| There are two stories listed below. They are both written by myself, with the first being a direct sequel to H20, ignoring Resurrection. Now this one is just a synopsis at the moment, but will be written fully. The second story is written in full and is a very detailed and psychological prequel, describing how Sam Loomis first met Michael and was convinced he remain locked up forever... Halloween: The Homecoming OK, Jamie Lee Curtis was contractually obliged to do a sequel, but there were many other ways on how to handle her return, and not just kill her character off quickly. The following sequel, written by myself, is not particularly good or original, but brings Laurie back for the entire movie. Although I�m slating my own work, the sequel is unnecessary, but would nicely have filled Ms. Curtis�s contractual obligation, without affecting events in H20 too much. The title, Homecoming, was originally used for Halloween: Resurrection, but now serves as the introduction of a new story. Set after H20, we find Laurie waking up from a nightmare � events of her death in Resurrection. She realises that whilst she�s defeated her brother, there is still something she must do to finally bring closure to her life. She must shred her new identity, become Laurie Strode again and move back to Haddonfield, her home town, and re-build her life. However, with Laurie�s son going off to College, Laurie is left on her own. She manages to buy back her old family house and looks forward to the prospect of a fresh start in a new Haddonfield � where bad things will remain firmly in the past. After a short while of fitting back into the community and meeting up with distant friends, Laurie feels an all too familiar presence of being watched. It seems as if someone is not happy about her return to Haddonfield, and begins terrorising her. At first, she doesn�t know who it is, as her stalker remains hidden. Suddenly, murders begin to happen again and Laurie finds herself falling back into the nightmare. Some of the town�s people blame her for the murders, as they�ve only begun since her return. But Laurie stands her ground, saying it�s nothing to do with her � Michael Myers is dead! But then, one night, Laurie comes face to face with her stalker � it is white face of evil, Michael, back from the dead! Sneak Peak: In this story, which blatantly rips off Friday the 13th Part 5, it is revealed that the killer is not Michael Myers, but someone impersonating him. It seems one of the towns folk of Haddonfield are so unhappy with Laurie�s return, they�ve taken it upon themselves to become Michael Myers are scare the town into forcing Laurie out. But when she doesn�t, the fake Michael Myers decides to take out Laurie himself! The end result is Laurie defeating him and beginning a friendship with one of the men from Haddonfield, setting up events for her to live happy ever after. (( There is a scene between this man and Laurie when she tells him she wont let him get close, as he�ll most likely die before all this is over � there is also a lot of suspicion that this guy may in fact be the killer )) The Full written story will follow here soon . . . Halloween: Before the Darkness In this prequel to the original Halloween, we follow criminal psychologist Sam Loomis, and his journey leading up to his life changing meeting with Michael Myers. Sam Loomis has worked as a criminal psychologist for most of his life and met a number of truly sick and disturbed criminals. But Sam is a firm believer in the criminologist textbook and is confident that every criminal�s actions can be reasoned � whether being a victim of society or an abusive upbringing, Sam believes people become bad and are not born bad. Not being very religious, Sam does not believe in evil. As a result of his beliefs and attitude, he is unfazed by the murderers and psychos he regularly meets. In fact, he�s become quite weary, and has often thought of giving up police work to act as a regular psychologist. But Sam jokes that regular people and their problems, scare him more than the psycho�s he meets. Sam�s work has also meant that he�s been alone for most of his life, without a wife or family. Summing up all the reasons, Sam finally decides to quit working as a criminal psychologist. He�ll finish up all his recent cases, pack up his things and just hit the road. Sam smiles, thinking of the unknown future ahead � a new life, a new beginning, and possibly a new family. However, Sam feels a sinking feeling in his chest, similar to when someone receives bad news. He shakes it off and begins to make arrangements for his departure. After tying up all the loose ends, Sam is ready to leave, but just as he�s leaving, he gets a phone call. He rolls his eyes and sighs. He�s about to answer it, but he pauses, deep in thought. He should ignore it. He should just ignore it, close the door, and get into his car and go. Sam nods to himself and heads for the door, confidently. But then, as he reaches for the door handle, he feels that same sinking feeling in his chest, as if something is terribly wrong. He turns and looks at the phone. He puts down his cases and takes a reluctant sigh. He goes over to his desk and answers the phone. It�s a doctor over at Haddonfield Psychiatric Hospital. He wants Sam to visit a patient they�ve just brought in, but haven�t had much success in reaching. The patient is a young boy, who has brutally murdered his older sister, whilst wearing a Halloween costume. The boys name is Michael Myers. Readying himself for visiting the boy, Sam expects to pay a quick visit, give his opinion and hopefully leave. This is certainly a different case, with a very young patient � Sam�s youngest to date. But Sam approaches it like any other case, with his same attitude. When arriving at Haddonfield, Sam feels that sinking feeling in his chest again, but this time, also feels a chill down his spine. He shakes it off and heads into the Hospital. Arriving at the psychiatric ward, Sam speaks to consulting doctor there, who briefs him more about the boy. The doctor tells him there�s been absolutely no response from him. It�s as if nothings left in him. In the back of his mind, Sam begins relating the boy�s behaviour to classic text book theories. Whilst concluding his talk with the doctor, Sam looks through a window into the room where the boy is being held. He sees the boy sitting at table; head drooped down, face obscured. The boy seems frozen, as if dead. Sam finally finishes his conversation with the doctor and looks at the boy through the window again. He takes a deep breath, before stepping into the room. A security guard greets him. Sam asks him to kindly step outside. Sam then moves over to the table and sits down opposite the boy. Sam clasps his hands together and rests them on the table. He looks at the boy, whose face is still dropped down and obscured. The boy�s young age suddenly alarms Sam. He�s so young. Sam is devastated that a boy this young has committed such a gruesome murder. Sam finally says hello to the boy. He gets no response. Sam then introduces himself and says he�s going to try and help him. Still no response. Sam then thinks to himself and begins to reason how this incident may have happened. Issues of jealousy with his sister, coupled with parental abuse. Perhaps seeing some killer on television stab somebody. And then after the incident, being so shocked by what he�d done, closing himself off from reality. Sam was convinced this was it. A very sad case, but nonetheless textbook. But Sam wanted to try to reach the boy and speak to him, leading the way open for other doctors to follow-up. Sam then asked the boy why he hurt his sister. He asked him if she made him angry or had done something to upset him. Although he got no response, Sam continued, asking about the boy�s parents and what he thought of them and if daddy or mommy were strict. But Sam still got no response. He wanted to see the boys face. He asked the boy to look up. But the boy remained still. Sam tried to lower his viewpoint, so he could see the boys face. But it wasn�t good enough. Slightly frustrated, Sam didn�t know what else to do. He then took a moment and then asked the boy a question normally reserved for older murderers � whether he enjoyed what he did. The boys head rose slightly. Sam asked the boy to look at him. The boy slowly lifted his head and looked directly at Sam. Sam jumped back in his seat in terror and began to take gasps of breath. The boy then slowly lowered his head and became still again. Sam was in a deep state of shock, he quickly rose from his chair, eyes bulging and taking quick breathes. My god, what the hell was that? Sam leaned against a wall, as he felt he might collapse. That sinking feeling had now consumed him and he could literally feel and hear the beats of his heart. Sam shook his head, trying to shake off his shock. He then turned and looked at the boy again. He was lifeless again, head drooped down. Sam then knocked on the door. A security guard opened it and asked Sam if he was OK. A shaken Sam tried to gather his breath and tell the guard he was finished with the patient. Sam then rushed out of the room, and hurried down the hospital corridor. He ran into the consulting doctor, who tried to talk to him, but Sam shoved him out of the way and headed for the hospital exit. Finally reaching outside, Sam leaned against a wall and took long breaths of air, looking up at the night sky. He then placed a hand to head and began shaking his head, slowly calming down. After getting his breath back, the consulting doctor exited the hospital and went over to Sam. He asked him if he was OK. Sam said he didn�t know. The doctor asked him what happened in there. Sam looked at the doctor and told him that he looked into the boys eyes. The doctor seemed confused and asked Sam what he saw. Sam paused and his face went pale. �Darkness� replied Sam. �I saw Darkness.� Later that night, back at his home, Sam sat at his desk, holding a quarter filled bottle of whiskey. He had drunk most of the bottle in an effort to steady his nerves. It had worked, but Sam still had a terrified look across his face. He seemed to be gazing away somewhere. Sam then broke away from his gaze and poured himself another drink. He drank it very quickly and slammed the glass on his desk. He then forced himself out of his chair and stumbled across to his tape recorder (Dictaphone). He haphazardly pressed the record button and sat down in a nearby chair. He introduced himself and what he did. He then began rambling about how he always believed in the text book and how he always trusted it. He continued about how proud he was of himself and often laughed at other psychiatrists that got personally affected by the work. He said he asked himself why they were so scared; these killers were only human after all, not some supernatural monsters. Sam then said then went back and said he�d always gone by the textbook and never believed in evil, until now. He began talking about his patient, Michael Myers and what he�d done and how he�d tried to reach him. He then paused and described how he looked into Michaels eyes. Sam paused, remembering the full force of the incident. Still in shock, he continued, stating how looked into the boys eyes and saw�darkness. Utter darkness. The blackest eyes�the devils eyes! After a rough night, filled with little sleep and strange images and nightmares, Sam arose, thinking about how his whole textbook philosophy was wrong. Everything he had believed in was wrong and this terrified him. He needed to learn more about what he wad dealing with � he needed to know more about evil, the devil and related information. Sam plunged himself deep into research, going slightly insane himself. Then one night, after reading a wealth of material, Sam had a realisation and rose from his chair. He now knew what he was dealing with and knew what he had to. He would devote his entire life to watching Michael Myers and ensuring that this monster, this�evil would remain locked up forever. |
| Beyond the Movies....The Homecoming & Before The Darkness |
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