\BOOKMARK [1][-]{section.1}{Introduction}{}
\BOOKMARK [1][-]{section.2}{Software requirements}{}
\BOOKMARK [1][-]{section.3}{Understanding the basic concepts}{}
\BOOKMARK [2][-]{subsection.3.1}{ABC and microtones}{section.3}
\BOOKMARK [2][-]{subsection.3.2}{Macros and preprocessors}{section.3}
\BOOKMARK [2][-]{subsection.3.3}{microabc is a generator of macros}{section.3}
\BOOKMARK [2][-]{subsection.3.4}{microabc as a preprocessor}{section.3}
\BOOKMARK [2][-]{subsection.3.5}{MIDI limitations}{section.3}
\BOOKMARK [1][-]{section.4}{The steps}{}
\BOOKMARK [1][-]{section.5}{Examples}{}
\BOOKMARK [2][-]{subsection.5.1}{Quick start}{section.5}
\BOOKMARK [3][-]{subsubsection.5.1.1}{Bach's choral}{subsection.5.1}
\BOOKMARK [3][-]{subsubsection.5.1.2}{Make changes, learn more}{subsection.5.1}
\BOOKMARK [2][-]{subsection.5.2}{A scale of harmonics -- microabc output modes}{section.5}
\BOOKMARK [3][-]{subsubsection.5.2.1}{The microabc input file}{subsection.5.2}
\BOOKMARK [3][-]{subsubsection.5.2.2}{The ABC file with macros}{subsection.5.2}
\BOOKMARK [3][-]{subsubsection.5.2.3}{Microtonal mode}{subsection.5.2}
\BOOKMARK [3][-]{subsubsection.5.2.4}{Chromatic mode, timidity++ and Scala}{subsection.5.2}
\BOOKMARK [3][-]{subsubsection.5.2.5}{Diatonic mode}{subsection.5.2}
\BOOKMARK [3][-]{subsubsection.5.2.6}{Literal mode}{subsection.5.2}
\BOOKMARK [2][-]{subsection.5.3}{An example in 19-EDO}{section.5}
\BOOKMARK [3][-]{subsubsection.5.3.1}{The microabc file}{subsection.5.3}
\BOOKMARK [3][-]{subsubsection.5.3.2}{PostScript}{subsection.5.3}
\BOOKMARK [3][-]{subsubsection.5.3.3}{MIDI}{subsection.5.3}
\BOOKMARK [3][-]{subsubsection.5.3.4}{The code}{subsection.5.3}
\BOOKMARK [3][-]{subsubsection.5.3.5}{Macro definitions files}{subsection.5.3}
\BOOKMARK [3][-]{subsubsection.5.3.6}{The ABC file with macros}{subsection.5.3}
\BOOKMARK [3][-]{subsubsection.5.3.7}{Preprocessing}{subsection.5.3}
\BOOKMARK [3][-]{subsubsection.5.3.8}{Getting the MIDI file}{subsection.5.3}
\BOOKMARK [3][-]{subsubsection.5.3.9}{Getting the PostScript score file}{subsection.5.3}
\BOOKMARK [3][-]{subsubsection.5.3.10}{Customisation of the accidentals in the PostScript score file}{subsection.5.3}
\BOOKMARK [2][-]{subsection.5.4}{Sagittal notation -- using microabc as preprocessor}{section.5}
\BOOKMARK [3][-]{subsubsection.5.4.1}{Just Intonation}{subsection.5.4}
\BOOKMARK [3][-]{subsubsection.5.4.2}{Equal divisions of octave}{subsection.5.4}
\BOOKMARK [2][-]{subsection.5.5}{Using Sagittal notation for arbitrary scales}{section.5}
\BOOKMARK [3][-]{subsubsection.5.5.1}{Pick out a scale --- make the microabc input file}{subsection.5.5}
\BOOKMARK [3][-]{subsubsection.5.5.2}{The microabc test file}{subsection.5.5}
\BOOKMARK [3][-]{subsubsection.5.5.3}{Create your own *.abp music file}{subsection.5.5}
\BOOKMARK [2][-]{subsection.5.6}{More possibilities}{section.5}
\BOOKMARK [1][-]{section.6}{HTTP addresses}{}
