I’m dictating this to my dear friend and neighbor in
Two women have done me a great
disservice in misrepresenting my history. Being even more harmful to me, they
fashioned these tall tales for purely selfish reasons. I once attempted to
correct one of the inaccurate accounts and was only met with silence. I’ve said
that I cannot read nor write. It has always been difficult for me to maintain a
written dialogue with others, because those who would write my words for me
would change them to fit their voice in the process, as well.[1] It
is through Frances Titus, my trusted friend, that I shall right the wrongs
against me.
It was many years ago that I
published the first edition of my narrative. I was very grateful to Mr. William
Lloyd Garrison, famous abolitionist, for agreeing to write an introductory
message to the text. It was only a year after I began selling my book that
Harriet Beecher Stowe’s story about Southern slavery was published in one of
the antislavery newspapers. Her tale was such a great success that it got
published as a novel the next year. Both she and her novel were widely
discussed and celebrated here in the North. At the same time that Mrs. Stowe’s
fame was rising ever higher, I had need of another printing run of my
narrative. For my second printing, I decided it might help my sales if I had
another well-known person endorse my life’s history in another introductory
passage. These endorsements- some called them “puffs”- were becoming quite
sought-after by authors and publishers. Nevertheless, I personally traveled to
the
Mrs. Stowe wrote me a very nice
preface for my second edition, something which I am still thankful to her for,
even though we parted ways after that encounter.[3] But
then a decade later, she published an article about me in a newspaper. And the
Sojourner Truth she wrote about in “The Libyan Sibyl” isn’t anyone I’m familiar
with. As I’m sure anyone who has ever heard me speak can attest, I don’t speak
in the dialect that Mrs. Stowe has coming out of my mouth. [
I tried very hard to understand why Mrs.
Stowe would write such blatantly false things about me. True, I had not been on
the lecture circuit much at the time, but I hadn’t given anyone reason to think
I had passed on. Even if I were lying in my grave, she had no right at all to
start writing these lies about me. When I heard from my friends that she had
written that article, I didn’t know what to do. I puzzled over it for a little
while before I decided to send a letter to the editor of that newspaper. I even
sent six copies of my narrative along with my letter so that he, and any others
of his staff that wished, could read the truth about me.[5] I
didn’t trouble myself to send anything to Mrs. Stowe. I thought to myself: if
she could not take the time to read a book that she wrote an introduction for,
well then, I would not waste any more of my words on her.
I sometimes wonder if I shouldn’t
have tried harder to fix the image that Mrs. Stowe created of me. It’s now so
widespread and accepted by people that I can’t even begin to try and correct
every person who thinks I’m an African-born plantation slave. And I still get
the funniest looks from some people when they hear me speak and don’t hear the
sound of a colored Southern woman’s speech coming out of my mouth. But what
more could I have done? I reckoned that the best thing I could do was to keep
on speaking to the public when I could and show them through my words who I
was. And not to pay any mind to this Libyan Sibyl foolishness.[6]
Yet it was not long after this whole
Sibyl nonsense happened that another woman took my words and twisted them for
her own uses. Frances Dana Gage was a highly regarded feminist and women’s
rights woman; and she did a lot of writing, too, for newspapers. Well, if it
wasn’t right after Mrs. Stowe’s story appeared that Mrs. Gage wrote a story
about me and a speech I had given some 12 years before at a convention she had
chaired. Surprisingly, she got the speech wrong. Those were not my words that he
was recalling. Those words were never spoken by me or anyone else at that
convention in
When I first heard the beginning passage,
“…a tall, gaunt black woman in a gray dress and white turban, surmounted by an
uncouth sun-bonnet, march deliberately into the church, walk with the air of a
queen up the aisle, and take her seat on the pulpit steps”[7], I
immediately thought that Mrs. Gage and Mrs. Stowe were in cahoots, for it had
sounded like something that might have come out of Mrs. Stowe’s novels. It must
be a joke, and it even had me laughing for quite a spell! By the time I had
finished listening to all that she wrote, I wasn’t laughing anymore.
This woman, who I had kept up an
occasional correspondence with, wrote something that was only vaguely similar
to what I said in
There
are a handful of people, who know the whole sordid tale about Mrs. Gage putting
words into my mouth, that tell me it’s for the best. They believe she had good
intentions. They say to me: “Oh yes, Sojourner, what she did was wrong-
misusing your person, exaggerating your words, falsifying your history- but the
truth is that her version of events is better suited to getting you and our
causes noticed. Quite honestly, we need you to have said that.” They needed me
to have said it.[13]
Should I feel guilty that I didn’t make this speech in
No, I have a different theory as to
why these women are writing their stories. I have met Harriet Beecher Stowe and
- I can’t read books but I can read people<[14] -
if there was one thing I noticed about Mrs. Stowe when I first met her, it was
that she wasn’t a radical. She didn’t stand up for the abolition or feminist
causes; she was just writing about them and making money of off them. I think
that, with the War Between the States and the issue of slavery being so hotly
debated back in ’63, Mrs. Stowe saw a profitable opportunity for herself.[15] I
can’t fault Mrs. Stowe for wanting to make money on her publications- I myself
am sustained by the purchases of my narrative. However, I don’t exploit other
people in order to support myself. To do so is one of the most indecent things
one person can do to another. Mrs. Stowe has wronged me in this manner.
I believe that Mrs. Gage had reasons
similar to Mrs. Stowe in publishing her story about me. I’ve been acquainted
with Mrs. Gage for many years, and she is, without a doubt, a true radical.
She’s one of the most outspoken feminists I know, and she’s sympathetic to the
Negro cause, too. There is one other thing she champions for: her own fame. The
only reason she wrote that story was that she wanted to ride the wave of
celebrity Mrs. Stowe had began with her Libyan Sybil article.[16] Mrs.
Gage was feeling inadequate and sought to change that by writing an even more
pretentious article to rival that of Mrs. Stowe. So once again my person was
exploited to further the selfish motives of another.
With all that now having been said,
it is my duty as a follower of Christ to be forgiving. I forgive these two
white women for their sins against me. It is probably too late to fix the image
of me that is in this generation’s head, but it’s my hope that future
generations can forgive (as I have) and, more important, forget Mrs. Stowe and
Mrs. Gage’s maltreatment of me. I am Sojourner Truth and all that I have just
said is the truth.
Works Cited
Gilbert, Olive. Narrative
of Sojourner Truth. Ed. Margaret Washington.
Painter, Nell Irvin. “Representing Truth: Sojourner Truth’s Knowing and Becoming Known.” The Journal of American History 81 (1994): 461-492.
Painter, Nell Irvin. Sojourner Truth: A Life, a Symbol.
Stetson, Erlene and Linda David. Glorying in Tribulation: The
Lifework of Sojourner Truth.
Wortham, Anne. “Sojourner Truth: Itinerant Truth-teller.” World and I 15.3 (2000):
291. Infotrac:
Expanded Academic ASAP.
A Refutation of Truth
Lori Calabria
HS33
[1] Painter,
Sojourner Truth 174
[2] Wortham, sect. Narrative
[3] Ibid., sect. Narrative
[4] Stetson and David 112
[5] Stetson and David 22
[6] Ibid. 21
[7] qtd. in Stetson and David 114
[8] Frances
Dana Gage’s “Ar’n’t I A Woman?” speech as qtd. in Painter, Sojourner Truth 164-9
[9] Gilbert 24
[10] Wortham, sect. Civil War, Reconstruction, and Journey’s End
[11]
Painter, Sojourner Truth 169
[12] Painter, “Representing Truth” 470
[13] Ibid. 480
[14] Wortham, sect. “Ar’n’t I A Woman?
[15] Painter, “Representing Truth” 476
[16] Ibid. 478