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           Calender of Sardar Fairs   Pilgrimage   Function of the Fairs    Violence   Offerings  

           In the Fair   People at the Fair   A Puppet Show   Public Tents   Restaurant Tents  
           Contests    Kaissa Contest   Girl Catch Contest   Slave Markets   Slaves at the Fair  


Merchant Camps


Calenfer of Sardar Fairs

Fair of En'Kara
"The fair of En'Kara occurs during the spring. It is the first fair in the annual cycle of the Sardar Fairs, gigantic fairs which take place on the plains lying below the western slopes of the Sardar Mountains, These fairs, and others like them, play an important role in the Gorean culture and economy. They are an important clearing house for ideas and goods, among them female slaves."
"Players of Gor" page 8

"It was not far to the fair of En'Kara, one of the four great fairs held in the shadow of the Sardar during the Gorean year, and I soon walked slowly down the long central avenue between the tents, the booths and stalls, the pavilions and stockades of the fair, toward the high, brassbound timber gate, formed of black logs, beyond which lies the Sardar itself, the sanctuary of this world's gods, known to the men below the mountains, the mortals, only as Priest-Kings."
"Priest-Kings of Gor" page 8

Fair of En'Var
"Month names differ, unfortunately, from city to city, but, among the civilized cities, there are four months, associated with the equinoxes and solstices, and the great fairs at the Sardar, which do have common names, the months of En'Kara, or En'Kara-Lar-Torvis; En'Var, or En'var-Lar-Torvis; Se'Kara, or Se'Kara-Lar-Torvis; and Se'Var, or Se'Var-Lar- Torvis."
"Assassin of Gor" page 78

Fair of Se'Kara
"Month names differ, unfortunately, from city to city, but, among the civilized cities, there are four months, associated with the equinoxes and solstices, and the great fairs at the Sardar, which do have common names, the months of En'Kara, or En'Kara-Lar-Torvis; En'Var, or En'var-Lar-Torvis; Se'Kara, or Se'Kara-Lar-Torvis; and Se'Var, or Se'Var-Lar- Torvis."
"Assassin of Gor page 78

Fair of Se'Var
"These men of Tharna, mostly small tradesmen in silver, had come for the autumn fair, the fair of Se’Var, which was just being set up at the time of the gravitational lessening. I remained with them, accepting their hospitality, while going out to meet various delegations from different cities, as they came to the Sardar for the fair."
"Priest-Kings of Gor" page 309


"Although no one may be enslaved at the fair, slaves may be bought and sold within its precincts, and slavers do a thriving business, exceeded perhaps only by that of Ar's Street of Brands. The reason for this is not simply that here is a fine market for such wares, since men from various cities pass freely to and fro at the fair, but that each Gorean, whether male or female, is expected to see the Sardar Mountains, in honor of the Priest-Kings, at least once in his life, prior to his twenty-fifth year. Accordingly, the pirates and outlaws who beset the trade routes to ambush and attack the caravans on the way to the fair, if successful, often have more than inanimate metals and cloths to reward their vicious labors.
This pilgrimage to the Sardar, enjoined by the Priest-Kings according to the Caste of initiates, undoubtedly plays its role in the distribution of beauty among the hostile cities of Gor. Whereas the males who accompany a caravan are often killed in its defense or driven off, this fate, fortunate or not, is seldom that of the caravan's women. It will be their sad lot to be stripped and fitted with the collars and chains of slave girls and forced to follow the wagons on foot to the fair, or if the caravan's tharlarions have been killed or driven off, they will carry its goods on their backs. Thus one practical effect of the edict of the Priest-Kings is that each Gorean girl must, at least once in her life, leave her walls and take the very serious risk of becoming a slave girl, perhaps the prize of a pirate or outlaw.
The expeditions sent out from the cities are of course extremely well guarded, but pirates and outlaws too can band together in large numbers and sometimes, even more dangerously, one city's warriors, in force, will prey upon another city's caravans. This, incidentally, is one of the more frequent causes of war among these cities. The fact that warriors of one city sometimes wear the insignia of cities hostile to their own when they make these attacks further compounds the suspicions and internecine strife which afflicts the Gorean cities."
"Priest Kings of Gor" page 12/13

"This chain of reflections was occasioned in my mind by sight of some men of Port Kar, a savage, coastal city on the Tamber Gulf, who were displaying a sullen chain of twenty freshly branded girls, many of them beautiful. They were from the island city of Cos and had undoubtedly been captured at sea, their vessel burned and sunk. Their considerable charms were fully revealed to the eye of appraising buyers who passed down the line. The girls were chained throat to throat, their wrists locked behind the small of their backs with slave bracelets, and the knelt in the customary position of Pleasure Slaves. When a possible buyer would stop in front of one, one of the bearded scoundrels from Port Kar would poke her with a slave whip and she would lift her head and numbly repeat the ritual phrase of the inspected slave girl, Buy Me, Master. They had thought to come to the Sardar as free women, discharging their obligation to the Priest-Kings. They would leave as slave girls."
"Priest Kings of Gor" page 13

"Some six young people, in white garments, passed me. They would stand before the palisade, paying the homage of their presence to the mysterious denizens of the Sardar, the mysterious Priest-Kings, rulers of Gor. Each young person of Gor is expected, before their twenty-fifth birthday, to make the pilgrimage to the Sardar, to honor the Priest-Kings. These caravans come from all over known Gor. Most arrive safely. Some are preyed upon by bandits and slavers. More than one beauty who thought to have stood upon the palisade, lifting laurel wreaths and in white robes singing the glories of the Priest-Kings, has found herself instead looking upon the snow capped peaks of the Sardar from the slave platforms, stripped and heavily chained."
"Beasts of Gor" page 47

Function of the Fairs

"The fairs incidentally are governed by Merchant Law and supported by booth rents and taxes levied on the items exchanged. The commercial facilities of these fairs, from money changing to general banking, are the finest I know of on Gor, save those in Ar's Street of Coins, and letters of credit are accepted and loans negotiated, though often at usurious rates, with what seems reckless indifference. Yet perhaps this is not so puzzling, for the Gorean cities will, within their own walls, enforce the Merchant Law when pertinent, even against their own citizens. If they did not, of course, the fairs would be closed to the citizens of that city."
"Priest-Kings of Gor" page 11

"It is little wonder then that the cities of Gor support and welcome the fairs. Sometimes they provide a common ground on which territorial and commercial disputes may be amicably resolved without loss of honor, plenipotentiaries of warring cities having apparently met by accident among the silken pavilions.
Further, members of castes such as Physicians and Builders use the fairs for the dissemination of information and techniques among Caste Brothers, as is prescribed in their codes in spite of the fact that their respective cities may be hostile. And as might be expected members of the Caste of Scribes gather here to enter into dispute and examine and trade manuscripts."
"Priest-Kings of Gor" page 9

"The fairs, too, however, have many other functions. For example, they serve as a scene of caste conventions, and as loci for the sharing of discoveries and research. It is here, for example, that physicians, and builders and artisans may meet and exchange ideas and techniques. It is here that Merchant Law is drafted and stabilized. It is here that songs are performed, and song dramas. Poets and musicians, and jugglers and magicians, vie for the attention of the crowds. Here one finds peddlers and great merchants. Some sell trinkets and others the notes of cities. It is here that the Gorean language tends to become standardized. These fairs constitute truce grounds. Men of warring cities may meet here without fear. Political negotiation and intrigue are rampant, too, generally secretly so, at the fairs. Peace and war, and arrangements and treaties, are not unoften determined in a pavillion within the precincts of the fairs."
"Beasts of Gor" page 44


"Indeed, one might buy slaves here and there, publicly and privately, at many places in the Fair of En'Kara, one of the four great annual fairs at the Sardar. It is not permitted to fight, or kill, or enslave within the perimeters of the fairs, but there is no prohibition against the buying and selling of merchandise within those precincts; indeed, one of the main functions of the fairs, if not their main function, was to facilitate the buying and selling of goods; the slave, of course, is goods.
"Beasts of Gor" page 44

"I heard a girl screaming, being lashed. She was on her knees, to one side, between two tents; she was chained at a short stake, about which she had wrapped her arms, holding it for support. The side of her cheek was against the stake. The prohibition against violence at the Sardar, of course, does not extend to slaves. They may there, as elsewhere, be lashed, or tortured or slain, as it should please the master. They are slaves."
"Beasts of Gor" page 45


"I stepped to one side to make way for a procession of initiates, who, with a ringing of bells, and shaking of bowls on chains, containing burning incense, passed me on their way to the palisade. An initiate in the lead carried a standard on which was mounted the sign of the Priest-Kings, a golden circle, that which has no beginning or end, the symbol of eternity, the symbol of Priest-Kings.
They were white-robed and chanting, and shaven-headed. The caste of initiates is rich on Gor."
"Beasts of Gor" page 46

"I found myself in the vicinity of the palisade. Initiates moved about, and many others. They performed ceremonies and sacrifices. In one place a white, bosk heifer was being slaughtered. Incense was being burned and bells were being rung; there was singing and chanting."
"Beasts of Gor" page 82

"I climbed the stairs to the platform. I would look upon the Sardar in the morning light. At this time, particularly in the spring, the sun sparkling on the snow-strewn peaks, the mountains can be quite beautiful.
I attained the height of the platform and found the view breath-taking, even more splendid than I had hoped. I stood there very quietly in the cool, sunlit morning air. It was very beautiful.
Near me, on the platform, stood the red hunter. He, too, it seemed, was struck to silence and awe.
Then, standing on the platform, he lifted his bare arms to the mountains. "Let the herd come," he said. He had spoken in Gorean. Then he reached into a fur sack at his feet and, gently, took forth a representation of the northern tabuk, carved in blue stone. I had no idea how long it took to make such a carving. It would take many nights in the light of the sloping, oval lamps. He put the tiny tabuk on the boards at his feet, and then again lifted his arms to the mountains. "Let the herd come," he said. "I give you this tabuk," he said. "It was mine, and it is now yours. Give us now the herd which is ours." Then he lowered his arms and reached down and closed the sack. He left the platform.
There were other individuals, too, on the long platform. Each, I supposed, had their petition to make to Priest-Kings. I looked at the tiny tabuk left behind on the boards. It looked toward the Sardar."
"Beasts of Gor" page 83


In the Fair

"It was not far to the fair of En`Kara, one of the four great fairs held in the shadow of the Sardar during the Gorean year, and I soon walked slowly down the long central avenue between the tents, the booths and stalls, the pavilions and stockades of the fair,..."
"Priest-Kings of Gor" page 8

"In time I found myself near the palisade ringing the Sardar mountains. I climbed one of the high platforms there. From these platforms one may look upon the Sardar. I stood alone on the platform, and gazed at the snow-capped mountains, glistening under the mingled light of the three white moons. From the platform, too, I could see the fair, with its lights and fires, and tents and shelters, and the amphitheater in the distance, where Scormus of Ar and gentle Centius of Cos would meet tomorrow on the opposite sides of a small board marked with red and yellow squares. The district of the fair covered several square pasangs. It was very beautiful at night."
"Beasts of Gor" page 78/9

"I looked out over the crowds. Thousands were at the fair of the Sardar."
"Beasts of Gor" page 79

"Many are the objects for sale at the fair. I passed among wines and textiles and raw wool, silks, and brocades, copperware and glazed pottery, carpets and tapestries, lumber, furs, hides, salt, arms and arrows, saddles and harness, rings and bracelets and necklaces, belts and sandals, lamps and oils, medicines and meats and grains, animals such as the fierce tarns, Gor’s winged mounts, and tharlarions, her domesticated lizards, and long chains of miserable slaves, both male and female."
"Priest-Kings of Gor" page 12

It had rained in the night, and the streets of the fair were muddy.
The Sardar fairs are organized, regulated and administered by the Merchant Caste. (...)
I turned down one of the muddy streets, making my way between booths featuring the wares of pottery and weavers. It seemed to me that if I could find the fair's street of coins, that the makers of odds might well have set their tables there. It was, at any rate, a sensible thought.
"Where is the street of coins?" I asked a fellow, in the tunic of the tarnkeepers.
"Of which city?" he asked.
"My thanks," I said, and continued on. The fairs are large, covering several square pasangs.
I turned another corner.
"Buy the silver of Tharna," called a man. "Buy the finest silver on all Gor." He was behind a counter at a booth. At his belt, as did the men of Tharna, he wore two yellow cords, each about eighteen inches long. At the back of the booth, kneeling, small, her back low, her head and hair down to the mud, naked, collared, was a woman."
"Beasts of Gor" page 45/6

"Where are odds made on the Kaissa matches?" I asked a small fellow, in the garb of the leather workers. He wore the colors of Tabor on his cap.
"I would ask you that," he said.
"Do you favor Scormus of Ar?" I inquired.
"Assuredly," he said.
I nodded. I decided it would be best to search for a merchant who was on the fair's staff, or find one of their booths or praetor stations, where such information might be found."
"Beasts of Gor" page 47

"Is this girl bothering you?" asked a merchant, one whose head bore the talmit of the fair's staff. Behind him were two guardsmen, with whips.
"No," I said. Then I said, "Where are the tables for the gambling on Kaissa?"
'They have been arranged but this morning," he said. 'They may be found in the vicinity of the public tents near the amphitheater."
"Beasts of Gor" page 49

"I turned down the street of the dealers in artifacts and curios. I was making my way toward the public tents in the vicinity of the amphitheater. It was there that the tables for the odds on the Kaissa matches might be found."
"Beasts of Gor" page 50

"Soup!' Soup!" called a man.
"Soup!" I called, raising my hand. I purchased from him, for a copper tarsk, a bowl of soup, thick with shreds of hot bosk and porous chunks of boiled sul."
"Beasts of Gor" page 50

"Some jugglers, to one side, were exhibiting their astonishing talents with colored plates and torches.
I passed some booths where rep-cloth was being sold in bolts. Peasant women were haggling with the vendors.
In another area boiled meat hung on ropes. Insects swarmed about it."
"Beasts of Gor" page 63

"I turned down the street of the rug makers."
"Beasts of Gor" page 100

"I made my way down the street of the cloth makers. There were few people in the street now."
"Beasts of Gor" page 101

"There was little now to hold me at the fair. Overhead, with some regularity, I saw tarns streaking from the fair, many with tarn baskets slung beneath them, men and women returning to their cities. More than one caravan, too, was being harnessed. My own tarn was at a cot, where I had rented space for him.
I thought that I would leave the fair tonight. There seemed little point now in remaining at the fair."
"Beasts of Gor" page 99

People at the Fair

"I stepped again to one side. Down the corridor between tents, now those of the carvers of semi-precious stones, came four men, in the swirling garb of the Tahari. They were veiled. The first led a stately sand kaiila on which a closed, fringed, silken kurdah was mounted. Their hands were at their scimitar hilts. I did not know if the kurdah contained a free woman of high state or perhaps a prized female slave, naked and bejeweled, to be exhibited in a secret tent and privately sold."
"Beasts of Gor" page 46

"I saw two men of the Wagon Peoples pass by, and not a yard from them, evincing no concern, a fellow in the flowing robes of Turia. The fairs were truce ground."
"Beasts of Gor" page 47

"Colorful birds screamed to one side, on their perches. They were bring sold by merchants of Schendi, who had them from the rain forests of the interior. They were black-visaged and wore colorful garments.
There were many slave girls in the crowd, barefoot, healing their master. Schendi, incidentally, is the home port of the league of black slavers. Certain positions and platforms at the fairs are usually reserved for the black slavers, where they may market their catches, beauties of all races."
"Beasts of Gor" page 47

"Two peasants walked by, in their rough tunics, knee-length, of the white wool of the Hurt. They carried staves and grain sacks. Behind them came another of their caste, leading two milk verr which he had purchased."
"Beasts of Gor" page 48

"I saw a short fellow in the street crows. He was passing by. he was squat and broad, powerful, apparently very strong. Though the weather was cool in the early spring he was stripped to the waist. He wore trousers of fur, and fur boots, which came to the knee. His skin was dark, reddish like copper; his hair was bluish black, roughly cropped; his eyes bore the epicanthic fold. About his shoulder, he had slung some coils of braided rope, fashioned from twisted sleen hide, and in his hand, he carried a sack and a bundle of tied furs; at his back was a quiver containing arrows, and a short bow of sinew-bound, layered horn. Such men are seldom seen on Gor. They are the natives of the polar basin."
"Beasts of Gor" page 48

The Amphitheater

The amphitheater, of course, is used for more than Kaissa. It is also used for such things as the readings of poets, the presentations of choral arrangements, the staging of pageants and the performances of song dramas.
"Beasts of Gor" page 84

Public Tents

"I would stay in one of the public tents tonight. For five copper tarsks one may rent furs and a place in the tent. It is expensive, but it is after all, En`Kara and the time of the fair. In such tents it is not unusual for peasants to lie crowded, side by side, with captains and merchants. During En`Kara, at the Fair, many of the distinctions among men and castes are forgotten.
Unfortunately meals are not served in the tents. For the price it seems one should banquet. This lack, however, is supplied by numerous public kitchens and tables. These are scattered throughout the district of the fair. Also there are vendors.
I took my place at the end of one of the long lines, that which I conjectured to be the shortest.
There are some compensations in the public tents, however. One may have paga and wines there. These are served by slave girls, whose comforts and uses are also included within the price of the lodging."
"Beasts of Gor" page 50/1

"I descended the stairs of the platform and turned my steps toward the public tent where I had, earlier in the morning, reserved a lodging for myself. I lay thinking in the furs, my hands behind my head, looking up at the ceiling of the tent above me. There was little light in the tent, for it was late. It was difficult for me to sleep.
More than a thousand men slept in this great tent.
The ceiling of the tent above me billowed slightly, responsive to a gentle wind from the east.
There were small lamps hung here and there in the tent. They hung on tiny chains. These chains were suspended from metal projections on certain of the tent poles."
"Beasts of Gor" page 79

Restaurant Tents

"I turned away from the girls, for I had become hungry. I would eat at one of the public restaurants set up in the district of the fair."
"Beasts of Gor" page 61

"I swilled down the last of the Kal-da. I had not had it since Tharna. In the restaurant where I had eaten there were some two hundred tables, under tenting.
I wiped my mouth on my sleeve and rose to my feet."
"Beasts of Gor" page 62

"I left the tenting. One pays before the meal, and carries a disk, a voucher, to the table. The meal itself is brought to his place, marked on an identical disk, by a slave girl. One surrenders the disk to her and she places the meal before you. The girl wears a leather apron and an iron belt. If one wishes her one must pay more."
"Beasts of Gor" page 62


The contests I mentioned which take place at the fairs are, as would be expected, peaceable, or I should say, at least do not involve contests of arms. Indeed it is considered a crime against the Priest-Kings to bloody one's weapons at the fairs. The Priest-Kings, I might note, seem to be more tolerant of bloodshed in other localities.
Contests of arms, fought to the death, whereas they may not take place at the fairs are not unknown on Gor, and are popular in some cities. Contests of this sort, most often involving criminals and impoverished soldiers of fortune, offer prizes of amnesty or gold and are customarily sponsored by rich men to win the approval of the populace of their cities. Sometimes these men are merchants who wish thereby to secure goodwill for their products; sometimes they are practitioners of law, who hope to sway the votes of jury men; sometimes they are Ubars or High Initiates who find it in their interests to keep the crowds amused. Such contests, in which life is lost, used to be popular at Ar, for example, being sponsored in that city by the Caste of Initiates, who regard themselves as being the intermediaries between Priest- Kings and men, though I suspect that, at least on the whole, they know as little about the Priest-Kings as do other men.
These contests, it might be mentioned, were banned in Ar when Kazrak of Port Kar became administrator of that city. It was not an action which was popular with the powerful Caste of Initiates.
The contests at the fairs, however, I am pleased to say, offer nothing more dangerous than wrestling, with no holds to the death permitted. Most of the contests involve such things as racing, feats of strength, and skill with bow and spear. Other contests of interest pit choruses and poets and players of various cities against one another in the several theatres of the fair. I had a friend once, Andreas of the desert city of Tor, of the Caste of Poets, who had once sung at the fair and won a cap filled with gold. And perhaps it is hardly necessary to add that the streets of the fair abound with jugglers, puppeteers, musicians and acrobats who, far from the theatres, compete in their ancient fashions for the copper tarn disks of the broiling, turbulent crowds."
"Priest-Kings of Gor" page 11/2


"It is time for the Kaissa matches at the Fair of En'Kara, at the Sardar," I said. I found it hard to think that this was not on the mind of Samos. "Centius of Cos," I said, "is defending his title against Scormus of Ar."
"Beasts of Gor" page 34

"I could see on hills, on either side of the amphitheater, a golden tent pitched. One of these was for Scormus of Ar, the other, on the other side of the great amphitheater, was for Centius of Cos.
"Have they drawn yet for yellow?" I asked.
"No," he said.
"Normally much betting would wait until it was known which player had yellow, which determines the first move, and the first move, of course, determining the opening.
But already the betting was heavy.
"Beasts of Gor" page 51/2

Two parties of men, one party from each of the tents, began to make their way toward the amphitheater. Somewhere in those parties were Scormus of Ar and Centius of Cos. The chief officer of the caste of players, with representatives of both Cos and Ar, would be waiting for them on the stone stage of the amphitheater, with the helmet.
I breathed more easily. I was confident now I would have my bet placed before the draw. If Scormus should draw yellow, and I were to place my bet after this fact was generally known, I would stand to win almost nothing, even should I wager a good deal.
"Hurry!" called a man. "Hurry!"
The two parties of men had now, from opposite sides, entered the amphitheater.
"A silver tarsk on Scormus of Ar," said the man from Cos, who stood now at the table.
"They will be raising the standard of Ar or Cos any moment!" cried a man. In moments I was two men from the table. Then there was only one man before me. "Next," called the odds merchant.
I stood before the table.
"Fourteen to one favoring the champion of Ar," he said.
"Fourteen hundred tans of gold," said I, "on Ar's champion."
"Who are you?" asked the odds merchant. "Are you mad?'
"I am Bosk," I said, "of Port Kar."
"Done," said he, "Captain!"
I signed his sheet with the sign of the bosk.
"Look!" cried a man. "Look!"
Above the amphitheater, on its rim, a man lifted the standard of Ar.
I stepped aside. There was much shouting. Men of Ar in the crowd embraced one another. Then, beside he who bore the standard of Ar, there stood one in the garb of the players, the red and yellow checkered robe, and the checkered cap, with the board and pieces slung over his shoulder, like a warrior's accouterments. He lifted his hand. "It is Scormus!" they cried. "It is Scormus!" The ysrnng man then lifted the standard of Ar himself.
Men of Ar wept. Then the young man returned the standard to him who had first carried it to the amphitheater's rim and withdrew from sight.
There was much cheering."
"Beasts of Gor" page 52/3

"I looked at the amphitheater. I could see it easily from the height of the platform.
I saw that now the Kaissa flag, with its red and yellow squares, flew from a lance on the amphitheater's rim. Flanking it, on either side, were the standards of Cos and Ar. That of Ar was on the right, for Scormus had won yellow in the draw; it had been his hand which, under the scarlet cloth, had closed upon the tiny, wooden, yellow spearman in the helmet, the possession of which determined the first move and, with it, the choice of opening. I would win a hundred golden tarns.
The amphitheater was now open. I hurried down the stairs of the platform."
"Beasts of Gor" page 83

"There was a great cheer in the amphitheater and men stood upon the tiers, waving their caps and shouting.
"Scormus of Ar!" they shouted. "Scormus of Ar!"
I could hear the anthem of Ar being sung now.
It was hard to see.
"He is here!" cried a man next to me.
I climbed on the tier and stood. I could now see, in the robes of the players, Scormus of Ar, the fiery, young champion of Ar. He was with a party of the men of Ar. The table with the board was set in the center of the stage, at the foot of the huge, sloping, semicircular amphitheater. It seemed small and far away. Scormus lifted his hands to the crowd, the sleeves of his robe falling back over his arms.
He wore a cape, which was removed from him by two other players of Ar.
He threw his cap into the crowd. Men fought wildly to possess it.
He lifted again his arms to the crowd.
There was then another cheer, for Centius of Cos, with the party of Cos, had emerged upon the stage. I heard now the anthem of Cos being sung.
Centius of Cos walked to the edge of the stone stage, some five feet above the pit, and lifted his hand to the crowd. He smiled."
"Beasts of Gor" page 83/4

The amphitheater, of course, is used for more than Kaissa. It is also used for such things as the readings of poets, the presentations of choral arrangements, the staging of pageants and the performances of song dramas. Indeed, generally the great amphitheater is not used for Kaissa, and the Sardar matches are played in shallow fields, before lengthy sloping tiers, set into the sides of small hills, many matches being conducted simultaneously, a large vertical board behind each table serving to record the movements of the pieces and correspond to the current position. The movements of the pieces are chalked on the left side of the board, in order; the main portion of the board consists of a representation of the Kaissa board and young players, in apprenticeship to masters, move pieces upon it; one has thus before oneself both a record of the moves made to that point and a graphic representation of the current state of the game. The movements are chalked, too, incidentally, by the young players. The official scoring is kept by a team of three officials, at least one of which must be of the caste of players. These men sit at a table near the table of play. Games are adjudicated, when capture of Home Stone does not occur, by a team of five judges, each of which must be a member of the caste of players, and three of which must play at the level of master."
"Beasts of Gor" page 84

"Behind the table of play on the stage, and a bit to the right, was the table for those who would score. There was a man there from Ar, and one from Cos, and a player from Turia, Timor, a corpulent fellow supposed to be of indisputable integrity and one thought, at any rate, to be of a city far enough removed from the problems of Cos and Ar to be impartial. Also, of course, there were hundreds of men in the tiers who would simultaneously, unofficially, be recording the match. There was little danger of a move being incorrectly recorded. An official in such a situation insane enough to attempt to tamper with the record of the moves would be likely to be torn to pieces. Goreans take their Kaissa seriously.

"Beasts of Gor" page 84/5

"I saw now upon the stage Reginald of Ti, who was the elected administrator of the caste of players. A fellow with him carried the sand clocks. These clocks are arranged in such a way that each has a tiny spigot which may be opened and closed, this determining whether sand falls or not. These spigots are linked in such a way that when one is open the other must be closed; the spigot turned by a given player closes his own clock's sand passage and opens that of his opponent; when the clocks must both be stopped, as for an adjournment of play, they are placed on their side by the chief judge in the match, in this case Reginald of Ti. There are two Ahn of sand in each player's clock. Each player must complete forty moves before his clock is empty of sand, under penalty of forfeit. The clocks improve tournament play which otherwise could become contests not of Kaissa but of patience, the victory perhaps going to him who was most willing to outsit his opponent There was a movement among some of the younger players to divide the sand in such a way that each player would have one Ahn for the first twenty moves, and one Ahn for the second twenty moves, subject to the same forfeiture conditions as the two-Ahn clock. The point of this, I was told, would be to improve Kaissa in the second Ahn. It was true that many times even masters found themselves in time pressure in the second Ahn, having perhaps only a few Elm sand left for eight or ten moves. On the other hand, there seemed little likelihood of this Innovation being accepted. Tradition was against it, of course. Also, it was felt preferable by many for a player to be able to decide for himself, under the conditions of a given game, the duration of his speculations on a given move. He is thought by many better able to govern his own play when there is only a single time pressure to be considered, that of the full two Ahn, I rather agree with the latter view. There are precision chronometers on Gor, incidentally, and a more mechanical method of time control is technically feasible. The sand clocks, on the other hand, tend to be a matter of tournament tradition."
"Beasts of Gor" page 85

"The two men then approached the table.
Behind them, more than forty feet high, and fifty wide, was a great vertical board. On this board, dominating it, there was a giant representation of a Kaissa board. One of their pegs, hung the pieces in their initial positions. On this board those in the audience would follow the game. To the left of the board there were two columns, vertical, one for yellow, one for red, where the moves, as they took place, would be recorded. There were similar boards, though smaller, at various places about the fair, where men who could not afford the fee to enter the amphitheater, after coming and going, delivered the moves to these various boards."
"Beasts of Gor" page 86

"A great hush fell over the crowd.
We sat down.
The judge, Reginald of Ti, four others of the caste of players behind him, had finished speaking to Scormus and Centius, and the scorers.
There was not a sound in that great amphitheater.
Centius of Cos and Scormus of Ar took their places at the table.
The stillness, for so large a crowd, was almost frightening.
I saw Scormus of Ar incline his head briefly. Reginald of Ti turned the spigot on the clock of Centius of Cos, which opened the sand passage in the clock of Scormus.
The hand of Scormus reached forth. It did not hesitate. The move was made. He then turned the spigot on his clock, ceasing its flow of sand, beginning that in the clock of Centius.
The move, of course, was Ubara's Spearman to Ubara five.
There was a cheer from the crowd.
"The Ubara's Gambit!" called a man near me.
"We watched the large, yellow plaque, representing the Ubara’s Spearman, hung on its peg at Ubara five. Two young men, apprentices in the caste of players, on scaffolding, placed the plaque. Another young man, also apprenticed in the caste of players, recorded this move, in red chalk, at the left of the board. Hundreds of men in the audience also recorded the move on their own score sheets. Some men had small peg boards with them, on which they would follow the game. On these boards the could, of course, consider variations and possible continuations."
"Beasts of Gor" page 86/7

"On what would have been his twenty-second move Scormus of Ar, saying nothing, rose to his feet. He stood beside the board, and then, with one finger, delicately, tipped his Ubar. He set the clocks on their side, stopping the flow of sand, turned, and left the stage.
For a moment the crowd was silent, stunned, and then pandemonium broke out. Men leaped upon one another; cushions and caps flew into the air. The bowl of the amphitheater rocked with sound. I could scarcely hear myself shouting. Two men fell from the tier behind me. I scrambled onto my tier, straining to see the stage. I was buffeted to one side and then the other.
One of the men of the party of Cos which had now returned to the stage stood on the table of the game, the yellow Home Stone in his grasp. He lifted it to the crowd. Men began to swarm upon the stage. The guards could no longer restrain them. I saw Centius of Cos lifted to the shoulders of men. He lifted his arms to the crowd, the sleeves of the player's robes falling back on his shoulders."
"Beasts of Gor" page 96

Puppet Show

"I stopped to watch a puppet show. In it a fellow and his free companion bickered and struck one another with clubs.(...)
I returned my attention to the puppet show. Now upon its tiny stage was being enacted the story of an Ubar and the Peasant. Each, wearied by his labors, decides to change place with the other. Naturally this does not prove fruitful for either individual. The Ubar discovers he cannot tax the bosk and the Peasant discovers his grain cannot grow on the stones of the city streets. Each cannot stop being himself, each cannot be the other. In the end, of course, the Ubar returns gratefully to his thrown, and the peasant, to his relief, manages to return to the fields in time for the spring planting. The fields sing, rejoicing, upon his return. Goreans are fond of such stories. Their caste are precious to them."
"Beasts of Gor" page 47

Girl Catch Contest

"Make way! Make way!" laughed the brawny young fellow. He had a naked girl over his shoulder, bound hand and foot. He had won her in Girl Catch, in a contest to decide a trade dispute between two small cities, Ven and Rarn, the former a river port on the Vosk, the second noted for its copper mining, lying southeast of Tharna. In the contest a hundred young men of each city, and a hundred young women, the most beautiful in each city, participate. The object of the game is to secure the women of the enemy. Weapons are not permitted. The contest takes place in an area outside the perimeters of the great fair, for in it slaves are made. The area is enclosed by a low wooden wall, and spectators observe. When a male is forced beyond the wail he is removed from the competition and may not, upon pain of death, reenter the area for the duration of the contest. When a girl is taken she is bound hand and foot and thrown to a girl pit, of which there are two, one in each city's end of the "field." These pits are circular, marked off with a small wooden fence, sand-bottomed, and sunk some two feet below the surface of the "field." If she cannot free herself she counts as a catch. The object of the male is to remove his opponents from the field and capture the girls of the other city. The object of the girl, of course, is to elude capture. "Make way!" he called. "Make way!" I, with others in the crowd, stepped aside. Both the young men and women wear tunics in this sport. The tunics of the young women are cut briefly, to better reveal their charms. The young man wears binding fiber about his left wrist, with which to secure prizes. The young women, who are free, if the rules permit, as they sometimes do not, commonly wear masks, that their modesty be less grievously compromised by the brevity of their costume. Should the girl be caught, however, her mask is removed. The tunics of the girls are not removed, however, except those of the girls of the losing city, when the match has ended and the winner decided. The win is determined when the young men of one city, or those left on the field, have secured the full hundred of the women of the "enemy." A woman once bound and thrown to the girl pit, incidentally, may not be fetched forth by the young men of her city, except at the end of the match, and on the condition that they have proved victorious. The captured women of the victorious city at the conclusion of the contest are of course released; they are robed and honored; the girls of the losing city, of course, are simply stripped and made slaves. This may seem a cruel sport but some regard it as superior to a war; surely it is cleaner and there is less loss of life; this method of settling disputes, incidentally, is not used if it is felt that honor is somehow involved in the disagreement. Honor is important to Goreans, in a way that those of Earth might find hard to understand; for example, those of Earth find it natural that men should go to war over matters of gold and riches, but not honor; the Gorean, contrariwise, is more willing to submit matters of honor to the adjudication of steel than he is matters of riches and gold; there is a simple explanation for this; honor is more important to him. Strangely the girls of the cities are eager to participate in this sport. Doubtless each believes her standard will be victorious and she will return in honor to her city. The young man brushed past me. The girl's hair was still bound, knotted, on her head; it had not yet even been loosened, as that of a slave girl. Looped about her neck, locked, was a slender, common, gray-steel slave collar. He had wired a tag to it, that she might be identified as his. She had been of Ram, probably of high caste, given the quality of her beauty. She would now be slave in the river port of Ven. The man appeared to be a young bargeman. Her lips were delicate and beautiful. They would kiss him well. I watched him press on through the crowds, toward the looming palisade which ringed the Sardar mountains, black and snow-capped, behind it. The numbers in the game are set at a hundred young men and a hundred young women, in order that there be a young woman for each winning male. This was the first year, incidentally, in which masks had been permitted to the young women in some of these contests. The masks, however, had been brief and feminine. They concealed little and did little more than to excite the men and stimulate them to the beauty's pursuit, culminating in her rude assault, capture and unmasking. Still I suspected the innovation, next year, would be dropped. It is easier to gamble on the taking of given girls, and how long they will be at large, if their beauty is better visible to the bettors. I looked after the young man. He was going to the palisade. There he would climb one of the platforms and, putting the girl on her knees, her ankles and wrists crossed and bound, at his feet, facing the Sardar, he would unbind her hair. Then he would lift her in his arms, hair unbound, before the mountains of the Sardar, rejoicing, and giving thanks to Priest-Kings that she was now his.
"Beasts of Gor" page 41/3

Slave Markets

"Although no one may be enslaved at the fair, slaves may be bought and sold within its precincts, and slavers do a thriving business, exceeded perhaps only by that of Ar's Street of Brands. The reason for this is not simply that here is a fine market for such wares, since men from various cities pass freely to and for at the fair, but that each Gorean, whether male of female, is expected to see the Sardar Mountains, in honor of the Priest-Kings, at least once in his life, prior to his twenty-fifth year. Accordingly the pirates and outlaws who beset the trade routes to ambush and attack the caravans on the way to the fair, if successful, often have more then inanimate metals and cloths to rewards their vicious labors."
"Priest-Kings of Gor" page 12

"The man of Torvaldsland bit a large chunk from his hock of roast tarsk. "Where are the slave markets?" he asked. "There are many," I said. Indeed, one might buy slaves here and there, publicly and privately, at many places in the Fair of En'Kara, one of the four great annual fairs at the Sardar. It is not permitted to fight, or kill, or enslave within the perimeters of the fairs, but there is no prohibition against the buying and selling of merchandise within those precincts; indeed, one of the main functions of the fairs, if not their main function, was to facilitate the buying and selling of goods; the slave, of course, is goods. (...)
"The nearest," I told the fellow from Torvaldsland, pointing down a corridor between pavilions and booths, "lies some quarter of a pasang in that direction, beyond the booths of the rug merchants. The largest, on the other hand, the platforms of slave exhibition and the great sales pavilion, lie to your left, two pasangs away, beyond the smithies and the chain shops."
"Beasts of Gor" page 44

"Before I left, the fair I would inspect the major market, that beyond the smithies and chain shops, where the most numerous exhibition platforms were erected, near the great sales pavillion of blue and yellow silk, the colors of the slavers.
If I found girls who pleased me I could arrange for their transportation to Port Kar. The shipment and delivery of slaves is cheap."
"Beasts of Gor" page 50

"I turned my steps toward the main market. I would look at the goods on the long wooden platforms. Perhaps I would buy a girl for the night and sell her in the morning.
In a few minutes I saw the silken summit of the gigantic sales pavilion, its pennons fluttering, its blue and yellow silk billowing in the wind. (...)
I came to the great sales pavilion, but it was now roped off and quiet. There was much activity, and bustle, however, among the platforms. Here and there slaves were being thrown food.
I mingled with the crowds among the platforms. There are hundreds of such platforms, long, raised about a foot from the ground, far more than one could easily examine in a day's browsing. They are rented to individual slavers, who, reserving them before the fairs, would rent one or more, or several, depending on their riches and the numbers of their stock. Small signs fixed on the platforms identify the flesh merchant, such as 'These are the girls of Sorb of Turia' or 'These slaves are owned by Tenalion of Ar'.
I penetrated more deeply among the platforms. A girl, kneeling and naked, heavily chained, extended her hands to me. "Buy me, Master!" she begged. Then I had passed her and she was behind me. I saw two girls standing, back to back, the left wrist of each chained to the right wrist of the other. "Handsome master, consider me!" cried a girl as I passed her. Most of the girls knelt or sat on the platforms. All were secured in some fashion."
"Beasts of Gor" page 53/4

"On a rounded wooden block a naked slave girl knelt, her wrists braceleted behind her. Her head was back. One of the physicians was cleaning her teeth.
By another platform a slaver's man was moving along the platform. He carried a large, handled copper tureen filled with a watery soup. The slaver's beauties, chained together by the neck, knelt at the edge of the platform Each dipped their cupped hands twice into the tureen, and lifted them, drinking and feeding, to their mouth. They then licked and sucked their fingers and wiped their hands on their bodies.
Sales take place at night in the pavillion, from a sawdust-strewn block, under the light of torches, but girls may also be sold directly from the platforms. Indeed, many girls are sold from the platforms. Given the number of girls at the fair, and the fact that new ones are constantly being brought to the platforms, it is impractical to hope to market them all from the block. It is just not feasible. At the end of every fair there are always some hundreds of girls left unsold. These are usually sold in groups at wholesale prices In sales restricted to professional slavers, who will transport them to other markets, to dispose of them there."
"Beasts of Gor" page 54

"Where are the new slaves?" asked one man of another.
"They are on the western platforms," said the respondent. Those platforms are commonly used for processing and organization. Girls are not often sold from them. They wait there, usually, when they are brought in, before they are conducted to their proper platforms, those on which they will be displayed, those having been rented in advance by their masters.
Since I had time to spare I took my way to the western platforms. If something good might be found there perhaps I could find on which platform she was to be vended, and might then arrange to be at that platform when she arrived. As soon as the locks snap shut on a girl's chain at the platform she is available to be bid upon. Perhaps I would find something good."
"Beasts of Gor" page 55

"Even as I walked about the new platforms wagons, drawn by draft tharlarion, waited to unload their lovely wares. The markets of the Sardar fairs are large and important ones in the Gorean economy. Most of the wagons were common slave wagons, with a parallel bar running down the center of the wagon box, about which the ankles of the girls were chained; others, however, were flat wagons fixed with an iron framework; two lines of girls kneel back to hack on such a wagon, their ankles and necks locked into the framework; on the flat wagons I saw the wrists of the beauties were braceleted behind them.
I inspected more of the new platforms.
It is painful for a girl to be locked in the framework of a flat wagon but, of course, she is well displayed enroute."
"Beasts of Gor" page 56

"Where are the platforms of Tenalion of Ar?" I asked a man. They had been his property.
The fellow pointed to the two hundreds.
"My thanks, Sir," said I. Tenalion is a well-known slaver."
"Beasts of Gor" page 64

"The sales in the pavilion would already have begun. "Buy these girls! Buy these girls!" I heard, as I made my way between the platforms toward the pavilion. "Buy me, Master!" called a girl, with long dark hair, naked, lying on her side on one of the darkly varnished platforms, her body hail covered with chains bound about her.
"A tarsk bit to enter, Master," said a slaver's man at the entrance to the pavilion.
I handed him a tarsk bit from my pouch, and pushed through the canvas.
My nostrils flared, my blood moved now faster in my veins. There is something charged and exhilarating about a slave market, the color, the movement, the excitement of the crowds, the bidding, the intensity, the lovely women being sold."
"Beasts of Gor" page 78

Slaves at the Fair

"I glanced at the kneeling woman in the booth of the man from Tharna. She had not dared so much as to raise her head. She had not been given permission. There are few free women in Tharna. One of the most harsh and cruel slaveries on Gor, it is said, is that of the slave girls of Tharna."
"Beasts of Gor" page 46

"Please, Master," she said, "take pity on me. Take pity on the miserable needs of a girl."
"You are not mine," I told her. "You are a pretty little thing, but I do not own you."
"Please," she said.
"Your master," I said, "if he chooses, will satisfy your needs. If he does not, he will not." For all I knew she might be under the discipline of deprivation. If that were so, I had no wish to impair the effectiveness of her master's control over her. Besides I did not know him. I did not wish to do him dishonor, whoever he might be."
"Beasts of Gor" page 48

"Rent her! Rent her!" called a man, moving through the crowds. Before him, thrust ahead of him on a control stick, her wrists braceleted behind her, was a naked slave girl. There is a chain look at the end of the control stick, which is about two feet in length. The loop goes about her neck and by means of a trigger, may be tightened or slightly loosened. The girl may be signaled by means of the chain. I saw her, neck and head move, jerking under the chain."
"Beasts of Gor" page 62/3

(For details see the Torvaldsland page)

"At the Thing, to which each free man must come, unless he work his farm alone and cannot leave it, each man must present, for the inspection of his Jarl's officer, a helmet, shield and either sword or ax or spear, in good condition. (...) Those farmers who do not attend the Thing, being the sole workers on their farms, must, nonetheless, maintain the regulation armament; once annually it is to be presented before a Jarl's officer, who, for this purpose, visits various districts."
"Marauders of Gor" page 142

“Normally, the merchant camp, like the better-organized military camps, not the melange that constituted the camp of Pa-Kur is laid out geometrically, and, night after night, one puts up one's tent in the same relative position. Whereas the military camp is usually laid out in a set of concentric squares, reflecting the fourfold principle of military organization customary on Gor, the merchant camp is laid out in concentric circles, the guards' tents occupying the outermost ring, the craftsmen's, strap-masters', attendants and slaves' quarters occupying inner rings, and the center being reserved for the merchant, his goods, and his body-guard.”
Tarnsman of Gor" page 166

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