Halloween: The Series.
     Episode 3.22: Blood Lust Part Two.

Open on blackness. Slowly a caption fades up “This Year…”.

We’re suddenly thrown into a rapid montage of images: Garry as a werewolf. Laurie Strode. Lonnie and Debra hugging. 
Diamonds. Manfred Von Guile stood on a rooftop. Michael stabbing someone. Mrs Blankenship possessed. Knives. Mrs 
Loomis. Hundreds of Zombies shuffling forward. Heinrich Kremmler and Manfred together. A glowing relic. Adam sword 
fighting a Skeleton. Wayne Jacobs dead. Kane Manson. Lindsey Wallace. Manfred biting Debra. A Mummy. A Ghoul. The 
Fallen Angel. Willow and Tommy. Adam facing Manfred. Debra as a vampire. Debra biting Josh. Lonnie holding Debra in 
his arms. Black.

HELEN (VO): These are the last days. As the skies turn black and the hills run red with blood, the dead shall rise and the living will fall.

Fade in on: Haddonfield Police Station. We pan in to an upstairs window.

Interrogation Room: Here we see SUMMER BRADLEY sat looking impatient but very still. A moment passes before a bolt is 
heard sliding across and the door opens. TOMMY DOYLE enters the room followed by ROBBIE REDMAN.

ROBBIE: …all he’ll tell us is his name. Summer Bradley. That and some weird stuff about evil, hell and the like. 

TOMMY: Can you leave us alone?

ROBBIE: Sure but you gotta be quick, Cody’ll have my ass if he finds out.

Tommy nods as Robbie shuts up the door. He then turns to Summer who looks up to meet his gaze.

SUMMER: Who are you? You’re not a cop.

TOMMY: My names Tommy Doyle. I think we can help each other.

SUMMER: Let me guess, you’re a shrink? I haven’t got time for this and I have nothing to say to you.

TOMMY: Well, I have something to say to you.

SUMMER: Yeah, and what’s that?

TOMMY: Manfred Von Guile.

Summer looks surprised, however his body language also changes, he’s summed Tommy up and he’s going to treat this guy 
with some respect.

TOMMY: I think we need to talk.

Fade to black.

     The Halloween Theme begins to play as we rise up over Haddonfield. The title card appears reading:

HALLOWEEN: the series
     
     The music becomes a far more rock and roll version of the theme tune and various images from seasons one and two 
flash up. The cast characters are named as:
Paul Rudd as TOMMY DOYLE
Carrie-Anne Moss as DEBRA LOOMIS
Johnny Depp as LONNIE ELAMB
Rebecca Gayheart as HELEN JACOBS
with 
Colin Baker as ADAM TRAVERS.

Fade in on the interview room, obviously some time has passed, stories have been told… by Tommy at least. He is still sat whilst
Summer paces the room restlessly.

TOMMY: … so, that’s pretty much it. You’ve said you’re hunting them, you haven’t said why.

SUMMER: It’s my duty. My family have always been Witch Hunters, we find and destroy the forces of the undead. An ancestor managed 
to stake Manfred centuries ago but was unable to fully destroy him. 

TOMMY: Yeah we learnt staking didn’t work… the hard way.

SUMMER: Our last encounter was earlier this century. My grandfather was hunting a Necromancer in America, he killed him but his 
apprentice escaped. The apprentice was Heinrich Reynard and, soon after that, he met up with Manfred. My grandfather tried to stop 
them but was killed. I’ve been hunting for these two my whole life, finally tracked them to Haddonfield.

TOMMY: You know where they are?

SUMMER: They’ve made a nest in the old Tower Mansion…

Fear and worry suddenly spreads across Tommy’s face.

TOMMY: My friends, that’s where they’ve gone.

SUMMER: Then they are in danger.

Tommy bolts to the door and bangs on it.

SUMMER: You have to let me help you!

The door opens and Robbie enters.

TOMMY: Robbie, you’ve got to trust me. This man’s no danger but I need his help. 

ROBBIE: Tommy, I can’t just let him go…

TOMMY: My friends could be in danger, he can help. 

Robbie looks down in thought. He nods slowly.

ROBBIE: Alright, but if I get caught I’m in a whole load of trouble. 

Tommy smiles as Summer comes and stands by them.

SUMMER: My equipment?

ROBBIE: I’ll fetch it, you’ll have to take the back way out of here. 

TOMMY: So let’s go.

Outside Tower Manor: We see Helen and Lonnie carrying Debra along the streets, towards the burning remains of Tommy’s 
vehicle. Josh follows, a cloth pressed to his neck to stem the bleeding. They place her on the pavement and look around.

HELEN: We need help.

JOSH: Where from? We’re in the middle of nowhere?

Suddenly a light starts flickering across them… they look up at the Tower Manor. Candle light flickers from a window.

JOSH: What the…

Suddenly a cry of pain rings out, it’s a familiar voice. Helen looks down to where Lonnie sits supporting Debra’s head. He 
recognises it too.

LONNIE: Adam. 

JOSH: Shit!

They stand for a moment, what to do? Debra is unconscious but for how long? Can they get help? Can they leave Adam? Will 
they be walking into a trap?

HELEN: We can’t leave him…

LONNIE: But what about Debra!

HELEN: I’m sorry Lonnie, we don’t even know if we can help her. Adam’s in real, current danger.

Lonnie looks angry for a moment then looks down sadly at Debra. He strokes her hair, a single tear running down his cheek.

LONNIE: Let’s get those bastards. 

He props Debra up and lifts her.. he carries her just inside an ally way and leans her against the wall. He plants a tiny kiss on her 
forehead before returning to the others; he takes his twin guns from his jacket and reloads them both.

LONNIE: Let’s go.

Cut to the Myers House: A large truck pulls up outside… in fact it is the delivery truck from the last episode! We see the cab open 
and Vampire Thrall #2 climb out. He walks around the back and opens the shutters. The back is filled with coffins and crated… 
and FIVE zombies and a Skeleton. Standing amongst this is Heinrich Reynard. 

HEINRICH: Get everything in the house and fast. As much as possible in the basement. 

THRALL #2: At once, sire.

The coffins suddenly start to open as the vampires climb out. Manfred appears out of the shadows and stands by Heinrich.

MANFRED: This time tomorrow the final stage will be set.

HEINRICH: It’s still a risk to move us into the Myers house now. Tommy Doyle and his friends will know we’re here.

MANFRED: I have every faith in Debra to destroy them. And even if they do fail we have ample defence here, even for the daylight hours.

HEINRICH: They are persistent.

MANFRED: And I admire that. When the Raising comes I look forward to putting their skills to use… assuming there bodies aren’t too 
damaged of course.

Tower Manor: Lonnie, Helen and Josh are stood in the main entrance hall. They look around in awe; though decrepit on the outside 
the interior of the building has been done up extremely richly. All three look around nervously as they head towards the large staircase, 
illuminated by flaming torches, as fast as they can whilst remaining quiet.

JOSH: You know, we aren’t really armed for this.

As they step up onto the first few steps they hear a loud crash behind them. They spin with a yell of fear to see TWO VAMPIRES 
stood by the closed up entrance.

VAMPIRE #1: No, you really aren’t. 

Hearing a noise Lonnie spins to look up the stairway… where VAMPIRE #3 stands flanked by four ZOMBIES of varying decomposition. 

VAMPIRE #3: Welcome to the end of your lives.

Haddonfield Police Headquarters: Deputy Robbie is tidying his office. He picks up a few sheets of paper and turns… to find Sheriff 
Cody standing right in his face, his face a complete mask.

ROBBIE: Uh… hi. Sir.

Cody turns around and shuts the office door before turning back to Robbie.

CODY: It seems our prisoner has gone. And I have good reason, in fact I’d say proof, to believe that you had something to do with it. They’re
called surveillance camera’s. 

ROBBIE: Sir, I can explain…

CODY: No you can’t?

ROBBIE: Sir?

His mask falls, suddenly he seems a very tired man.

CODY: Nobody can explain anything about this town. And I’m not sure I’d want to. I never wanted to stay here, it was meant to be a temporary 
position and now I’m leaving. However, one thing I’ve learnt is that Tommy Doyle is always amongst the trouble. And that he always comes out 
alright, things get quiet again. I don’t know why you brought Doyle to see our caped friend, I don’t know why you gave him back his weapons 
and let him go free and I don’t care to find out. I trust you Robbie and I trust your judgement. Now we’re definitely getting a new Sheriff but he 
won’t be arriving quite yet and so, until then, you’re going to be in charge. Look after this town, Acting Sheriff Robbie Redman.

ROBBIE: I will sir.

Cody smiles a small smile, nods and turns to leave.

ROBBIE: It’s been good working with you, sir.

Cody turns back.

CODY: Take care of yourself.

He leaves, the door clicking quietly shut behind him and leaving Robbie alone.

Tower Manor: Lonnie and Josh stand forward waving the flaming torches at the shuffling zombies, Helen behind them. The Vampires
appear to be enjoying the spectacle.

VAMPIRE #3: As amusing as this is you can’t possibly hope to hold out forever.

Lonnie seems to assess the distance between them whilst warding back the zombies.

LONNIE: You think this is funny? I’ll find this hysterical.

Suddenly he throws his torch over the tops of the zombies and striking Vampire #3 in the chest… his clothes immediately ignite and he 
cries out in pain, dropping to the floor to try and extinguish the flames. The other Vampires, angered, immediately bare their fangs and 
go to move forward… the time for games is over!
     The Zombies lunge forward, on longer caring for the flames despite Josh igniting two of them. The gang stagger back against the 
wall, surrounded.

JOSH: Oh f…

Suddenly a small hand axe comes flying through the air and splits a Zombies head down the middle! They turn to look at the entrance 
where Tommy and Summer are stood, weapons brandished.

SUMMER: Vampires. I hate Vampires.

He draws a long sword from its scabbard and rushes forward. Vampire #2, perhaps younger than the others, hasn’t the best of reflexes 
and is decapitated by the blade! 

VAMPIRE #1: Witch Hunter!

He goes to attack when he notices what Tommy is holding… a petrol canister. Tommy smiles warmly before throwing petrol over the Vampire. 

LONNIE: Tommy, Adam’s upstairs!

TOMMY: Shit.

The Vampires eyes glow with supernatural energy when suddenly several rounds of bullets blast into its chest. Summer pulls another two 
guns out and tosses them to Lonnie and Josh. We see the Vampire#3 has managed to put himself out…

LONNIE: Now this is more like it.

He and Josh blast at the Zombies heads, the bullets tearing through flesh and bone. Helen looks around and sees the Axe lying on the floor. 
She grabs it and rushes forward, hacking into a Zombie.
     Tommy runs towards the stairs only to find Vampire#3 blocking the way.

VAMPIRE #3: I’m afraid this is the end of the line.

He grabs Tommy by the throat and lifts him up off the ground. Tommy closes his eyes calmly, his lips barely moving but we can just make
 out his words.

TOMMY: Lonnie, Debra, Adam, Josh, Helen, Carly, Carly, Carly…

The vampire hisses in pain, as if burnt and drops Tommy. Across the room Helen sees this and quietly speaks to herself.

HELEN: Crosses don’t harm them, only true faith…

Tommy grabs Vampire#3 and pulls him aside before running up the stairs. The Vampire angrily picks himself up, his awareness now alert 
again. He dodges aside as Summer throws a knife towards him, it imbeds in the wall. The Zombies are now pretty messed up, gun shots 
from Josh and Lonnie combined with Helen’s enraged axing has resulted in a pile of limbs and mush. Vampire #1 however has drawn a 
SWORD from the wall and attacks Summer who engages. Vampire #3’s eyes glow with rage and his starts to summon the same demonic 
fire Stig had (3.21). The blast shoots across at Helen! Just before it reaches her Josh pulls her down and the blast scorches his shoulder 
and he yells in pain as he drops to the floor. However, it also ignites petrol on the floor, which, combined with the wooden structure of 
the building, quickly grows.

LONNIE: Shit! We’ve got to get out of here!

Tommy appears at the top of the stairway, a beaten down by living Adam by his side, his wrists red where he’s been bound. The rush 
down and Vampire #3 turns to block their escape. Suddenly bullets belt into its chest and he falls aside allowing them to get past. He 
quickly jumps back up and snarls, he has become trapped on the other side of a wall of fire. 

VAMPIRE #3: How dare you people do this. Our kind have ruled the night for centuries, we were worshipped and now we have come to this! 
We are returning at last to our heritage, our birthright, and you see fit to interfere! 

The fire now has spread around the room and across the exit. Summer seems to be struggling against Vampire #2 when Tommy grabs 
a burning piece of wood and thrusts it at the creature, still soaked with petrol. The result is instantaneous. Tommy then helps Josh up 
and turns to the burning exit.

TOMMY: We have to go through!

Lonnie scoops Helen up and runs, jumping through the flames with her. Tommy supports Josh and follows . Summer looks back at the 
trapped Vampire #3 and waves before following the others.
     Outside: Tommy holds Josh up as Lonnie puts Helen down. Adam rubs his sore wrists.  Summer comes up and roughly tilts Josh’s 
head back. 

JOSH: Hey!

SUMMER: You’ve been bitten. Was this the first time?

JOSH: Yeah, it fucking was. Now get off me!

Summer looks satisfied and turns to see Lonnie and Adam carrying Debra over from where she was left.

SUMMER: You’ve got to be kidding me. 

Tommy sees her for the first time and his face falls in horror.

TOMMY: Debra… oh god.

Haddonfield Hospital, Later: Caption – “ 1AM, October 31st… Halloween”. We see the gang creeping around the empty corridors, 
the lights dimmed. Lonnie and Adam are holding up Debra. They come to a door.

TOMMY: In here.

They creep into the operating room and Tommy switches on the lights. The brightness dazzles them all; Lonnie lays Debra down on the 
table as Josh slumps into a chair. Helen goes over to a cupboard, it’s locked.

HELEN: Summer?

He nods, comes over and, using a lock pick opens it. Helen starts taking out supplies.

SUMMER: You people break into hospitals a lot?

TOMMY: We can’t expose Debra to regular Doctor’s.

SUMMER: She’s dead anyway, you should finish her off.

Lonnie looks up angrily.

LONNIE: Who the fuck asked you?

TOMMY: Look, she still has a pulse which means she hasn’t been fully turned, she’s only a Thrall.

SUMMER: You’ve done your homework. But you should also know even at this stage the chances of a recovery are…

TOMMY: Very slim. But we have to try. She’s our friend. 

Summer nods his understanding. Helen starts treating Josh’s burns as Tommy goes over to Lonnie and Adam who watch over Debra. 
Lonnie runs his hands through her hair sadly.

LONNIE: This is my fault, how could I not have noticed?

TOMMY: None of us did. The attraction of Vampires is almost impossible to resist and the desire to hide it, more so. 

ADAM: So what do we do?

TOMMY: We have to drain out her blood at the same time as transfusing fresh. Does anyone know her blood type?

LONNIE: Type A. She used to give blood often. I’d offer myself but I’m not a match.

ADAM: But I am. You’ll have to take it from me.

TOMMY: Alright. Look, Lonnie, I know you want to stay with Debra but I’m going to need your help. Manfred and Heinrich are still out there 
and tonight they put their plans into operation. 

LONNIE: I can’t leave her!

TOMMY: I know you don’t want to Lonnie, nor do I. But I need your help. Adam has to give blood and Helen can watch over them. But you 
can hold your own more if anything should happen before they’re finished here.

Lonnie looks sadly and nods. He knows Tommy is right.

LONNIE: Ok. But when the time comes, Tommy, I’m going to be the one to kill those bastards.

The Myers House, Basement: It is cleaned up and decked out in candles, ritualistic symbols decorate the space; everything has been 
cleared out to leave as much space as possible. We see a group of men and women digging a fairly developed hole into the floor as 
Heinrich watches. Manfred comes up to him.

MANFRED: How does the work go?

HEINRICH: Well. They have to be careful, if we dig too far to the right we’ll break into the sewer system. 

MANFRED: Which would not be appreciated. Most of the preparations are complete, our sacrifices are coming even as we speak.

Cut to the outer roads of Haddonfield. We see three jeeps of army personnel led by General Contner (3.21) driving into town. On the 
General’s face we see grim determination. Sergeant Noxon leans in to talk with him.

NOXON: General, we’ve radioed ahead and told the Haddonfield police that we’re here on  training exercise. No troubles.

Contner simply nods his understanding as he grips his gun tight and we fade to black.

Fade in on Haddonfield Memorial Hospital, Later: We see Adam drinking a glass of water as Helen stands by the side looking through 
a book and shifting through instruments.

ADAM: Are you sure you can do this?

HELEN: Trust me, I’m a quick learner. And I’ve given blood before.

Adam nods and looks over where Debra’s lying. He walks over and looks down sadly at her.

ADAM: I still feel we should sedate her.

HELEN: I don’t want to risk it, blood transfusion is going to be tricky as it is.

ADAM: But what if she wakes up?

With a loud snap Debra is free from her bonds, eye’s glowing with anger! With swift and sudden movement she’s grabbed Adam and 
flung him away. Helen grabs a needle and fumbles with a bottle of sedative as Debra approaches her. She manages to fill it and holds 
the syringe up defensively. Debra hisses in fury.

DEBRA: Bitch.

She turns and slams through the doors out into the corridor. Her initial burst of strength used she starts to half run, half stumble 
along the corridors (similar to a certain Miss Strode years before). Back in the room Adam picks himself up and rushes over to 
Helen who stands by the doorway.

ADAM: We have to get after her.

Nurses Office: We see a NURSE sat at a desk going through some forms. Obviously she’s on the late shift and is fairly tired. She 
yawns and stands up to leave. She goes over to the door and swings it open.

DEBRA: Hello.

Debra stands in the hallway beyond and grabs the Nurse, dragging her out.

DEBRA: It’s nothing personal but I have to keep my strength up.

She goes to bite her when Adam rushes around the corner, only metres away. Debra hisses at him in anger and turns to see Helen 
coming the other way. She’s may bark but is too weak to really bite. 

DEBRA: Looks like you got me.

She looks at the terrified nurse and smiles.

ADAM: Let her go!

Helen comes up behind Debra and jabs the sedative into her. Debra back hands her away as Adam comes forward, intent on helping 
the Nurse.

DEBRA: Too late.

She grabs the Nurses head and snaps it back in one clean blow. She drops the body and staggers to the floor herself as the drug takes 
effect. Helen and Adam stare on in horror...

Elamb Residence: Tommy is sat translating the text from Willow with Josh by his side, helping. Lonnie is sat organising scraps of 
paper, notes and weaponry whilst Summer is sat looking impatient.

SUMMER: We’re wasting time.

TOMMY: Look, this Raising is a big deal, whatever it is. We may know where they are but not what they’re doing. The translation is almost 
complete.

Lonnie takes out his guns and starts cleaning them up.

LONNIE: We have to be ready, always the way with these guys. Everything takes so much damn time.

SUMMER: I admit, you’ve done your homework. But every moment we spend here…

TOMMY: Oh no…

He looks up in horror from the text, Josh’s own face uncomprehending. The others look worried.

LONNIE: What is it now Tommy, found something useful or do they just have bad grammar? 

TOMMY: The Raising. It’s a ritual or a spell intended to bring out the resurrection of the dead.

LONNIE: And it isn’t like they have been that all year anyway. Oh wait, they have.

TOMMY: No Lonnie, not some of the dead. All of the dead.

SUMMER: What???

Tommy picks up the book and reads aloud a passage as we fade into: A wasteland, a vast desert of ash where bones and gore litter 
the ground. In the background a castle rises up into the air, a storm swirling around its peak. We pan around to reveal soldiers heading 
towards it and, slowly, we realise it’s an army. As they approach bodies begin to claw there way out from the ground and battle is joined. 

TOMMY: And he, who the dead call Lord and Master, will stand at the heart of darkness; around him he shall summon the forces of the damned.
 The will come, drawn to the Black Banner and ready to unleash a plague upon the earth. The armies of the living and the dead shall fight for the 
very soul of the world itself. For this shall be the time of the Raising, where the dark power of one who can master the black arts shall echo across 
the lands and wherever death, whether from disease, murder or the passing of time, has struck the bodies shall rise once again. A time will come 
that the Raising may take place, the power of the mightiest of the Undead will be absolute,  and then the dead shall walk, the sky’s will blacken and
the world of man will fall to its knees. 

LONNIE: Jeez, who right’s this stuff?

Summer stares at Lonnie as the others try and take in the information.

SUMMER: You should hide behind jokes, this is bigger even than what I could of guessed.

TOMMY: Every corpse across the world will rise, every body still capable of being held together; think of the scale of it!

SUMMER: Not just skeletons or zombies. Spirits and Wraiths, Mummies in their tombs and Wights in their crypts. All the forces of the damned 
united against the living.

TOMMY: And under Manfred’s command. How can you  fight an enemy whose numbers increase with every death?

Summer suddenly looks determined and unhinges a knife from his belt.

SUMMER: We make sure it never comes to that. We put an end to it now, before Manfred Von Guile can perform his ritual.

LONNIE: Yeah, and how do we do that? They’re Vampires, they’re powerful and one of them could kill us all. Manfred’s got a ton of the 
suckers.

JOSH: Lonnie has a point, we need a plan.

SUMMER: Even if we kill his ‘court’ Manfred himself is much more powerful; stakes aren’t going to help so how can we kill someone whose 
already dead? 

Tommy seems to be thinking all of this over, he suddenly stand sand the others turn to look at him.

TOMMY: For the last year I’ve been suffering, mourning for the loss of my wife. I felt the world wasn’t worth the effort, that the only reason 
worth living was revenge. I was wrong, this world is worth something. Every sunset, ever flower, every piece of enjoyment is worth more than 
any pain life can threw at you. I’m not going to allow this world to just whither and die, I will not let Manfred turn it into a kingdom where the 
only true existence is death!

Lonnie isn’t impressed.

LONNIE: Good speech and all, but what can we do to stop it?

TOMMY: We can stop sitting and talking. We can take action. 

He turns to Summer.

TOMMY: You have weapons, we have weapons. We’re going to build ourselves an army and we’re going to fight back. 

He smiles, a glint in his eye. Lonnie recognises this look.

LONNIE: You’ve got a plan?

TOMMY: I’ve got one hell of a crazy plan.

LONNIE: Heh, whatever it is, it’s all we got. Count me in.

The other nod in agreement.

SUMMER: What do we have to do?

The Halloween theme begins to play as we fade to a shot of Haddonfield, the sun is coming up as Halloween day dawns. A montage 
of images is shown as the music continues to play:

•	A ringing phone and GARRY JACOBS picking it up.
•	Lonnie knocking at a door and it opening to reveal SUE.
•	A number of knives, guns and the occasional sword or axe!
•	JOE THOMAS talking to Sue about something.
•	Deputy Robbie loading his gun.
•	Tommy approaching Father Gabe Murphy in the church.
•	Lonnie talking to Richie and Keith who seem to be unsure about what he’s saying.
•	The large truck still parked outside the boarded up Myers House.
•	General Contner standing a way down the street, watching it from a distance.
•	Manfred opening an old, leather bound book and smiling with malice.
•	
•	Fade to black.
•	
•	Fade in on Blankenship House: Tommy is seen walking towards it along the street, his eyes never leaving the Myers House across 
•	the road. He knows they’re there and that they could be watching him even now.
•	     He walks up to the front door of the Blankenship house backwards, his gaze never leaving. It’s almost as if the Myers house is 
•	watching him as he unlocks the front door and steps into the safety. 
•	     He looks up at a clock on the wall which shows the time to be late afternoon; it will be getting dark very shortly. And when night 
•	falls the Vampires shall emerge.
•	
•	Upstairs he approaches his room… the door is partly open. Tommy pauses in concern, he looks around for danger and slowly approaches.
•	     The door swings open and inside Debra is led across his bed, a bandage around her arm and asleep. Helen is sat next to her eating 
•	and Adam is looking worried at Tommy.
•	
•	TOMMY: What are you doing here?
•	
•	Tommy realises Helen’s eyes, she’s been crying. Adam looks distressed.
•	
•	TOMMY: What is it?
•	
•	ADAM: We couldn’t stay at the hospital. This seemed the best place to bring her, I don’t think Lonnie can cope with this just now.
•	
•	Tommy suddenly looks worried.
•	
•	TOMMY: Debra..?
•	
•	ADAM: She’s alive. The transfusion worked but she’s very weak.
•	
•	TOMMY: Then, what’s wrong?
•	
•	Haddonfield Streets: The three army jeeps are parked along the road and the troops, of which there are a total ELEVEN, line up along 
•	the pavement as General Contner and Sergeant Noxon watch them.
•	
•	CONTNER: As soon as it gets dark we attack the house. We’ve assessed the enemy and though they out number us it isn’t by many and we have 
•	the superior fire power.
•	
•	SOLDIER: Sir?
•	
•	CONTNER: What is it, soldier?
•	
•	SOLDIER: Sir, what is the nature of the enemy, sir?
•	
•	Contner and Noxon exchange glances, they aren’t entirely sure.
•	
•	CONTNER: I know we’ve seen things that seem unnatural. Our base was destroyed by what we can only call Zombies. But, despite the 
•	governments silence, it is obvious that they were created somehow, through genetics or whatever it is those academic idiots use to mess 
•	with the natural order of things. Take heart soldiers, these people are nothing more than scientists, and we shall take our retribution for 
•	what they have done. 
•	
•	He salutes and his men salute back.
•	
•	Elamb Residence: Lonnie is sat on the sofa cleaning his twin guns whilst Summer his sharpening a blade. Lonnie looks up.
•	
•	LONNIE: Is this honestly what you want t do with your life? 
•	
•	Summer stops and looks up in interest.
•	
•	SUMMER: It didn’t use to be. I started because it was my heritage, it was something my family had always done.
•	
•	LONNIE: Not the most common family business. 
•	
•	SUMMER: I guess not. But I felt I had to continue it. 
•	
•	LONNIE: Do you still feel that way?
•	
•	SUMMER: No. I soon realised the true extent of what I was doing.
•	
•	LONNIE: Yeah, and what was that?
•	
•	Summer fixes his gaze with Lonnies.
•	
•	SUMMER: Helping people. Making the world a better place, fighting evil. 
•	
•	Lonnie looks down to the gun in his hand.
•	
•	LONNIE: I never used to know what I wanted to do with my life, never even thought about it.
•	
•	SUMMER: But now?
•	
•	LONNIE: Don’t tell Doyle this, I don’t want to loose my self-absorbed image do I?
•	
•	He pauses as Summer looks at him.
•	
•	LONNIE: I want to help people. I’ve seen all kinds of shit, I’ve lost my family and I’ve seen others loose theirs. I think, you know, I’ve 
•	found a bit of direction in my life. And a lot of that’s thanks to Debra.
•	
•	Summer nods and goes back to sharpening his blade. A sly smile crosses his face.
•	
•	SUMMER: Well, I still think you seem like a jackass.
•	
•	Lonnie nods firmly.
•	
•	LONNIE: Damn straight.
•	
•	Blankenship House, Tommy’s Room: Tommy is looking at Debra sadly and then he turns to Adam.
•	
•	TOMMY: You did the right thing. We shouldn’t tell Lonnie until this is all over.
•	
•	ADAM: Assuming we make it.
•	
•	TOMMY: We’ll make it.
•	
•	He turns and looks down at a trunk under the chair Helen is on.
•	
•	TOMMY: Helen, could you move over a second?
•	
•	Helen nods and gets up allowing Tommy to pull the trunk out.
•	
•	HELEN: What’s in that?
•	
•	Tommy smiles.
•	
•	TOMMY: Possibly the answer to at least some of our problems.
•	
•	Haddonfield Police Station: We see a plain, empty desk in a room devoid of any signs on individuality. Into shot steps Cody, a bag 
•	over his shoulder. He looks around at, what we realise is, his old office and sighs. He turns and steps out.
•	
•	Cut to Park: We see GREG jogging along a pathway next to a line of trees; he’s pushing himself hard, exhaustion and frustration 
•	are apparent across his face. As he turns a corner he finds himself facing Josh. He stops to a halt.
•	
•	GREG: You.
•	
•	JOSH: Me.
•	
•	GREG: What do you want?
•	
•	JOSH: You’re help.
•	
•	Greg smirks.
•	
•	GREG: Whatever.
•	
•	He goes on and starts to jig past Josh who grabs hold of his arm. Greg stops and pushes him away.
•	
•	GREG: Get the fuck off me.
•	
•	JOSH: Vampires.
•	
•	GREG: What?
•	
•	JOSH: Your girlfriend was killed by vampires. And now they’re back, we don’t know how many of them, and they’re planning some kind 
•	of apocalypse thing. We need all the help we can get.
•	
•	GREG: It isn’t my problem.
•	
•	JOSH: Of course it’s your problem! It’s everyone’s problem. 
•	
•	GREG: Go to the police then.
•	
•	JOSH: Like they’ll believe us. They won’t know to handle vampires. These guys mean business.
•	
•	Greg looks over Josh and shrugs his shoulders.
•	
•	GREG: Fine. But I’m not going to like it, I’m not going to like you and I don’t want to have to say anything to those fucking Jacobs. I’m 
•	doing this for Nicole’s memory and not for Doyle and his freak show. Understood?
•	
•	Josh’s face is flat and harsh.
•	
•	JOSH: Perfectly.
•	
•	We see the sunset in rapid motion as we pan down to the Myers house. All is quiet.
•	
•	Upstairs in the Blankenship House Tommy is seen looking down, watching the building. He turns and looks down the street to see 
•	the three army jeeps parking some distance away and soldiers clambering out.
•	
•	TOMMY: What the…
•	
•	The soldiers start to spread out, disappearing down the sides of houses and into the shadows, as General Contner and Sergeant 
•	Noxon stand with another soldier. 
•	
•	NOXON: This is it General.
•	
•	CONTNER: After this we either get a medal… or a court-marshal. Either way, vengeance is satisfied.
•	
•	Noxon seems to notice something off-screen and nods to indicate it.
•	
•	NOXON: Sir.
•	
•	Contner turns to see Tommy Doyle approaching them. He looks over the young man in interest.
•	
•	TOMMY: What are you doing here?
•	
•	Contner seems amused by Tommy’s forwardness.
•	
•	NOXON: The General doesn’t have to answer any questions from civilians.
•	
•	CONTNER: It’s alright Sergeant. We’re on a training exercise, that’s all. Just return to your home.
•	
•	TOMMY: Training exercise? Around the Myers house? Now, why don’t I believe that.
•	
•	The General suddenly becomes very aware that Tommy knows more than he’s saying.
•	
•	CONTNER: What do you know, boy?
•	
•	TOMMY: Only that if you’re planning on attacking you should think twice. These guns won’t work on them, are you even aware of the 
•	nature of your enemy?
•	
•	CONTNER: Look, kid, I don’t need to know. And I find guns work fine on everything.
•	
•	TOMMY: Even Vampires?
•	
•	The soldiers exchange glances and then look back to him as if he’s crazy.
•	
•	CONTNER: What the hell are you on about?
•	
•	TOMMY: Vampires. The Undead. You ain’t ready to handle them.
•	
•	Contner’s had enough of this.
•	
•	CONTNER: Get the hell out of here, I ain’t got time for this bullshit.
•	
•	TOMMY: Look, it’s true…
•	
•	Noxon steps forward, hand on his gun and menacing.
•	
•	NOXON: You heard the General. Get out of here. Now.
•	
•	Tommy looks at their fixed position and sighs.
•	
•	TOMMY: I tried.
•	
•	He turns and heads back down the street. Noxon turns to Contner.
•	
•	NOXON: Shall we leave him?
•	
•	CONTNER: For now. Let’s deal with the immediate problem first.
•	
•	He takes his gun out its holster and the three of them head down towards the Myers house.
•	
•	Elamb Residence: Lonnie’s house has become home to a varied and unusual band of “warriors”; his table is covered in weaponry 
•	ranging from guns and swords to cocktails bombs and stakes. Summer Bradley is seen organising his arsenal. Gabe Murphy is there, 
•	bible open, and reading; cross clutched too him. Josh swings a sword around, rather dangerously. Garry and Greg sit opposite ends 
•	of the room, occasionally giving each other harsh glances. Sue is stuffing rags into bottle’s of alcohol, or perhaps, petrol. Joe Thomas 
•	stands, shadow boxing, getting herself worked up. It’s definitely going to be interesting…
•	     There’s a knock at the door and we see Lonnie walk through frame and over to it. He swing sit open to reveal Richie and Keith.
•	
•	KIETH: We figured we’d join your suicide squad.
•	
•	RICHIE: Yeah, sounded like fun.
•	
•	LONNIE: Thanks guys, we’re gonna need all the help we can get. 
•	
•	He leads them all into the very packed living room.
•	
•	LONNIE: Alright everyone, we’re heading out as soon as our additional ride arrives. I ain’t great at these motivational speech things but, hell, 
•	we’ll gonna give these bastards one damn good fight.
•	
•	GABE: May the Lord watch over us.
•	
•	Myers House: We see a solider creeping through the shadows. He hears a noise behind him and spins. Nothing there. Suddenly a pair 
•	of hands reach out and drag him into a nearby hedge. 
•	     Another two soldiers approach the back door, rifle held up. One reaches for the handle when a cry come from behind. He spins to see
•	 the other has gone. He hears a creek and looks back to see a VAMPIRE stood in the doorway. Before he can react the Vampire leaps at him.
•	     We go a birds eye view, we see soldiers moving in on the house from all sides, in the darkness, and shapes in shadows and bushes grabbing 
•	them. It’s rather surreal and understated. 
•	     We cut to see Contner run to a window with the solider.
•	
•	SOLDIER: Where is everyone, sir?
•	
•	CONTNER: They may already be inside. Now keep it down, soldier. We have the element of surprise on our side.
•	
•	REMBRANT (VO): I doubt that.
•	
•	He spins around to see Rembrant stood there, flanked by two Zombies. The solider looks in repulsion, one of the zombies has an old 
•	and decayed army uniform on.
•	
•	SOLDIER: Sir… it’s…
•	
•	Contner pulls his gun and shoots three bullets straight into Rembrant. The Vampire looks down at the wounds then starts to laugh. He 
•	nods and the Zombies head forward.
•	     Contner looks around, other zombies are appearing from the sides! He quickly smashes the window he’s by.
•	
•	CONTNER: Come on!
•	
•	He scrambles through as the solider stands shooting to no avail. Once the general is up he grabs the solider and goes to pull him through; 
•	however the zombies have got there first and yank him back outside.
•	
•	CONTNER: Shit!
•	
•	He turns to find that a) he’s in the kitchen and b) Manfred is stood there.
•	
•	MANFRED: Ah, General Contner.
•	
•	CONTNER: How… how, do you know me? What are you?
•	
•	MANFRED: I’m sorry to say this but you’ve been used General. I spared you all those months ago because I knew you’d come for revenge. 
•	I even let you gain pictures of me to draw you here. 
•	
•	CONTNER: Wh… what?
•	
•	MANFRED: It’s your destiny General. You were meant to be here, now. The Raising, afterall, demands a blood sacrifice.
•	
•	He smiles sadistically as the General looks on in horror.
•	
•	Blankenship House: Tommy has a leather satchel over his shoulder and a sheaf containing a small sword and a gun held on his belt. 
•	Adam is seen putting his cross around his neck and weighing up a wooden pike. Helen stares at Debra who sleeps before picking up 
•	an old axe. Adam looks at her.
•	
•	ADAM: Are you sure you want to come? It’s dangerous.
•	
•	HELEN: If they win we all die anyway. I’m willing to go down fighting.
•	
•	Adam nods in understanding as Tommy calls from the window.
•	
•	TOMMY: Here they come.
•	
•	The main section of the Halloween Theme again plays as we see Adam’s Van skid around the corner, driven maniacally by Lonnie! 
•	Followed by Deputy Robbie in his Cop car, both vehicles full of the make-shift army!
•	      Back in the room Adam watches Lonnie brake sharply to a halt.
•	
•	ADAM: If we survive this I’m having words with that boy.
•	
•	Myers House Basement: It is totally decked out with runes, mystical objects and an alter on which lies a plate of doves heads and the 
•	Focus (3.21). By the alter is the pit, dug into the ground which is now partly filled with blood. Where did this come from?
•	     We get the answer as we see a system of chains across the ceiling. A solider is hoisted over the pit and REMBRANT steps forward. 
•	He smiles before slitting the soldiers throat and allowing the blood to put down into the pool.
•	     Manfred watches from the shadows when Heinrich comes down the stairs.
•	
•	HEINRICH: Manfred.
•	
•	MANFRED: What is it?
•	
•	HEINRICH: They’re outside.
•	
•	Manfred smiles slowly.
•	
•	MANFRED: And so it begins.
•	
•	We cut to a close up of the Myers house and slowly move outward sand upwards over the heads of the group stood in the road and 
•	armed to the teeth. Tommy, Lonnie, Adams, Helen, Sue, Joe, Garry, Richie, Keith, Gabe Murphy, Summer, Greg, Josh & Robbie as 
•	well as another two priests. Gabe grips his cross tightly. Tommy looks around at the others.
•	
•	TOMMY: Here we go.
•	
•	As they head towards the Myers House they split into three groups, two going around each side and the other coming at the front. 
•	Group #1 (Adam, Priest#1, Joe, Greg, Richie & Keith) head right, Group #2 (Summer, Priest#2, Josh, Robbie & Sue) head left 
•	whilst Group #3 (Tommy, Lonnie, Helen, Gabe & Garry)) approach the front of the house. Suddenly the door slams open and a 
•	female BLONDE VAMPIRE steps out followed by TWO GHOULS and THRALL#1.
•	
•	BLONDE VAMP: I’m afraid this is private property. 
•	
•	And then all Hell breaks loose! Weapons are drawn and the enemy engaged as each of them struggles to survive. Gabe Murphy 
•	holds forward his Bible in prayer, a burning torch in the other hand warding off a Ghoul. Tommy comes up behind the creatures 
•	and slashes across its back.
•	     Around the side of the house we see Richie and Kieth approaching a window, guns drawn, as the others stand behind them. 
•	Suddenly a low moan is heard from the darkness around the overgrown hedges of the Myers house.
•	
•	RICHIE: What the Hell was that?
•	
•	The group turn to see about six or seven ZOMBIES shambling out towards em.
•	
•	KIETH: Oh shit.
•	
•	They unload their clips at the undead creatures, spreading the fire around.
•	
•	ADAM: No concentrate your fire!
•	
•	He raises his weapon as the Zombies begin their attack.
•	
•	Meanwhile Group#2 come around the side of the house towards the entrance there. Summer swings it open and steps in followed
•	by the others. They creep forward when Rembrant steps out in front of them, blocking the hallways with a female SEXY VAMP 
•	next to him.
•	
•	REMBRANT: So good of you to join us on this momentous occasion. Sadly you will not be surviving it.
•	
•	His eyes glow with supernatural energy and beams fly forward and strike Summer who cries out. Suddenly, a battered and bloodied 
•	Sergeant Noxon dives out another room and shoves Rembrant aside.
•	
•	NOXON: You bastards! You unnatural bastards! 
•	
•	Summer strikes forward and engages Sexy Vamp in combat as Priest#2 holds his cross up; unfortunately a UGLY VAMP appears 
•	from another room, grabs the priest from behind and snaps his neck in one clean move. He turns to Robbie, Josh and Sue and smiles 
•	evilly.
•	     Out the front Group#3 are managing to ward off the enemies, cutting down the remaining Ghouls. The Thrall leaps at Lonnie 
•	who throws him around to the ground; he hears the commotion inside and sees the entrance is clear, the Blond Vamp distracted 
•	by Garry. 
•	
•	LONNIE: I’m going in!
•	
•	The Blond Vamp looks up to see them running towards the door and hisses. Garry brings his weapon around and imbed sit into 
•	the vampires side. She hisses, rips it out and glares. Garry has a “oh shit” expression on his face and turns and runs towards the 
•	front door. He flies inside and clambers up the stairs, the vampire close behind. He just manages to slam an upstairs door shut in 
•	her face, knocking her over. He quickly begins piling items up to prevent her entrance as she barges at the door.
•	     We see two Thralls downstairs grab Lonnie and slam throw him across the kitchen and the others come to help him.
•	     Outside we see Richie and Keith holding off the zombies with there weapons.
•	
•	KEITH: We’ll take care of these rotting assholes.
•	
•	Adam nods as he and the others head inside. They head forward to where Group#2 are fighting and grab Rembrant, throwing him into 
•	the wall. However, a Thrall crashes into Summer and Rembrant recovers, attacking the others. SEXY VAMP throws Josh down and he 
•	hits his head; both Sue and Joe run to him. Suddenly a dark mist fills the space between them and the others. Summer’s eyes widen in 
•	horror at the creature… wrapped in a sheet of darkness is a skull like face holding a scythe… it is a WRAITH.
•	
•	SUMMER: Get away, only a enchanted weapon can harm it! 
•	
•	The three turn and flee outside as the Wraith follows. We see Summer dig into his jacket and pull out a JEWELLED KNIFE but before 
•	he can follow SCAR VAMP jumps out in front of him, attacking. Outside the three split and the Wraith goes for Sue. Josh sees this and 
•	goes after it but passes directly through it! It turns and slices his shirt, not breaking the skin, with its weapon. Josh stumbles back, trips 
•	and hits his head for a second time, knocking himself out. Sue and Joe dodge around the Wraith, always managing to just avoid it. 
•	     All Hell as broke loose and we find it hard to keep track of the battles. We see SEXY VAMP go to attack Adam when Gabe rushes 
•	forward, cross raised.
•	
•	GABE: Demon!
•	
•	The creature is pinned up against the stairway by the intense faith. Adam goes to help Summer when UGLY VAMP leaps on him, biting 
•	at his neck! It’s teeth only graze when both Robbie and Noxon plough into the creature. They stumble towards a window and it shatters 
•	as they fall outside the front of the Myers House. Noxon gets up and punches the creature.
•	
•	NOXON: You killed them all, you monsters!
•	
•	The Ugly Vamp glares and then punches his fist STRAIGHT INTO Noxon’s chest and tears out his still beating heart. Robbie looks 
•	sickened as the vampire bites into the organ. Adam rushes out, sword in hand, as the vampire prepares to fight the two of them.
•	     Summer throws SCAR VAMP off towards Greg who looks at the animalistic anger on the creatures face
•	
•	GREG: Fuck this!
•	
•	He turns and runs and the vampire gives chase. Greg runs out into the garden, jumping a hedge into the neighbours with the vampire 
•	still following.
•	     Summer turns in time to see Rembrant hoisting the Priest off his feet and sucking the life out of him. It’s too late and the body is 
•	reduced to a husk and dropped. Summer goes to attack when Joe runs up behind him.
•	
•	JOE: The Wraith, it’s after Sue.
•	
•	He pulls out his Jewelled Dagger.
•	
•	SUMMER: Use this, it’s enchanted. Good for dealing with spirits, every witch hunter can’t do without one!
•	
•	She takes the weapon and heads out as Summer and Rembrant glare at each other. A Thrall sneaks up behind the hunter who simply 
•	smiles, spins and decapitates the shocked man before turning right back to Rembrant.
•	
•	REMBRANT: Impressive.
•	     
•	Lonnie suddenly rushes forward into the hallway and Rembrant turns to face him.
•	
•	REMBRANT: Too think you can stop the Raising is ridiculous, you have all come to your deaths.
•	
•	LONNIE: Whatever.
•	
•	He goes to punch Rembrant who side steps and throws him down the corridor and into a door. Lonnie smacks against it but still 
•	staggers back up. Helen and Tommy come up behind Rembrants who senses them, he turns and launches a ball of blue flame at them; 
•	it narrowly misses!  Lonnie rushes up behind and Rembrant again spins and grabs him by the throat. He hisses in anger and swings 
•	Lonnie in an ARC through the cupboard door under the stairs. Lonnie not only smashes through into the small space but the wood 
•	beneath his creaks and splinters.
•	
•	LONNIE: Oh crap…
•	
•	Basement: Lonnie crashes down through the ‘ceiling’ into the middle of the ceremony! Manfred looks up from where he’s chanting; 
•	his eyes jet black and dark energies flowing around him in a maelstrom of unnatural colour. He nods to Heinrich before turning back 
•	to the pool of blood.
•	
•	HEINRICH: Destroy him! Manfred must not be interrupted! 
•	
•	Lonnie staggers up and takes in the room. Manfred by the Blood Pool; Heinrich stood by a small alter, Rembrant with TALL VAMP 
•	and OLD VAMP, TWO ZOMBIES, a SKELETON and THRALLS #3, #4 and #5.
•	
•	LONNIE: Let’s dance.
•	
•	The Thralls surge forward intent on defending their master when Lonnie whips out the twins and blasts them both in the chest. The 
•	basement door bursts open and Tommy, Helen & Summer burst down. Helen holds a small cocktail that she throws straight at the 
•	OLD VAMP igniting him!
•	     The Skeleton picks an Runic Sword and swings forward at Lonnie but Summer dives in the way, sword drawn and knocking back 
•	the creature as they engage in combat. Heinrich’s eyes glow with hatred and a beam of energy flies forward at the stairway; Tommy 
•	and Helen dive aside as the stairs explode in a shower of wood. 
•	     Lonnie picks up his axe from where he dropped it and rushes the approaching Zombies as Tommy and Helen stand off as TALL 
•	VAMP approaches them.
•	
•	TALL VAMP: You shall not, you cannot stop The Raising.
•	
•	As he speaks the Blood Pool starts to boil and ALL the blood dissolves into a RED MIST. The mist rises up and encircles Manfred as 
•	his voice grows deeper and he chants out the dark words of Necromancy.
•	
•	HEINRICH: The time draws near.
•	
•	Hallway: Gabe holds out his Bible, his total faith still pinning Sexy Vampire against the wall as he continues to recite. 
•	
•	GABE: …hallowed by thy name…
•	
•	Outside the Wraith comes forward, it’s presence always more corporeal as it moves, the smoke around it dissipating for brief moments. 
•	Sue runs towards a large tree and clambers upwards as the creatures scythe swings through the air and catches her ankle. Joe rushes
•	up behind holding a JEWELLED DAGGER. She strikes down through the misty form of the creature and it screams.
•	
•	JOE: It worked!
•	
•	Cut to: Greg clambering over a fence and dropping into a garden. Scar Vamp leaps the fence and lands behind the terrified boy. He 
•	grabs him and, with a snarl, throws Greg through the air, several metres forward. Greg smashes into the next garden and is knocked 
•	out. The Vampire smiles and runs forward to collect his prey when, out of the shadows, an arm appears. Scar Vamp smashes into it 
•	and goes over as Willow Cochran and TWO Thorn Cultists step out; as he promised (3.21) Willow is making sure none of the creatures 
•	escape.
•	
•	WILLOW: Afraid this is the end for you, my friend.
•	
•	SCAR VAMP: It’s an end, an end to your races dominance of this world!
•	
•	The Thorn Cultists hold wooden pikes which they come forward with; the Vampire grabs the ends of the weapon and, with all his 
•	might, thrusts them up into the Cultists faces, knocking them back. In one swift move he’s up and bearing down on Willow.
•	
•	SCAR VAMP: It looks like the tables have turned.
•	
•	WILLOW: I doubt that.
•	
•	He holds his fist up to the Vampire, as if to punch him.
•	
•	SCAR VAMP: What is thi…
•	
•	He stops and we focus on the ring on Willow’s gloved hand, on it is the Thorn emblem. The Vampire suddenly recoils back in horror.
•	
•	WILLOW: This is my faith, monster.
•	
•	One of the Thorn members on the ground grabs his pike and shoves it up into the Vampires back. Scar Vamp turns, the heart has 
•	been missed, and brings a foot crashing down on the mans neck. As the one Cultist is killed the other tosses his pike to Willow who 
•	surges forward and smashes it into Scar Vamps chest. The Vampire turn around in horror and looks down at his hands as they start 
•	to disintegrate and crumble.
•	
•	WILLOW: (sadistically) And don’t worry, we’ll make sure you’re remains are properly disposed of.
•	
•	Basement: Summer dodges a blow from the skeleton and calls over to Lonnie.
•	
•	SUMMER: Switch!
•	
•	Lonnie dodges a blow from the Zombies and turns to see Summer hold his sword up. Lonnie throws over the axe as Summer does 
•	the same with his weapon. They each catch each others in time. Lonnie swings around and decapitates a Zombie. Summer swings 
•	and, using the FLAT EDGE of the axe, smashes into the bones of the Skeleton, dislodging them. 
•	     Tommy and Helen are stood, back to the wall, as Tall Vampire approaches menacingly.
•	
•	TALL VAMPIRE: I’m going to enjoy this.
•	
•	HEINRICH: Just kill them, we haven’t got time for games!
•	
•	He’s right, the red mist is absorbed into Manfred as we hear the sound of thunder outside. Dark, apocalyptic music starts to play and 
•	we realise the end is near.
•	     Tommy and Helen look up, where Lonnie fell through the ceiling a jagged pieces of wood hangs down; they nod at each other. Tall 
•	vampire hisses as he goes to move forward when Helen suddenly leaps at his feet and drags the startled Vampire to the floor. His back 
•	hits with a thump. Lonnie, using Helen and leverage jumps up and grabs the jagged piece of wood. He hangs a second, as the wood 
•	splits, and then falls with a powerful force, the wood imbedding in Tall Vampires chest.
•	     Summer smashes the skeleton to pieces and it crumbles. He turns to see Lonnie holding off the Zombies. He rushes over to help.
•	
•	SUMMER: I’ll deal with this! Help the others.
•	
•	Lonnie nods as Summer attacks the Zombie. He swings the sword up around in an arc and cuts the creature in two length wise. 
•	However, it’s hand grabs him and slams him against the wall. In unison, the two halves of the Zombie fall apart as Summer slumps
•	down.
•	
•	Manfred turn to face the action, his face spread in demonic glee.
•	
•	MANFRED: It’s too late, they come to me, called to me! 
•	
•	Cut to Haddonfield Grave yard, it is now pouring with rain as the storm rages on. We pan down to a grave reading “Anne Beckett”. 
•	It could be our imagination but the ground seems to be moving…
•	     Russleville Morgue: A doctor walks along a row of corpses. He looks down at one, a horribly burnt man, when suddenly the eyes 
•	flick open.
•	     Chicago Museum: We are in the Egyptian section where a Caretaker is walking along, doing his duties. He turns a corner to see 
•	a sarcophagus, the lid on the ground. His face screws up with puzzlement as SOMETHING moves behind him, out of focus.
•	
•	Myers House Basement: Tommy and Helen look on in horror. 
•	
•	HELEN: Tommy!
•	
•	He turns and looks at her, her eyes wide, her face a picture of horror… she can SEE something.
•	
•	TOMMY: What is it?
•	
•	HELEN: The dead. The dead, they’re everywhere. Tommy they…
•	
•	She’s cut off as Heinrich grabs her by the throat! He back hands Tommy who flies across the room, striking the far wall with a 
•	sickening crunch and landing by Summer. Heinrich drags Helen along the floor and lifts her off the ground.
•	     Lonnie rushes over to Tommy and Summer.
•	
•	LONNIE: Tommy, I’m short on ideas!
•	
•	TOMMY: Remember we have our surprise weapon.
•	
•	He holds up the bag as the energies surrounding Manfred grow and crackle. Tommy glances over to the alter where Heinrich had 
•	been standing, on it we realise is the picture of Heinrich’s mother we have seen in past episodes.
•	
•	TOMMY: We’ve got one chance.
•	
•	Heinrich squeezes Helen’s throat, his nails digging in and drawing blood.
•	
•	HEINRICH: Bitch.
•	
•	SUMMER (VO): Heinrich!
•	
•	He turns to see Summer stood by the alter, the picture in one hand and lighter in the other. He flicks it on and the picture catches alight. 
•	Heinrich’s face is one of horror and he drops Helen to the floor.
•	
•	HEINRICH: Noooo!!
•	
•	He surges forward. In slow motion we see Lonnie come in from the side, unnoticed by Heinrich in his anger; we focus on the object in 
•	Lonnie’s hand. FLASHBACK to Episode 3.12:
•	Tommy stops for a second and carefully pulls back his jacket to reveal the glowing artefact stolen from Mekhi. It is almost diamond 
•	shaped in structure, a mixture of spiritual and technology, almost a weapon in appearance. Spirit-Nadia appears behind Tommy’s 
•	shoulder.
•	
•	NADIA: You don’t know what that thing is capable of.
•	
•	TOMMY: Yes I do.  A new chance at life for someone that was lost.
•	
•	NADIA: That’s the sugar-coated version.  What that guy in there didn’t tell you is that to return a life you have to take one away first.
•	
•	Flashback to normal time: The device is clenched in Lonnie’s fist like a weapon. He swings it around and PLUNGES it into Heinrichs 
•	chest. He stops in his tracks and looks down in horror.
•	
•	HEINRICH: What…
•	
•	The device seems to be sucking energy out of Heinrich causing it to glow as the Necromancer gasps in pain.
•	
•	Manfred watches in fury as Tommy approaches him.
•	
•	MANFRED: It makes no difference, the time is at hand, the power is at its peak and…
•	
•	TOMMY: … you will be the Undead Lord. Only problem is….
•	
•	Lonnie pulls the device out of Heinrichs chest, who crumples to his knees before falling face first onto the floor with a look of utter 
•	shock in his face, and tosses it to Tommy. In one swift action Tommy catches it and, gun like, aims it at Manfred. His finger flicks 
•	a lever on the artefact and the energy absorbed from Heinrich shoots out into the Vampire.
•	
•	TOMMY: … you aren’t dead. 
•	
•	Manfred screams in agony as the energy is absorbed into him. He bends over in double as energy crackles around, red mist seeming 
•	to pour out of his every orifice and fade away to nothing. Thunder crashes over head and the light in the room flickers on and off 
•	and demonic sounds like screaming spirits are heard.
•	     Above we see the Undead minions crumble to dust. The Wraith screams as it vanishes, banished by to the netherworlds and the 
•	remaining Vampires look on in confusion. 
•	     Suddenly and instantly it is cut off,  all the energies are gone, nothing but Manfred stood bent over; he suddenly flings himself up, 
•	leaning back and taking a LONG, DEEP BREATH OF AIR. He then takes another. And another.
•	     He looks up at Tommy, his face a mask of horror and his eyes almost pleading.
•	
•	MANFRED: What have you done?
•	
•	TOMMY: (coldly) Welcome back to the land of the living. 
•	
•	Manfred looks down, his hands feeling across his body.
•	
•	MANFRED: No. No! NO, this can’t be!
•	
•	TOMMY: It’s over Manfred. You’re over. It’s as the text said, only the mightiest of the Undead will perform the Raising. 
•	
•	Manfred raises his hands in a sudden burst of rage to attack Tommy who quickly draws a knife from his belt and swipes out, 
•	scraping Manfred’s arm. The “Vampire” stops and looks down in shock and pain at the glistening wound on his arm.
•	     Lonnie reaches down and picks up his guns, keeping them trained on Manfred as Summer goes and helps up Helen.
•	
•	LONNIE: Hurts to be human, huh?
•	
•	Suddenly something leaps across the room and crashes into Lonnie! Everyone turns to see Rembrant holding up a glowing sphere. 
•	He smashes it down and a light explodes out and the room fills with a thick smog. Nothing is clear other than the sound of retreating 
•	footsteps. 
•	     As it clears Tommy looks around, Lonnie is picking himself up and Summer holds Helen but the others are gone.
•	
•	TOMMY: Manfred!
•	
•	He shoots out and clambers up the remains of the stairway; he moves through the house where we glimpse a number of the group 
•	helping Gabe to stake Sexy Vamp and to see Garry coming down the stairs safely.
•	     Tommy rushes out the Myers house past Adam who is holding his cross up to Rembrant whilst Robbie holds his gun, keeping the 
•	vampire back. In the distance we see one or two figures scattering, the last remains of Manfred’s followers. He glances down the 
•	streets and spots a BODY led in the road, bathed in shadow, some distance away. He runs towards it, knife drawn, as he approaches
•	closer he realises the body is the rotten corpse that was probably once a Zombie. 
•	     From out the shadows Manfred surges forward and Tommy turns in time for the man to crash into him and them both stumble to 
•	the floor, Tommy’s knife skidding across the concrete. Manfred slams Tommy’s head against the road surface, his eyes filled with a 
•	bloody rage. In the distance we hear a engine noise.
•	
•	MANFRED: I was to live eternal, this was to my world; my new Order which you took away. What right did you have?
•	
•	Tommy coughs up a small amount of blood as Manfred gets up. He walks over and picks up the knife before turning back to Tommy. 
•	He stands a metre or so away, knife held maniacally; all semblance of dignity gone and not noticing the increasing noise approaching. 
•	Not caring.
•	
•	MANFRED: This isn’t the end, I’ll have my world one way or another! And then all your friends will suffer and die in agony for what they have 
•	done here today; for now I will just settle for you!
•	
•	Suddenly there is a loud HORN and Manfred turns in confusion to see Adam behind the wheel of his Van speeding forward. There’s 
•	no time for any reaction as the vehicle SMASHES into Manfred and screeches to a halt. The door swings open and Adam steps out, 
•	Tommy looks up at him and smiles, a small and thankful smile. It’s over. 
•	
•	Much Later: Spread out in the streets outside the Myers House are the wounded survivors of the nights events. Sue nurses an injured 
•	arm as well as her bleeding ankle, Richie and Keith sit covered in blood and sharing a cigarette whilst Josh lies spread out on the grass. 
•	Lonnie is leaning against Adam’s van when Tommy comes over.
•	
•	TOMMY: We did it.
•	
•	LONNIE: I can’t believe we all made it through in one piece.
•	
•	TOMMY: Only just.
•	
•	LONNIE: The wounds will heal, everything will get back to normal; what’s Robbie telling Sheriff Cody?
•	
•	TOMMY: Nothing, apparently Cody left.
•	
•	LONNIE: Damn, and I was just planning a new crime wave.
•	
•	TOMMY: Robbie’s temporarily in charge. He’s called an ambulance to sort out some of the worse wounds, he says he’ll get it all covered. 
•	Halloween pranks.
•	
•	LONNIE: We’ve had enough of them.
•	
•	He looks around at where Helen and Sue are hugging as Joe watches on, her arm in a sling. The focus changes to behind to where 
•	Summer Bradley stands. Tommy turns as well and they both watch as Summer does a small ‘mock-salute’ before turning and heading 
•	off into the night. Lonnie sighs and looks back to Tommy.
•	
•	LONNIE: So, how’s Debra doing?
•	
•	Tommy’s expression goes grim and he looks straight at Lonnie.
•	
•	TOMMY: Lonnie, there’s something I have to tell you…
•	
•	Fade to Ridgemont Sanatorium: A caption reads “One Month Later”.
•	     We cut to inside, the camera travelling down a long, dark hallway towards a SINGLE BOLTED DOOR at the end. We hear crying 
•	coming from inside. Manic, deranged, crying… angered, enraged crying. A DOCTOR walks by and looks in.
•	
•	DOCTOR: Crazy bastard, they should of let you die.
•	
•	We approach the door and look in through the same window the Doctor did.
•	     We cut to in the room where there is a single, metal chair. A figure is strapped up in it, straight jacketed and bound heavily. He’s 
•	missing a whole leg and half the other one and one arm ends in a stump. The face is stitched up badly and an eye bulging and yet 
•	we still recognise it… Manfred Von Guile.
•	
•	MANFRED: I’m your king! You hear me, I’m your Lord! The Lord of the dead! I am, you all shall worship me! I’m a Vampire Lord! Worship 
•	Me! Worship me!
•	      
•	 Fade to Black.
•	
•	MANFRED (pleadingly): …worship me…
•	
•	
•	Season Three
•	Episode 22
•	Blood Lust Part Two
•	By Scarecrow
•	Script Editor: Screamer009
•	Creative Consultant: Robbie.red666
•	Production Advisor: MysterioMan007
•	
•	
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