Ladychair

  It was difficult to tell where the
  Chair ended and she began.
 
  She looked as if a giant hand
  Casually draped a shawl over the chair.
   
   Fibers of living, loving, hoping
  Anger, frustration,despair -
  All woven into the shapeless fabric -
   
  Waiting,waiting,waiting,wasting.
 
by: Martha Hughes 
 
 
 ¬¬¬¬¬¬¬LadyChair¬¬¬¬¬¬¬

  Granny Collette
    Was a memory in a chair
  From the Foley's store,
  Modern for the times,
    a deep rose made of odd cloth with small loops
  Of nylon that was new cloth, so odd cloth for those times.
  Her days were spent sitting there.
    When before, she would fry an egg
  The same as ham,
black and forever,
  dropping it from on high into black iron skillet glowing red from gas flames,
  spattering lace egg in all direction,
  God bless her poor old soul before it was constantly pointed out that it was not the new way of doing a thing.
 
      Meat did no longer require such treatment to kill what lived within,
  eggs were cleaned at the store.
  So she quit fixing the children's breakfast,
  just as she had quit so much else that had been pointed out as wrong for new times.
   
   All she would eat now was a small glass of cold buttermilk with saltine crackers,
  and
   Her days were spent sitting there.
 
    Standing at the kitchen sink hour after hour,
  pealing or preparing,
  snapping a bean or shelling a black eyed pea,
  but mostly staring off into the distance
  and into the past as she sung about in that sweet by and by until the day finally came when she slipped back to time gone by
  and let the paring knife slip,
  taking a place in her hand.
 
     She would have doctored it with coal-oil and packed it with spider-web in days past,
  never slowing to think more of it than the time taken to do it,
  but now was a different time
  and out of concern she was regulated to lighter task and besides,
  it would give her more time to just relax
  and rock in her new over-stuffed,
  deep-rose Foley chair.
 
   Her days were spent sitting there.
 
    But that window at the sink,-- with its view of the garden
  tended row after row
  by the Hungarian strange man Louie Pussock,
  who lived it the little domed shepherds wagon at the edge of the junk-yard
  and she fixed a (paper) plate for every suppertime to be delivered by kid;
  (Tommy, Ronnie or Me.)
  and covered with foil,
  whether he was home or away,
  sober enough to answer or not,
  laying and snoring in the hovel called home,
  on the shelf across the back
  and covered with all the clothes and cloth that he owned,
  plus other things as well as being his bed.
  ( "Just put it on the step, then.")
    because he would find it when he awoke or got home,-- was still her, 'Spot.' to stand and look out and maybe do a dish or maybe not,
  but always with that far-away look
  and singing all about in that sweet by and by.
  Looking back to a place in the past,
  Because her days had been spent there.
 
      From that window could also be seen the chicken coops
  and the feed house
  and most of the long rows of that horse-plowed garden
  and the road that was Shepard's road
  and now called Shepard Drive as it was traveled more and more each passing year,
  so that when she would look the near view,
  returning from that far-a-way
  (and that sweet by and by) look and say
  I wonder who that is going up the road this time of day,
  it would be dismissed or pointed out as silly for all the new traffic on that highway.
 
    "Why don't you sit down, Mama"
  was the question most ask these days.
    Until her life was spent, sitting there.
 
   It took a lot of time and trouble to nudge her away from a sink full of dishes,
  (she may break a glass and cut herself!)
  toward that new Foley's chair,
  taking the cup-towel from her hand;
  Guiding, nudging, leading.
  (to that beautiful shore?)
    "I'll Do IT, Mama! Just go rest yourself!---sit in your new Foley chair."
 
  Until finally she did, move into that new Foley's chair,
  and into her mind.
  Where she would sit and looked that far-a-way look
  into that piney-woods cabin of the big thicket's days long past,
  and back to times of being in and then raising broods of family
  and making due with what was in hand
  and allowed in that sweet by and by.
 
    She would still eat a bite, when you fed her,
  though not enough to keep a bird alive,
 and she would never rock that new Foley chair.
 
    But she rocked just ever so much,
  (If you looked hard enough you could see it,)
  and still brighten and light up a little over taste of buttermilk soaked crackers placed in her mouth,
  but never come all the way back,
  with her right hand scratching all the loops under her fingers into a fine fleecy pelt of nylon that looked odd and out of place on the arm of her new Foley's chair.
    Her days were just spent sitting there.
 
    Year after year came
  and went with granny sitting there scratching that pelt into longer and finer nylon fibers,
  and rocking ever so slightly
  in herself and her mind,
  though you'd never tell less you looked awful close,
  and never a word or a song or a verse was heard of that sweet by and by,
  or the peace on that beautiful shore,
  as she sank deeper and became smaller and formed to that chair as it folded around her
  and faded to match a color she faded from
 and toward the color of the buttermilk she smelled like.
 
    Until finally,
  the day arrived everyone knew was coming.
    Granny Collette's life was spent,
  while sitting in that new Foley's chair.
 
 
  Butch
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