HALLOWEEN THE SERIES
PILOT-"EVIL NEVER DIES"
Series Created by Derek Sharp
Based on Characters Created by John Carpenter and
Debra Hill
Halloween Theme by John Carpenter
DARKNESS than SCREAMING.
FLASHES OF MICHAEL WALKING TOWARDS THE CAMERA.
CUT TO: KARA STRODE, who is running with DANNY, her
son towards the front door of the house. KARA holds a
crying baby in her other hand.
KARA
Get out of here, Danny.
SHE HANDS DANNY THE BABY.
DANNY
I will, mommy.
KARA
I love you.
DANNY
Love you, too.
DANNY takes off out the front door and runs with the
baby in his hands.
KARA looks back around and picks up a fire poker and
holds it like a baseball bat. She walks down a dark
hallway, slowly, checking in every room.
KARA(to herself)
Where are you?
THE FLOORBOARDS CREAK AS SHE STEPS. FROM BEHIND...
THE BACK DOOR SUDDENLY FLIES OPEN. KARA turns and
swings but hits nothing. She relaxes and tenses back
up.
FROM THE SHADOWS OF ANOTHER ROOM, A MAN IN THE BLACK
STANDS, not moving, just watching. KARA walks back,
not even noticing him.
VOICE
The child will be ours...
KARA turns and looks back. Nothing.
KARA continues walking until she makes it to the
backdoor. There the fall leaves are scattered across
the ground and the trees hide anything that moves in
darkness.
KARA(to herself)
Great! Not your best move, girl.
KARA starts to walk slowly through but...
MICHAEL appears from the shadows with his kitchen
knife ready. KARA turns and strikes him with the
fire poker but MICHAEL doesn't even move, he grabs
KARA with one hand and picks her up by her neck. She
drops the fire poker and screams(the camera pulls back
to DANNY.)
DANNY is running as fast as he can with the baby in
his hands but DANNY is stopped by THE MAN IN BLACK.
VOICE
Don't run, child.
DANNY runs in the other direction to find MICHAEL
standing at the other end. DANNY freezes and DARKNESS
engulfs the camera.
CUT TO: OPENING CREDITS
"HALLOWEEN THE SERIES" TITLECARD
CUT TO: TOMMY DOYLE flipping through a newspaper from
the HADDONFIELD TRIBUNE, that reads: DR. LOOMIS
MISSING?!
THE CAMERA PULLS BACK TO HIS WALL, which is covered
in old newspapers, that bear story of MICHAEL's
appearances and stories surrounding him.
IN THE BACKGROUND, TOMMY's TV is on the local news.
REPORTER
Just hours ago, cops reported to the house of Kara
Strode...
TOMMY turns to the TV.
REPORTER
...where neighbors told us, they heard screaming from
the background. Matthew Roberts, a neighbor
investigated.
TV CUTS TO: ROBERT.
ROBERT
I found her lifeless...her body...had...been
stabbed....blood was everywhere...
CUT BACK TO: TOMMY getting up, grabbing his jacket
and heading out the door.
KARA STRODE'S HOUSE, DAY. THE POLICE HAVE YELLOW
TAPE IN FRONT OF THE HOUSE but no one appears to be
around except one empty cop car.
TOMMY goes under the line and runs up the house steps.
He looks around and still finds no one.
TOMMY
Anybody here?
No answer.
TOMMY walks into the living room to find nothing. He
turns and continues outside into the backyard, where
he finds a lone cop standing over an patch of grass,
where a symbol-A THORN has been burned into the
ground. The COP turns and looks at TOMMY.
COP
Who are you?
TOMMY
Tommy Doyle, officer.
COP
What are you doing here?
TOMMY
I knew the people, that lived here.
COP
Then I recommend you get away from the crime scene.
TOMMY
Why?
COP
Do it or I'm putting you under arrest. Understood?
TOMMY turns and heads out the way he came in. (The
camera pulls back from the yard and stares down at the
symbol.)
CUT BACK TO: TOMMY as he pulls out a camera from his
coat pocket. He lays against a wall on a neighbor's
house, waiting for the cop to leave.
FADE TO BLACK.
FADE BACK IN TO: KARA'S HOUSE, NIGHT. The cops car
pulls out and TOMMY waits until it vanishes down the
street. TOMMY moves out slowly and moves under the
yellow tape and follows the same path, he used before
to get to the backyard. When he gets to the backyard
he stops and lifts up his camera and starts
recording.
TOMMY
Date is October 27, 1997. I'm standing in Kara
Strode's backyard, where the Thorn symbol appears to
be burned into place.
Something shifts behind TOMMY and TOMMY turns to look
back but nothings there. TOMMY shuts the camera off
and follows the stairs up to the window, where he
gets a wide shot of the symbol.
TOMMY(to himself)
Their back.
FLASH. THE THORN SYMBOL BURNED INTO THE BALES OF HAY
FROM CURSE OF MICHAEL MYERS'.
TOMMY turns and heads out the door and stops to see if
anyone watching. No one is so he goes under the tape
and starts walking back to his house.
FLASH. TOMMY as a kid walking and noticing something
watching him. He starts to run.
FLASH. MICHAEL stopping him. TOMMY looking up into
his eyes.
FLASH. TOMMY(adult) attacks MICHAEL with a pipe and
starts hitting him.
FLASH. MICHAEL's face looking up at him.
FLASH. TOMMY moving away.
FLASH. MICHAEL getting back up and stabbing TOMMY
from behind.
CUT TO: TOMMY'S ROOM, DAY. He screams and climbs up
from bed. He's sweating and breathing hard. He looks
at his alarm clock-10:00 am.
He walks over to his computer and looks at the MICHAEL
MYERS' screen saver, that graces the screen.
TOMMY(to the computer)
Your back, aren't you?
THE TELEPHONE rings in his room.
TOMMY
Hello? Who's this?
VOICE(on the other end)
I'm Logan Carpenter from the HADDONFIELD TRIBUNE, is
this Tommy Doyle?
TOMMY
Yes, this is he.
LOGAN
Well, as I understand it...you were witness to the
Laurie Strode-Michael Myers' attack in 1978. Right?
TOMMY
Yes, Mr. Carpenter.
LOGAN
Did you know that what happened last night to Kara
Strode was connected to what happened to Laurie
Strode?
TOMMY
It was a possibility.
LOGAN
Well, I've got actual proof.
TOMMY
How?
LOGAN
I found something in County records, that the people
at Smith's Grove were keeping from the public's eyes.
TOMMY
Why should I trust you?
LOGAN
Because I'm the only one, that knows the truth about
Michael Myers'.
TOMMY looks up in a blank stare.
COFFEE SHOP ON MAIN STREET, DAY. TOMMY sits and
LOGAN CARPENTER hands him a stack of files.
TOMMY
Let me get this straight, you tracked me down online.
LOGAN
I've got my sources.
TOMMY
So, what do you know that I don't?
LOGAN
For one, Doctor Loomis wasn't told everything he
should have.
TOMMY
Like what?
LOGAN
Smith's Grove helped let Michael Myers' out in the
80s.
TOMMY
So it wasn't an accident.
LOGAN
Not according to these.
TOMMY flips through the files.
LOGAN
Keep the files, I've got a feeling you'll need them.
TOMMY
I can't.
LOGAN
There copies. Keep them.
TOMMY
What if I need to contact you again?
LOGAN hands him a piece of paper.
LOGAN
It's got my beeper, cell phone number and e-mail on
it. So I'll be in contact at all times, if you need
me? Oh, and sorry about your friend, Kara. I've
got a feeling the kids are still out there though.
TOMMY
Why's that?
LOGAN
Just a gut feeling.
TOMMY
You know more than your letting off aren't you?
LOGAN
Truthfully, I went to the scene myself, found no
evidence pointing towards the kids being killed. But
I think there's something more to it than what I saw?
TOMMY
Look, we need to talk. Do you know what we're
dealing with here, don't you?
CUT TO: TOMMY'S ROOM, DAY.
TOMMY
Michael Myers' murdered his sister in cold bold on
Halloween 1963. As a child he was admitted to Smith's
Grove sanitarium, where he would remain for most of
his life until Halloween of 1978. On that day, he
broke free and then started chasing after Laurie
Strode on the night, she was baby-sitting me.
LOGAN
But Strode survived and later died in a car crash.
Then Michael started coming after Jamie, her
daughter. Yea, I know the story...but the
information I spoke of is in that folder.
TOMMY
If it is show me.
LOGAN digs into the folder and pulls out a file and
hands it to TOMMY.
TOMMY
"On the following morning after Oct. 31, police
searched the grounds of Smith's Grove but found
nothing out of the ordinary except a Michael Myers'
mask and a jacket, that is believed to belong to Sam
Loomis."
LOGAN
Read on...
TOMMY
"Also, blood was found on the floors of the operation
rooms but there was no body found."
LOGAN
Something is amiss...
TOMMY
Yea, but was does that have to do with the
connection?
LOGAN
I think Doctor Loomis is dead but he knew something
more than he told us.
TOMMY
Then we don't need the papers.
TOMMY tosses them.
TOMMY
We've got my information.(TOMMY points to his wall.)
LOGAN
No! Are you nuts, that information came straight
from Smith's Grove.
TOMMY
Fine, you'll keep it.
TOMMY pulls it out and tosses it to him.
LOGAN
I think I know where the kids are at?
TOMMY
Where?
CUT TO: SMITH'S GROVE, NIGHT. TOMMY stands and
watches as LOGAN opens up a lock with a lockpick.
FROM BEHIND MICHAEL watches as the door opens and
TOMMY and LOGAN step in.
TOMMY
Why here?
LOGAN
Everything just seems to fit, The Thorn symbol in the
yard plus your story.
TOMMY
I didn't tell you my story.
LOGAN
It's in the records.
TOMMY
That would explain, why you know a little too much.
LOGAN
It comes with the job.
TOMMY
That's good to know but I wouldn't trust you with me
life.
LOGAN
Make you feel any better, I wouldn't either. I mean
you've got to be sadistic or something after seeing
Michael Myers'.
MICHAEL continues to walk by in the shadows of the
basement.
TOMMY
Look, we're here to find the kids, that's it and
I'll never see you again. So you don't have to be
rude.
LOGAN
Remind me of that later. When I actually care.
TOMMY
You care about something or you wouldn't be here.
LOGAN
How do you figure?
TOMMY
Well, for one you've got to have a reason for
tracking me down and giving me that information.
LOGAN
Maybe I knew something you didn't.
TOMMY
That would explain, why you brought me here. You
know the kids are here, don't you?
LOGAN
No, I don't.
TOMMY
It seems like it. You've been leading me in a circle
for the last hour over conversation and you finally
came up with Smith's Grove.
LOGAN
Maybe I put two and two together.
TOMMY
If you did I'm amazed reporter because this takes more
than that.
WHISPERS can be heard in a nearing hallway.
LOGAN
Shut up! Will you?
TOMMY quiets down and turns to see a group of two guys
in a uniforms walk by.
TOMMY
That was close.
LOGAN
It would have been even closer if you didn't shut up.
TOMMY
Thanks, looks like I owe you one.
LOGAN
So you do.
LOGAN moves into the hallway first and checks to see
if anyone is around.
LOGAN
Look, now it's just a matter of finding the kids. I
think we should split up?
TOMMY
Fine, you follow the guards-I'll go this way.
LOGAN
If you find anything, use a phone and beep me.
TOMMY
I'll do that.
TOMMY walks off into the shadows and LOGAN starts to
slowly follow the guards but MICHAEL comes from the
shadows and grabs onto his head and starts bashing
against the wall until LOGAN falls to the floor.
CUT TO: TOMMY following a corridor and walking into a
MAXIMUM SECURITY section, that is blocked by bars but
it is wide open. He walks in slowly checking the
area, nothing seems to be out of the ordinary.
TOMMY
Anybody down here?
NO ANSWER.
TOMMY walks through and checks his surrounds and
notices a THORN symbol on the wall.
TOMMY
Great...
TOMMY turns and walks straight into MICHAEL, who know
holds a knife in his hand. TOMMY starts slowly
backing up and MICHAEL follows. TOMMY starts running
but MICHAEL is following TOMMY with no trouble at all.
TOMMY turns down a hall but it ends up leading deeper
into the MAXIMUM SECURITY area, where the halls
become nothing but bars.
TOMMY looks back to look at MICHAEL but he's not
there.
TOMMY
No...
TOMMY starts running again in the direction, he was
headed and...
LOGAN appears out of from the side. His face is
bruised and bloody.
TOMMY
You okay?
LOGAN
Does it look like it?
TOMMY
What happened?
LOGAN
Met up with Michael. What does it look like?
TOMMY
You met death and he apparently wanted you dead.
LOGAN
Very funny.
TOMMY
How'd you get down here?
LOGAN
Can you ask questions later?
MICHAEL's shadow crosses the screen. TOMMY and LOGAN
start running again in the direction, TOMMY was
headed.
TOMMY
Now, where?
LOGAN
The exit.
TOMMY
Better question, where's the exit?
LOGAN
The kids?
TOMMY
I don't think the kids are here.
LOGAN
Then why'd we even come?
TOMMY
Talk, later. Run now.
MICHAEL's kitchen knife scrapes against the bars.
LOGAN
Take the left route.
TOMMY
That I can agree on.
They cross through and MICHAEL nearly hits them with
his knife. TOMMY is the first to make it to the door
and try it but it's locked.
LOGAN
Time for the lockpick...again.
LOGAN pushes TOMMY aside and TOMMY grabs a taser,
that sits near the door. TOMMY turns toward MICHAEL
and charges toward him with the taser. MICHAEL
stands, not moving as the taser hits him.
TOMMY
Where are the kids, Michael?
MICHAEL knocks the taser out of his hand grabs onto
TOMMY by his neck and forces him up against the bars.
LOGAN opens the door and turns back to see TOMMY being
held up by MICHAEL. LOGAN looks for anything to pick
up but there's nothing except a piece of broken bar,
that he picks up.
LOGAN
Michael!
MICHAEL turns and looks at LOGAN.
LOGAN
You killed my brother, now it's my turn.
LOGAN strikes MICHAEL with the bar but MICHAEL doesn't
budge.
LOGAN
Why won't you quit? Is it a family matter or are you
just nuts? Or maybe it's both.
LOGAN strikes MICHAEL's arm and TOMMY falls to the
ground.
TOMMY grabs the taser and strikes MICHAEL with it.
MICHAEL strikes TOMMY with his knife in the arm.
TOMMY screams for a second and starts running in the
direction of the door.
TOMMY
We must get out of here.
LOGAN
Agreed, but what about the kids?
VOICE
They are not here.
TOMMY
What? Who?
VOICE
They are safe...for now.
LOGAN
It's coming from the intercom.
TOMMY
Where's the main connection?
LOGAN
The office.
TOMMY and LOGAN start running toward the office but
first they have to climb the stairs, which goes up
three floors and intersects in a hallway but by the
time, they get to the office, the only thing in the
office is a piece of paper turned upside down with
R.I.P. on it. TOMMY turns it over and reveals it to
be a DOCTOR LOOMIS photo.
TOMMY shuts the office door and pulls the fire alarm
and relaxes against the wall.
TOMMY
The cops will be here shortly.
LOGAN
And Michael?
TOMMY
Gone but he'll be back.
LOGAN
You positive?
TOMMY
Evil never dies, Logan. Evil never dies.
FADE TO BLACK.
CUT TO: HADDONFIELD TRIBUNE, DAY. LOGAN is sitting
at his desk, flipping through the folder.
VOICE(TOMMY)
Can I speak to you for a second?
LOGAN
Yea, feel free.
TOMMY(sitting down in another chair)
I think I figured out the photo?
LOGAN
What does it mean?
TOMMY
Loomis was killed.
LOGAN
By who?
TOMMY
The Thorn or Michael.
LOGAN
Connected?
TOMMY
Have been since the beginning.
LOGAN
Nothing on the kids.
TOMMY
No.
LOGAN
What about the guy on the intercom?
TOMMY
Nothing, that I could find. I can only assume, he's
trying to help us.
LOGAN
The question is who?
TOMMY
Better yet, why?
LOGAN
Don't know.
TOMMY
Sorry about your brother.
LOGAN
It happens...I mean this Haddonfield, right?
TOMMY
Look, if it makes you feel any better. I need an
ally-someone that knows Haddonfield as well as I do,
to help me figure out and find a way to stop the Thorn
and Michael Myers'.
LOGAN
That's an intriguing offer in all, I mean, I gave
you all the information I know but...
TOMMY
But what? You'll have the chance to save someone
else's life before they become dead like your brother.
LOGAN
Yea, I realize that but we don't know how to stop
him...
TOMMY
Yet. We'll just search the files-see who can help us.
LOGAN
Sounds like you got a plan?
TOMMY
I came prepared. Those kids lives are in danger. You
in or are you out?
LOGAN
In.
CUT TO: MICHAEL standing in the Smith's Grove.
VOICE
Things are far from over. Rest Halloween is a few
days away...
MICHAEL looks up into the light.
VOICE
Then you can have your revenge on Tommy Doyle and
Halloween will be yours again.
FLASH. THE THORN SYMBOL burnt into the yard.
VOICE
Rest my child. Rest.
FADE TO BLACK.