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Mysteries
The
mysteries consisted of purifications, sacrificial offerings, processions,
songs, dances, and dramatic performances. Often the birth, suffering,
death, and resurrection of a god were enacted in dramatic form.
The aim of the mysteries seems to have been twofold, namely, to
give comfort and moral instruction for life on earth, and to inspire
hope for life after death. The earliest and most important Greek
mysteries were the Orphic, the Eleusinian, and the Dionysiac. The
Orphic mysteries were those of a mystic cult founded, according
to tradition, by the legendary poet and musician Orpheus, to whom
was attributed a great mass of religious literature (see Orphism).
Far more celebrated were the Eleusinian mysteries, connected with
the worship of the goddesses Demeter and Persephone at Eleusis in
Attica; with these divinities were associated Pluto, god of the
underworld; Iacchus, a name of the youthful Dionysus, god of vegetation
and of wine; and other gods. |
| Dionysus |
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The worship
of Dionysus, or Bacchus, in Athens was accompanied by feasts, processions,
and musical and dramatic performances. In later times the mysteries associated
with Dionysus became occasions for intoxication and gross licentiousness.
They were forbidden at Thebes and later elsewhere in Greece. As the Bacchanalia
these rites were introduced into Rome early in the 2nd century BC. At first
the mysteries were celebrated only by women; when they were opened to men,
the gatherings were suspected of gross immoralities, and in 186 BC the Roman
Senate attempted to suppress the rites by decree.
Secret rites were a part of the worship of several Greek deities, such as
Hera, queen of the gods, Aphrodite, goddess of love, and Hecate, goddess
of the underworld. Many foreign religions adopted by the Greeks and Romans
had mysteries connected with the worship of the divinity; these religions
included the worship of the Phrygian goddess Cybele, the "great mother"
of the gods; the Egyptian Isis, goddess of the moon, nature, and fertility;
and the Persian Mithras, god of the sun. The worship of these deities spread
throughout the Graeco-Roman world and was extremely popular in the early
centuries of the Roman Empire. Isis, who at an early date had been identified
with Demeter, was worshipped in Italy as late as the 5th century AD.Dionysus,
in Greek mythology, god of wine and vegetation, who showed mortals how to
cultivate vines and make wine. A
son of Zeus, Dionysus is usually characterized in one of two ways. As the
god of vegetation-specifically of the fruit of the trees-he is often represented
on Attic vases with a drinking horn and vine branches. He eventually became
the popular Greek god of wine and cheer, and wine miracles were reputedly
performed at certain of his festivals. Dionysus is also characterized as
a deity whose mysteries inspired ecstatic, orgiastic worship. The maenads,
or bacchantes, were a group of female devotees who left their homes to roam
the wilderness in ecstatic devotion to Dionysus. They wore fawn skins and
were believed to possess occult powers. Dionysus was good and gentle to
those who honoured him, but he brought madness and destruction upon those
who spurned him or the orgiastic rituals of his cult.According to tradition,
Dionysus died each winter and was reborn in the spring. To his followers,
this cyclical revival, accompanied by the seasonal renewal of the fruits
of the earth, embodied the promise of the resurrection of the dead. The
yearly rites in honour of the resurrection of Dionysus gradually evolved
into the structured form of the Greek drama, and important festivals were
held in honour of the god, during which great dramatic competitions were
conducted. The most important festival, the Greater Dionysia, was held in
Athens for five days each spring. It
was for this celebration that the Greek dramatists Aeschylus, Sophocles,
and Euripides wrote their great tragedies.By the 5th century BC, Dionysus
was known to the Greeks as Bacchus, a name referring to the loud cries with
which Dionysus was worshipped at the Orgia, or Dionysiac mysteries. These
frenetic celebrations, which probably originated in spring nature festivals,
became occasions for licentiousness and intoxication. This was the form
in which the worship of Dionysus became popular in the 2nd century BC in
Roman Italy, where the Dionysiac mysteries were called the Bacchanalia.
The indulgences of the Bacchanalia became increasingly extreme and the celebrations
were prohibited by the Roman Senate in 186 BC. In the 1st century AD, however,
the Dionysiac mysteries were still popular, as representations of them on
Greek sarcophagi testify.
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