OF THE EUCHARIST
AND OF THE ART OF ALCHEMY
I
One of the simplest and most complete of Magick ceremonies is
the Eucharist.
It consists in taking common things, transmuting them
into things divine, and consuming them.
So far, it is a type of every magick ceremony, for the
reabsorption of the force is a kind of consumption; but it has a more restricted
application, as follows.
Take a substance<> symbolic of the whole course of
nature, make it God, and consume it.
There are many ways of doing this; but they may easily
be classified according to the number of the elements of which the sacrament
is composed.
The highest form of the Eucharist is that in which the
Element consecrated is One.
It is one substance and not two, not living and not dead,
neither liquid nor solid, neither hot nor cold, neither male nor female.
This sacrament is secret in every respect. For those
who may be worthy, although not officially recognized as such, this Eucharist
has been described in detail and without concealment, "somewhere" in the
published writings of the MASTER THERION. But He has told no one
where. It is reserved for the highest initiates, and is synonymous
with the Accomplished Work on the {179} material plane. It is the
Medicine of Metals, the Stone of the Wise, the Potable Gold, the Elixir
of Life that is consumed therein. The altar is the bosom of Isis,
the eternal mother; the chalice is in effect the Cup of our Lady Babalon
Herself; the Wand is that which Was and Is and Is To Come.
The Eucharist of "two" elements has its matter of the
passives. The wafer (pantacle) is of corn, typical of earth; the
wine (cup) represents water. (There are certain other attributions.
The Wafer is the Sun, for instance: and the wine is appropriate to Bacchus).
The wafer may, however, be more complex, the "Cake of
Light" described in Liber Legis.
This is used in the exoteric Mass of the Phoenix (Liber
333, Cap: 44) mixed with the blood of the Magus. This mass should
be performed daily at sunset by every magician.
Corn and wine are equivalent to flesh and blood; but it
is easier to convert live substances into the body and blood of God, than
to perform this miracle upon dead matter.
The Eucharist of "three" elements has for basis the symbols
of the three Gunas. For Tamas (darkness) take opium or nightshade
or some sleepy medicine; for Rajas (activity) take strychnine or other
excitant; for Sattvas (calm) the cakes of Light may again be suitable.<>
The Eucharist of "four" elements consists of fire, air,
water, and earth. These are represented by a flame for fire, by incense
or roses for air, by wine for water, and by bread and salt for earth.
The Eucharist of "five" has for basis wine for taste,
a rose for smell, a flame for sight, a bell for sound, and a dagger for
touch. This sacrament is implied in the Mass of the Phoenix in a
slightly different form. {180}
The Eucharist of "six" elements has Father, Son, and Holy
Spirit above; breath, water, and blood beneath. It is a sacrament
reserved for high initiates.<>; for this sacrament is the Tree of Life
itself, and whoso partaketh of the fruit thereof shall never die<>.
Unless he so will. Who would not rather work through incarnation;
a real renewal of body and brain, than content himself with a stagnant
immortality upon this mote in the Sunlight of the Universe which we call
earth? {181}
With regard to the preparations for such Sacraments, the Catholic
Church has maintained well enough the traditions of the true Gnostic Church
in whose keeping the secrets are.<>
Chastity<> is a condition; fasting for some hours previous
is a condition; an earnest and continual aspiration is a condition.
Without these antecedents even the Eucharist of the One and Seven is partially
--- though such is its intrinsic virtue that it can never be wholly ---
baulked of its effect.
A Eucharist of some sort should most assuredly be consummated
daily by every magician, and he should regard it as the main sustenance
of his magical life. It is of more importance than any other magical
ceremony, because it is a complete circle. The whole of the force
expended is completely re-absorbed; yet the virtue is that vast gain represented
by the abyss between Man and God.
The magician becomes filled with God, fed upon God, intoxicated
with God. Little by little his body will become purified by the internal
lustration of God; day by day his mortal frame, shedding its earthly elements,
will become in very truth the Temple of the Holy Ghost. Day by day
matter is replaced by Spirit, the human by the divine; ultimately the change
will be complete; God manifest in flesh will be his name.
This is the most important of all magical secrets that
ever were or are or can be. To a Magician thus renewed the attainment
of the Knowledge and Conversation of the Holy Guardian Angel becomes an
inevitable task; every force of his nature, unhindered, tends to that aim
and goal of whose nature neither man nor god may speak, for that it is
infinitely beyond speech or thought or {182} ecstasy or silence.
Samadhi and Nibbana are but its shadows cast upon the universe.
II
If the Master Therion effects by this book nothing else
but to demonstrate the continuity of nature and the uniformity of Law,
He will feel that His work has not been wasted. In his original design
of Part III he did not contemplate any allusion to alchemy. It has
somehow been taken for granted that this subject is entirely foreign to
regular Magick, both in scope and method. It will be the main object
of the following description to establish it as essentially a branch of
the subject, and to show that it may be considered simply as a particular
case of the general proposition --- differing from evocatory and talismanic
Magick only in the values which are represented by the unknown quantities
in the pantomorphous equations.
There is no need to make any systematized attempt to decipher
the jargon of Hermetic treatises. We need not enter upon an historical
discussion. Let it suffice to say that the word alchemy is an Arabic
term consisting of the article "al" and the adjective "khemi" which means
"that which pertains to Egypt"<>. A rough translation would be
"The Egyptian matter". The assumption is that the Mohammedan grammarians
held traditionally that the art was derived from that wisdom of the Egyptians
which was the boast of Moses, Plato, and Pythagoras, and the source of
their illumination.
Modern research (by profane scholars) leaves it still
doubtful as to whether Alchemical treatises should be classified as mystical,
magical, medical, or chemical. The most reasonable opinion is that
all these objects formed the pre-occupation of the alchemists in varying
proportions. Hermes is alike the god of Wisdom, Thaumaturgy, therapeutics,
and physical science. All these may consequently claim the title
Hermetic. It cannot be doubted that such writers as Fludd aspired
to spiritual perfection. It is equally sure that Edward Kelly wrote
primarily from the point of view {183} of a Magician; that Paracelesus
applied himself to the cure of disease and the prolongation of life as
the first consideration, although his greatest achievements seem to modern
thinkers to have been rather his discoveries of opium, zinc, and hydrogen;
so that we tend to think of him as a chemist no less than we do of Van
Helmont, whose conception of gas ranks him as one of those rare geniuses
who have increased human knowledge by a fundamentally important idea.
The literature of Alchemy is immense. Practically
all of it is wholly or partially unintelligible. Its treatises, from
the "Asch Metzareph" of the Hebrews to the "Chariot of Antimony" are deliberately
couched in hieratic riddles. Ecclesiastical persecution, and the
profanation of the secrets of power, were equally dreaded. Worse
still, from our point of view, this motive induced writers to insert intentionally
misleading statements, the more deeply to bedevil unworthy pretenders to
their mysteries.
We do not propose to discuss any of the actual processes.
Most readers will be already aware that the main objects of alchemy were
the Philosopher's Stone, the Medicine of Metals, and various tinctures
and elixirs possessing divers virtues; in particular, those of healing
disease, extending the span of life, increasing human abilities, perfecting
the nature of man in every respect, conferring magical powers, and transmuting
material substances, especially metals, into more valuable forms.
The subject is further complicated by the fact that many
authors were unscrupulous quacks. Ignorant of the first elements
of the art, they plagiarized without shame, and reaped a harvest of fraudulent
gain. They took advantage of the general ignorance, and the convention
of mystery, in just the same way as their modern successors do in the matter
of all Occult sciences.
But despite all this, one thing is abundantly clear; all
serious writers, though they seem to speak of an infinity of different
subjects, so much so that it has proved impossible for modern analytic
research to ascertain the true nature of any single process, were agreed
on the fundamental theory on which they based their practices. It
appears at first sight as if hardly any two of them were in accord as to
the nature of the "First Matter of the work". {184} They describe
this in a bewildering multiplicity of unintelligible symbols. We
have no reason to suppose that they were all talking of the same thing,
or otherwise. The same remarks apply to every reagent and every process,
no less than to the final product or products.
Yet beneath this diversity, we may perceive an obscure
identity. They all begin with a substance in nature which is described
as existing almost everywhere, and as universally esteemed of no value.
The alchemist is in all cases to take this substance, and subject it to
a series of operations. By so doing, he obtains his product.
This product, however named or described, is always a substance which represents
the truth or perfection of the original "First Matter"; and its qualities
are invariably such as pertain to a living being, not to an inanimate mass.
In a word, the alchemist is to take a dead thing, impure, valueless, and
powerless, and transform it into a live thing, active, invaluable and thaumaturgic.
The reader of this book will surely find in this a most
striking analogy with what we have already said of the processes of Magick.
What, by our definition, is initiation? The First Matter is a man,
that is to say, a perishable parasite, bred of the earth's crust, crawling
irritably upon it for a span, and at last returning to the dirt whence
he sprang. The process of initiation consists in removing his impurities,
and finding in his true self an immortal intelligence to whom matter is
no more than the means of manifestation. The initiate is eternally
individual; he is ineffable, incorruptible, immune from everything.
He possesses infinite wisdom and infinite power in himself. This
equation is identical with that of a talisman. The Magician takes
an idea, purifies it, intensifies it by invoking into it the inspiration
of his soul. It is no longer a scrawl scratched on a sheep-skin,
but a word of Truth, imperishable, mighty to prevail throughout the sphere
of its purport. The evocation of a spirit is precisely similar in
essence. The exorcist takes dead material substances of a nature
sympathetic to the being whom he intends to invoke. He banishes all
impurities therefrom, prevents all interference therewith, and proceeds
to give life to the subtle substance thus prepared by instilling his soul.
{185}
Once again, there is nothing in this exclusively "magical".
Rembrandt van Ryn used to take a number of ores and other crude objects.
From these he banished the impurities, and consecrated them to his work,
by the preparation of canvasses, brushes, and colours. This done,
he compelled them to take the stamp of his soul; from those dull, valueless
creatures of earth he created a vital and powerful being of truth and beauty.
It would indeed be surprising to anybody who has come to a clear comprehension
of nature if there were any difference in the essence of these various
formulas. The laws of nature apply equally in every possible circumstance.
We are now in a position to understand what alchemy is.
We might even go further and say that even if we had never heard of it,
we know what it must be.
Let us emphasize the fact that the final product is in
all cases a living thing. It has been the great stumbling block to
modern research that the statements of alchemists cannot be explained away.
From the chemical standpoint it has seemed not "a priori" impossible that
lead should be turned into gold. Our recent discovery of the periodicity
of the elements has made it seem likely, at least in theory, that our apparently
immutable elements should be modifications of a single one.<>
Organic Chemistry, with its metatheses and syntheses dependent on the conceptions
of molecules as geometrical structures has demonstrated a praxis which
gives this theory body; and the properties of Radium have driven the Old
Guard from the redoubt which flew the flag of the essential heterogeneity
of the elements. The doctrines of Evolution have brought the alchemical
and monistic theory of matter into line with our conception of life; the
collapse of the wall between the animal and vegetable kingdoms has shaken
that which divided them from the mineral.
But even though the advanced chemist might admit the possibility
of transmuting lead into gold, he could not conceive of that {186} gold
as other than metallic, of the same order of nature as the lead from which
it had been made. That this gold should possess the power of multiplying
itself, or of acting as a ferment upon other substances, seemed so absurd
that he felt obliged to conclude that the alchemists who claimed these
properties for their Gold must, after all, have been referring not to Chemistry,
but to some spiritual operations whose sanctity demanded some such symbolic
veil as the cryptographic use of the language of the laboratory.
The MASTER THERION is sanguine that his present reduction
of all cases of the art of Magick to a single formula will both elucidate
and vindicate Alchemy, while extending chemistry to cover all classes of
Change.
There is an obvious condition which limits our proposed
operations. This is that, as the formula of any Work effects the
extraction and visualization of the Truth from any "First Matter", the
"Stone" or "Elixir" which results from our labours will be the pure and
perfect Individual originally inherent in the substance chosen, and nothing
else. The most skilful gardener cannot produce lilies from the wild
rose; his roses will always be roses, however he have perfected the properties
of this stock.
There is here no contradiction with our previous thesis
of the ultimate unity of all substance. It is true that Hobbs and
Nobbs are both modifications of the Pleroma. Both vanish in the Pleroma
when they attain Samadhi. But they are not interchangeable to the
extent that they are individual modifications; the initiate Hobbs is not
the initiate Nobbs any more than Hobbs the haberdasher is Nobbs of "the
nail an sarspan business as he got his money by". Our skill in producing
aniline dyes does not enable us to dispense with the original aniline,
and use sugar instead. Thus the Alchemists said: "To make gold you
must take gold"; their art was to bring each substance to the perfection
of its own proper nature.
No doubt, part of this process involved the withdrawal
of the essence of the "First Matter" within the homogeneity of "Hyle",
just as initiation insists on the annihilation of the individual in the
Impersonal Infinity of Existence to emerge once more as a less confused
and deformed Eidolon of the Truth of Himself. This is the guarantee
that he is uncontaminated by alien elements. The {187} "Elixir" must
possess the activity of a "nascent" substance, just as "nascent" hydrogen
combines with arsenic (in "Marsh's test") when the ordinary form of the
gas is inert. Again, oxygen satisfied by sodium or diluted by nitrogen
will not attack combustible materials with the vehemence proper to the
pure gas.
We may summarize this thesis by saying that Alchemy includes
as many possible operations as there are original ideas inherent in nature.
Alchemy resembles evocation in its selection of appropriate
material bases for the manifestation of the Will; but differs from it in
proceeding without personification, or the intervention of alien planes.<>
It may be more closely compared with Initiation; for the effective element
of the Product is of the essence of its own nature, and inherent therein;
the Work similarly consists in isolating it from its accretions.
Now just as the Aspirant, on the Threshold of Initiation,
finds himself assailed by the "complexes" which have corrupted him, their
externalization excruciating him, and his agonized reluctance to their
elimination plunging him into such ordeals that he seems (both to himself
and to others) to have turned from a noble and upright man into an unutterable
scoundrel; so does the "First Matter" blacken and putrefy as the Alchemist
breaks up its coagulations of impurity.
The student may work out for himself the various analogies
involved, and discover the "Black Dragon", the "Green Lion", the "Lunar
Water", the "Raven's Head", and so forth. The indications above given
should suffice all who possess aptitude for Alchemical Research.
Only one further reflection appears necessary; namely,
that the Eucharist, with which this chapter is properly preoccupied, must
be conceived as one case --- as the critical case --- of the Art of the
Alchemist.
The reader will have observed, perhaps with surprise,
that The MASTER THERION describes several types of Eucharist. The
reason is that given above; there is no substance incompetent to {188}
serve as an element in some Sacrament; also, each spiritual Grace should
possess its peculiar form of Mass, and therefore its own "materia magica".
It is utterly unscientific to treat "God" as a universal homogeneity, and
use the same means to prolong life as to bewitch cattle. One does
not invoke "Electricity" indiscriminately to light one's house and to propel
one's brougham; one works by measured application of one's powers to intelligent
analytical comprehension of the conditions of each separate case.
There is a Eucharist for every Grace that we may need;
we must apprehend the essential characters in each case, select suitable
elements, and devise proper processes.
To consider the classical problems of Alchemy: The
Medicine of Metals must be the quintessence of some substance that serves
to determine the structure (or rate of vibration) whose manifestation is
in characteristic metallic qualities. This need not be a chemical
substance at all in the ordinary sense of the word.
The Elixir of Life will similarly consist of a living
organism capable of growth, at the expense of its environment; and of such
a nature that its "true Will" is to cause that environment to serve it
as its means of expression in the physical world of human life.
The Universal Medicine will be a menstruum of such subtlety
as to be able to penetrate all matter and transmute it in the sense of
its own tendency, while of such impartial purity as to accept perfectly
the impression of the Will of the Alchemist. This substance, properly
prepared, and properly charged, is able to perform all things soever that
are physically possible, within the limits of the proportions of its momentum
to the inertia of the object to which it is applied.
It may be observed in conclusion that, in dealing with
forms of Matter-Motion so subtle as these, it is not enough to pass the
Pons Asinorum of intellectual knowledge.
The MASTER THERION has possessed the theory of these Powers
for many years; but His practice is still in progress towards perfection.
Even efficiency in the preparation is not all; there is need to be judicious
in the manipulation, and adroit in the administration, of the product.
He does not perform haphazard miracles, but applies His science and skill
in conformity with the laws of nature.