I HEAR THE VOICE.  .  .

The DIANA ROSS Songbook

    

       Please press here for page content:  

S          S          S          S

SAME LOVE THAT MADE ME LAUGH, THE   Back To The Top

(Bill Withers) Produced by Richard Perry

Available on:

SAVE THE CHILDREN (1973)

See: Medley: Brown Baby/Save the Children

SAVE THE CHILDREN: (Marvin Gaye, Al Cleveland, Renaldo Benson) Produced by Diana Ross. (Jobete Music Co/ASCAP & Stone Agate Music Division/BMI)

Available on:

SAY WE CAN (1989)

(Nile Rodgers & Cathy Block) Produced by Nile Rodgers. Co-Executive Producers:  Nile Rodgers and Diana Ross.

Available on:

SELFISH ONE (1987)

(McKinley, Smith) Produced by Tom Dowd.  Executive Producer:  Diana Ross

Available on:

SEND IN THE CLOWN

(Stephen Sondheim)

See:  Medley:  Smile/Send In The Clowns

Available on:

SHINE (1987)

(Mick Hucknall) Produced by Tom Dowd.  Executive producer:  Diana Ross.

Available on:

SHOCKWAVES (1987)

(Bill Wray, Diana Ross, Mark Cawley) Produced by Tom Dowd.  Executive producer:  Diana Ross.  

Available on:

SLEEPIN' (1974)

(Ron Miller & Terry Etlinger) Produced by Ron Miller (Jobete Music Co./ASCAP)

Available on:

Johnny's been running hard all his life, 'cause life never treated him right.  Well, he ain't runnin' now...you see his eyes are closed.  You can't hurt him tonight.  Sleepin', he's sleepin', just let him be for a while.  Don't wake him.  Don't take him to where the people don't smile.  Sleepin', my man's sleepin' nice now.  Please let him stay here with me.  I promise, I'll keep him at home where he's s'pose to be.  He's been out there in the streets you know and strugglin', shufflin' trying to survive.  Out there, in a rich man's world.  And now you're saying Johnny's not alive.  An you're wrong, can't you see, sleepin'...he's just a sleepin' mister.  Without a care to his name.  He's peaceful and he's quiet.  He's tired of running his game.  He's been out there, in the streets you know.  With all the pain and all the suffering.  Out there...where you fight like hell.  He never learned a fix don't fix a fix.  Don't touch him.  Johnny's put too much joy in his vains; and now you're trying to tell me, he's gone.  I don't believe you.  I'm just gonna sit here...and rock him in my arms.  You see, he lives hard and he gives heart...and I just live for his touch.

SMILE

(J. Turner, G. Parsons, Sir C. Chaplin)

Also see: Medley:  Smile/Send In The Clowns

Available on:

SO CLOSE   (1982)  Back To The Top

(Diana Ross/Bill Wray/Rob Mounsey) Produced by Diana Ross.  Arranged by Rob Mounsey.  Background vocal arrangements by Luther Vandross. (Rossville Music/BMI, Mel-Dav Music/BMI)

Available as:

So close, when I look into your eyes.  so close, I feel I'm hypnotised.  I want to stay here for the rest of my life.  So close, when you smile at me that way.  So close, it takes my breath away.  I love your more with every beat of my heart.  I remember the night we met, I knew i'd never, ever be the same.  I remember the night you said you loved me, in an instant my whole world changed.  So close (closer and closer) feel your body next to me.  So close (closer and closer and closer), I lose all sense of time.  I want to stay here for the rest of my life.  Ahhh...I want to stay her for the rest of my life, I remember the night we met, I knew I'd never, ever be the same, I remember the night you said you loved me, in an instant, my whold world changed.  So close (closer and closer) being here with yuou again.  So close (closer and closer and closer) and there's nothing I would rather do.  Than make you stay here and I'll keep you always So close.  Closer and closer...to me....so close.

SO THEY SAY (1999)

(Malik Pendleton)  Executive producer:  Diana Ross.  Produced by 'Zavy Kid' Malik Pendleton for Zavy Entertainment, Inc.  (1999, Zavy Music Adminstered BMG Songs Inc/ASCAP)

Available on:

Hey...yeah...

When I think about all the love and fun that we use to have, there's no doubt that I do miss your touch and all the good times and bad.  But I...I realize that we were not meant to be so I'll set you free 'cause what they say doesn't apply to you and me.

(1st verse) So it feels, let comes to an end if you're ever down and out and need (I will be right here always) you have a friend in me (Just call on me even though we're apart) even though we're apart.  You'll always have a special place in my heart.  You'll always have a special place in my heart.

(2nd verse) (So They Say) So they say (If it's what they'll come back your way)  (I gave my life, not this time) (You got yours and I'll get mine) Mine...

People use to say one day you were gonna stray away and break my heart in two.  It's all in the game of love sometimes you win or lose, do what you gotta do.  Can see I regret the things I've gotten and didn't get.  I knew all along, inside, I saw all the signs, yet and still I, went along for the ride.

(1st verse - repeat)

(2nd verse - repeat)

(2nd verse - fade)  They say...So they say, Hey...not this time...I'll get mine....So they say...

SOMEDAY WE'LL BE TOGETHER (Remix version)

(Jackey Beavers, Johnny Bristol & Harvey Fuqua) Originally produced by Johnny Bristol.  Remixed by Frankie Knuckles.

Original version appeared on album 'Cream of the Crop'  See:  Diana Ross and The Supremes

Available on:

CD Singles:

SOMEONE THAT YOU LOVE BEFORE  (1999)

(Diane Warren and Eric Carmen) Executive producer:  Diana Ross.  Produced by Arif Mardin.  Arranged by Steve Skinner and Arif Mardin.  (1998 Relsongs/ASCAP; Eric Carmen Music/Administrered by Polygram International/BMI)

Available on:

You use to touch me, but baby now your touch has turned so cold.

You use to want me, now baby you just want to let me go.

I can see I'm losing you, now and I don't want to.  No, I don't want to be just

(verse) Someone that you loved before

Baby please don't let me be...someone you don't love no more.

Tell me we could make it right

('cause)  I'll do anything to hold you in my arms

and then hear you say, 'You're back in love with me again.' (hey, hey)

Is it over?  Baby are we over now for good.

I know you're going, If I could make you stay you know I would

If I could just get thru to you now 'cause I don't want to...No, I don't wanna be just

(verse)

Baby can't we give it one more try

'cause I don't want to be the one you leave behind baby

(verse)

(2nd verse)  Baby tell me I can be, someone you could love once more.

Tell me we can make it right.

Cause I'll do anything to hold you in my arms and then

...and hear you say, 'You're back in love with me again...'

(2nd verse)  Baby you love me again.

SOMETHING ON MY MIND

(Ashford & Simpson)

Available on:  

SOON AS I GET HOME/HOME

(Charlie Smalls) Produced and scored by Quincy Jones.  Toots Thielemans, harmonica. (Warner-Tamerlane Publishing Corp/BMI)

Available on:

SORRY DOESN'T ALWAYS MAKE IT RIGHT     Back To The Top

(Michael Masser, Pam Sawyer), Arranged by Michael Masser & Lee Holdridge, Produced by Michael Masser. (Jobete/ASCAP)

Available on:

No one ever loved you more and you're all I'm livin' for now I'm screamin' silently, so hard to believe, you're not in love with me.  Baby there's no easy way, to hear the words, "I don't love you.'  You tried to leave me once before, felt so bad you let me love you more.  Baby there's no gentle way, no tender sentimental way to leave me.  You offer your sympathy, but I'm as lonely as can be, sorry doesn't always make it right.  No one ever loved you so, you were trying to go, I guess I know.  baby, there's no easy way to hear the words "I'm sorry, I don't love you.'  Hurt me, then apologize, if the hurt don't, before I lose my pride.  Baby, there's no gentle way, no tender sentimental way, to leave me.  I wish that I could make you care.  All in love just isn't fair.  Sorry doesn't always make it right.  Now it's time for you to leave.  It's so hard to believe...you're not in love with me.

SPARKLE (1979)

(Nickolas Ashford & Valerie Simpson) Arranged by Nickolas Ashford, Valerie Simpson & Paul Riser.  Produced by Ashford & Simpson for Hopsack & Sil Productions, Inc. (Nick-O-Val/ASCAP)

Available on:

STAY WITH ME (1981)

(Michael Masser, Gerry Goffin) Composed and produced by Michael Masser.  Executive Producer:  Suzanne de Passe Le Mat.

Available on:

STILL IN LOVE (4:08)

(Randy Handley) Arranged by Rob Rounsey and Diana Ross. (Home Grown Music, BMI, Back Mac Music, BMI, Ruzam Music,BMI)

Available on:

STONE LIBERTY (1973)

(Bob Gaudio, Kathy Wakefield) Produced by Bob Gaudio.  Arrangers: Bob Gaudio & Dave Blumberg. (Jobete Music Co., & Sun Country Music/ASCAP)

Available on:

STOP, LOOK, AND LISTEN (TO YOUR HEART) w/Marvin Gaye (1973)

(Thom Bell & Linda Creed)

Available on:

STORMY WEATHER (1977)

(Ted Koehler, Harold Arlen)

Available on:

STRANGE FRUIT

(Louis Allan) Orchestra Conducted by Gil Askey.  Arranged by Gil Askey, Benny Golson, Oliver Nelson. (Edward B. Marks Music Company/BMI)

Available on:

STRANGER IN PARADISE (1987)

(John Capek, Amy Sky) Produced by Tom Dowd.  Executive producer:  Diana Ross.

Available on:

STRANGERS IN THE NIGHT (1966)

(Bert Kaempfert, Charles Singleton, Eddie Snyder) Produced by Brian Holland and Lamont Dozier (MCA Champion Music Corp.- Screen Gems - EMI Music (BMI))

Available on:

SUGAR FREE (1999)

(Chuckii and Tami Booker)  Executive producer:  Diana Ross.  Produced by Chuckii Booker for Twoo ii's Music (1999 Tami Tunes Music/BMI)

Available on:

Here I am, I'm confident and I've gone on with my life.  Ever since that day you said, "good-bye."  But it's evident to me that you're hurting inside.  You sound alone and more bitter as each minute goes by and you never were that way when I was in your life.  Have the sweeter things all been left behind.

(verse) Oh baby, without my love you'll always be sugar-free (and you'll miss me) Oh baby, I'm the sweetest taste that you could ever receive, oh baby, yeah (sugar free, sugar free)

I can't believe that you thought a substitute could set you free, but instead it locked you down without a key and you're thinking about how it use to be.  There is a lesson to be learned, hey...you hurt me baby but now the tables have turned.

(verse)  Baby, baby...sugar free.  You must be...ohhh.  Uh huh, oh baby.  

Oh baby (verse) Sugar free baby...ever recieve.

I know you miss my lovin' it's as plain as I can see.  You can't deny it baby, without my love you're sugar free.  I know you miss my loving it's as plain as I can see, You can't deny it baby, without my love, you're sugar free.

Sugar free (verse) (sugar free, sugar free)

Oh baby, I'm the sweetest taste that you could ever recieve.

SUMMERTIME (1987)

(Cohen, Robinson), Produced by Tom Dowd.  Executive Producer:  Diana Ross

Available on:

SUPREMES MEDLEY

(Various writers and producers)

Available on:

SURRENDER (1971)

(Ashford & Simpson) Produced by Ashford & Simpson. (Jobete Music Co./ASCAP)

Available on:

I want the love that you deny me that I need so desperately.  The tenderness that you process you deprieve of me...you must pay for the lonely nights that I walked the floor for you and don't you know that you must erase all these tear stains on my face.  Surrender, your love, baby.  Surrender you love, Surrender, your love, baby.  Surrender, your love.  Don't you know that I'm taking my case to the highest court of love and these are some of the charges that you'll be found guilty of...you used me and abused me 'til I felt like I wanted to die.  You created a need in me that only you can satisfy (chorus) Come along peacfully!   Give it to me!  Oh, a-right now.  Give it to me, give it to me. Give it to me oh.  Give it to me, give it to me...give it to me. Give it to me, give it to me, oh ohh baby  (chorus) Give it to me.   oooo, give it to me.  ohh.  I want love.  Give it to me please.

SWEET SURRENDER (1981)

(Lenny Stack & Cheryl Christensen) Produced by Diana Ross. (Jena Music, Cee-Lu Music, Koppelman-Bandier Music Corp, Rossville Music)

Available on:

SWEET NOTHINGS (1981)

(Ronnie Self & Dub Albritton) Produced by Diana Ross. (Champion Music)

Available on:

SWEPT AWAY (1984)

(Hall, Allen) Produced by Daryl Hall & Arthur Baker.

Available on:

SWING IT  (1995)

(Jon-John, Babyface, R. Phillips) Produced by Jon-John

Available on:

CD Singles:

T         T         T         T

TAKE ME HIGHER (1995)

(M. Walden, S.J. Dakota, N. Germaine) Produced by Narada Michael Walden  

Background vocals:  Patti Austin, Angela Bofill

Available on:

CD Singles:

TAKE THE BITTER WITH THE SWEET (1989)

(Preston Glass, Steven Ray, Steve Burch) Produced by Niles Rodgers.  Co-Executive Producers:  Nile Rodgers and Diana Ross. (BMI/ASCAP)

Available on:  

You, heard somebody sayin' that I loved another (ooh ooh ooh).  They don't know, it's not easy facin' lies about your lover (ooh ooh ooh)...Nothing they could tell you would change the way it feels.  But when they, try to come between us, we still have each other (ooh ooh ooh)... I've heard it all, and I have my faults but I could never hur you.  I love you through it all.  (Chorus) Take the bitter with the sweet...two hearts are stonger together, love can be forever.  Take the bitter with the sweet, we can't let rumors affect us.  we just, have to trust...  I, want you more than ever.  No matter what they told you (ooh ooh ooh). If they pry, doesn't really matter.  Long as I can hold you...(ooh ooh ooh)...People can say what they want to say, But I know that I love you, it's better every day.

TELEPHONE (1984)

(Edwards, Miller) Produced by Bernard Edwards.

Available on:

TELL ME AGAIN (1987)

(Wintley Phillips) Produced by Tom Dowd.  Produced by Tom Dowd

Available on:

TENDERNESS (1980)

(Bernard Edwards & Nile Rodgers)  Produced by Bernard Edwards & Nile Rodgers

Available on:

THAT'S HOW YOU START OVER (1983)

(Michael McDonald, Ed Sanford) Produced by Gary Katz (Genevieve Music/ASCAP, Edzactly Music/BMI)

Available on:

It may see like the wront time to let somebody near, but baby don't fear me.  I just ant to lend an ear.  You can run for cover...Oh, but darling, don't you see, for every smile there's a teardrop and that's just how it's gonna be.  So it went wrong, somewhere down the line.  But you can't hold on, that's just a waste of time.  Boy you're gonna laugh (just a little bit) and live through some tears (just a little bit) Until you finally learn (that the point of it) (Is that) Love will come again.  THAT'S HOW YOU START OVER.  THAT'S HOW YOU BEGIN AGAIN (BABY) THAT'S HOW YOU START OVER.  Anyone who's lost love always seems to swear to never give your heart away for someone to share.  Listen to your heart, each beat bring you nearer 'til you understand, nothing seems too clear.  Boy you're gonna laugh (just a little bit) and live through some tears (just a little bit) Until you finally learn (that the point of it) (Is that) Love will come again...(CHORUS)

THAT'S WHY I CALL YOU MY FRIEND  (1992)   Back To The Top

(John Bettis/Toshifumi Hinata/Diana Ross)

Available on:

Time after time and any time at all, I could turn to you with my back to the wall.  And you would always give to me all I asked of you, That's why I call you my friend.  You will be my friend now 'til my life is ended.  So many tears that you have turned to smiles, I can't believe we survived all the endless miles.  Two hearts broken together will heal into one, (chorus).  Sweet love and tenderness all our hopes and dream will take us through the hard times.  Let winter come as cold as it will be.  My arms are open wide.  You can just run to me as warm as any summer.  I am here for you...That's why I call you my friend.  You will be my friend, now 'til my life is ended...as friends.

THEM THERE EYES

(Maceo Pinkard, William Tracey, Doris Tauber) Orchestra conducted by Gil Askey.  Arranged by Gil Askey, Benny Golson, Oliver Nelson (Bourne Co./ASCAP)

Available on:

THEME FROM MAHOGANY  (DO YOU KNOW WHERE YOU'RE GOING TO?)

  Back To The Top

(M. Masser, G. Goffin) Arranged by Michael Masser & Lee Holdridge, Produced by Michael Masser. (Jobete/ASCAP) & Screen Gems-EMI/BMI) Adult Contemporary #1 hit (1 week, 1975)

Also sung by:  Mariah Carey

From the Original Motion Picture Soundtrack 'Mahogany'.  A Berry Gordy film/Paramount Picture.

Available on:

CD Single:

*Do you know where you're going to?  Do you like the things that life is showing you?  Where are you going to?  Do you know?  **Do you get what you're hoping for?  When you look behind you there's no open doors, What are you hoping for?  Do you know?  Once we were standing still in time, chasing the fantasies that filled our minds.  You knew how I loved you but my spirit was free.  Laughing at the questions that you once asked of me (*repeat) Now looking back at all we planned, we let so many dreams just slip through our hands.  Why must we wait so long before we see, how sad the answers to those questions can be (*repeat)(**repeat)

THERE GOES MY BABY (1987)

(Leiber, Stoller, Treadwell, Nelson)

Available on:

THERE'S A SMALL HOTEL

(R. Rogers, L. Hart) Music Arranged by Gil Askey.  Recorded Live by Dave Hewitt for Remote Recording Services. Produced by Ben Sidran.  Executive produced by Diana Ross.

Available on:

THESE THINGS WILL KEEP ME FROM LOVING YOU (1970)

(Harvey Fuqua, Johnny Bristol) Arranged by Paul Riser & Wade Marcus.  Produced by Ashford & Simpson. (Stone Agate Music Division/BMI)

Available on:

(THEY LONG TO BE) CLOSE TO YOU (1970)

(Burt Bacharach, Hald David) Produced by Deke Richards & Hal Davis (U.S. Songs)

Available on:

THINK I'M IN LOVE

(Laura Taylor)  Produced by Diana Ross. (Koppelman-Bandier Music Corp, Cachlea Publishing Co. Inc, Rossville Music)

Available on:

THIS HOUSE  (1989)    Back To The Top

(Nile Rodgers) Produced by Nile Rodgers.  Co-executive producers:  Nile Rodgers and Diana Ross. (BMI)

Available on:

La, la, la, la, la, la, la, la, la, la, la, lah...*This house is built on a foundation of love.  This house is built on a foundation of love.  I'll try to comfort you baby, you'll try to comfort me.  You say you love me, with all your heart, with all your heart, cause you say you do.  You know that when you are sad, I'll be there in a flash. At the drop f a hat, oh yeah.  'Cause I want you to feel love.  And you don't have to say a thing.  You don't have to ask, 'cause baby (*repeat).  Maybe we'll strike it rich, one day really make it big, and I know because our love is so strong.  We'll always have a home.(*repeat) La, la, la, la.....

TOGETHER (1978)

(Pam Sawyer, Michael Masser) Produced by Michael Masser.  Arranged by Gene Page

Available on:

TO LOVE AGAIN (1978)

(Michael Masser, Gerry Goffin) Produced by Michael Masser.  Arranged by Michael Masser & Lee Holdridge.

Available on:

TOO MANY NIGHTS

(Nick Martinelli, A. Brown, B. Wayy) Produced by Nick Martinelli for MNM Music Group Inc.  Executive Producer: Diana Ross (MCA Music Ltd/All My Children/La Strada/Little Mama/Monafah)

Available on:

TOO SHY TO SAY (1977)

(Stevie Wonder) Produced by Richard Perry. (Jobete Music Co & Black Bull Music/ASCAP)

Available on:

TOP OF THE WORLD (1977)

(Tom Snow) Produced by Richard Perry. (Braintree Music & Snow Music/BMI)

Available on:

Oooo baby, I'm going crazy, everytime I think of you.  I'm excited, so delighted to finally see the light shine through.  I can see a million dreams come true.  So hold on here we go, I got a feeling that we're gonna go up to the top of the world.  Here I am, there you are, I got a feeling that we're gonna fly up to the top of the world. (Gotta go higher, higher) Now the world seems like a sweet dream when I look into your eyes.  It's mystifying, there's no denying the way you make me feel inside.  And it's getting stronger all the time...(chorus - three times)

TOUCH BY TOUCH (1986)

(Richie Zito, Arthur Barrow, Joe Esposito)  Produced by Diana Ross.

Available on:

TOUCH ME IN THE MORNING   (1973)  Back To The Top

(Ron Miller, Michael Masser) Produced by Michael Masser & Tom Baird.  Arranged by Tom Baird & Gene Page. (Jobete/ASCAP)

'Touch Me In The Morning" was the first song written by Michael Masser.  He met Motown executive, Suzanne de Passe who suggested that he "start at the top."  It became the biggest hit he ever had.  However, the making of the single proved to be an editor's nightmare...there are over 300!  

Available on:

Of Interest:

*Touch me in the morning, then just walk away.  we don't have tomorrow, but we had yesterday.

 Hey, wasn't it me who said that nothing good's gonna last forever.  And wasn't it me who said Let's just be glad for the time together.  It must have been hard to tell me that you've given all you had to give.  I can understand your feeling that way, everybody's got their life to live.  Well I can say goodbye in the cold morning light.  But I can't watch love die in the warmth of the night.  If I've got to be strong, don't you know I'll need to have tonight when you're gone.  Till you go I need to be here and think about that last time that you...

Touch me in the morning, then just close the door.  Leave me as you found me, empty like before.

 Hey wasn't it yesterday we used to laugh at the wind behind us?  didn't we run away and hope that time wouldn't try to find us.  Didn't we take each other to a plac ewhere no one's ever been.  Yeah, I really need you near me tonight cause you'll never take me there again.  Let me watch you go with the sun in my eyes.  We've seen how love can grow now we'll see how it does.  If I've got to be strong don't you know I'll need to have tonight when you're gone...til you go I need to hold you until the time your hands reach out and

(*repeat with:) The mornings were cool and golden we could feel one another living.  We walked with a dream to hold and we could take what the world was giving.  and there's no tomorrow here, there's only love and the time we chased it.  But yesterday's gone my love, there's only now and it's time to face it.

TURN AROUND (1973)

(Malvina Reynolds, Allan Greene, Harry Belafonte) Produced and Arranged by Tom Baird (Clara Music Publishing Corp/ASCAP)

Available on:

TURN ME OVER (1982)

(Diana Ross, Steve Goldstein) Arranged by Diana Ross & Steve Goldstein (Rossville Music/BMI, Careers Music Inc/ BMI)

Available on:

TWO CAN MAKE IT

(Tom Snow & Dean Pitchford) Produced by Diana Ross.  (Warner Tameriane Publishing Corp)

Available on:

U         U         U         U

UNTIL WE MEET AGAIN (1999)

(Denise Rich and Gen Rubin)  Executive producer:  Diana Ross.  Produced by Rick Wake for W & R Group and Gen Rubin.  (1998, IDG Publishing Corp., Connotation Music, Administered by Warner-Tamerlane Publishing Corp/BMI; Groobin Music, E2 Music, EMI-April Music/ASCAP)

Available on:

12" inch vinyl single:

Until We Meet Again

(Hex Hector Club Mix - 10:21)

(Hex Hector Dub - 5:23)

(Love to Infinity Master Mix - 7:10)

(Love to Infinity Funky Fruit Mix - 7:19)

Who would have ever thought the day could ever come, when we would see a love like this fall into pieces.  And it hurts me to know that now 'till then, I'll only have these memories, hey...

(Verse) And now, there's no time left to pretend and it feels like it's the end, but you're always in my heart...until we meet again.  Now I'll have to let you go, there's no way we can be friends.  But you're always part of me...until we meet again.

Why would our love was strong, we still couldn't make it.  Did time have to take our lives in different direction and it hurts, ooo, 'cause there's no way for me to reach you...we're so far apart, when did we grow so far apart...ooh

(verse)

Oh, deep in my heart, I know I'll see you again.  Well, I don't know where or when, but 'till then

(verse)

UP FRONT (1983)

(Ray Parker Jr.) Produced, engineered and mixed by Ray Parker Jr.  Arranged by Ray Parker Jr. (Raydiola Music Co./ASCAP)

Available on:

I wanna get it straight up front.  Let's tell each other what we want.  So we can both decide up front if we like it or we don't.  Just as long as I'm single, I'm gonna do what the heck I please and I don't feel it's fair for you to be restricting me.  If you want a serious commitment.  You gotta first make one yourself.  If you want it one sided, you'd better find somebody else. (chorus)  Now I've been in relationships where I've given all of myself.  I did everything for him, he did everything for someone else.  Now don't misunderstand me, I'm not prejedging you.  But if you plan to fool around, let me know so I can do it too. (chorus)  Now I know everything can't be predicted, because love don't work that way.  But we can at least agree on the rules before we start to play.

UPSIDE DOWN   (1980)  Back To The Top

(Bernard Edwards & Nile Rodgers) Produced by Edwards & Rodgers. (Chic Music/BMI) #1 R & B hit (4 weeks)

Reviews

Available on:

Of Interest:

COMPLETE MOTOWN ANTHOLOGY, THE  (3:37)

CD Singles:

I said upside down you're turning' me, you've given love instinctively.  Round and round you're turnin' me. *Upside down, boy you turn me, inside out and round and round.  Upside down, boy you turn me, inside out and round and round.  Instinctively you give to me the love that I need.  I cherish the moments with you.  Respectfully I say to thee I'm aware that you're cheating.  But no one makes me feel like you do. (*repeat) **Upside down, you're turnin' me.  You've given love instinctively.  Round and round you're turning me.  I say to thee respectfully.  (**repeat) Upside down, you're turn me.  Upside down...

V          V          V          V

VOICE OF THE HEART (1994)   Back To The Top

(J.T. Stanley, J. Bettis, B. Roberts) Produced by Nick Martinelli

Available on:

CD Single:

Diana Ross

Next Page

Back To The Top

Hosted by www.Geocities.ws

1