From the amazing scooper/translater cleolinda:

Okay—score! Excellent stuff down there. Just ignore the silly introductions that the site has written for each interview—“all of the files,” etc. From the Mexican Cinemanía site.

Julianne Moore link
Anthony Hopkins link
Main page

Exclusive Hannibal interviews

By Doly Mallet

From New York

Not only detectives take on the rigorous work of investigation. We reporters must also go to the source if we want to make the grade. That’s why Cinemanía decided to collaborate with Agent Clarice Starling to capture the myth of Hannibal Lecter.

Interview with Julianne Moore

The other face of Starling.

With her long, straight red hair, not a drop of makeup on, elegant not in dress but in attitude, and with a smile that lights up her very face, Clarice Starling or her alter-ego Julianne Moore arrived to chat with Cinemanía, bringing with her all of Dr. Lecter’s files.

The inevitable question: Was it difficult to inherit the role that won an Oscar for Jodie Foster?

It’s a great opportunity and I’m glad I did it. Jodie had a brilliant performance in a wonderful film, but this is something else. The last time we saw Clarice Starling she was a student, now she’s a veteran of the FBI. That gives me a new point to begin with the character, she’s someone different at this moment in her life.

When you saw “Silence of the Lambs,” did you ever imagine that someday you’d be Clarice?

Ten years ago I didn’t even know I’d have a career like this. It’s still hard to believe, the day after the audition they called me saying that I’d got the part, everything was too fast to digest.

What was it that attracted you most to the role?

Clarice is a solitary, tenacious woman who feels rejected by the people with whom she works, she thinks that her career’s been a disaster and then she attracts Hannibal again.

How you would describe the relationship between Lecter and Starling?

She has a deep respect for him, a great admiration, but she doesn’t forget the dangerous thing that he is and how he’s affected her life. She feels that Hannibal is the only person who understands her as she is, but her ethics would always come between them. He admires her moral integrity and becomes, in a way, her protector.

How was the physical training?

It was the first time that I shot a pistol in my life and I had to seem as if I had a lot of experience. I worked with an FBI agent who gave me personal lessons, and it was complicated, they have a very specific course of training.

Were you were satisfied with the ending, which is different from the book?

When I became involved with the project, there was already no question that they wouldn’t film that ending, but nevertheless I had liked it a lot. It has logic, it works with the essence of the characters and the psychological voltage between the two of them is solved in a very fitting way. For me, that’s the real ending.

How it was to work with Anthony Hopkins?

The first time that I met him was five years ago filming Surviving Picasso. I couldn’t believe that I would share the credits with this man, who’s a legend in the world of cinema and who yet is so simple. For me he’s the best actor. I spent my birthday with him. When I invited him out to dinner, I had to beg a little, but finally he accepted and we had a great time, drinking champagne and joking around.

What kind of taste did the whole experience leave in your mouth?

You wouldn’t believe it, but the atmosphere on the set was very relaxed. I really had a great time working, we were all in a great mood and we just all became friends.

Would you do a sequel?

Of course! It was so wonderful working with everyone, with Ridley and Dino, that I wouldn’t have a moment’s doubt following it up with another one, although who knows what Clarice would be like in a third film.

Interview with Anthony Hopkins

Lecter attacks again.

After receiving sufficient information from agent Clarice Starling and obtaining the confidential file of the cannibal from the Baltimore hospital, Cinemanía found a man who claimed to be an actor and to know the sought-after psychopath perfectly. His name: Sir Anthony Hopkins.

How has Hannibal changed after all these years?

He’s become more sophisticated and his humor’s more acidic. He likes to say things like “okey dokey,” “goody goody,” or “ta ta” that make him more terrifying and attractive. I wanted to play him as if he were bored with life after he’d escaped and when he realizes that that they’re after him again, he goes back to amuse himself.

Was it strange [to come back]?

No. I did the sequel because I liked the script and the people who participated were talented. I spent a long time with Hannibal in Silence of the Lambs, but when we finished filming, the character was over for me. I didn’t believe I’d really meet up with him again until I was in front of the camera.

Why do you think people are so fascinated by evil?

Because we are human. In the specific case of Hannibal, we admire his calm, his certainty, his confidence. Shakespeare knew what attracted people and had an impressive sense of his characters. Iago in Othello is one of the most attractive roles; at heart we want to be the equal of geniuses and madmen but that doesn’t mean we’re bad in real life. I suppose that the Jungians would say that it’s our dark side. It’s hypocrisy to say that we’re all pure and incorruptible. We are a mixture of the greatest evil and the most magnificent goodness, that’s what makes us great.

What’s your technique to scare the audience?

I don’t do anything, I just let their imaginations take off. The aesthetic of the film speaks for itself, it’s the images that cause terror. I based him a little on cats, on how they catch their victims, in his elegance, in his movements.

Did you like the changes that they made from the book to the final script?

I just decided to trust the director and the producers and accepted without questioning the decisions they made. I was happy with the results.

How did Julianne Moore seem to you in the role of Clarice Starling?

I liked their choice a lot. I met her on Surviving Picasso and I think she’s a great actress, she’s got personality and she works very hard. They even asked my opinion of the casting and of course I thought she was the best for the role. Would you like to make another sequel?

By the time Thomas Harris finished the next book, I’d already be too old. They may make a prequel based on his book Red Dragon, I’m going to read the script, but nothing’s certain yet.

Years ago it was rumored that you were going to retire...

Very simply, they misinterpreted me. I said that I was tired of working, not that I’d never make another film. I dedicated myself to resting, to taking care of my mental and spiritual health, I changed my diet, I wanted to be with my loved ones and once I felt totally replenished, I decided to return.

What scares you in real life?

Mediocrity.

With that we leave this man, who has quite an acid sense of humor and an absolute confidence in what he says, with the total right to refuse to answer all questions; we suspect that it’s not just a performance when he offers his hand, his look diabolical, his voice macabre, and invites to us "for dinner." Joke or not, we prefer to leave that for another occasion.


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