I saw Tenalion smile.  To be sure, many of the dances of female slaves are lovely and sensuous; others of course, are piteous and orgasmic.  In all fairness, though, one must note that there is a large variety of slave dances on Gor, and that there is some variation from city to city.  The institution of female slavery on Gor is doubtless thousands of years old; accordingly it is natural that there should be great complexity and refinement in such a delicious art form as slave dance.  There are even, it might be mentioned, hate dances and rebellion dances, of course, conclude, inevitably, with the ultimate surrender of the girl to her master as a love slave.

{Fighting Slave of Gor, page 288}
Performed for the girl's true Master, each dance is different and unique, as is each Free person.  It can be done in many ways, from the kajira allowing her hands to roam her own body in throbbing lust for her Master, to the girl writhing in desire and submitting at his feet.

{Dancer of Gor, page 190}
Kron clapped his hands again and to my surprise there was a sudden sound of bells and four terrified girls, obviously chosen for their beauty and grace, stood before our table clad only in the scarlet dancing silks of Gor.  They threw back their heads and lifted their arms and to the barbaric cadence set by the musicians danced before us ... "Why are they dancing for you?" asked Lara.  "They will be whipped if they do not," said Kron.  Lara's eyes dropped.  "You see the collars," said Kron pointing to the slender graceful bands of silver each girl wore at her throat.  "We melted the masks and used the silver for the collar" ... When Kron had tired of watching the dancers he clapped his hands twice and with discordant jangle of their ankle bells they fled from the room.

{Outlaw of Gor, pages 225-226}
"You cannot even dance," I informed her.  Suddenly she stepped back, threw back her head, thrust one leg to the side, and lifted her arms.  Then, eyes closed, not moving, except the heel of the right foot, which beat the rhythm, she began to hum a Tuchuk slave song; on the second measure, her hands came to her hips and she opened her eyes, looking at me; on the third measure, her body began to move and, to the melody, she began to sway toward me; when I reached for her she swept back, and danced, her hands at the side of her head, fingers snapping with the melody.  Then she stopped.  "That's all I know," she informed me.  I cried out in rage.

{Assassin of Gor, page 56}
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