Curriculum Vitae

Education

* University of Rochester, Doctor of Philosophy, Visual and Cultural Studies (2005-)
* Cornell University, School of Criticism and Theory (2007)
* Reed College, Arts Baccalaureate, English Literature (1999-2003) � Thesis: The Swans at Coole Re-Revisited: W. B. Yeats and Figured Poetic Identity

Professional

* In Visible Culture: A Journal for Visual Culture; Editor (2008-)
* Eastman School of Music; Visiting Instructor of Visual Arts (Substitute Appointment), AH 282: The History of American Art, (Spring Semester, 2008)
* In Visible Culture: A Journal for Visual Culture; Reviews Editor (2005-2008)
* Hartnett Gallery; Curatorial Assistant (2006)
* Independent Culture; Regular Contributor (2006-2007)
* Reed College, German Department; Research Assistant (2003-2004)
* Portland Institute for Contemporary Art, "Time Based Art" Festival, Media Catalogue; Contributor (2003)
* Willamette Week; Freelance Contributor (2001-2004)
* Willamette Week; Editorial Assistant (2001)

Awards and Honours

* Research Grant, Susan B. Anthony Institute for Gender and Women's Studies (2006)
* William T. Lankford III Memorial Humanities Award, Reed College (2003)
* Commendation for Academic Excellence, Reed College (2002-2003)

Conferences and Publications

* "Working Through Margarete: Two Fantasies of the German Anthem" (Book Chapter), Resounding Pasts: Essays on Literature, Music, and Cultural Memory, ed. Dragoslav Momcilovic (Cambridge Scholars Press, Forthcoming 2008)
* �The Yes Men, Cosmopolitan Concern, and the Return of the American New Left� (Conference Paper), Fifth Annual American Art History Symposium, Yale University, New Haven, CT (2008)
* �Life Into Art: The Imaginary Punk House in the Imaginary Museum,� 15th Annual �Crossing the Boundaries: Time, Space, and Movement� Conference, SUNY Binghamton, Binghamton, NY (2008)
* �Life Into Art: From the Imaginary Punk House to the Imaginary Museum� (Catalogue Essay), Trading Spaces Exhibition Catalogue (2008)
* "After the Avant-Garde?: New Genre Conceptual Art and the Institution of Critique" (Book Review), Art Journal, Issue 66, Vol. 4 (Winter 2007)
* "Me tangere/Noli me legere: My Hysterical Emily Dickinson" (Conference Paper), Susan B. Anthony Institute 14th Annual Interdisciplinary Conference for Gender and Women's Studies, Rochester, NY (2007)
* "Voicing the Unrepresentable: Post-War German Aesthetics and Nico's The End" (Conference Paper), 48th Annual M/MLA Convention, Chicago, IL (2006)