift and my best wishes. 

Debra hands Matthew the fruit basket and he takes it, looking at her suspiciously. 

MATTHEW
What did you say your name was again? 

DEBRA
Debra Loomis. I’m a psychiatrist over at Country Manor. 

MATTHEW
Well, I thank you for the gift, Dr. Loomis. But, we don’t need charity. 

DEBRA
That’s not— 

MATTHEW
I know you mean well, but me and my son just want to be left alone. We can’t accept your gift. 

DEBRA
Please accept it, Mr. Stone. I would feel horrible if you didn’t. 

Matthew sighs and takes the fruit basket, nodding his thanks. 

MATTHEW
Thanks, Dr. Loomis. We appreciate it. 

DEBRA
If you ever need someone to talk to, keep me in mind. 

MATTHEW
Oh, I get it. You’re one of those shrinks who tries to take advantage of those with tragedies. What do you do? Read the obituaries and chase down the families. You’re not gonna make any money off of me, doctor, so don’t even bother trying. 

DEBRA
You misunderstand me, Mr. Stone. I would never charge you for any sessions. Pro bono. 

Matthew just blinks in confusion. 

MATTHEW
What’s the catch? 

DEBRA
There’s no catch. I just want to help, especially where your son is concerned. 

Matthew studies her for a second and ponders. 

MATTHEW
If it was just me, I wouldn’t bother, but Mickey may need some therapy. I’ll be fine. I’m a big boy, but he’s just a kid. I’m not sure he fully understands. 

DEBRA
I won’t charge you a penny. I work mostly days, but sometimes I’ll make exceptions. My home address and phone number is also on my card. 

Debra hands over a business card and Matthew studies it suspiciously. 

MATTHEW
I’ll think about it. 

DEBRA
Fair enough. 

Matthew reaches out and shakes Debra’s hand. She smiles and exits, walking briskly down the road. Matthew watches her go with suspicion and goes back inside his house as we cut to Littleton, Illinois, where the party is still in full swing. The music blares, the people dance, and the drunkards yell loudly. We focus up on Lonnie as Lindsey comes dancing in his direction with a smile. 

LINDSEY
Lonnie, I can always count on you to party with me, right? 

LONNIE
I’m not in the mood right now. 

Lindsey stops dancing and has a seat next to him with a bright smile. 

LINDSEY
Spill it. What’s going on with you? 

LONNIE
Woman problems. 

LINDSEY
Cool. I can help with that. I’m a woman. 

LONNIE
I thought that was just a rumor. 

LINDSEY
Talk before I deck you for acting stupid. 

LONNIE
Me and Debra. I’m not sure it’s gonna last. 

LINDSEY
Why not? I thought you two were in love. 

LONNIE
We were, but there was...someone else. 

LINDSEY
Lonnie, you jerk! 

LONNIE
It wasn’t me! It was her. 

LINDSEY
Oh, sorry. I just naturally assumed...Anyways, it doesn’t matter. What do you feel in your heart? 

LONNIE
I’m not sure I can get past it. 

LINDSEY
I don’t know the details and I don’t need to. Debra’s one of those women worth fighting for. If there’s any chance that it can be reconciled, I say stick with it. But, it’s really up to you whether or not it can be. 

LONNIE
Anyways, enough about me. How does it feel to be a college graduate? 

LINDSEY
Scary. Not sure where or if I can find a job. Hopefully, I can get this job in Haddonfield that I have an interview for. Then, I get to torture you daily. 

LONNIE
Cool. More rape charges. I can hardly wait. 

LINDSEY
That was not me and you know it. That was that stupid demon. Let it go. 

Suddenly, a bright green light covers the entire area. The people at the party start to get quiet as the whirring sounds of a large aircraft echo in the night. Lonnie and Lindsey look up as a UFO hovers over the scene, larger than life and seemingly blocking the sky. 

LINDSEY
Oh, my God. 

In the cornfield, Tommy looks up from his telescope and stares in awe at the large spaceship. Back at the party, Lonnie and Lindsey walk towards the ship. Suddenly, a bright white light flashes the party, temporarily blinding everyone. A loud bang is heard, followed by the sound of the ship flying swiftly away. Lonnie and Lindsey look up as the ship flies off into the sky. The ship suddenly bursts into flames and loses flight, twisting and turning towards the ground. In the distance, they watch as the UFO crashes into the field with a loud bang and a fiery mushroom cloud erupts from the site. On a hill not far from the crash site, Colin Moritz looks up from his own telescope. He smiles. 

COLIN
I knew it! 

Colin takes off towards the crash site as we cut back to the party, which is now silent. Lonnie and Lindsey stare in awe. 

LONNIE
Oh, my God. 

Lindsey screams and Lonnie turns around to see Wes Sprague, spread out on the ground face-down, no clothes on as he seems to be in shock and broken out into sweats. Lindsey quickly grabs a nearby blanket and throws it over him, shielding him from onlookers. 

LINDSEY
Oh, my God. Wes. Are you okay? 

WES
Carrie. Help me, Carrie. 

LONNIE
He’s in shock. We’ve got to get him to a hospital. 

LINDSEY
Come on! 

Lonnie quickly lifts him up as Lindsey grabs his feet. They run over and throw him into a car as we cut to the cornfield, where the ship is burning brightly in the corn. Colin Mortiz enters, looking at the ship with awe and happiness. 

COLIN
I knew it! I knew it! 

Colin walks towards the ship and looks inside. He sees wires hanging in the wreckage as sparks fly from loose ones. He climbs inside the ship as we cut to Tommy Doyle sprinting through the corn field, coming up on the burning ship and stopping as a figure is spotted moving by the side of the ship. Tommy runs over to find a small creature on the ground, barely moving. He is small and skinny, with big black eyes and an oval-shaped head. It looks too big for its body as flames crackle over the fallen ship. Tommy stares at the Alien with surprise as it reaches up towards him. 

ALIEN
Help me. 

Tommy hesitates, but quickly bends down helps the Alien stand. 

TOMMY
What are you? 

ALIEN
My name is Cozar. Someone’s ancient weaponry has grounded me. I must retreat before the Gray Men arrive. 

TOMMY
Gray men? 

COZAR
Please. I can not walk. Please help me. My life is in your hands. 

Tommy picks up the creature and carries him away from the burning ship. 

TOMMY
Come on. I know somewhere safe. 

They retreat through the corn as inside, Colin walks into a room with a large screen on it. He looks entranced by the ship’s insides as he presses a button on the control panel. The screen lights up briefly, showing a large map of the United States and several marks with X’s on the screen. Lights flash on and off as the fire continues to spread. Colin walks over to a strange-looking planet-shaped fuse box on the wall. 

COLIN
Amazing. 

Colin opens the fuse box and reaches inside. He looks through the wires and finds a microchip as the power source for the entire ship. Colin grabs the chip and pulls it out. The entire ship goes dark. Moments later, Colin emerges from the ship holding the microchip. He smiles. Suddenly, a gray van comes speeding through the cornfield, headlights on the fallen ship as it mows down ears of corn in its path. Colin’s eyes widen. 

COLIN
Oh, no. 

Colin turns and takes off through the corn as the gray van arrives and comes to a halting stop. From the van emerges two men in gray suits, one of them being FBI Agent Austin Poe (Episodes 2.16, 2.18) and the other FBI Agent Robert Trent. They look around at the flaming ship. 

AUSTIN
It looks like the boys nailed it. This is worse than Roswell. There were too many witnesses to bury this. 

TRENT
Quick. We need to find the pilot of this thing before curiosity seekers start to show up. 

Agent Trent takes a step towards the ship and climbs on as Austin climbs in behind him. We cut to the hospital, where Lonnie and Lindsey come running in, carrying Wes in their arms. The ER registrar jumps up and runs over with her eyes widened. 

REGISTRAR
What’s wrong? 

LONNIE
Don’t know. We found him in a field like this. 

LINDSEY
He’s been missing for a few days. 

REGISTRAR
Come on. I’ll get him to a nurse. 

Lonnie, Lindsey, Wes, and the Registrar go into the emergency room as we cut to Tommy’s parked Jeep, where Tommy emerges from the cornfield carrying Cozar. Cozar is breathing desparately in the night as Tommy looks worriedly at the little green man. He shakes his head. 

TOMMY
I’ve got to be dreaming. 

COZAR
No. This is real. 

Tommy kicks open his Jeep door and gently lays Cozar in his passenger seat. He quickly runs around the side of the vehicle and climbs in, starting the Jeep up and pulling away quickly. We cut to the hillside, where Colin Moritz comes running as fast as he can, grabbing his telescope and throwing it into his car parked underneath a nearby tree. Colin takes out the microchip and stares at it with curiosity once again. He grips it firmly in his hand and sticks it into his pocket before climbing into his car and pulling away. We cut to the edge of the cornfield, where Agents Austin Poe and Robert Trent come out of the green crops. 

TRENT
Nothing! No pilot, not even any power in the ship! Someone was here. 

AUSTIN
But who? 

Trent shrugs, but looks behind Austin Poe to see a telescope set up with no one around it. Trent smirks. 

TRENT
The owner of that telescope, that’s who. Must have left prints. 

Trent puts some latex gloves on his hands and grabs the object in his hands. Austin looks around and sees that the party is barren as most people are leaving. Trent walks back into the cornfield as Austin hesitates, following him into the green forest of corn. We cut to the hospital, where Lonnie and Lindsey are in the waiting room of the ER. Lindsey is seated as Lonnie is pacing back and forth. Lindsey looks at him impatiently. She pats the seat beside her. 

LINDSEY
Sit down, Lonnie. Let’s talk some more about Debra while we wait. 

LONNIE
Do we have to? 

LINDSEY
Yes. Sit. 

Lindsey motions to the chair again and Lonnie rolls his eyes, having a seat next to her. He sighs as he looks over at her. 

LONNIE
You get on my last nerve. 

LINDSEY
Good. Spill it. Who did she cheat on you with? 

LONNIE
A vampire. 

LINDSEY
Excuse me? 

LONNIE
Pale guys. Sharp teeth. Bad taste in beverages? 

LINDSEY
I know what vampires are, Lonnie. I just didn’t think they were real. 

LONNIE
Well, I never thought flying saucers were real, either, but tonight is full of all sorts of surprises. 

LINDSEY
Debra and a vampire? Aren’t they dead? Isn’t that necrophilia? Disgusting! 

LONNIE
You see my point. 

LINDSEY
What in the hell was she thinking? Oh, Lonnie. Dump her. Dump her now. 

LONNIE
It wasn’t her. Manfred Von Guile. He was a vampire that had this spell over her, like he could control her and get her to do things that she normally wouldn’t do. 

LINDSEY
Oh. I see. (pause) Lonnie, you can’t blame her for those actions. Having been possessed by a demon before, I have a clear understanding of what it’s like to be out of control. In time, you will forgive her, just like you forgave me for accusing you of trying to rape me. You knew it wasn’t me then and you know it wasn’t Debra recently. 

LONNIE
What makes you think I’ve forgiven you? 

LINDSEY
Because if you haven’t, I’m gonna beat the crap out of you. 

Lonnie frowns and looks at Lindsey with disbelief. Lindsey smiles. 

LINDSEY
I think you’re just scared, scared that you’ve found something real and you’re looking for any excuse to run away like the scared little boy that you are. 

LONNIE
Hey, I’m not scared of anything. 

LINDSEY
Oh, yes you are. You’re a little fraidy cat. Yeah, you probably would would weep uncontrollably if I raised my hand in implied violence at you. 

LONNIE
Oh, please. How much did you have to drink tonight? 

LINDSEY
I’m trying to give you some rare advice, Lonnie. You’re not the self-absorbed, roguish jackass that I knew when I left Haddonfield. You’ve grown. Anyone can see that. Prove it by at least trying to save the only meaningful relationship that you’ve ever been involved in. 

Lonnie looks over at her and smiles. He nods his head. 

LONNIE
You’re right, Lindsey. I just hate how doing the right thing is so much harder than living for the moment. 

LINDSEY
I know. 

Carrie Rivers suddenly sprints into the waiting room, looking panic-stricken. 

CARRIE
Wes! Where’s Wes?! 

Lindsey stands and walks over to her and stops her, trying to calm her. 

LINDSEY
Carrie Rivers? 

CARRIE
Yeah. You’re Lindsey Wallace, right? 

LINDSEY
Yeah. My friend and I found Wes and drove him here. The doctor thinks he’ll be okay. We’re still waiting to hear from him. 

CARRIE
Oh, God. I thought he’d be dead when they found him. Did he look hurt? Is he still cute as ever? All his parts still in working order? 

LINDSEY
Well, we didn’t don the rubber glove and check his colon or anything, but he seemed fine. Trust us. I think he’ll be okay. 

CARRIE
Thank you…for everything you did. I’m gonna go check and see if I can see him. 

LINDSEY
Okay. 

Carrie turns and exits the scene as we cut to a highway, where Tommy is driving with his feet pressing the gas to the ground. Cozar is sprawled out in the passenger seat as Tommy looks over the creature in the rearview mirror. 

TOMMY
If I may ask a question, where did you come from? 

COZAR
A galaxy far, far away. 

TOMMY
What brought you here? 

COZAR
Why are you so quick to believe in my existance? Why not question whether or not this is real? The other humans do. Sometimes, they convince themselves they never saw me. Your race is a strange one, egotistical enough to believe that you are alone in the universe. 

TOMMY
Not all of us. I’ve seen enough on this planet to know there’s more than meets the eye no matter where you’re at. So, Cozar. What brought you to earth? 

COZAR
Science. 

Cozar moans and passes out as Tommy continues to drive into the night in silence. We cut to inside the hospital, where Carrie Rivers walks into Wes Sprague’s room. Wes is hooked up to an IV and is sleeping quietly as Carrie leans over and looks at him with soft eyes. 

CARRIE
Oh, thank you, God. I thought I’d lost you, Wes. I thought it was over between us. I don’t know what I’d do if anything happened to you. My life would have been over. 

Wes’s eyes suddenly shoot wide open as he turns his head, looking directly at Carrie. Carrie looks at him in fear as his eyes are now completely pitch-black and full of rage. 

WES
Your life is over. 

Wes lunges out and grabs Carrie by the throat before she can scream. He opens his mouth wide and a small creature shoots from it, screaming and wailing as it jumps onto Carrie’s face. We cut to the ER waiting room, where Lonnie is standing with Lindsey as they both pace back and forth. 

LONNIE
I wonder where Doyle scurried off to. 

LINDSEY
I hadn’t even thought about that. I’ll bet he’s stranded at that party wondering where we went. 

LONNIE
He has his Jeep. We took your car, so he should be able to make it home. I just hope he doesn’t leave me in this town. 

LINDSEY
I’m sure you’ll find some clever way to get yourself back to Haddonfield. 

Suddenly, a scream is heard as a nurse comes flying across the room and lands with a thud at Lonnie and Lindsey’s feet. Lonnie and Lindsey simultaneously look down at the unconscious nurse and then up at each other with confused expressions. They then look in the direction from which she came. Wes Sprague and Carrie Rivers are walking with purpose in a heads down, charging kind of way. Their eyes are completely blackened as a security guard charges them. 

SECURITY GUARD
Hold it right there! 

Wes throws a punch forward into the Security Guard’s chest and sends him flying across the room, slamming with force against the wall. The wall crumbles into pieces as the guard lays in a heap on the ground. Lonnie reaches into his jacket and pulls out his guns. Carrie leaps far through the air, drop-kicking Lonnie in the chest before continuing out the door. Wes smiles evilly as he moves his hands forward, causing Lonnie’s guns to float through the air towards him, landing in his hands. 

WES
Mine! All mine! 

Wes smirks at Lindsey before following Carrie out the door. Lindsey runs over and helps Lonnie up. He looks perturbed. 

LONNIE
That ungrateful little bastard. See if I take him to the ER next time he’s abducted by aliens. 

LINDSEY
Oh, my God. They could destroy everything! 

LONNIE
Not with my guns, they’re not! 

Lonnie quickly stands and charges out the door after Wes and Carrie. Lindsey follows him as we cut to Tommy’s car, where he is driving down a road. We suddenly realize that we are back in Haddonfield, as the Myers House comes into view. He suddenly veers into the Blankenship House driveway and comes to a stop. He quickly looks back at Cozar, who is motionless in the back seat. Tommy bolts from the car, grabbing a blanket from his passenger seat, and grabs Cozar, wrapping him in it. He shuts the door and walks towards his house. 

TOMMY
Come on, little guy. Hang in there. 

Tommy kicks open the door and goes inside as we cut to Littleton, where FBI Agents Robert Trent and Austin Poe are sitting in their van. A voice comes over the radio as they look out at the burning cornfield in front of them. 

VOICE
Trent, this is the lab. Those prints you sent on that telescope came back matching a Tommy Doyle, residing in Haddonfield, Illinois. 

AUSTIN
I know him. 

TRENT
Then it’s time you two caught up. (picking up the walkie and speaking into it) Ten-four, headquarters. We’re gonna pay him a visit. (hangs up) Let’s go. 

Trent puts the van in gear and they pull away from the scene. We cut to Debra’s house, where she is walking to the front door. She stops in her path when she sees a box, shaped like flowers, sitting on her porch. She frowns as she walks up to it, picking it up. She smiles. 

DEBRA
Lonnie. 

Debra opens the box and her eyes widen as she looks down and sees a black rose. She drops it, causing the rose to fall out of the box. Written in black spraypaint inside the box are the words “Soon, bitch”. Debra covers her mouth and looks out at the street, backing up and unlocking her door before going inside in a panic. A pair of feet wearing dark shoes are seen walking on the other side of her hedges in the front yard. Heavy breathing is heard as the figure walks away silently. We cut to Littleton, Illinois, as Wes and Carrie are walking down the streets with purpose. Lonnie and Lindsey come running after them as Wes holds up Lonnie’s guns and begins firing into the street. People begin screaming and ducking down underneath cars as Wes begins to yell loudly while firing. 

WES
Hell, yeah! You earthlings are weak! 

Lonnie uses a car as a springboard and leaps through the air, tackling Wes from behind and knocking the guns to the ground. 

LONNIE
What in the hell is wrong with you, man?! 

Carrie grabs Lonnie by his collar and yanks him backwards, sending Lonnie high into the air and into the side of a car. Lonnie’s breath is knocked out as he slumps to the ground. Lindsey turns Carrie around and decks her in the jaw. Carrie’s head snaps back with black-eyed fury, backhanding Lindsey in the face. Lindsey is sent through the air and into the side of a building before crumpling to the ground. Wes stands and smiles, walking over to her. 

WES
You will join them. You will all be their subjects when they arrive. 

Wes yanks Lindsey to her feet and stares her in the eyes. Lindsey tries to catch her breath. 

LINDSEY
Yuck, alien breath. 

A small, slimy creature emerges from Wes’s mouth, screaming and wailing with little black eyes as it reaches for Lindsey. Lindsey’s eyes widen. 

LINDSEY
Oh, you’re throwing up on me! 

The small alien creature grabs Lindsey’s mouth until a shot rings out, ripping through the small creature’s head and sending it in pieces to the ground. Wes’s head snaps around, bloody alien creature bits hanging from his mouth as he sees Lonnie with his two guns now aimed at him. Lonnie turns and points the other at Carrie as she takes a step towards him. 

LONNIE
Okay, I’ve had enough out of you nasty bastards. Now, take that slimy dead alien midget out of your mouth, because it’s….well, gross. 

Wes spits out the little dead alien corpse as Lonnie looks like he’s going to throw up. Carrie and Wes take steps towards him, their eyes glowing black. 

WES
We must pave the way for the takeover, for the new kingdom to grace this planet. 

LONNIE
The only thing I’m getting ready to pave is this road after I splatter your brains all over it with my twins. 

CARRIE
The ways of earth are barbaric in nature. In the new world, all will be controlled and peaceful. 

LONNIE
No offense, but you didn’t exactly come here with peace signs and flowers. You wanna see barbaric, take another step towards me. 

Wes and Carrie stare at Lonnie with smirks on their faces as onlookers have gathered to watch the scene. Lindsey begins sneaking up on Wes and Carrie as we cut to the Blankenship House in Haddonfield. Tommy has put Cozar on his bed and is shutting his windows and looking for first aid. However, as he does this, Cozar rises, levitating into the air vertically, his eyes now a solid evil _expression. Tommy senses something and turns to see Cozar hovering above him. Tommy begins to get frightened. 

COZAR
Earth. For years, our race has entered your land. For years, your people have not noticed our numbers growing. Yet, the few, such as yourself, and your friends, see too much and somehow manage to threaten us by exposing us. 

TOMMY
You weren’t injured in the crash, were you? 

COZAR
A mere fall from the sky does little to me. 

Cozar tilts his head as he sends out some telepathic rays towards Tommy, who squints his eyes as a loud-pitched sound fills the air. 

COZAR
You’ve lost a lot trying to explain the unexplained. I see pain in your head. You’re worried about the future, whether or not going through all of this is worth it. Some things out there are better left unexplained, Tommy. Do not stand in the way of the greater plan. You will only fall harder. 

TOMMY
Aliens? Taking over the world? You guys have been trying for years and still nothing. If you’re here, you must be threatened by me. Tell me, when did I ever cross your race’s path? 

COZAR
All on this earth was not brought forth by heaven or hell. Some came from the sky. Emotions, human emotion. It has no place in the universe. 

TOMMY
Says who? You’re out for universal domination, but you have a long way to go. 

COZAR
I’m just getting started, you foolish, trusting human. 

Cozar’s eyes bulge and his head starts to shake as he leaps like a bullet at Tommy, driving him back into the wall. Tommy swings with a right, but Cozar is too fast, lifting Tommy with his telepathic powers. He sends him against the wall with a thud. Tommy is stuck to the wall like glue and unable to move as Cozar concentrates his green face on him. He looks full of menace as sharp teeth are now visible in his mouth. 

COZAR
Leave the “paranormal” alone. You only get in the way. 

Tommy looks frightened as Cozar smiles evilly at him. We cut to outside the house, where Agents Poe and Trent emerge from their van. They look up at the Blankenship house as they cock their guns. 

TRENT
Come on, kid. Let’s bag this little bastard. 

AUSTIN
I’m with you. 

Agents Poe and Trent take off towards the house as we cut to Littleton, where several people are gathered around the fight in the streets. Lonnie has one gun trained on Wes and the other on Carrie as Lindsey is sneaking up on Wes and Carrie. 

WES
Our numbers will increase and spread throughout the planet and we will live in harmony! 

LONNIE
Oh, no. Don’t threaten me with harmony! Now you’ve got me quaking! 

CARRIE
He is a fool. 

LONNIE
Why does everyone always say that? Huh? I’m a pretty smart guy. I’ve been going to college. Getting a degree. I’m gonna make something of myself. I’m not a fucking fool! 

Lonnie looks angry as he points his gun at Carrie. Wes raises his hands and the guns come flying from Lonnie’s hands and fly across the road, landing on the ground. Wes and Carrie stare at a confused Lonnie. 

LONNIE
Only I fell for that one twice. I’ve got to learn to just shoot and talk trash later. 

WES
Now, you belong to us. 

Lindsey springs onto Carrie’s back, decking her with a right as they both fall to the ground. Wes leaps at Lonnie, who spear tackles Wes to the ground. Lonnie decks him with a right, but Wes grabs Lonnie by his throat, turning him over. Carrie pins Lindsey to the ground as Lonnie and Lindsey struggle against the mightier foes. The small alien creatures begin to come out of both Wes and Carrie’s mouths as we cut back to the Blankenship House. Tommy is pinned to the wall as Cozar begins to swell, chaging from a harmless-looking green man into a hulking muscular creature. Small aliens begin to crawl from his body, almost forming on his skin and dropping off as they scurry towards Tommy. 

TOMMY
No! No! 

The door flies open and Agents Austin Poe and Robert Trent charge into the room, guns drawn. Cozar whips his head around as Poe fires a bullet into his chest. Trent follows with a round of his own and gunshots continue to echo over the scene. Cozar staggers back and with each shot and looks hazily at Tommy, who falls to the floor on his feet. Cozar falls to the ground, dead and is still as the smaller creatures begin to die as well. In Littleton, both Wes and Carrie’s eyes suddenly go from black to their normal colors as Lonnie decks Wes with a right and Lindsey shoves Carrie off of her. Wes and Carrie look confused as Lonnie and Lindsey stand, perturbed. 

WES
How did we get here? 

CARRIE
What’s going on? 

Lonnie and Lindsey glance at each other with knowing looks as we cut back to the Blankenship house. Agents Poe and Trent turn to look at Tommy, who looks scared out of his mind as he stares at the dead body of Cozar. 

AUSTIN
It’s a good thing we got here in time. 

TOMMY
What happened? 

TRENT
Some things are better left unexplained. If you go public with this, the FBI will deny all knowledge of any alien being. Poe, grab the creature. 

Austin walks over and throws the small creature over his shoulder, looking at Tommy as he walks out the door. 

AUSTIN
Don’t worry. He won’t talk to anyone. Let’s go. 

TRENT
Not one word to the press. 

Trent gives Tommy a stern look before following Austin out the door. Tommy breathes in relief as the moon hovers over the night sky. We cut to later in Littleton, as Lonnie and Lindsey are talking with Wes and Carrie by Lindsey’s car. 

WES
I’m so sorry. This is just disturbing for me. 

LINDSEY
Disturbing? You tried to puke another being. I’d say it was more than disturbing. 

CARRIE
Thank you for everything you did. Sorry for the trouble. 

LONNIE
We’re used to it. You guys just stay away from the bright lights from now on. 

WES
It was nice meeting you. 

LINDSEY
Good luck. 

Wes and Carrie exit, hand in hand as Lindsey turns to Lonnie with a smirk. 

LINDSEY
I guess I’ll drive you back to Haddonfield now. 

LONNIE
Can I sit in the back and pretend you’re my chauffer? 

LINDSEY
For 50 bucks. 

LONNIE
Nevermind. You don’t drive that well. Leave it to Doyle to strand me here with you. 

LINDSEY
You’re just lucky I’m headed to Haddonfield, anyways. (pause) So you’ve been going to college, huh? Trying to copy me or something? 

LONNIE
Yes. Because you’re the only person ever to go to college. 

LINDSEY
I think it’s great. Was this Debra’s doing? 

LONNIE
No. It was my doing and Debra doesn’t even know. I’ve been keeping it secret. 

LINDSEY
Why? 

LONNIE
Just in case I fail at it. I don’t want to hear all of the “told you so” comments. 

LINDSEY
You wouldn’t hear a thing from me. Come on. If behave, I won’t push you out of the car halfway there. 

Lonnie smirks and climbs in the car as Lindsey gets in the driver’s seat. We cut to the Balnkenship House, where Tommy is now seated on the porch, staring up at the stars. 

TOMMY
(v/o)
Looking up at the stars. We’re not alone out there, you know. Makes me wonder. We may have connected a constellation with Michael. What’s on those stars that make up that constellation and what power do they have? Is there forces up there controlling Michael’s actions? Is the Thorn cult controlling him? Or is he just the personification of evil? Something tells me that we’re growing closer every day to the answer. 

We cut to later, as Lindsey’s car pulls up outside Debra’s house. Lonnie looks up at Debra’s house and frowns. He glances over at Lindsey in confusion. 

LONNIE
This is not my house. 

LINDSEY
I know. This is the part where I would give the typical friend speech, followed by some cheesy lines about holding on to the things you love as hard as you can…but since I’m not a sentimental girl, I’m just gonna do it my way. 

Lindsey smacks Lonnie in the back of the head. 

LONNIE
Ouch. 

LINDSEY
Baby. Get up there and make up with your girlfriend. Quit your bellyaching and be a man. I know being a man is hard for you, but at least give it a try. Okay, Elamb? 

LONNIE
Geez. Okay. Just don’t hit me again. 

Lonnie climbs out of the car. He turns and looks at Lindsey with a smirk. 

LONNIE
Thanks. 

Lonnie turns and walks up towards the house as Lindsey smiles, watching him go. At the door, Debra opens the door and looks at Lonnie with tear-filled eyes. Lonnie stares at her with sorrow. 

LONNIE
I’m sorry, Debra. I’ve been stupid lately. 

Debra walks to him and hugs him, tears coming from her eyes. 

DEBRA
I don’t care. Just hold me. Hold me tight. 

Lindsey smiles and drives away as Lonnie holds Debra in his arms, a lookf confusion on his face. We cut to a small room, where Colin Moritz is looking through his microscope at the small microchip he stole from the spaceship. He is studying it as it suddenly lights up. Colin frowns and looks down at it with confusion. He reaches over and touches it. It zaps him and he cries out in pain, looking at his finger. The microchip suddenly goes blank again as Colin shakes his head. 

COLIN
There’s power in this thing. I can feel it. 

Colin smiles down at the microchip as the camera zooms in close on it. Fade to Black as the credits roll. 

Halloween: The Series
Episode 4.2
Unidentified Falling Object
By MysterioMan007
Script Editor: Screamer009
Creative Consultant: Robbie.red666
Production Advisor: MysterioMan007
Produced by: Scarecrow Cenobite
Based on Characters created by John Carpenter & Debra Hill