Grecce that is the language those people use to speak, and that it is still popular and cool to learn.in the back centries the greek people use to play or watch the olympics. the greeks really loved that game and i say mens because if any woman was to see this olympics games they were to die they were not allowed to see or hear about the olympics.Wich they were really funGreece and Rome and the revitalized learning of their own time. That the thinkers of the Renaissance were masters of hubris is not news; their less-than-generous characterization of the thousand or so years that separated them from Rome reflects their prejudices and their collective oversight.
.On the ancien olympics times the greek people were really interested in those stuff.They plyed lot of different stuff, for example they use to play wrestling that hobby was a really popular one.Other really popular game was the horse riding people whent crazy about that game.Boxing was other popullar game people in those times did not wear protection and they hurt themselves really bad and some of them die when people knock them out. All of that was BC, the people did those games in honor to served the great god Zeus
.The back games in the olympics i think that they were beter then they are now in those games i think they were much more fair and scuared. They use to talk more about olympics insted of thinking about money. I think the moderns are still sexsiest than they still are. and also more political.Not all Greek critics chose Socrates' direct approach. ARISTOPHANES' play Lysistrata hilariously lambastes war-mongers. Despite its playful ribaldry, Lysistrata was written at a time of great duress, when the welfare of the fragile Athenian city-state was threatened from hostile forces both inside and out. Yet, the play's parody displays its profound critique of contemporary society
.It is no surprise then, that the Roman poet VIRGIL or VERGIL turns to Greek mythology and to the Greek epics as he fashions his own description of the origins and destiny of the Roman state Aeneid. Virgil writes his extended poem in part to win the favor of Caesar, the new emperor who emerges from the conflict surrounding the death of Julius Caesar. His other aim is to situate Rome in line with what was considered the great literary tradition of the time the Greek. Virgil's work thus is both polemic and propaganda: his blending of history and mythology provides a platform for the imperial agenda that Augustus will undertake