The Two Tudor Queens Regnant : Judith Richards pinpoints the debts of Elizabeth I to her older half-sister.

 

The Tudor monarchs, who ruled England from 1485 to 1603, have always attracted a great deal of historical attention; the most studied of them all have been Henry VIII (1509-1549) and Elizabeth I (1558-1603). The latter is still widely regarded as England’s first iconic queen, reigning at a time when the prevailing view was that females needed to be under the control of either their fathers or husbands. In principle, sixteenth-century men were very suspicious of powerful and independent women and told many stories of how women, uncontrolled by a husband or father, became unruly, destructive and sexually promiscuous. Elizabeth is traditionally seen as the woman who triumphed as a successful female monarch in that male-dominated culture.

 

That tradition, however, ignores completely how much Elizabeth owed to the queen who immediately preceded her, her Catholic half-sister Mary (1553-58). Mary has a strong claim to being the most reviled monarch in English history. Whether that is justified or not, the point remains that Elizabeth’s path to the throne was made much easier after Mary’s reign. Mary, being older at her accession, better prepared for rule, and always widely recognised as a virtuous woman, was a more acceptable character to her contemporaries to be first queen than her much younger sister. This has not been commonly understood by later historians, however, for ever since Mary I died in 1558, and her half-sister Elizabeth I succeeded her, historians have focused on the many differences between them, stressing the Catholicism and religious persecution of Mary’s regime, and the Protestantism and (comparative) religious tolerance of Elizabeth’s. As one of Elizabeth’s most influential biographers, J E Neale, summarised the differences between them, Mary represented the ‘old world’ (by which he meant one Catholic and medieval in outlook) while Elizabeth represented the ‘new’ England (Protestant and much more ‘modern’).

 

Yet there are many ways in which it is instructive to compare the first two English queens, and it is vital to understand just how much Elizabeth owed to Mary.

 

Rules of Succession

 

Before 1553, there had been only one serious attempt by a woman to rule England as a queen regnant, rather than be a queen consort (or wife to a reigning king). Matilda (c.1102-67) was that woman, and her attempt to reign was marked by almost continuous civil war between herself and her cousin, King Stephen. Thereafter, although there were strong female claimants to other thrones across Europe, few of them ever gained and retained their thrones. Male contenders could usually muster stronger military support than the women were able to do. There were, however, always a few who ruled their kingdom in their own right even when, like the fifteenth-century Isabel of Castile, they were married. When she died, Isabel was still independent enough to will her kingdom not to her husband, but to her eldest daughter. But such very independent women were rare.

 

Four centuries after Matilda, most Englishmen still believed that the English throne was no place for a woman. Yet from 1553 to 1603 two English queens ruled the kingdom, between them reigning for half a century. This happened because despite his six marriages, when Henry VIII died in 1547, only one young male heir, and his two daughters, Mary and Elizabeth, survived him. Mary was the child of Henry’s first marriage to Katherine of Aragon, and was reared within the Catholic Church. When Henry wanted to separate from Katherine, Pope Clement VII repeatedly delayed granting him the annulment he needed. By early 1533, however, Henry had secretly married Anne Boleyn and she was pregnant. While finalising his first ‘divorce’, and making much use of parliamentary statutes to do so, Henry excluded all papal authority from his kingdom, establishing instead an independent Church of England with himself as supreme head of it. The process of separating from the Church in Rome was completed by 1536.

 

Despite the growing support for a wider reformation of the church in much of Europe, Henry did not allow many significant changes to the religious teachings of his church, but organisationally it was quite different. As a result of the new religious regime, and although Mary had been brought up a Catholic, the much younger Elizabeth was reared within the independent Church of England. Both, however, appeared to be content with the church order Henry VIII had established by the end of his reign. By his will, confirmed by parliamentary statute, Henry had arranged that if his son, Edward VI, died without an heir, then his elder daughter Mary would succeed him. If she had no heirs, then Elizabeth should take the throne.

 

As the next brief reign was ending, and to defend the more advanced Protestantism established during his rule, the dying Edward VI (1549-1553) made a will excluding both his sisters from the throne. Instead he nominated as his heir Lady Jane Grey, granddaughter to Henry VIII’s younger sister and therefore cousin to the Tudors. At first it seemed inevitable that the move to exclude Mary (and thereafter Elizabeth) from the throne would succeed. Almost all Edward’s leading advisers supported ‘Queen Jane’. She was married to a son of the extremely powerful Duke of Northumberland, and she shared Edward’s religious views. Even more importantly, Queen Jane’s supporters controlled all aspects of the administration in London: they held the Tower of London and the realm’s money supplies, the main military supplies and the navy. The installation of Queen Jane also had the support of the French. In the face of all that, even the powerful Emperor Charles V (nephew to Katherine of Aragon and an ardent Catholic) felt he could do nothing to support his cousin Mary’s claim to the throne against the Protestant Jane.

 

Nevertheless, the older ways of deciding disputed accessions to the throne by force were gradually giving way to a wider knowledge of the more peaceful force of statute law. By that law Mary was indisputably the heir. It probably helped that, outside more advanced Protestant circles, Mary herself, the daughter of Henry’s first and most popular queen, was well known and popular, but many Protestants also recognised her right to the throne. Faced with the proclamation of ‘Queen Jane’, and despite having no visible support from any of the great men of the realm, Mary proclaimed herself as the true queen. Unexpectedly large numbers of men gathered in East Anglia to support her claim. As Mary reviewed her assembling supporters, Londoners also began to make clear their disapproval of Northumberland and of his daughter-in-law as monarch. Within ten days of Mary making her stand, all attempts to enthrone Jane had collapsed. The initiative for the challenge had come from Mary, and without her actions the Janeite coup would almost certainly have succeeded.

 

So Elizabeth’s first debt to Mary was that her elder sister ensured that the crown continued along the legal line of succession, by which she was in line as next heir. For several reasons, it is most unlikely that Elizabeth could have made a comparable stand for herself in 1553. Although Edward was personally much closer to Elizabeth than he was to Mary, he believed she was an equally unsuitable heir. After all, her mother, Anne Boleyn, had been disliked by many within and beyond the royal court, and had been scandalously executed on the (admittedly highly improbable) charge of having committed adultery with several men, including her own brother. On the ‘like mother like daughter’ principle, Elizabeth was seen as morally dubious – and that was before, at the age of 15, rumours spread in and beyond England that she was pregnant to Thomas Seymour. Such considerations provided good sixteenth-century reasons why Mary was a much more acceptable candidate by law, descent and reputation than was Elizabeth to replace the unfortunate Jane Grey.

 

Signifiers of Monarchical Power

 

Once on the throne, Mary found that the transition from male to female monarchy in 1553 produced some obvious and some unexpected problems. She was, however, well placed to address them. Her mother had always believed Mary had the strongest claim to the English throne, and her father seems to have shared this view at least until the mid 1520s. As a consequence, Mary had been much better prepared for such an office than ever Elizabeth, declared illegitimate before she was four, could have been. Moreover, Mary’s mother Katherine was the youngest daughter of Isabel of Castile and had grown up watching her mother exercising all the powers of a monarch; she saw no insuperable barriers to her daughter doing the same. But she was also aware that since the contemporary prescriptive literature consistently taught the importance of very clear gender differentiation between the expected roles of men and women, there were inevitably going to be problems for England’s first queen regnant.

 

The earliest problems which Mary faced were those of redefining the rituals by which monarchs were confirmed in power, and precisely how that power was to be exercised. This was a period when princely magnificence, publicly displayed, was a crucial signifier of effective monarchy. A king on horseback, surrounded by magnificent courtiers and displays of military might, was the familiar ideal of a powerful ruler. Queens appeared more modestly, and seldom with displays of military might. A king rode to his coronation on horseback in bright colours; his queen consort, if he had one, travelled in a litter, dressed in white cloth of gold and with her hair falling loosely down her back as an age-old symbol of her fertility – fertility being the most desirable attribute of any queen consort. The traditional form of English coronation ceremonies made it very clear that queens had power only as their husbands’ partners.

 

Yet with Mary, as yet unmarried, the rituals had to represent a monarch who was, as contemporaries remarked, both king and queen. Mary’s coronation saw her accepting all the regalia of a male monarch, even though she went to her coronation dressed as a queen consort, with her hair down. By the time Elizabeth followed the same practices at her coronation, she was described as being crowned ‘according to the ancient precedents’, another indication of how Mary paved the way for Elizabeth’s much less problematic accession.

 

Tudor historians are now much more aware of the importance of magnificence in Tudor royal theatres of power. But that was for kings. Surviving accounts – and portraits – also stress the subordinate role and demure postures in which royal wives were habitually portrayed, and so images of queens consort provided a very limited model for representations of power for queens regnant. In this sphere too, Mary had to work out how to take the lead role. By all accounts, Mary’s clothing and her horse’s ‘furniture’, when she made her first triumphant entry into London, set a standard of magnificence for a queen which anybody – even Elizabeth – would always struggle to surpass. Like her mother, Mary showed a talent for rich dressing; she appears to have taken it much further than ever her mother did as part of a conscious policy of empowering the female body, without assuming an immodest posture.

 

There is an obvious contrast between the magnificent Holbein representations of Henry, arms akimbo, literally and massively embodying majesty, and conventional paintings of female subjects which involve a more restrained display of splendour, with even a queen consort only marginally more splendid than leading court ladies. Yet there are at least two 1554 portraits of Mary as queen regnant by Hans Eworth which superbly illustrate the striking impact Mary achieved through her jewel-encrusted sleeves and dresses, as well as the more orthodox but unusually rich jewellery she wore around her neck and on her hands. On one portrait of Mary in the National Portrait Gallery in London, there are at least seven rings on her fingers. When the retiring Venetian ambassador wrote the customary report on the country he was leaving, he made particular note that Mary took particular pleasure in dressing herself elegantly and magnificently. She also used her dress to make political statements, and to flatter visiting ambassadors, for example dressing in French style when meeting the French ambassador. Such political adaptations of foreign styles has commonly been seen as an effective innovation of Elizabeth’s court, but again Mary set the pattern.

 

Female Monarchy

 

Mary may have gone to her coronation dressed as a queen consort, but she proved markedly assertive in her definition of female monarchy. To her, ‘monarchy’ was the crucial word, not ‘female’.

 

French and English monarchs had long been famous for their claims to be able to heal certain illnesses by a power called ‘the royal touch’. A much-favoured French argument against female monarchy was that no woman could possibly practise the royal healing touch because it was a function of uniquely masculine sacred powers, derived from the coronation ceremony itself. Mary, who had herself consecrated according to all the customary rites, practised the healing touch for her subjects from the beginning of her reign; she also restored the older practice of blessing cramp rings, to help ease cramping and arthritic pains. As well as helping her subjects through them, she even sent such cramp rings to, among others, the Emperor Charles V, the Queen Dowager of France and the Duchess of Lorraine. In the face of explicit French polemics to the contrary, and a great deal of implicit opposition from conventional beliefs about the necessarily masculine nature of any priestly power, every time she exercised her healing powers Mary demonstrated that female monarchy was as sacred as male. This was another precedent Elizabeth was pleased to follow. Indeed, later in Elizabeth’s reign, one of her defences against increased Catholic attacks on the legitimacy of her regime was precisely the effectiveness of her royal touch.

 

Parliamentary statutes were also used to further clarify the status of a female monarch. For reasons still not fully understood, a rumour spread that Queen Mary, unlike any English king, had completely unlimited power, because all statutes aimed at limiting royal power referred only to kings. Mary, shocked by this rumour, had a law passed making it clear that a female ruler was identical in power and authority with the past kings of the realm. That was probably a simple case of removing a possible uncertainty. Another and much more startling definition of her powers, however, also set out in statute form, was that such full power and authority applied as much to a married as an unmarried queen regnant. This was at a time when it was an axiomatic religious and social duty for women to obey their husbands.

 

Matrimony and Spinsterhood

 

Mary, like later queens, apparently drew a distinction between her private duty to her husband, and the obligations of her public office. When she married Philip of Spain in 1554, this was confirmed by a marriage treaty which named Mary’s husband as king and allowed his title precedence over hers, but which confined his English role to that of assisting his wife, especially in military affairs. In other matters, Philip was to be effectively political wife to the monarch of England. Most coinage, charters, seals, and other representations to the two monarchs showed Philip seated on his wife’s left (subordinate) side, just as he was accommodated in what had always been the ‘queen’s’ quarters in royal palaces. The treaty left little doubt who was actually monarch of England, however the married couple might subsequently redefine their relationship.

 

Mary’s insistence on the full equivalence of male and female monarchy necessarily informed Elizabeth’s choices when she in turn ascended the throne. Mary’s unpopular marriage to Philip of Spain provided Elizabeth with polemical ammunition for many years, whenever she wished to resist yet another proposed foreign match for herself. Anxieties that England would simply become an instrument of Spanish policy after Mary’s marriage were not realised, but helped Elizabeth resist marriage to any other foreign prince.

 

Even more importantly, when there was an essentially Protestant uprising, led by Thomas Wyatt, against Mary’s proposed marriage to Philip, there were strong suspicions that Elizabeth had prior knowledge of the rebellion. The princess was held in the Tower of London for some six weeks for questioning. Although there is no evidence that Elizabeth’s life was ever in danger, Mary treated her in such a way that (with a certain amount of judicious exaggeration) the younger sister was thereafter cast – and able to cast herself – as yet another suffering Marian Protestant martyr. This was so even before John Foxe’s detailed descriptions of the sufferings of the Marian martyrs and his account of Elizabeth’s own providential salvation. And so, for many of her subjects, the rather scandalous princess of the Edwardian era was finally transformed into a demure, pious, courageous Protestant, a much better model for the woman soon to become England’s first Protestant queen.

 

Oratory

 

One of the talents for which Elizabeth has been particularly praised was her (ostensibly unwomanly) gift for public speaking. But before her, Mary had been well schooled in the arts of exercising authority, including public speaking. Again, it can be shown that Mary set Elizabeth a useful example. When fighting for the throne Edward had bestowed on Lady Jane, Mary quickly gathered supporters to make good her claim. A Spanish account has survived of her rallying her troops at Framlingham in July 1553. It provides a powerful account of her acting out the roles of a military leader, as she reviewed the soldiers and made a stirring speech. Her later public speech to rally the Londoners at Guildhall against the Wyatt uprising is a better-known example of the same confidence and capacity. Mary was, by several accounts, a powerful and effective public speaker well before Elizabeth demonstrated the same capacity.

 

Conclusion

 

There was one final, and even more considerable, debt. From soon after her own accession, Mary was ambivalent about Elizabeth succeeding her. She never forgot that Elizabeth was Anne Boleyn’ daughter and so gave at least equal status to Lady Margaret Douglas, Henry VIII’s niece by his elder sister. Nevertheless, Mary finally overcame her many doubts about her half-sister and recognised Elizabeth as her heir, probably because of her undisputed right in statute law. She did so despite the considerable success Mary’s regime had achieved in restoring Catholicism to England. Mary’s dying wish to Elizabeth was that she should preserve the Catholic religion, but she must have known how very unlikely that would be.

 

Whatever the reasons for her doing so, by recognising Elizabeth’s claim, the first queen regnant markedly reduced the chances of further civil war in England on the accession of the second queen regnant. That provided one crucial thread of stability in a very unstable time. But it was only one of the many debts which Elizabeth owed to Mary.

 

The elder sister had provided a series of precedents which helped model female monarchy before Elizabeth’s rule. The politics of gender was, after all, the site where both Mary and Elizabeth faced their most novel problems. In public performance, public speaking, embodied female regality, and royal enactment of conventionally gendered public roles, Mary set an example which prepared the way for her sister’s much celebrated public performances. Perhaps it is time all those precedents were taken more seriously in reassessing Elizabeth’s achievements as second queen regnant of England.

 

Issues to Debate

 

o In what ways had Mary been prepared for her role as queen?

o What model of a queen regnant did Mary bequeath to his sister?

o How important for Elizabeth I was the work of her predecessor?

 

Further Reading

 

Sheila Cavanagh, ‘The Bad Seed: Princess Elizabeth and the Seymour Incident’ in Julia M. Walker (ed), Dissing Elizabeth: Negative Representations of Gloriana (Duke University Press, Durham, 1998)

Susan Doran, Queen Elizabeth I (New York University Press, New York, 2003)

David Loades, Mary Tudor, A Life (Blackwell, Oxford, 1989)

Judith M Richards, ‘Mary Tudor: Renaissance queen of England’ in Carole Levin et al (eds), ‘High and Mighty Queens’ of early modern England: Realities and Representations (Palgrave, New York, 2003)

Judith M Richards, ‘“To promote a woman to beare rule”: Talking of queens in mid-Tudor England’, The Sixteenth Century Journal XXVIII (i) 1997. 

 

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