FLEETWOOD MAC 101

 

Lesson Five: “Tusk” and “Live”

 

After the musical and cultural phenomenon that was "Rumours" and the tour that followed, Fleetwood Mac was the biggest name in music.  Their album had sold more copies than any other album in history.  All the band members were now multi-millionaires. 

However, the hurt feelings of the breakups and the difficulties of being on the road had taken a toll on the band.  The record companies wanted another album, and soon, as did the fans.  

Although all five Macsters were intent on releasing the follow-up, they didn't spend much time together in the studio. Lindsey chose to record his songs for the new album in his home studio. Christine and Stevie contributed their fair share of material as well. The new album morphed into an artistic mosaic of pop-rock songs by three very different songwriters with distinct creative voices.
The music critics and fans were intently awaiting the follow up to "Rumours" and were expecting an album that was similar.  They wanted the songs that held the emotions that "Rumours" did, and what they got was something very different. 

The songs lacked the creative input of the other members.  For example, Lindsey's songs didn't have any creative influence from Christine and Stevie.  This is demonstrated just by listening to the album. The songs were distinctly different from each other.  Lindsey's 'The Ledge,' Christine's 'Over and Over,' and Stevie's 'Angel' all demonstrate this point.  Each song is dominated by the composer, and there is little outside influence. 

The album was released in October of 1979.  It was called "Tusk." 

This highly anticipated album disappointed critics and some fans alike.  It was not what they wanted, which was "Rumours, Part 2." 

The fact that it was a little more experimental coupled with the fact that it was a more expensive double album, sales were not what the record label had hoped. 

Looking back, the album was quite successful.  It sold four million copies, and reached number 4 on the Billboard album charts.  In the UK, "Tusk" did what "Rumours" could not, it went to number 1. 

The album did produce some singles, however.  The title track, 'Tusk' by Lindsey Buckingham went to number 8.

Stevie Nicks' 'Sara' went to number 7.  Another Stevie song, 'Sisters of the Moon' slid in to the top 100, peaking at number 86.  Christine McVie's 'Think About Me' went to number 20.

The tour that followed was the biggest, longest, and most expensive tour in history.  Each member had their own limousine pick them up from the airport and take them around.  Even their equipment had it's own limo at times.  Plus, the members of the band were getting more and more in to drugs.  They say it was the only way they were able to make it as far as they had.  

They toured for over 11 months, and while on tour recorded another album, "Live." 

"Live" featured select performances from the "Tusk" tour.  It featured hits as Monday Morning, Say You Love Me, Dreams, Over My Head, Don't Stop, Landslide and a few songs that had never been on an album before, 'Fireflies,' 'One More Night,' and 'The Farmer's Daughter.'  Lindsey also sang an old Peter Green hit, 'Oh Well.'

The "Live" album went to number 14 on the charts after it's release in 1980. 

The band actually had to add more shows to the tour, however, because they were spending so much money, and the extra shows helped them to make only a marginal profit, if not to just break even. 

After the tour, and the exhaustion that came, and the hurt that came from the lackluster reviews, the shock that suddenly an album that went to number 4 and sold four million copies was not good enough, Fleetwood Mac needed a break before thinking about another album. 

And in the next two years, the future of the band would be in jeopardy. 

And that is where we will pick up with lesson six.

 

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