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| There are many misconceptions about the Dark Arts. The result of the mixing of Greek and Hebrew paganism by the indolent, power-hungary aristocracy of the Renaissance, the Dark Arts are completely blown out of proportion in this Age. The conservative sensibilities of today spread lies and twist facts about a social practice that, if viewed in the proper context, is completely understandable. Following is a guide to understanding the history and anthropological beauty of what is deemed obscene by most modern religions, the so-called Neo-Pagan movement included. | |||||||||||||||||||||||||||||||||
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| Demonology | |||||||||||||||||||||||||||||||||
| Demonology is the art and practice of summoning and controlling Demons. I include in this title such arts as angelomancy, as the prime requisites are virtually the same. Contrary to popular opinion, the rites of medieval demonology do not include the sacrifice of virgins and little babies. Quite the opposite, most texts refer to the Holy Trinity and request that God aid the magician in their experimentation in the realms infernal. Much has been written about the Infernal and Celestial heiarchies. You can find such rankings in grimoires and online, and a few places that they can be found have been noted below. One of the most important personages in the evolution of demonology was Dr. John Dee. Dee supposedly carried on conversations with an angelic being which taught him the Enochian language. Use of this language, and its gematria, was essential in sever rituals to summon and converse with angelic beings. Aleistair Crowley was also involved with demonology. He supposedly went into the desert with an associate and summoned the demon Choronzon. After his audience with the demon, though, he did not appropriately banish the demon and it is said that he was possibly possessed. His manner changed sharply and he died soon after. Items required for demonological rituals are various, and vary by text, but a few things remain constant. A magick circle is necessary to prevent demonic attack, a medium must be present for the demon to form in or be seen in (a crystal ball or incense smoke), and an altered state of consciousness must be obtained through some means or another. Also, the entity's sigil, a personal symbol akin to a signature, and name must be used. |
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| Necromancy | |||||||||||||||||||||||||||||||||
| Necromancy, in modern times, denotes magick that involves death and life energies. The practice of necromancy goes back to ancient Greece, where magicians and priests would divine hidden truths by speaking with the dead. Thus necromancy is derived from Greek words that translate as "divination of the dead." Other cultures have practices that would fall under the aegis of necromancy, though. The questionable voodoo practice of raising zombies is necromantic in nature, as is the creation of artificial life, such as a homunculus or golem. Death magick is the final (pun not intended) example of necromantic ritual. Necromancy is misunderstood in modern times, likely more misunderstood than demonology. The Necromancers of Greece were greatly respected, as they provided a useful service to the populace by granting closure after an untimely death. Voodoo priests were the central figures of a tribal community. Necromancy, though dealing with a rather grotesque subject, is a fascinating example of how the dark side can be a boon to those around one who properly utilizes it. |
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| Voodoo & Hexcraft | |||||||||||||||||||||||||||||||||
| "Do you know much about voodoo? Fascinating practice, very close to Satanism, but not really much of a religion - no doctrine of faith. Justan arrangements of superstitions, the most well-known of which is the voodoo doll. A mock-up of an individual is subjected to various pokes and prods, and the desired result is thatthe individual will feel the effects." Loki (Matt Damon), Dogma For some odd reason, modern Neo-Pagans and Wiccans absolutely cannot abide hexcraft. Their precious rede "An it harm none, do what ye will" is such an obvious ripoff and bastardization of the Law of Thelema ("Do as Thou Wilt shall be the whole of the Law. Love is the Law, Love under Will. There is no Law beyond Do What Thou Wilt.") that it absolutely sickens me. Hexcraft, though, is a strong point in many traditions, and can be viewed most prominently in voodoo. Negro slaves believed that getting ahead in the world was a moral imperitive; a person's goodness can be judged by how much stuf he has and by how much he can get away with without being caught/punished. European "High Magick" is also full of curses and bindings, evidencing how the aristocracy would resort to heretical practices to get what they wanted. Voodoo is also, however, a complex, community-oriented religion worshipping family spirits/gods/"loas" whose rituals have much in common with Pentecostal Christianity (my apologies to any offense to the voodoo community by that remark). Practitioners go into trance states amid rythmic drumming and are said to become "possessed by the loas" in which they often speak in tongues and prophesy. I would advise a simple study of voodoo to understand the complexities, which I cannot possibly even begin to explain here (since I do not fully understand parts of it myself). |
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| Grimoires | |||||||||||||||||||||||||||||||||
| Throughout history, there have been texts of extreme importance to those who would pursue the Black Arts. Such texts often give the names, sigils, and offices of demons or angels, describe the various methods of summoning and controlling such entities, and show one the art of "High Magick," the magick used by the rich to gain power and prestige and other such feats. They also gave instruction in the various rites of "Low Magick," magick that could be performed by the common people without much cost. These texts, known today as grimoires (though other, lesser, texts often take on the title presumptuously), are of upmost importance to one who would try to understand the precepts of the darker side of High Magick. Some are of dubious source, such as the famed Necronomicon, but it is indeed possible to find texts that date back hundreds of years. The foremost of these texts are said to have been written by King Solomon himself. Supposedly, in return for building the Temple, God sent an angel to gift Solomon with a magick ring that would control spirits. Solomon used this ring to find lost treasures and fill the Temple with gold. He also used it to seal the more malicious spirits in clay jars and other containers. This is the source of the Arabian legends of the djinni, for the demonic entities held great power and would often perform some service for being released from their prisons. Thus, tacking the name of Solomon onto a text would be a great boon to the proliferation of such a text, despite the authenticity of such a claim. Following is a list of the more famous grimoires. |
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| The Black Pullet | |||||||||||||||||||||||||||||||||
| The Book of the Sacred Magic of Abra-Melin the Mage | |||||||||||||||||||||||||||||||||
| The Grand Grimoire | |||||||||||||||||||||||||||||||||
| The Greater Key of Solomon the King | |||||||||||||||||||||||||||||||||
| The Grimoire of Armadel | |||||||||||||||||||||||||||||||||
| The Grimoire of Honorious | |||||||||||||||||||||||||||||||||
| The Goetia | |||||||||||||||||||||||||||||||||
| The Lemegeton | |||||||||||||||||||||||||||||||||
| Important Texts | |||||||||||||||||||||||||||||||||
| There are several texts that might help one understand the more complicated aspects of the Dark Arts. I refer one specifically to The Black Arts by Richard Cavendish and The Book of Black Magic by Authur Edward Waite. Also influential to my study of the occult are Forbidden Rites: A Necromancer's Manual of the Fifteenth Century by Richard Kieckhefer, Summoning Spirits: The Art of Magical Evocation by Konstantinos (for sigils and basic theory), and anything by Aleister Crowley. | |||||||||||||||||||||||||||||||||
| Websites of Interest | |||||||||||||||||||||||||||||||||
| Occultopedia: Demonology definitions and links | |||||||||||||||||||||||||||||||||
| Delusions of Grandeur | |||||||||||||||||||||||||||||||||
| The Joy of Satan | |||||||||||||||||||||||||||||||||
| Twilit Grotto: Esoteric Archives | |||||||||||||||||||||||||||||||||
| Lucky Mojo | |||||||||||||||||||||||||||||||||
| The Guild of Sorcery | |||||||||||||||||||||||||||||||||
| Names of Goetic Demons | |||||||||||||||||||||||||||||||||
| Overman's Page | |||||||||||||||||||||||||||||||||
| Ars Falcis | |||||||||||||||||||||||||||||||||