Gorean Slave Positions
BARA:
"Bara, Kajira!" he said. She rolled quickly to her stomach,placing her
wrists behind her, crossed, and crossing her ankles, ready to be bound."
Book 13, Explorers of Gor, page 77
"Bara," said Mincon to Tula. "Bara," said I to Feiqua. Both slaves went
immediately to their bellies, their heads to the left, their wrists crossed
behind their backs, their ankles also crossed. It is a common binding position."
Book 21, Mercenaries of Gor, page 145
BELLY:
"Belly," I said to Feiqua. Immediately Feiqua, trembling, went to her belly
on the stained, sooted stones near the fire." Book 21, Mercenaries of Gor,
page 19
"To your belly," he said. She went to her belly, her hands at the sides
of her head." Book 19, Kajira of Gor, page 399
"Stop," he said. "To your belly." Then I was on my belly, on the tiles,
my hands at the sides of my head, prone, before his curule chair." Book
19, Kajira of Gor, page 427
BINDING POSITION:
"Standard binding position," he said. I was prone. When a girl is prone,
the standard binding position is to cross the wrists behind the back and
to cross the ankles." Book 11, Slave Girl of Gor, page 125
BLANKET:
"I then threw the second blanket, the top blanket over her, covering her
completely. When a blanket, o cloak, or covering of any sort, is thrown
over a slave like this she may not speak or rise. She must remain as she
is, silent, until the master , or some free man, lifts the covering away."
Book 13, Explorers of Gor, page 94
BRACELET POSITION:
"Bracelets," he snapped. She put her head in the air and placed her hands
behind her back." Book 8, Hunters of Gor, page 146
CRAWL:
"I pointed to the stones at my feet. "Crawl," I said, in Gorean. The girl
slipped to her belly, and, as a slave girl, crawled to my feet. She put
her lips to my foot; I felt her hair over it." Book 10, Tribesmen of Gor,
page 78
DISPLAY:
"The auctioneer did not strike her with his whip. He merely took her arms
and lifted them, so that the position chain, attached to each side of the
sales collar lay across her her upper arms. Then he had her clasp her hands
behind the back of her neck, so that the chain, on each side of the collar,
was in the crook of her arms, and she was exposed in such a way that she
could be properly exhibited." Book 13, Explorers of Gor, page 36
HEEL POSITION:
"The Forkbeard turned about and, one arm about Pudding, the other about
Gunnhild, started from the dock. Hilda followed him, to his left. 'She
heels nicely,' said Ottar. The men and bond-maids laughed. The Forkbeard
stopped. Hilda's face burned red with fury, but she kept her head high.
Pet sleen are taught to heel; so, too, sometimes, are bond-maids; I was
familiar with this sort of thing, of course; in the south it was quite
common for slave girls; in various fashions in various cities, to heel
their masters. Hilda, of course, was a free woman. For her to heel was
an incredible humiliation. The Forkbeard started off again, and then again
stopped. Again, Hilda followed him as before. "She is heeling!" laughed
Ottar." Book 9, Marauders of Gor, page 123
"He turned about and, with his weapons, strode from the camp. I followed
him, at his heel, where a slave girl belongs." Book 11, Slave Girl of Gor,
page 109
"The girl normally heels a right-handed Master on the left, that she not
encumber the movements of the weapon hand." Book 25, Magicians of Gor,
page 117
"These things vary, I learned from city to city, and depend, also, on such
matters as context and conditions. In a market, in the crowding and jostling
for instance, a girl may follow so closely she pressed against the back
of his left shoulder. Girls seldom follow behind and on the right. If she
is thusly placed it is commonly a sign she is in disfavor. If more than
one girl is involved, she who follows most closely on the left is generally
taken to be in highest favor; girls compete for this position. In an open
area, such a the fields in which we trekked, the girl is placed some five
or ten feet behind, and on the left. If he must move suddenly she will
not, thusly, constitute an impediment to his action." Book 11, Slave Girl
of Gor, page 30
HIGH HARNESS POSITION:
"Lift your head, " he said. "Higher. Higher!" She looked up at him, her
head far back, the leash on her throat ... "You need not now keep your
head in high-harness position,", he said to the girl. She moved her head."
Book 21, Mercenaries of Gor, page 308 - 309
KNEEL TO COFFLE:
"Kneel to be coffled," said one of the men. The girls knelt, closely, one
behind the other, there were six wrist rings on the chain he carried. He
placed the girl who had been whipped by Lady Sabina first in the coffle
line. "Left wrist coffle," he said. They lifted their left wrists, frightened.
Interestingly, the man snapping the wrist rings on the girls’ left wrists
did not put the first girl in the first ring, but the second. When the
four maids were coffled there was, thus, an empty wrist ring both at the
head and rear of the line. "Stand, Slaves," said the man. "Lower chain."
The girls stood. Then, ordered, the lowered their wrists. They were then
in line, standing, coffled." Book 11, Slave Girl of Gor, page 127
LEADING POSITION:
"I held my left hand open, at my waist. She stiffened, and looked at me,
angrily. I opened and closed my left hand once. I saw her training in Gorean
customs had been thorough. But she never thought that such a gesture would
be used to her. She came beside me, and a bit behind me, and, crouching,
put her head down, deeply. I fastened my hand in her hair. She winced.
Women are helpless in this position." Book 12, Beasts of Gor, page 409
"In a moment I had left the building, pulling the captive behind me, her
head down at my waist, in leading position. The slave was pulled to her
feet. She was roughly turned about. The hand of Tanalion's man was then
in her hair, fastening itself deeply therein. It was like the closed talon
of a bird of prey. She, bound, held, was helpless. She cried out softly,
so held, startled, in pain. Then, bent over, her wrists confined in the
cruel, encircling binding fiber, that which I had earlier put well on her,
holding them so mercilessly, so helplessly, behind her back, her head at
his hip, stumbling, weeping, she was conducted swiftly from our presence."
Book 21, Mercenaries of Gor, page 437
"Leading position," said Drusus Rencius. I put my head down to his waist
and he fastened his left hand in my hair." Book 19, Kajira of Gor, page
134
LESHA:
"Lesha," snapped the second officer to the blond girl. She spun from facing
him, and lifted her chin, turning her head to the left, placing her wrists
behind her, as though for snapping them into slave bracelets." Book 13,
Explorers of Gor, page 76
MODALITY OF THE SHE-QUADRUPED:
"Assuming the modality of the she-quadruped. In this discipline the female
is forbidden human speech.She is also forbidden human posture, in the sense
that she is not allowed to rise to her feet. Her locomotion, unless commanded
to roll, or put under similar commands, suitable for a pet, will be on
all fours. Her food will be thrown to her, or put in pans on the ground.
In either case, she must feed without the use of her hands. She may also,
of course, be fed by hand, but, again, will not be permitted to touch the
food with her hands. She may be taught tricks. Sometimes these are taught
as functions of arbitrary sounds, so that she must learn them as any animal
might, without the benefit of an earlier understanding of the word used.
If she is slow to learn, of course, she is punished, as would be any other
animal. When used, too, it will commonly be in the modality of the she-quadrupled.
This discipline is often used as a punishment, but it may figure in the
training of a new girl. It helps her to understand what she now is, an
animal totally subject to her master." Book 27, Mercenaries of Gor, page
215 - 216
"In what slavery, or slaveries, will Master place me?" she asked. I looked
at her position. "Perhaps in these slavery of the she-quadruped," I said.
"Master may do so, if he wishes," she said, "if it pleases him, or amuses
him." "In this form of slavery, which is commonly used for disciplinary
purposes, or for the amusement of the Master, the woman is not permitted
to arise from all fours; similarly she is not permitted human speech, though
she may signify needs and desires by such means as cringing, and moaning
and whimpering. Not permitted the use of her hands, save as a means of
locomotion, she must also eat and drink from pans set on the floor, or,
sometimes to satisfy her thirst, she must lap the water permitted to her
from puddles or lick pillages from the tiles; too, it is no uncommon to
chain her near her master's feet, while he dines, that he may, if he wishes,
throw her scraps of food. She will also be taught tricks, through which
paces she may be put for the entertainment of her master's guests, such
things as begging, lying down, rolling over, and fetching his sandals in
her teeth. And, needless to say, when her master wishes to use her sexually,
it will be a position common to the she-quadruped." Book 16, Guardsman
of Gor, page 225
NADU:
"Nadu!" he snapped. She swiftly turned, facing him, and dropped to her
knees. She knelt back on her heels, her back straight, her hands on her
thighs, her head up, her knees wide. It was the position of the pleasure
slave." Book 13, Explorers of Gor, page 77
"Kneel, back on your heels," said the trainer to the dark-haired woman.
"Straighten your back, suck in your gut, put your shoulders back, thrust
out your breasts, spread your knees, widely, lift your chin, put your hands
on your thighs. You are not going to be sold as a tower slave, Lady Tina.
You are going to be sold as a pleasure slave." Book 19, Kajira of Gor,
page 19
"The woman from Venna, with a movement of chains, rose from her belly to
kneel beside his desk. She knelt in the position of the pleasure slave,
back on her heels, back straight, head up, knees spread, palms of her hands
on her thighs." Book 21, Mercernaries of Gor, page 163
"Straighten your body, Slave," I told her. Frightened, Miss Blake-Allen
straightened her back, and lifted her head. She knelt back on her heels,
knees wide, hands on her thighs. It was the position of the Pleasure Slave.
I had taught her the position. It is one of the first things a good-looking
woman, fallen slave, is taught on Gor." Book 10, Tribesmen of Gor, page
53
"Then I approached him, and, with my left hand, handed him the supple tether.
He replaced it in his pouch, and indicated that I should position myself
before him and to his right. I knelt there, and smiled at him. He spoke
harshly. Immediately I knelt in the position I had learned yesterday, which
had been clearly and exactly taught to me, back on heels, back straight,
hands on thighs, head up, knees widely opened. He then looked at me, satisfied."
Book 11, Slave Girl of Gor, page 34
"Tossing my head I knelt, the chain dangling from my collar before my body,
to the grass. I knelt back on my heels, my back very straight, my hands
on my thighs, my head high, looking straight ahead. I thrust my shoulders
back, my breasts forward. I did not neglect the placement of my knees;
I opened them as widely as I could, as I knew the men wanted. I knelt before
them again in that most elegant and helpless position in which men may
place a woman, that position I was later to learn was that of the Gorean
Pleasure Slave." Book 11, Slave Girl of Gor, page 20
"The knees of the pleasure slave, when she is in a kneeling positions,
are to be kept open before the master,and, indeed, before all free men."
Book 19, Kajira of Gor, page 282
"Come now, my pretty slaves," said Ginger, "kneel straight. Back straight,
heads up. Back on your heels there! Spread those pretty knees. Yes, that
is the way men like it. Put your hands, palms down, on your thighs. Good.
good. Excellent!" The girls now knelt in the coffle as pleasure slaves."
Book 18, Savages of Gor, page 155
"Then, to the dark-haired girl, he said, sharply, "Nadu!" She struggled
to her knees and, as she could, her wrists braceleted behind her, assumed
before him the lovely, elegant position of the pleasure slave." Book 13,
Explorers of Gor, page 166
"Seeing my eyes upon her she then knelt on the surface of the couch, kneeling
back on her heels, spreading her knees, straightening her back, lifting
her head, and putting her hands on her thighs. It is a common kneeling
position for a female slave." Book 18, Savages of Gor, page 9 - 10
"He suddenly snapped his fingers and, in the swift double gesture of the
Gorean Master, pointed to a place on the dirt floor before him, almost
simultaneously turning his hand, spreading the first and index fingers,
pointing downwards. I fled to him and knelt before him, my knees in the
dirt, in the position of the pleasure slave, my head down, trembling."
Book 7, Captive of Gor, page 143
"The Gorean slave girl, incidentally, will space herself from her master
quite differently in different situations. For example, if she is somewhat
farther away, it is easier for her to display herself in all her beauty;
if she wishes to wheedle for his caress she may approach quite closely;
if she is receiving instructions she may kneel a few feet away; if she
is begging to serve his pleasure she may kneel at his feet, perhaps kissing
them. She who fears she is to be disciplined will commonly hang back; sometimes
too, a girl will fear to approach too closely until the master, by an expression
or small sign, indicates that she is not in obvious disfavor and may do
so." Book 13, Explorers of Gor, page 201
"I noted that the palms of her hands, so soft, so vulnerable, had turned
on her thighs, so that they faced up. Among slave girls this is a common
way of signaling need, helplessness, a desire to please." Book 24, Vagabonds
of Gor, page 209
"It is almost universal, as far as I know, that a slave kneels in one fashion
or another when entering her master's presence, or if she should find herself
in his presence. She commonly kneels when spoken to by any free person.
This is simply a matter of respect. To be sure, she can be slain if she
does not do so. The kneeling position, of course, which the master's, or
free person's, permission, either tacit or explicit, is usually required
to break, is commonly an initial position. For example, after its deferential
assumption, she may be dismissed from it, to other duties, such as cleaning,
shopping or cooking." Book 22, Dancer of GOr, page 115
"Position!" I snapped. Swiftly she knelt again, as she had been commanded
earlier. "You obey with the alacrity of a slave girl," I observed. "If
I do not," she said, "I could be punished as one, could I not?" "Yes,"
I said, "and would be." I walked about her, examining her, She kept her
back very straight, and her head up. I was then again before her. I noted
that the palm of her hands, so soft, so vulnerable, had turned on her thighs,
so that they faced up. Among slave girls this is a common ways of signaling
need, helplessness, a desire to please." Book 24, Vagabonds of Gor, page
209
NESTLE POSITION:
"Nestle," I told her. "Yes, Master," she said. She nestled obediently in
the crook of my left arm." Book 13, Explorers of Gor, page 279
OBEISANCE POSITION:
"There are many ways to perform obeisance. "I said. "I am a free woman,"
she said, " I know none of them." "I shall instruct you briefly in three,"
I said. " First kneel before me , back on your heels, yes, with your knees
wide, wider, your hands on your thighs, your back straight, your breasts
out, good, your belly in, good, and now lower your head in deference, in
submission."~ "Now that," I said, " may not be exactly a form of obeisance,
for authorities do not all agree, but for our purposes we shall count it
as one. It is, at any rate, a beautiful position, and it is, certainly,
a common position of slave submission." "Now" I said, " and this is clearly
a form of obeisance, bend forward and put your head to the mat, the palms
of your hands on the mat. Good. Now lift your head little and come forward,
substantially keeping the position. Forward a little more." "But then my
face will be at your feet," she said," My lips will be over them!" "Yes,"
I said, "Good, now, put your head down and lick and kiss my feet." "I am
a free Woman!" She Said. "You are a woman," I said," now softly lingeringly,
and lovingly, Good." "I am not a slave," she said "All women are slaves,
"I said " Imagine what this would be like if you were truly a collared
slave." She gasped. "Now" I said, "for a third form of obeisance. You may
belly to me." "I do not understand," she whispered. "There are various
forms of bellying, " I said, and bellying may be suitably and pleasingly
combined with other forms of floor movements, approaching the Master on
all fours, turning to your sides and back, writhing before him, and so
on. We will take a very simple variation, suitable for an ignorant free
female who has not yet even begun to discover the depths of her sexuality."
She looked up at me. "On your belly," I said. She backed off a bit, and
went to her belly. her hair was before her face, as she now on her belly
before me looked up at me. "Now inch forward," I said, " remaining low
on your belly, and when you reach my feet, once again, as before, lifting
your head a little, tenderly and humbly, and beautifully, as though you
were a slave ,lick and kiss them. Good. Good. Now take my foot and place
it gently on your head. Very good. Now place it again on the Mat, and kiss
it again. Good. You may now belly back a little, humbly. I have not yet
given you permission to rise of course." Book 21, Mercenaries of Gor, page
409 - 410
RUN:
"I was amused, for she had run as a slave girl is sometimes taught to run,
with rapid short steps, her legs almost straight, her feet scarcely leaving
the ground, back straight, head turned to the left, arms at her sides,
palms out at a fourty-five degree angle, more of a dancers motion than
a true run." Book 5, Assassin of Gor, page 45
SLAVE LIPS POSITION:
"Similarly, I was not required to respond to certain sorts of commands,
for example, to make "slave lips," pursing my lips for kissing, or to writhe
slowly before my viewers." Book 19, Kajira of Gor, page 224
SLAVE RAPE POSITION:
"I went to the side of the room and picked up my sea bag. I threw it to
the center of the room. She looked down at it puzzled. It was of heavy
blue material, canvas, and tied with a white rope. "Lie down upon it,"
I told her, "on your back, your head to the floor." She did so. "No, please,"
she said, "not like this." It is a common position for a disciplinary slave
rape. In it the woman feels very vulnerable, very helpless. I then took
her." Book 13, Explorers of Gor, page 202
"He knelt me there. "Put your head down, to the floor," he said. "Clasp
your hands, firmly, behind the back of your neck." "Yes, Master," I moaned.
He was then behind me. He put his hands, under my arms, on my breasts,
sweetly and firmly. Then he moved his bands back, caressing my flanks.
My head was down. My fingers were together, behind the back of my neck.
I was in his collar. It was steel, I could not remove it. I belonged to
him. My body hurt, from his whip, that of my master. My head hurt, from
my hair, where I had been conducted, unceremoniously, to this location.
"Please, Master," I sobbed. "Not like this! Not you, please!" "The slave
is pretty," he remarked. "Oh!" I cried. "Oh!" "You have a lovely ass,"
he said. "Ohhh!" I said. "You may thank me," he said." Book 19, Kajira
of Gor, page 434
STANDARD BINDING POSITION:
"Standard binding position," he said. I was prone. When a girl is prone,
the standard binding position is to cross the wrists behind the back and
to cross the ankles. I took this position instantaneously." Book 11, Slave
Girl of Gor, page 125
SUBMISSION POSITION:
"Then, to my astonishment, the daughter of the Ubar Marlenus, daughter
of the Ubar of Ar, knelt before me, a simple warrior of Ko-ro-ba, and lowered
her head, lifting and extending her arms, wrists crossed. It was the submission
of the captive female. Without raising her eyes from the ground, the daughter
of the Ubar said in a clear, distinct voice:
"I submit myself." I was speechless for a moment, but then, remembering
that harsh Gorean custom required me either to accept the submission or
slay the captive, I took her wrists in my hands and said, "I accept your
submission." Book 1, Tarnsman of Gor, page 93 - 94
"Assume the posture of female submission," I told her. She did so, kneeling
back on her heels, her arms extended, wrists crossed, her head between
them, down. She was weeping." Book 10, Tribesmen of Gor, page 359
He twisted her hair more. She winced, her back bent painfully. "Do you
wish me to submit to you now?" she begged. "Do so," said he. She fell to
her knees before him, and lifted her head to regard him. "I will be your
slave," she said. Then, she knelt back on her heels, lowered her head,
and lifted and extended her arms, wrists crossed, as though for binding.
She was very beautiful. "I am your slave," she said, " - Master." Book
8, Hunters of Gor, page 16
"She is yours," he said. He took his strap off her throat, and unbound
her hands. "Submit," I told her. She knelt before me, back on her heels,
arms extended, head down, between her arms, wrists crossed, as though for
binding. "I submit to you, Master," she said. I tied her hands together;
she then lowered her bound wrists; I pulled up her head. I held "Can you
read?" I asked her. "No, Master," she said. "It says ," I said, "I am the
girl of Tarl of Teletus." I then collared her. Book 13, Explorers of Gor,
page 74
SULA:
"Sula, Kajira!" said the man. She slid her legs from under her and lay
on her back, her hands at her sides, palms up, legs open." Book 13, Explorers
of Gor, page 76
SUPINE CAPTURE POSITION:
"On your back," he said, "knees raised, heels on the floor." I then lay
before him, in a standard, supine capture position." Book 19, Kajira of
Gor, page 422
TOWER SLAVE POSITION:
"The position of the Tower Slave, in which Vika knelt, differs from that
of a free woman only in the position of the wrists which are held before
her and, when not occupied, crossed as though for binding...The position
of the Pleasure Slave, incidentally, differs from the position of both
the free woman and the Tower Slave. The hands of a Pleasure Slave normally
rest on her thighs but, in some cities, for example, Thentis, I believe,
they are crossed behind her. More significantly, for the free woman's hands
may also rest on her thighs, there is a difference in the placement of
the knees. In all these kneeling positions, incidentally, even that of
the Pleasure Slave, the Gorean woman carries herself well; her back is
straight and her chin is high. She tends to be vital and beautiful to look
upon." Book 3, Priest Kings of Gor, page 46 - 47
WHIPPING POSITION:
"I went to Targo, trembling, and knelt at his feet ... I crossed my wrists
beneath me and touched my head to the floor, exposing the bow of my back.
It is the submissive posture of a slave girl who is to be punished. It
is called Kneeling to the Whip." Book 7, Captive of Gor, page 200
WHIPS CARESS (SLAVER'S CARESS):
"Then, before I could realize what he intended, he had subjected Miss Cardwell
to what, among slavers, is known as the Whip Caress. Ideally it is done,
as Kamchak had, unexpectedly, taking the girl unawares. Elizabeth suddenly
cried out throwing her head to one side. I observed to my amazement the
sudden, involuntary, uncontrollable response to the touch. The Whip Caress
is commonly used among Slavers to force a girl to betray herself." Book
4, Nomads of Gor, page 168
"Her movements were wooden. The crowd was not pleased. There was only a
two gold piece bid. Then taking the whip from the whip slave the auctioneer
stepped to the disconsolate girl; suddenly, without warning, he administered
to her the Slaver's caress, the whip caress, and her response was utterly,
uncontrollably, wild, helpless. She regarded him in horror. The crowd howled
with delight." Book 5, Assassin of Gor, page 294
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{me'shan}~Azriel