ARTIST TITLE LABEL FORMAT COMMENTS
A Cid Symphony A Cid Symphony Gear Fab 2CD  
A Reminiscent Drive Mercy Street F Communciations CD 1997
A.B.G.S. Bunkerbeschallung CoC CD  
A.B.G.S. Erdlager CoC CD  
A.B.G.S. Etch CoC CD  
A.C. Marias One of Our Girls Has Gone Missing Mute LP  
A.F.R.I. Studios Room Service (Part 1-3) Tonschacht 7  
A.F.R.I. Studios Schwellwert BMB Lab CD  
A.M.P. Alien Registration Office Ochre CD  
A.M.P. Heart & Soul Dissolves Darla CD  
A.M.P. Studio EP Colorful Clouds for Acoustics 7  
A.R & Machines Echos aus Zeiten der Grünen Reise Polydor GM CD 1998. A German guitarist who, like Manuel Göttsching and Günter Schickert, delighted in discovering creative new applications for delay and echo, Achim Reichel is one of the unsung heroes of Krautrock. The "Machines" were his assortment of FX pedals and electronics, as well as any drummers or instrumentalists who happened to be on hand at the time. Saturated in trippy effects and loopy rhythms, Reichel's music reminds me of Eno/Fripp and Cluster/Harmonia or more recent practicioners like Füxa or Kriedler.  He has dismissed his albums as primitive and embarrassing, refusing to see them re-released, but he did oversee this lone CD compilation of career excerpts. I hope he comes around to a full reissue campaign someday, as this is great, groundbreaking stuff.
A3000 Magnetic Gliding Disturbance CD  
Aardvarck Find the Cow Delsin CD 2001.Detailed IDM miniatures from MIA Eevo Lute wünderkind David Caron. The short pieces initially seem scattered, sketchy. With time and repeated listens, fractured downtempo programming and somber melodic shards align in the shape of something cohesive and kaleidoscopic. Magic-Ear art?
Aarktica No Solace in Sleep Silber CD 2000
abbc Tête a Tête Wabana CD  
Abrams, Dan Stream Mille Plateaux CD 2001
Abraxas Skin Thrills T.F.I. CD  
Abunai Two Brothers Camera Lucida CD-R 2003
Abunai! Universal Mind Decoder Camera Obscura CD 1997
Abunai! Round Wound Camera Obscura CD 2000. Expertly pieced together from hours of improv sessions, honoring the live-band jam roots so central to the Abunai! aesthetic. A kaleidoscopic collage of studio recordings that incorporates both spacey fragments and epic escapades, all layered and sequenced for maximum acid-jam effect. Kris Thompson’s vortical keyboards, Joe Turner’s driven drumming, Dan Parmenter’s soulful, funk-fueled basslines, and Brendan Quinn’s guitars, guitars, guitars coalesce in a potent, 80-minute cut-and-paste head trip of Teutonic proportions. One must look back to Amon Düül I’s Psychedelic Underground (1969) or Agitation Free’s mammoth Malesch (1972), both similarly assembled from tapes, for anything quite as grand.
Acacia Maddening Shroud EP Warner Music 12  
Acardipane, Marc Best of - 1989-1998 ID&T CD 1998
Accelera Deck Narcotic Beats Endorphin CD 1998
Accelera Deck Conviction & Crack Pitchcadet CD  
Accelera Deck Disquieting FWD CD-R  
Accelera Deck EP English Muffin 7  
Accelera Deck Shadow Land Scarcelight CD  
Achiary, Benat / Kent Carter / David Holmes AchiaryCarterHolmes Vand'oeuvre CD 1999
Acid Jam Acid Jam 2 Woronzow/Rubric 2CD  
Acid Jesus Acid Jesus Klang CD 1998
Acid Mothers Temple & The Melting Paraiso U.F.O. Acid Mothers Temple & The Melting Paraiso U.F.O. PSF CD 1997
Acid Mothers Temple & The Melting Paraiso U.F.O. La Nóvia Swordfish CD 2000
Acid Mothers Temple & The Melting Paraiso U.F.O. Pataphisical Freak Out Mu! PSF CD 2000
Acid Mothers Temple & The Melting Paraiso U.F.O. Troubadours from Another Heavenly World PSF CD 2000
Acid Mothers Temple & The Melting Paraiso U.F.O. The New Geocentric World of Acid Mothers Temple Squealer CD 2001
Acid Mothers Temple & The Melting Paraiso U.F.O. In C Squealer CD 2002
Acid Mothers Temple & The Melting Paraiso U.F.O. Univers Zen ou de Zéro à Zéro Fractal CD 2002
Acid Mothers Temple & The Melting Paraiso U.F.O. Magical Power from Mars: Vol. 1: Ziggy Sitar Dust Raga Important CD3 2003
Acid Mothers Temple & The Melting Paraiso U.F.O. Magical Power from Mars: Vol. 2: Diamond Doggy Peggy Important CD3 2003
Acid Mothers Temple & The Melting Paraiso U.F.O. Magical Power from Mars: Vol. 3: Cosmic Funky Dolly Important CD3 2003
Acid Mothers Temple & The Melting Paraiso UFO Absolutely Freak Out (Zap Your Mind!!) Static Caravan 2CD  
Acid Mothers Temple Family Compilation Do Whatever You Want, Don't Do Whatever You Don't Want!! Earworm 3CD 2002
Acrosleuth Acrosluke Firewalker Acrosleuth CD  
Activity Center (Burkhard Beins & Michael Renkel) Activity Center 2:13 Music 2CD-R 2001
Activity Center (Burkhard Beins & Michael Renkel) Mowen & Moos Remix 2:13 Music CD 2002
Acustic No. 1 April CD 1996
Acustic Star Quality April CD 1998
Ad Vanz vs Gescom / Foehn split Fat Cat 12 1998
Adam F Colours Astralwerks CD 1997. Adam F. broke into the drum n’ bass arena with the two-fisted knockout of “Circles” and “F-Jam.” All doubters who scoffed at his privileged showbiz background (dad was a notorious glam-rocker, Elton John once owned the family’s Rolls Royce, young Adam himself toured America as a Moody Blues keyboardist) were silenced by the absolute perfection and consummate musicality of his simmering grooves. With a talent for arrangement and programming that vastly belies his 24 years, Adam F. established himself as a fixture of the acid-jazz/jungle crossover set. In many ways the perennial outsider, Adam F. shuns the club scene, professes a strong spirituality, and embraces live ensemble musicianship over retread sampling. Where others nick obscure Blue Note riffs, Adam plies his own saucy post-Weather Report fusion enticements (“F-Jam,” “Music In My Mind”), seasoning them with effected vocals and sharp breakbeats. You can’t pigeonhole Adam. “Metropolis” and “Jaxx,” colossal twin-slabs of claustrophobic urban menace, offset the seductive “Aromatherapy” and “The Tree Knows Everything,” a slick dance-pop showcase for Everything But The Girl vocalist Tracey Thorn. “Dirty Harry,” as lean and punchy as Lalo Schifrin’s orchestral workouts, shows a genuine understanding of funk. That alone sets Adam apart from the majority of his fumbling, beat-wrangling contemporaries.
Adam X Audiobiography X-Sight CD 1998
Add N to (X) Vero Electronics Blow Up CD 1996
Add N to (X) Little Black Rocks in the Sun EP Mute CD5 1998
Add N to (X) Add Insult to Injury Mute CD 2000
Add N to (X) On the Wires of our Nerves Mute CD 1998. In the 1977 sci-fright flick Demon Seed, a superintelligent computer impregnates its inventor's wife. A scenario fraught with nightmarish possibilties, but the oddly named Add N To (X) sees it as the stuff of which dreams are made. The Sheffield trio lusts after a biomechanical breakdown of the distinctions between man and machine. Coaxing salacious grooves out of vintage synthesizers and voice processors (like their forebears, Kraftwerk—Nerves' "Gentle Germans?"), they forge futuristic aggro-electro from the sounds of robotics in revolt. Their affection for technology often borders on full-blooded fetishism. Wires and Nerves are indeed key words here, the constituents of the group's Cronenberg-ian miscegnation of technology and biology. Grating white-noise sonics and bubblegum tunefulness make up the skeleton of a "Murmur One" or "Orgy Of Bubastus." The flagrant machinefunk of "The Black Regent" actually sounds like a cyberpimp's misappropriation of Stevie Wonder's "Part Time Lover!" Such android anthems as "Nevermind," "Sir Ape" and the title track trip the oscillators fantastic, swinging like cybernetic arms locked in loving embrace. And "Sound Of Accelerating Concrete," a seductive bleep-ballet for Ballard-struck automobile enthusiasts, even gets a little romantic—in a mechanically passionless sort of way. Creepy but charming, just like Add N To (X).
Add N to (X) Avant Hard Mute CD 1999. If you ever doubted the lascivious intent of Sheffield's Add N To (X), the title of their third album lays it out explicitly. Coming ever closer to the ultimate biomechanical coupling of (wo)man and machine, the group verses synthesized seductions in the mechanical language of love. Dripping with theremin warble, live percussion, and atom-age melodies, every track on Avant Hard seems to ask "Will you bleep me?" Of whom, one can't be certain. Though a video for the fabulously cyber-sleazy single, "Metal Fingers In My Body," does feature an animated nymphette and a randy robot doing the deed. "It's fun to compute" says Kraftwerk. Add N To (X) apparently has more prurient amusements in mind. Avant Hard trots out one lewd groove after another, with a single-mindedness that makes these cybersexual pursuits entertaining rather than perverse. Add N To (X) cruises for wares—soft, hard, free, share—on the streets of "Robot New York" and, on the aggressive "Buckminster Fuller," fantasizes about tantric positions even the Kama Sutra must have overlooked. The down n' dirty percolations of "Fyuz" suggest that Barry Smith, Ann Shenton and Steven Claydon all have volumes of Popular Mechanics stashed under their mattresses. What a curious crew.
Adler, Gunter 15 Electronic Pieces Staubgold CD  
Adlib Adlib EP (K-RAA-K)3 CD  
Adorable Sistine Chapel Ceiling EP Creation CD5 1993
Adorable Sunshine Smile EP SBK CD5 1993
Adorable Kangaroo Court EP Creation CD5 1994
Adrien75 Coastal Access Source GM CD 2002
Adrien75 EP Carpet Bomb 12  
Advent, the Elements of Life Internal 2CD 1995
Advent, the Kombination Funk Metalbox CD 1997
Advent. The New Beginnings FFRR CD 1997
Adventures in Stereo A Brand New Day EP Creeping Bent CD5 1997
Adventures in Stereo Airline EP Creeping Bent 7 1997
Adventures in Stereo A Brand New Day EP Bobsled 7 1998
Adventures in Stereo Alternative Stereo Sounds Bobsled CD* 1998
Adventures in Stereo Down in the Traffic EP Creeping Bent CD5 1998
Adventures in Stereo Adventures in Stereo (Y) Underground Sounds CD  
Aebi, Christian Soar Cora 2xLP  
Aedena Cycle Albite Beatservice CD  
Aedena Cycle Cargo Cult Beatservice CD  
Aeki, Anton Ningun K Korm/Staalplaat CD 1999
Aelters Volu Beit Tigerbeat6 CD3  
Aeolian String Ensemble, the Lassithi/Elysium Robot CD  
Aeon Labyrinth Noise museuM CD  
Aerial M As Performed By… Drag City CD 1997
Aero Pretend Apestaartje CD 2001
Aeroplane Signs of Life EP 4AD CD5 1996
Aesop Rock Labor Days Def Jux CD 2001
African Nightflight 4Rest EP iLL 12  
African Nightflight Make up your Mind EP iLL 12  
After the Flood After the Flood Ae CD 1997
After the Flood After the Flood 2 Ae 2CD 1998
After the Flood 2 - Preview Ae CD  
AFX Hangable Auto Bulb 1 Warp 12 1995
AFX Hangable Auto Bulb 2 Warp 12 1995
Ag Geige Raabe? Zensor Musikproduktion CD  
Ag Geige Yachtclub + Buchteln Rastermusic kFB CD  
Age The Orion Years Mille Plateaux CD 1994
Agencement Viosphere Pico CD  
Agitation Free Malesch Spalax CD 1972
Agitation Free Last Spalax CD 1973
Agitation Free At the Cliffs of River Rhine Garden of Delights CD 1995
Agnel, Sophie & Lionel Marchetti & Jérôme Noetinger Rouge Gris Bruit Potlatch CD 2001
Agro, Brian Poems and Preludes Percaso CD 2001
Ahimsanic Recreational Skills Siladi CD  
Ahwesh, Peggy & Barbara Ess Radio Guitar Ecstatic Peace CD 2002
Aichinger, Oskar Poemia Durian CD 1999
Ainigma Diluvium Little Wing LP  
Air Premiers Symptomes Astralwerks CD5 1997 (1999)
Air Liquide Nephology Rising High CD 1993
Air Liquide Liquid Air/Mandragora Harvest CD 1994
Air Liquide The Increased Difficulty of Concentration Sm:)e 2CD 1994
Air Liquide Black Sm:)e CD 1995
Air Liquide Red Sm:)e CD 1995
Air Liquide Abuse Your Illusions Harvest/EMI 2CD 1996
Air Liquide Sonic Weather Machine Rising High CD 1996
Air Liquide Anybody Home? Harvest CD 1997
Air Liquide X Proof 2CD 2001
Airlock Airlocktronics EP Drive-In 12  
Airlock Electrofunk/Electroskunk Drive-In 2LP  
Airsculpture Thunderhead Neu! Harmony CD  
Aix Em Klem Aix Em Klem Kranky CD 2000
Akasha Akasha Symphilis CD 1977
Akio / Okihide Scratches Sublime CD  
Akita- Azuma- Haswell- Sakaibara Ich Schnitt Mich in den Finger Mego LP  
Akiyama, Tetuzi Relator Slub CD 2001
Akiyama, Tetzui / Taku Sugimoto / Bo Wiget Periodic Drift (Hokou) Corpus Hermeticum CD 2002
Akotcha Sound Burger Pork CD 1997
Akufen My Way Force Inc CD 2002
Al Jabr One Million and Three Alphaphone CD 1999. No stranger to the “revolutionary” respect of RPM, Richard H. Kirk stages a neo-electro update of the percolating blood-and-sweat funk and politically charged Yoruba rhythms of Afrobeat agitator Fela Kuti. One Million and Three considers electronic music’s sociopolitical debt to the original tribal drumbeats of the Dark Continent, as Kirk pinpoints the precise beginning of the digital age in the ancient-Egyptian number crunching of al jabr—algebra. Afro-electro synths, 4th World samples, tranced-out and hard-wired electronica, and such titles as “Africa Must Be Free (By 2003)” combine in Kirk’s ultimate “free your mind…” statement. Though based in the fundamentals of funk, the tracks reflect their creator’s genuinely global worldview. Urban, sub-Equatorial, Eastern and euqatorial island echoes infiltrate Kirk’s future-funk "Kaleidoscope,” and animal calls, machine noises and human voices can also be heard mingling in the mix. One Million and Three catches this space-bound island Earth getting its groove on to a common perpetul beat.
Alan Bown, the Outward Bown+ See for Miles CD 1967 (1998)
Albergo Intergalattico Spaziale Luglio 1978 Musicando CD  
Album Leaf, the An Orchestrated Rise to Fall The Music Fellowship CD 1999
Alchemysts Over and Out Camera Obscura CD 2000
Alchemysts Zero Zen Woronzow/Rubric CD 2000
Alchemysts & Simeon The Alchemysts & Simeon Woronzow/Rubric CD 2000
Alcove Universal Implication Barramundi/Amor et Psyche CD 1995
Alder & Elius Parentalguidance Skam CD  
Alejandra & Aeron The Children's Record Lucky Kitchen CD 2000
Alejandra & Aeron Scotch Monsters softlmusic CD 2003
Alejandra & Underwood Folklore Volume One: La Rioja Lucky Kitchen CD 2001
Alejandra & Underwood Haunted Folklore One: Ruinas Encantadas Lucky Kitchen CD 2001
Aleph Empire Playback Device Confusion Vol. 1 Mego CD3 2002
Alexander's Dark Band Lord Calrec DC Recordings 2LP 2000
Alfie A Word in Your Ear Twisted Nerve CD 2002
Algarnas Tradgard Framtiden är ett Svävande Skepp, Förankrat I Forntiden Silence CD 1972
Alias Grace Embers Burning Shed CD-R 2000
Alias Grace Storm Blue Evening Burning Shed CD-R 2001
Alien Radio Station Bandwidth Silver CD 1997
Alio Die Under a Holy Ritual Projekt CD 1992
Alio Die Sit Tibi Terra Levis / Introspective Sic Hunt Leones CD 1993
Alio Die Suspended Feathers Amplexus CD 1995
Alio Die & Antonio Testa Healing Herb's Spirit Crowd Control Activities CD  
Alio Die & Yannick Dubay Descendre Cinq Lacs au Travers d'une Voilé Amplexus CD  
Alison's Halo Eyedazzler 1992-1996 Burnt Hair CD 1997
Alka Deployed Resopal-Schallware CD  
Allen, Daevid Now is the Happiest Time of Your Life Charly CD 1977
Alles wie Gross Vertonung Communion CD 2000. Michael Heilrath, AKA Blond, the Landsberg-based Hausmusik collective’s resident drum n' bass case, tries tries his hand as a composer, leading a small chamber-rock ensemble through an instrumental suite written to accompany a 1920 silent-film adaptation of Hamlet. Carried by violin and cello, Heilrath’s compositions evoke the dramatic angularity of German Expressionism. Stephan Richter’s atmospheric guitar, clarinet, and “piano FX” prove essential, as Heilrath uses these subtle sounds to delineate the album’s vaguely cyclical leitmotif. Hausmusik fixture Markus Acher, Heilrath’s partner in rhythm, provides subdued beats that rise with metronomic insistence against the romantic waxing and waning strings, driving the music into the tender-yet-tumultuous space mastered by Godspeed You Black Emperor!
Alleyne-Johnson, Ed Ultraviolet Equation CD 1995
Allinson / Brown AV 1 Voiceprint CD 1998
Almost Digital A.D. Hypnotism CD 1995
Almuró, André Dupli Elica CD  
Alog Red Shift Swing Rune Grammofon CD 1999
Alog Duck-Rabbit Rune Grammofon CD 2001
Aloof Proof Expo One Carbon Base CD  
Alpes - Patrice Moullet Rock sous la Dalle Spalax CD  
Alpha Pepper Melankolic CD 1997
Alpha Come from Heaven Melankolic CD 1997. It's easy to see why Massive Attack handpicked Bristol's Alpha (Andy Jenks and Corin Dingley) for their Melankolic label. Like Massive Attack, Alpha rolls out languid grooves dripping with strings, heart-tugging vocal turns, and luscious production. Jenks and Dingley are veterans of such underrated projects as Statik Sound System and Sugarboat, and the classy and assured Come from Heaven speaks for years of experience. Following the Massive Attack model, several singers share Alpha's vocal assignments. Helen White's honey-sweet alto pipes (sounding uncannily similar to Portishead's Beth Gibbons) carry "Slim" and "With," while Wendy Stubb's delivers "Rain" and "Nyquill" in caramel tones, and "Sometime Later" and "Back" soar on Martin Bernard's soulful tenor. White and Bernard split "Delaney," a slice of cherubic indie-R&B, to fine effect. Alpha's sample sources are often familiar. Gershwin, Bacharach/David, Memphis Slim, Herb Alpert, Bobby Gentry, Michel Legrand, Dusty Springfield, and Francis Lai are among those whose hooks and strings are pilfered and recast in these fresh, frothy arrangements. Come from Heaven has a nicely cinematic spin, evocative of '60s bijou marquees and '70s Soho chic. The centrifuged dub instrumentals ("Hazeldub," "AppleOrange") stand out, despite the quality of the vocal pieces, and pave the way for Pepper, 1998's varied set of Heaven remixes.
Alphane Moon The Echoing Grove Camera Obscura CD 1994. As Our glassie Azoth, the Welsh duo of Dafydd and Ruth traverses the chaotic heart of psychedelic music. Forgoing riffs for alchemy, OgA’s albums are nothing less than howling, hair-raising exorcisms of blinding white noise. When the squall of OgA’s feedback hurricanes subsides, Alphane Moon is revealed. As experienced in the opening swirl of “An Open Entrance,” these magic moments achieve a rare sense of consequence. We witness the total transfiguration of Dafydd and Ruth, their swaddling of Dionysian cacophony cast aside for the white robes of pastoral mysticism. The Echoing Grove was originally released in multiple cassette micro-runs. For most, however, this extraordinary CD will serve as a first exposure to Alphane Moon’s arcane workings. Prayer and incantation both figure within this acid-gilded ceremony, though not in any traditional sense. What few words are uttered owe everything to the tradition of British Isles folk-poetry. This is a ritual in sound, not text. Guitars coruscate and radiate, elevating tricky, Pink Floyd-ian noises to a state of luminescent drone/flux sublimity. From the glimmering “Circle Of Four” to the blazing psyche-delirium of “Reap A Field Of Light,” the sound that floods The Echoing Grove is absolutely supernatural. This isn’t just music—it’s magic.
Alphastone Elasticated Waveband Enraptured CD 2000
Alphastone Life's a Motorway EP Enraptured CD5 2001
Alphatronic Solitary Inzec CD 2000
Alter Ego Alter Ego Harthouse CD 1994
Alter Ego Alterism Harthouse CD 1996
Alter Ego Decoding the Hacker Myth Harthouse CD 1996. Whether by coincidence or by design, German producers Roman Flügel and Jörn Elling Wuttke entertain many alter egos. They record for various labels as Sensorama, Acid Jesus, Primitive Painter and Eight Miles High. Alter Ego is a particularly important project for Flügel and Wuttke, as the music released under this name has allowed them to break free of the tyrannical trance-techno scene that holds court in Germany. Like the duo's English contemporaries (B12, As One, Reload, The Black Dog, etc), the warm and bubbly sound of Decoding is a reverent response to the crystalline electronic soul of Detroit techno. Nothing could be more unfashionable back in Frankfurt. Flügel was once a jazz drummer and pianist, and his gift for syncopation marks the buoyant "Mescal" and the accented swing of "Cyax Pt. 2." Decoding is constructed with a subtle inclination toward the unexpected—be it a single stuttered beat, a tart rhythmic twist, or a gloriously tangled melody—that rewards concentrated listening. That is, if you're able to sit still. The intricate grooves of a "Slacker" or "Microshopping" shoot for the hips as well as the head. Headphones are optional. Alter Ego plays to your heartstrings.
Alva Noto Prototypes Mille Plateaux CD 2000. The Mille Plateaux debut of the magus of microsound minimalism proved to be a surprisingly "maximal" presentation. On this adjunct soundtrack to a 1999-2000 Guggenheim installation/performance, Carsten Nicolai exceeds the inaudible parameters he usually favors. Instead, he joins post-industrial peers Pan Sonic in the exposition of corroded-techno infrastructures and ear-straining extremes of frequency modulation. Prototypes navigates sonic complexes delineated with bell-like sonar tones, insect-friendly frequencies, sine-wave sonics and the hiss of open-channel static. The 10 untitled tracks traverse a carefully mapped looking-glass world of sound, where serpentine click-and-cut rhythms rattle, alien chirring fills the trees and sky and substrata belch bass through cracks and crevasses. Were it not for Nicolai's expert orientation, it would be all too easy to lose oneself along the path through Prototypes' metamusical hinterlands--especially when the ionic flux of the final track swallows Nicolai's scattered signpost beats.
Alva Noto / Signal / Byetone / Komet Mort aux Vaches Mort aux Vaches/Staalplaat 2CD  
Amalgamation of Soundz, the Theory EP Filter 12 1996
Amazing Blondel Fantasia Lindum Edsel CD 1971
Ambarchi, Oren Stacte 1 Jerker Productions LP 1998
Ambarchi, Oren Stacte 2 Jerker Productions LP 1998
Ambarchi, Oren Suspension Touch CD 2001
Ambarchi, Oren Mort aux Vaches: Song of Separation Mort aux Vaches/Staalplaat CD 2002
Ambarchi, Oren Insulation Touch CD 1999. Though comfortable in pop, punk and other “conventional” settings, Ambarchi is happiest when turning his guitar towards more expansive and exploratory means. In the spirit of such renegade axe-men as AMM’s Keith Rowe, Christian Fennesz, Kevin Drumm and Jim O’Rourke, Ambarchi’s solo improvisations are concerned with making a guitar sound like anything-but-a-guitar. Considering its limited source,Insulation is nothing less than a parade of sonic impossibilities. Ambarchi’s performances transcend his instrument’s apparent range, offering watery gurgle, euphonically fabricated feedback, shimmering phantom-notes, wildly zigzagging piezoelectric effects, expressive chirps, and harmonic ghosts. The intimated pulse-rhythms of “Concurrents,” “Lungs” and “Murmurs” imply extensive computer trickery, as do the pseudo-breakbeat maneuvers of “Strategem”. Remarkably, Ambarchi shuns any computerized contrivance or editing artifice, relying solely upon technical ingenuity. That makes such showstoppers as “Study No. 1” and “Study No. 3,” dizzy musique concrète-styled displays of amusing electro-acoustic noises, all the more astonishing.
Ambarchi, Oren & Günter Müller & Voice Crack Oystered Audiosphere CD 2003
Ambarchi, Oren & Johan Berthling My Days are Darker than Your Nights Häpna CD 2003
Ambarchi, Oren & Martin Ng Reconnaissance Staubgold CD 2000
Ambarchi, Oren & Martin Ng Vigil Quecksilber CD 2003
Ambarchi, Oren & Robbie Avenaim Clockwork EP Jerker Productions CD3 1999
Ambarchi/Fennesz/Pimmon/Rehberg/Rowe Afternoon Tea Ritornell CD 1999
Ambidextrous Errorism Shaped Harmonics CD  
Ambush Rumors Possible CD 1998. Since leaving his post as Napalm Death's inhumanly fast drummer, Mick Harris has entrenched himself in a realm of claustrophobic sonics—first with the terror/dub/metal syntheses of Scorn, then as a prolific voyager on the darkest fringes of drum n' bass and concentrated ambience. He has also established the Possible label, in the interest of attracting musicians who share his inclination for cavernous beats and overcast miasmic atmospheres. Ambush (Glen Eswall) is among those who have been drawn toward Harris' shadows. On Rumors, Eswall tears through walls of bleakly melodic black-hole synth and Hoover-phonic bass with acute breakbeats. The snare hits on "Forget It" are keen and forceful, suggesting a crated beast battering against its enclosure with escalating petulance. Paved with relentless wall-to-wall rhythms, and with wicked glints like set-in razorblades flashing from all sides, Rumors offers no escape route. Such titles as "Cornered" and "No Chance" only exacerbate the overwhelming sense of entrapment. Even with the doom and gloom aura, Ambush's rhythmic pummeling is not as unbearable as you might suspect. This flagellation really gets your blood flowing—but stops short of drawing it.
Ame Son Catalyse Spalax CD 1970 (1994)
Amephone The Branch 360º CD 1998
American Analog Set, the Diana Slowburner EP Trance Syndicate 7 1995
American Analog Set, the Late One Sunday & the Following Morning Darla - Bliss Out CD 1997
American Analog Set, the The Golden Band Emperor Jones CD 1999
American Analog Set, the Through the 90s: Singles and Unreleased Emperor Jones CD 2001
American Analog Set, the The Fun of Watching Fireworks Emperor Jones CD 1996. Fort Worth’s American Analog Set hails from the school of post-Velvet Underground sedative guitar/keyboard strum-and-swell that gives us Galaxie 500, Yo La Tengo and Stereolab. AmAnSet’s music is even gentler—if that’s possible. Instead of angular outbursts or feedback squalls, here we find a splash of cheery ‘60s-styled psychedelia, with fickly flitting flutes, fluttery Farfisa melodies, a lyrical preoccupation with all things warm and bright, and cooing boy/girl voices mingled like the hues of a rosy sunset. This co-ed quartet has perfected the art of the lock-groove lullaby, enticing you to close your eyes and blissfully follow AmAnSet down the road to nowhere in particular. Guitars jingle and jangle, basslines ramble, and vintage synthesizers chug like the Land of Nod express, puffing out pastel clouds that spread out as invitingly as a sky-wide bed. You won’t find many edges here, though “On My Way” and “It’s Alright” are a li’l bit country, and cymbal-heavy drumming allows “Dim Stars” to pass for perky. “Gone To Earth” and “Too Tired To Shine II” shimmer and slither, content to ramble deliciously like miles of heavenly highway. Fireworks’ slow and steady pace wins no races, but AmAnSet’s sleepy charms do win your heart.
American Analog Set, the From Our Living Room to Yours Emperor Jones CD 1997. The quartet's sleepy caravan rambles on, mindless of maps and charts as it navigates the landscape of gentle psychedelia. While still very much in thrall to the power of drone-y, dreamy guitar and confectionery synth, the AmAnSet shows a little more energy and direction on its second album. Guitarist Andrew Kenny’s trickling, ticklish Möbius-strip riffs are ingenious, and his bright surf-guitar tone plays well against the exquisite billows and shimmers of Lisa Roschmann’s Farfisa organ. In combination with a beautifully restrained rhythm section, the sound is so mesmerizing and calmative that “Magnificent Seventies” feels short at a “mere” eight-minutes-and-change. There’s ample evidence of AmAnSet’s roots in the chugging post-Velvet Underground sound of Galaxie 500/Luna and Stereolab, particularly in the acrobatic basslines, gooey “ba-ba-ba” vocals and (relatively) boisterous synth-sweetened jangle of “White House.” But Living Room suggests that someone here has also been listening to Ennio Morricone’s stirring Spaghetti Western scores. Drama drips from the plangent guitar lines of “Where Have All The Good Boys Gone,” and “Two Way Diamond” drifts majestically over the high plains, dissolving into ambient ether spangled with backwards chimes. Living Room is an exquisite album, bubbling over with quiet intensity and beautiful songcraft.
Ami Spiritual Voice 1040 CD  
AMM AMMusic 1966 ReR CD 1966
AMM The Crypt Matchless 2CD 1968
AMM To Hear and Back Again Matchless CD 1974
AMM Generative Themes Matchless CD 1983
AMM Combine+Laminates / Treatise '84 Matchless CD 1984
AMM The Nameless Uncarved Block Matchless CD 1990
AMM Newfoundland Matchless CD 1992
AMM Laminal Matchless 3CD 1996
AMM Fine Matchless CD 2002
AMM From a Strange Place PSF CD 1995-6
Amnesia Cherry Flavor Night Time / Electric Company Plays Amnesia Island 2CD 1997
Amnesia Lingus Island CD 1998
Amoeba Watchful Lektronic Soundscapes CD 1997
Amoeba Pivot Release CD 2000
Amon Düül I Collapsing Spalax CD 1969
Amon Düül I Disaster Spalax CD 1969
Amon Düül I Experimente Spalax CD 1969
Amon Düül I Psychedelic Underground Captain Trip CD 1969
Amon Düül I Para Dieswärtz Düül Spalax CD 1970
Amon Düül II Phallus Dei Captain Trip CD 1969
Amon Düül II Dance of the Lemmings Mantra FR CD 1971
Amon Düül II Carnival in Babylon Captain Trip CD 1972
Amon Düül II Wolf City Captain Trip CD 1972
Amon Düül II Lemmingmania Gammarock CD 1974
Amon Düül II Hawk Meets Penguin Magnum CD 1981
Amon Düül II Nada Moonshine # Mystic CD 1996
Amorphous Androgynous The Mello Hippo Disco Show Artful/FSOL CD 2003
Amp Beyond / Lutin Wurlitzer Jukebox 7 1996
Amp Frise / Le Petit Chat Wurlitzer Jukebox 7 1996
Amp Get There / Remember Linda's Strange Vacation 7 1996
Amp Sirenes Petrol CD 1996
Amp Astralmoonbeamprojections Kranky CD 1997
Amp Passé Present Enraptured CD 1997
Amp Perception Darla - Bliss Out 2CD 1997
Amp Stenorette Kranky CD* 1998
Amp Sunflower EP Ochre CD5 1998
Amp & The Third Eye Foundation / Saddar Bazaar Ombres / Arabesque Enraptured 7 1996
Amp / Centipede There She Goes / White Kake Mix 7 1997
Ampbuzz This is My Ampbuzz Strange Attractor's Audio House CD 2002
Anaksimandros, the Life is a Skullbow Vegalia/Vauva LP  
Anal Magic & Reverend Dwight Frizzell Beyond the Black Crack Paradigm Discs CD 1976 (1999)
Analogue Rock Proper Rubric CD 1996
Analogue AAD Sonic Bubblegum CD 2000
And Also the Trees And Also the Trees Reflex CD 1984
And Also the Trees Virus Meadow Normal CD 1986
And Also the Trees The Millpond Years Normal CD 1988
And Also the Trees Farewell to the Shade Normal CD 1989
And Also the Trees Green is the Sea Normal CD 1991
And Also the Trees The Klaxon Normal CD 1993
And Also the Trees Angelfish Mezentian CD 1996
And Also the Trees Silver Soul And Also the Trees CD 1998
Anderegg When Rectangles Roll Under Cities Apestaartje CD 2001
Anderson, Laurie Mister Heartbreak Warner Music LP 1984
Andy, Horace Skylarking Melankolic CD 1997
Anemonengurt Wo die Ebenen Geglättet Sind Dom Elchklang CD 1995
Angel, Dave Classics R&S CD 1996
Angel, Dave Tales of the Unexpected Blunted CD 1996
Angel'in Heavy Syrup IV Monotremata CD 1991
Angel'n Heavy Syrup II Alchemy CD 1993
Angel'n Heavy Syrup III Charnel CD 1995
Angel'n Heavy Syrup I Subterranean CD 1999
Angels of Light How I Loved You Young God CD 2001
Angels of Light Everything is Good Here / Please Come Home Young God CD 2003
Angels, the Biographer EP At a Glance 7  
Anibaldi, Leo Void Rephlex CD 1996
Anima Sound Musik für Alle Alga Marghen CD 1972 (2000)
Animal Collective Campfire Songs Catsup Plate CD  
Animals on Wheels Designs & Mistakes Ninja Tune CD 1997
Animals on Wheels Nuvol I Cadira Ninja Tune CD 1999. Andy Coleman led the charge when drum n' bass took an enthusiastic left turn toward the spastic burp-beats and frenzied time-signatures of “drill-and-bass.” As producers traded precision for sloppy energy, Coleman’s Animal on Wheels project at least retained a core of solid songcraft amid its zanier deviations. The headz at Ninja Tune recognized this standout quality, snapped up AoW from Coleman’s micro-indie Bovinyl label, and loosed him on the world. Nuvol i Cadira, Coleman’s second AoW album for Ninja Tune, repays the downtempo empire’s investment in spades. Coleman is still too clever by half, though here he harnesses his eccentricities in service of some truly memorable music. The refined AoW sound is a close cousin to Boards of Canada’s “toytronic” whimsy, with hazy, lazy melodies hammered out on melting xylophones and ancient synths, kinky yet crisp hiphop beats and oddball sample drop-ins. But Nuvol i Cadira has a genuine richness that reveals more of itself with each spin. Such tracks as “How it Destructs,” “To a Void You is All Now" and “Them to BC” bolster AoW’s trademark scatter-breaks with a melange of jazz drumming, dreamy electronics, tricked-out production, moody melodies and fusion froth. Cordially decadent and simply delectable.
Animals that Swim Workshy Elemental CD 1995
Animals that Swim Faded Glamour EP Elemental CD5 1996
Animonstré 36 Apparitions Animonstré CD-R  
Animonstré Mon Ami le Monstre est Mon Ami Animonstré CD-R  
Anjali Sheer Witchery Wiija CD  
Ankersmit, Thomas Solo Saxophone Tomas Ankersmit CD-R3 2001
Annexus Quam Osmose Spalax CD 1970
Anodyne Anodyne Ultramack CD  
Another Fine Day Life Before Land Beyond CD 1994
Another Fine Day Salvage Six Degrees CD 2000
Ansorge, Harri Dwot Irrah Verlag CD  
Ant-Bee Lunar Muzik Divine CD  
Antenna Farm & Main AF_M Extrapool / Staalplaat CD 2001
Antiroc Particle Accelerator EP Series500 12 1996
Antony and the Johnsons Antony and the Johnsons Durtro CD 1997
Antunes, Jorge Savage Songs: Early Brazilian Electronic Music Pogus CD 2002
Anzola, Eloy InvalidObject (return) Fällt CD3  
Aonox Aonox Visible CD  
Apartments, the The Evening Visits Hot CD 1985
Aphasia Stereoisomerism Korm/Staalplaat CD 1997. Sound collage is the art of fabricating a new reality from scattered bits and pieces. Academics call it musique concrète, though these organized compositions of reconstituted found-sound and environmental noise are less real than impressions of reality. Concrète artists mirror the world in their soundscapes, but they also impose their own peculiar order upon things. Through tape splicings and electro-acoustic manipulation, musique concrète realizes the unimaginable. Impossible juxtapositions occur, place and time are subtly distorted, and “real music” starts to sound like an artistic abstraction. Aphasia (Richard Johnson) begins with the mundane. Though the sounds and noises woven into his concrète tapestry have often been processed beyond recognition, the audible shufflings, scratchings, drizzlings, clatterings and musical snippets can still be traced back to their commonplace origins. Johnson’s brilliant trick is to impress the thoroughly unnatural rhythms of drum n’ bass upon this pseudo-realistic canvas. Since these stumbling and stammering breakbeat patterns are so much more frenetic than the subtle pulse of everyday life, the discrepancy creates fantastic incongruities. When Johnson takes the process further, literally twisting the sounds of reality itself into skittering breakbeats, all relation to the “real” is severed, and the genius of Stereoisomerism is truly revealed.
Aphasia Mesospheric Breaks Noise museuM CD  
Aphelion Zugzwang DeFocus CD 2000. Four UK producers who temper their deep devotion to Detroit and the derivatives of avatars like The Black Dog and As One with equal reverence for older space-minded music (especially Klaus Schulze, Tangerine Dream, and Brian Eno). Electronica past, present, and future have seldom come together as beautifully as they do here. Aphelion may hail from England, but “Bound,” "Fornax" and "Arrest" are Detroit techno of the very highest order. Juan Atkins would be proud to claim such sonic sunrises and sequenced cascades as his own. The beatless "Lucier" and the soundtrack storytelling of "Deep Adj" soar to heights of sky-tracing loveliness, held aloft by the celestial soul-jazz of "Movements."
Aphelion Click EP DeFocus 12  
Aphex Twin On EP Warp CD5 1993
Aphex Twin On Remixes EP Warp CD5 1993
Aphex Twin Selected Ambient Works Warp CD 1993
Aphex Twin Selected Ambient Works Vol. 2 Warp 2CD 1994
Aphex Twin Donkey Rhubarb EP Warp CD5 1995
Aphex Twin I Care Because You Do Warp CD 1995
Aphex Twin Girl/Boy EP Warp CD5 1996
Aphex Twin The Richard D. James Album Warp CD 1996
Aphex Twin Cock 10/54 Cymru Beats Remixes Warp 12 2001
Aphex Twin Drukqs Warp 2CD 2001
Aphex Twin Classics R&S Ambient CD 1995. Richard D. James is that rarest of artists, untouched and unaffected by trends or popular currents yet inspiring millions of imitators with every move. He's always moving forwards, not one to rest on laurels or dwell on past triumphs. Reputedly self-taught, undeniably a genius and an innate innovator, James expresses such remarkable qualities with an almost infuriating offhandedness. Since an adolescence (mis)spent assembling and disassembling electronic gadgets, the "bad boy" of electronic music has already advanced his genre beyond all other popular forms. Even the tastes of the 30th Century may fall short of catching up with him. Classics represents the flip side of the Selected Ambient Works albums, collecting several of James' early singles for Belgium's R&S Records. This is some of the Aphex Twin's more grueling, monochromatic material ("Phloam," "Tamphex (Hedphuq Mix)," "Metapharstic"). But James' rarefied cerebral melodies soar above the rhythmic grind, particularly on "Polynomial-C" and "Dodeccaheedron." Also included are "Analogue Bubblebath I" and "Digeridoo," still brilliant tracks that brought James instant—and, one would imagine, unwelcome—fame. The latter approximates aboriginal drone with homemade devices, while the former's pristine Detroit-styled melodic percolations, crafted with (original Aphex "Twin") Tom Middleton, are the Aphex Twin's extraordinary beginnings.
Aphex Twin Raising the Titanic Mixes Point 12  
Apiary, the Descent Foundry CD  
Apollon vs. Muslimgauze Dark Thoughts D.O.R. CD  
Apollon vs. Muslimgauze Year Zero D.O.R. CD  
Appelqvist, Hans Att möta verkligheten Häpna CD3  
Appleton, Jon Contes de la Mémoire empreintes DIGITales CD  
Appliance Imperial Metric Mute CD  
Appliance Land, Sea and Air EP Mute CD5  
Appliance Six Modular Pieces Mute CD  
Aquarhythms Greetings from Deepest America Astralwerks CD 1997. American-abroad Jay Patrick Ahern made a minor splash in ethereal-indie circles as Flower Sermon before taking a headlong dive into the international DJ circuit. Reemerging from the life-waters of Chicago house and Detroit techno, Ahern released a shoal of limited twelve-inches under such mysterious aliases as The Hydronaut and The Aquarian. His shimmering, groove-heavy records were immediately snapped up by the most influential and innovative techno and house producers, and the legend of Aquarhythms was born. Greetings from Deepest America compiles five tracks from the Aquarhythms series and supplements Ahern's originals with four stellar remixes. "Hydroelectronics" and "Stellar Jazz," pools of liquescent melody rippled and tugged by the tidal pull of a funky electro undertow, are typical of the Aquarhythms material. Progressive-trance icon Rabbit on the Moon accentuates the ebb and flow of the vocal "Heart Seqs" with spiraling acid surges. In his "Reversion" of "Deep In The Feeling," East Coast Detroit disciple Morgan Geist gently floats Ahern's aquatic rhythms above a bubbling tech-house current. Deep Dish's colorful "Xuxu" remix bounces "Ether's Whisper" on a fibrillating fun-house beat. Finally, Detroit has its say, with the intoxicating electronic drift of Carl Craig's exquisite and soulful "Warm Seqs." mix.
Aqueous Tall Cloudtrees Falling Hermetic CD  
AR Kane New Clear Child Luaka Bop CD 1994. A.R. Kane's quest began as a self-described synthesis of "Miles Davis and the Cocteau Twins," ultimately leading Alex Ayuli and Rudi Tambala to discoveries that altered the vocabulary of pop. On their seminal EPs and the ambitious 69 and "i," A.R. Kane combined elements of "White" music (scathing feedback, effects-laden guitar cascades) and "Black" music (soulful vocals, unabashed grooves and club beats, jazz syncopation) in startling, previously unimagined ways. As half of M.A.R.R.S., forgers of the colossal, sample-heavy "Pump Up The Volume," Ayuli and Tambala also changed dance music forever. Burdened with the magnitude of such accomplishments, New Clear Child was met with disappointment and precipitated A.R. Kane's dissolution. They had abandoned London for the West Coast, and their new music radiated a distinctly Californian quasi-mysticism and sunny, love-affirming spirituality. The soul-on-ice stylings of "Honey Be (For Stella)," "Gather" and "Grace" are beautiful and heartfelt, outshining similar efforts by PM Dawn or Seal while prefiguring Tambala's triphop project, Sufi. Such blissed confections as "Deep Blue Breath," "Sea Like A Child," and "Snow White's World" retain A.R. Kane's inimitable strangeness, rivaling the magnificence of late-period Talk Talk. Even if this resplendent experimental soul music was out of step with the cynicism of the '90s, New Clear Child is another "dreampop" wonder.
AR Kane 69 Rough Trade CD  
AR Kane I Rough Trade CD  
AR Kane Lollita EP 4AD 12  
AR Kane Love~Sick EP Rough Trade 12  
AR Kane Rem'I'xes Rough Trade CD  
AR Kane Sea Like a Child EP Third Stone CD5  
AR Kane Up Home EP Rough Trade 12  
AR Kane When You're Sad EP Rough Trade 12  
Arai, Riow Circuit '72 Silver Stone CD  
Arai, Riow Mind Edit Soup Disk CD  
Aranos Transfixiatio Noise museuM CD 1998. Aranos contributed the weepy, wiry fiddling heard on Nurse With Wound’s 1997 album, Acts of Senseless Beauty. His skittering refrains, wrenched into distorted and dreamlike forms to complement NWW’s Dadaist sonic splatterings, heralded the arrival of a truly mysterious musician. With this contribution to Noise Museum's "New Music" series, Aranos bridges undefined musical spaces. The violinist manipulates the sonorous resonances of bowed glass, metal and stone, crafting backdrops for synthesizer phrasings that sidle melody by inching up and down invented tonal scales. The barbed, piercing spun-gold lashings of his violin serve to bind the reluctant marriage of organic sounds and electronic envelopes. On "Light," Aranos’ deliberately slow bowing simulates a psychic battery, accumulating charged energies and amplified echoes of predominantly dark and prismatic timbres. Like the imaginings of fitful dreams, this music is alive with dancing shadows and charcoal sketches of anatomical perversions worthy of Czechoslovakian animators. The 23-minute title track and the capering, bellowing “Enter” toe the very brink of infernal abandon. "Skip" and "Neverflame," manic minuets for mincing fire-demons and airborne angels, imbue Aranos' mutant chamber stylings with a delirious stripe of improvisational danger. Here Transfixiatio finally dares to leap off the edge and into undiscovered neoclassical hinterlands.
Aranos Every Bright Body Gleams Green Noise museuM CD 1999. Like the conductor of a gypsy band whose members have been scattered throughout far-flung galaxies, Petr Vastl stands astride the good ship Earth as she sails through the stars, cosmic riggings creaking and complaining. Vastl strums silver strings, blows horns, rings bells, and issues voices that echo across time, mingling with data leaking through the faulty wires of orbiting communication satellites.  On most tracks, only the residue remains of his trademark violin, adding to the dust and debris caught within the eddies of the album’s sphere. Intimate and enormous in equal measure, the sounds of Every Bright Body Gleams Green, seemingly divined from the kosmiche ballet of early Tangerine Dream and rustic European folk musics, encompass events unfolding both on the microscopic stage of cellular division and within the immense theater of prenatal planetary systems.
Aranos Magnificent! Magnificent! No One Knows the Final Word! Pieros CD  
Aranos Making Love in Small Spaces Pieros CD  
Aranos / Mueller / Rossenau Bleeding in Behind Pastel Screens Crouton CD  
Arbete och Fritid Arbete och Fritid MNW CD  
Arbol Arbol Indus Sonica CD  
Arc vs. Tiny Objects in Space Arc vs. Tiny Objects in Space 12K CD  
Arcane Device Diabolis ex Machina Korm Plastics CD  
Arcane Device Envoi in Cumin Play Loud CD  
Arcane Device Trout Silent CD  
Arcane Device / PGR Fetish Silent CD  
Archer, Martin Disconnected Bliss Discus CD  
Archer, Martin Ghost Lily Cascade Discus CD  
Archer, Martin & Simon Fell Pure Water Construction Discus CD  
Arche-Type Marmalade Pa.Pa Nan CD  
Arche-Type Sky Scraul Space (Movies 1992-1995) Zero Gravity CD  
Architectronics Architectronics Construction Sounds CD  
Architectural Metaphor Odysseum Galacti Architectural Metaphor CD  
Archive Londinium EP Island 10  
Archive So Few Words EP Island 12  
Arco Flute Foundation Arco Flute Foundation Cenotaph Audio LP  
Arco Flute Foundation Everything after the Bomb is Sci-Fi Cenotaph Audio CD  
Arco Flute Foundation The Third Lesson in New Era Time: Running Slow Motion Marathons with Purple Rejoice; Who Killed the Party House? Cenotaph Audio CD  
Arcon 2 The Beckoning Reinforced CD  
Area Maledetti Cramps CD  
Argonort Mingus EP Dot 12  
Ariel Starbody EP Vinyl Communications 12  
Arkkon Rotunda Soleilmoon CD 2000. Beyond his associations with Danielle Dax and the Shock Headed Peters, David Knight pursues his solo muse across the shadowy side of progressive cinema-for-the-ear soundscaping. His second Arkkon album, Rotunda conjures places imagined and moments lost in invented histories through visions wrought from synth vapors, decocted samples and instrumental apparitions. Ziggurats shrouded in the smoke of sacrificial bonfires rise from fallow fields. Timewinds shape dark dunes beneath which coiled forms writhe in restless slumber. Fairies slip through the moonlit lacework knit by bare branches and frolic among forest-floor fungi. A well-traveled visitor’s sudden fall from above lights the night sky, and Knight descends into the briny deep to bear silent witness as tide and time devour craft and crew and settle back in sated contentment. Knight also backs firebrand Lydia Lunch as she demands equal rights for the voiceless victims of both the human and natural worlds.
Arovane Atol Scrap DiN CD 2000. Uwe Zahn's appealing Arovane formula can be summed up as state-of-the-art electronica reacquainted with its sensitive side. Synthesized bells ring out volleys of teardrop twinkles and lapping waves of melody. Basslines bubble invitingly. Interlocked mechanical rhythms subtly gnash and scrape. Melodious moodiness tempers jolts of dissonance, distortion and rhythmic disturbance. The gentlest offerings have an organic, almost tidal quality, but even the more agressive tracks are comfortably removed from techno's constitutional urban-industrial grid.
Arovane Tides City Centre Offices CD  
Arovane & Phonem Aer (Valid) Vertical Form CD  
Arrow Tour Postcards From... Childisc CD  
Art & Technique Clima-x Spalax CD  
Art Ensemble of Chicago A Jackson in Your House / Message to Our Folks BYG/Actuel/Fuel 2000 CD  
Art of Noise, the In Visible Silence Chrysalis LP  
Arthur, Malcolm Programmers EP Drop Beat 12  
Artificial Memory Trace 9: Distori (Noah) Sonoris CD 1999. Slavek Kwi is one of those ambitious sound artists whose collected releases, when taken together, constitute a grand, cohesive body of work. Chapters in Kwi’s main opus, the Artificial Memory Trace series, have emerged as CDs, as cassettes, as soundtracks, and as compositions for radio. These scattered volumes are unified by the Artificial Memory Trace concept—musique concrète compositions created to reflect and incorporate the sounds of the universe. Falcons, flamingos and distressed computers take the starring role on Distori (Noah). Kwi manipulates recordings of birds, amphibians and insects captured in their natural environments, ingeniously folding bits of a computer crash captured on tape and synthesized voice samples into his extrapolation of caws and chirrs. The 13 compositions range in length and disposition, from the still, long-string drone of “Skeletune(s)” and the uneasy calm of “ppp-Petrus” or “Aurorah” to the activity condensed into the furious minutes of “Monokrom I.(b)-III.” Kwi’s strongest gambit, the forced interaction of the habitual rhythms of natural and mechanical systems, goes far beyond clever construction and textural conjugation. “Makanik Mrak (Cloud I),” ”Fisilpao (Nostalgy Randomized by Hardisc Error),” “Elekreon (Insekt Raga),” “Tribus (Cloud II)” and “Foma (Soap-Foam in Zoom) encapsulate an eternal conflict between man and the natural world.
Artificial Memory Trace 5: Th Ality Absfract Audioview CD  
Artificial Subterranne Water Regions of the Southwest USA Wholly Other CD  
Arzachel Arzachel Akarma CD  
As One Celestial Soul New Electronica CD  
As One In with their Arps, and Moogs, and Jazz and Things Clear CD  
As One Planetary Folklore Mo'Wax CD  
As One Reflections New Electronica CD  
As One Reflections on Reflections New Electronica CD  
As One The Art of Prophecy Shield CD  
Asa-Chang & Junray Jun Ray Song Chang Leaf CD*  
Asa-Chang & Junray Tsu Gi Ne Pu EP Leaf CD  
Asano, Koji Preparing for April Solstice CD 2000. Continuing the Solstice sub-series represented by Celeste, You Can't Open the Door Because it's Already Open and Monsoon, Preparing for April finds Asano back at the piano, in a room that lends its intriguing shades of echo to the clusters of inquisitive chords and probing phrases. When seated at his piano, Asano always seems to be searching. He worries tirelessly at wood and ivory in pursuit of something elusive—possibly unattainable. The deliberately crude monaural recording and heavy application of the sustain pedal swathe many of these tracks in further layers of gauzy mystery, while Asano’s non-technical embrace of the instrument translates into genuine emotion rather than flying-finger display.
Asano, Koji A Secret Path of Rain Solstice CD 2000. The cover photograph, a weathered bridge, immediately suggests an invitation. But the arrhythmic electrical discharges and grating static of A Secret Path of Rain, shaped as though by the boring and gnawing actions of insects, are far less welcoming. There is beauty here, albeit of a recondite and difficult strain, if you're willing to work to extract it from the assymmetrical arrangements of silence and electro-acoustic noise. Otherwise, A Secret Path of Rain just sounds like an untreated field recording of a termite-infested tree stump.
Asano, Koji A New Dam Solstice CD  
Asano, Koji Absurd Summer Solstice CD  
Asano, Koji Autumn Meadow Solstice CD  
Asano, Koji Avalanches Solstice CD  
Asano, Koji Caffeine Solstice CD  
Asano, Koji Celeste Solstice CD  
Asano, Koji Crevasses Solstice CD  
Asano, Koji Flow/Augment Solstice CD  
Asano, Koji Gondola Odyssey Solstice CD  
Asano, Koji Gravity Solstice CD  
Asano, Koji January Rainbow Solstice CD  
Asano, Koji Momentum Solstice CD  
Asano, Koji Monsoon Solstice CD  
Asano, Koji Octopus Balloons Solstice CD  
Asano, Koji Pheromone Solstice CD  
Asano, Koji Piano Suite Vol. 1: Fitness Club No. 1-20 Solstice CD  
Asano, Koji Quoted Landscape Solstice CD  
Asano, Koji Spherical Moss Factory Solstice CD  
Asano, Koji Suite for Organ and Recorders No. 1: The Alien Power Plant Solstice CD  
Asano, Koji Sunshine Filtering through Foliage Solstice CD  
Asano, Koji The End of August Solstice CD  
Asano, Koji The Last Shade of Evening Falls 1 Solstice CD  
Asano, Koji The Last Shade of Evening Falls 2 Solstice CD  
Asano, Koji The Last Shade of Evening Falls 3 Solstice CD  
Asano, Koji The Last Shade of Evening Falls 4 Solstice CD  
Asano, Koji Vacant Land Solstice CD  
Asano, Koji You Can't Open the Door Because it's Already Open Solstice CD  
Ascension Broadcast Shock UK 2CD  
Ash Castles on the Ghost Coast Ash Castles on the Ghost Coast Wholly Other CD  
Ash Ra Tempel Inventions for Electric Guitar Spalax CD  
Ash Ra Tempel Schwingungen Spalax CD  
Ash Ra Tempel Seven Up Spalax CD  
Asha Vida As One of One Icon CD  
Asha Vida Eskimo Summer EP Audrey's Diary 7  
Asha Vida Nature's Clumsy Hand Burnt Hair CD  
Asha Vida / Godzuki Pinion / 12 Inch Dance Mix Binausic 7  
Asher, Meira Spears into Hooks Crammed/SSR CD 1999. Asher’s confrontational music, a tempest of emotions fueled by radical feminism and political indignation, has made the spoken-word artist a pariah in her native Israel. Spears into Hooks, recorded in the shadow of war while under self-imposed exile in Slovenia, is even more unflinching than 1997’s Dissected. Distance from disapproval has empowered the already fearless Asher. With multilingual confidence, aggressive eloquence, and savage intellect, she rebukes the militant policies of the Israeli army, refracting her country’s darkest hours through a prism of universal anguish, inhumanity, and obstinacy. Her musical support ranges from lashings of electronic fury and corrugated-metal breakbeats to mix-master Paul Kendall’s pervasively unsettled atmospheres and the cordial brass arrangements of Macedonia’s Koçani Orkestar. Spears is an extremely difficult album and not an experience to be taken lightly. Asher’s righteously vitriolic tirades and unvarnished post-modern ruminations upon the hot-button issue of Israeli/Palestinian relations bear the shared weight of history with incisive literary and Biblical allusions and with provocative samples. Her remarkable gift is the ability to relate her controversial POV to the wider scope of human experience. Asher may be an angry woman, but she’s so much more than a feminist firebrand. Her music and her words demand consciousness. While you may not always agree with her, she can not be ignored.
Asher, Meira Dissected Crammed/SSR CD  
Asher, Meira Sida/My Last Granny Remixes SSR 12  
Ashera Ambient Selections AW 2CD  
Ashera Cobalt 144 AW CD  
Ashera Colour Glow AW CD  
Ashera We Gaia AW CD  
Ashley, Robert In Sara, Mencken, Christ and Beethoven There Were Men and Women Cramps CD 1991
Ashley, Robert Automatic Writing Lovely Music CD 1974 (1996). Experimental composer Ashley found himself dealing with a mild involuntary speech problem in the mid-'70s. Depressed and disenchanted, he began exploring the sonic implications of his condition. Automatic Writing, composed in secret over five years, came of Ashley's attempt at "forcing" spontaneous vocal sounds. This remarkable piece winds through 46 minutes of tiny crepitations and non-verbal mutterings and whispers, a mesmerizing subconscious dialogue between four distinct "characters:" Ashley, intricate tape-splices of spoken French, a groaning, gurgling Polymoog and the ribbon-fine melodious trickle of an organ. Unpredictable and endlessly fascinating, Automatic Writing reveals music in minutiae and compelling narrative in accident. Amid painfully intimate insinuations, Ashley has hidden the map to psychological geography aglow with a singular and utterly alien beauty. Automatic Writing surrenders its secrets, but only with time and patience. It is one of the most extraordinary musical experiences of the 20th Century. This reissue also includes excerpts from Ashley's earlier opera, That Morning After. The phonetic dissection of "She Was A Visitor" (1967) simulates a dynamic beehive-choir effect, while the extremely unsettling "Purposeful Lady Slow Afternoon" (1968) combines a woman's graphic account of sexual encounters with webs of glimmering chimes and sighing musique concrète "commentary."
Ashra Sunrain Caroline CD  
Asian Dub Foundation Frontline Beggars Banquet CD 2001
Asian Dub Foundation Facts and Fictions Beggars Banquet CD 1995 (2002)
Aspen Aspen Elefant Music CD 1999
Aspen Are You that Retail Snob? Involve CD 2000
Aspen Music from Passing Cars Involve CD 2001
Asphalt Ribbons, the Collected Works CD-R  
Asteroid #4, the What a Sorry Way to Go / Sometimes I Roll My Eyes Lounge 7  
Astley, Virginia From Gardens Where We Feel Secure (+ Sanctus/Melt the Snow) Happy Valley CD 1983
Astley, Virginia Promise Nothing Les Disques du Crepuscule LP 1983
Astley, Virginia Hope in a Darkened Heart Geffen JP CD 1986
Astley, Virginia All Shall Be Well Nippon Columbia CD 1992
Astley, Virginia Had I the Heavens Rosebud Music CD 1993
Astrobotnia Part 01 Rephlex CD  
Astrobrite Overdriver / Slopoke Highback 7  
Astrotwin / Cosmos Astrotwin / Cosmos F.M.N. Sound Factory 2CD  
Astrud Astrud EP Sealed Fate CD  
Async Sense Async Sense Imbalance Computer Music CD  
atalatl All You Fuckers Without Radar Cloaca CD  
Atari Teenage Riot Delete Yourself! DHR CD 1995
Atari Teenage Riot Riot 1999 DHR/Grand Royale 7 1997
Atari Teenage Riot / Asian Dub Foundation Paranoid / Free Satpal Ram Damaged Goods 7 1996
Atau (Tanaka) Biorhythms Caipirinha CD 2000. Sensorband founder Atau Tanaka's diverse solo set is unified by a stream of processed-data noise that suggests both city traffic and cardiovascular flow as it courses through the album, variably spun into infinite strands of ethereal synth-flux, woven through cyber-safari electro, and reduced to the minimal volume of a cricket's quiet chirr. Tanaka also introduces techno-styled patterns of bass, drum programming and even a dollop of melody, building up to beats that pound in imitation of Latin polyrhythms and the scything loops of house music. .
Ataxia Ataxia Baraka CD  
Atlon Inc. Main Things Force Inc CD 2001
Atman Soundreams Obuh CD 1998
Atman Personal Forest Drunken Fish CD 1999
Atman The End of Philosophy EP Drunken Fish 7 1999
Atman Tradition Drunken Fish CD 2000. Hailing from the hidden glades and glens of Poland’s forests, the Atman collective treats music as a ritual for the channeling of natural energies. Their psychedelic-folk devotions, at once ageless and eternal, are rooted in the very drone of the forest primeval. Atman taps into the woodlands’ psychic reservoir, spinning ethnic string and percussive instrumental improvisations around the hum of life. “Natural Landscapes” and the stunning “The Theatre Of Mist,” the latter presented in both live and studio versions, call forth the spirits of the woods and the ghosts of history in a spectral cotillion of sun-split dust dervishes and restless winds. “The Talking Meadow” and the dulcimer-dappled “Free-P” are astir with life’s electric charge and abuzz with nature’s chaotic presence—much like the dense, green canopy of the forest itself. Vocalist Anna Nacher’s words come in euphoric tongues. She is alternately an elemental—delirious as Diana returning from the hunt, bloodied and aroused—and Baba Yaga’s bewitched familiar, a wild-eyed Carpathian seductress with leaves in her hair and powerful magic in her veins. So potent is Atman’s sorcery that not even an odd cover—Jimi Hendrix’s “Third Stone From The Sun,” suitably mystical and expansive in its psychedelic scope—can break the group’s timeless spell.
ATOI Y2KAOS Visible 2CD 1999
Atom Heart Live at Sel i/s/c Fax CD 1994
Atom Heart Apart EP Recent Programmings CD5 1996
Atom Heart Shellglove Recent Programmings CD 1996
Atomsmasher Atomsmasher Double H Noise Industries CD  
Aube Metal de Metal Manifold CD 1996
Aube Starred Gleam Iris Light CD 1996
Aube Aqua Syndrome Manifold CD 1997
Aube Flush Iris Light CD 1998
Aube Mort aux Vaches: Still Contemplation Staalplaat CD 1998
Aube Pages from the Book Elsie & Jack CD 1998
Aube Substructural Penetration 1991-1995 Iris Light 2CD 1998
Aube Evocation Auf Abwegen CD 1999
Aube Ricochetentrance Arya CD 1999. Water is the sound source for this well-woven tapestry of wet and sopping sounds.Echoed drips, trickles and splashes simulate gamelan, evoke harrowing journeys into the dark, dank heart of ancient caverns, and invoke the spirits of seas and of kitchen-counter coffeemakers. Ricochetentrance is among Nakajima’s more moderate and meditative Aubeworks, but a full bladder could greatly impair one's appreciation of this very suggestive set.
Aube Flare Iris Light CD  
Aube Rewriting the Book Elsie & Jack 2CD  
Aubrey Unscrambled Memories Textures CD 2001
Auburn Lull Alone I Admire Burnt Hair CD 1999
Auburn Lull / Mahogany Dual-Group EP Burnt Hair 12 1998
Auch Kiss Tomorrow Goodbye Force Inc CD 2000
Auch Remix Tomorrow Goodbye Force Inc CD 2001
Audio Active Happy Happer On-U Sound CD 1997
Audio Active Apollo Choco On-U Sound CD 1999
Audio Sports Era of Glittering Gas All Access CD  
Aufgehoben no Process vs Gary Smith Magnetic Mountain Junior Meat CD 2000. Free-jazzist Smith wrestles his electric guitar in the company of UK noise-rockers AnP. A balls-out session of cyclone-force feedback, rotary-saw riffage, and Ruin-ous avalanches of bass and drums, recorded as "in the red" as any Mainliner or High Rise album. AnP desperately want to be mistaken for Japanese, and here they come close to pulling it off. Well, almost. Some of the latent prog moves (and sterile, stuttering DSP-damaged loops) earmark all parties as full-blooded Brits. Fushitsusha they're not.
Augur Ephemera Rectrix CD-R  
Augur Like Little Machines Rectrix CD-R  
Augur vs Birds of Tin Strange Seeds Come from Strange Flowers Manifold CD  
Auinger, Sam & Rupert Huber Flugstunden / Applaus Kunstradio CD  
Aura Anthropica (Hans Platzgumer) American Blindfold Music Cartel CD  
Aural Expansion Surreal Sheep SSR CD 1995
Aural Expansion Remixed Sheep SSR CD 1996
Aural Float Freefloat Elektrolux CD  
Aural Screenshots The Media Pump PDCD CD  
Autechre Basscadetmxs Warp 3x10 1993
Autechre Incunabula Warp/TVT CD 1993
Autechre Keynell EP Warp 12 1996
Autechre Chiastic Slide Warp CD 1997
Autechre Cichli Suite Warp CD* 1997
Autechre LP5 Warp CD 1998
Autechre Confield Warp CD 2001
Autechre Amber Warp/TVT CD 1994. The facelessness of electronic music can be disconcerting. It often seems as though the musicians are hiding behind their banks of synthesizers, samplers, and sequencers. Autechre is a modern day Cyrano de Bergerac story. Sean Booth and Rob Brown have such beautiful thoughts to impart, yet they can only express these lyrical notions when they are speaking through their machines. The arrangement works well. The binary prattle of programmed rhythms and sequenced sound gives Booth and Brown a distinct voice, while Autechre's emotive melodies invest cold mechanical chatter with a soul. Amber, Autechre's second and subtlest album, is a textural weave of feelings and frequencies. The arching, aching synth phrasing of "Silverside," "Yulquen" and "Nine" expresses yearning so eloquently that you begin to hear human voices in the warp and weft. "Slip" and "Further" articulate unbridled euphoria in the silvery tongue of techno. Autechre's latent electro and hiphop traits manifest in such playfully funky expressions as "Nil," "Piezo," "Teartear" and "Montreal." For all the thorny rhythmic mathematics, Amber is surprisingly sweet and embraceable.  Love songs for androids?
Autechre Peel Sessions EP Nothing CD5 1995. With perhaps the highest profile of all artists currently tilling the soil of experimental techno, Rob Brown and Sean Booth can't sneeze without provoking collectors' interest. These three tracks, recorded during a 1995 session with BBC Radio DJ John Peel, had been bartered, stolen, MP3-ed, and sold rampantly before Autechre's label relented and released them officially. As a wry acknowledgement of the session's eventful—if illegal—afterlife, the EP's minimal artwork resembles that of a CD-R. Why the fuss? When these Sessions were recorded, Autechre was already a cornerstone of the 1993-1994 "Artificial Intelligence" school of armchair-listening techno. Peel Sessions reveals imminent shifts in Autechre's musical direction and marks a critical point in the duo's fascinating evolution. "Milk DX" retains Autechre's signatures—ghostly melodies and chattering rhythms—but the programming witnesses a new degree of complexity. It's as though beats have been overwritten—repeatedly typed, partially erased, and retyped—foreshadowing the intricate metalwork of 1996's Tri Repetae. Autechre's music was always a strange derivative/corruption of electro, and "Inhake 2" points explicitly towards the pronounced quasi-hiphop inclination of 1997's Envane and Chiastic Slide. Likewise, the layered, cyclical textures of "Drone" prefigure later albums' ambitious structural decompositions.
Autechre Tri Repetae++ Warp/TVT 2CD 1997. With Tri Repetae, Sean Booth and Rob Brown's music undergoes a quantum evolutionary leap from the relatively muted modular mathematics of Incunabula and Amber into a tortuous, insectoid cybernetic funk. Menacing robotic mandibles and steel-plated wings now render the electro tics and hiphop scratches, as though Booth and Brown have decided to work exclusively in the medium of rusty Erector-kit mechanics. For many Ae-heads, this third album and the EPs that preceded it (Garbage and Anvil Vapre) represent Autechre's pinnacle achievements. Tri Repetae++ combines all three desirable items in one generous double-disc package. Such album tracks as "Clipper," "Rotar," "Leterel" and "Gnit" are like oversized cricket automatons—hulking scrap-heap assemblages of melody and shearing wrought-iron armature too ungainly and unstable to do more than flex a leg joint or twitch an antenna. In comparison, Anvil Vapre's "Second Bad Vilbel" and "Second Scout" are models of lethal anatomical efficiency. These are hydraulic super-ants, built for speed, purpose, and determination using the scant workshop remains of nosebleed-techno tracks and dismantled monster trucks. The melodically exquisite Garbage dovetails neatly with the album's less flattening moments ("Dael," "Eutow," "C/pach," "Overand," "Rsdio"), the circuit-board tweakings mimicking dub ("Piobmx19") or disclosing the human ghosts in Autechre's machine.
Autechre EP7 Warp CD 1999. Autechre’s evolution continues unabated with EP7. The hefty hour-long disc both advances and complements 1998’s excellent LP5 album. Sean Booth and Rob Brown stick with the successful formula of Chiastic Slide and LP5, probing the darkest reaches of digital signal processing. EP7 features some of Autechre’s most sophisticated work, but its experimental edges never compromise the listening pleasure of these eleven tracks. Splintery tones are tweaked and distorted; exquisitely glitch-addled rhythms form convoluted clusters or dissolve into configurations that threaten disarray; crumbs of speech are digitized and scattered across the soupy shallows of “Ccec” like misshapen croutons; beautiful melodies emerge from the Brownian motion of beats and buzzes. Sounds scamper, fuss and fidget without finding respite from their disconcerted states. The electromagnetic pulsations of “Output” draw floating plates of microprocessed sound into a Pangaea-like mass. Elegant melodic arabesques are coaxed from the creak and whine of unoiled mechanics (“Zeiss Contarex”) or from switch-throwing caprice (“Pir”). EP7 finds Autechre pushing the e-music envelope as gently—but insistently—as ever.
Autism ((vibro)) Segment CD  
Autocreation Gruff/Sauce Template 12 1995
Autocreation Caught Short EP Op ART 12 1996
Autocreation Meddle Inter-Modo CD 1996
Autopoieses Live a Noir Ritornell CD 2000
Autorepeat The Unbearable Lightness of Autorepeating SSR CD 1999
Autour de Lucie Chanson Sans Issue Remixé Nettwerk CD 1997
Autour de Lucie Immobile Nettwerk CD 1998
Avalanches, the Since You Left Arista CD 2000
Avarus AVP (live) Lattajja CD-R  
Avarus III HP Cycle LP  
Avey Tare & Panda Bear Spirit They're Gone, Spirit They've Vanished Animal CD 2000
Avey Tare & Panda Bear & Geologist Danse Manatee Catsup Plate CD 2001
Axelrod, David Requiem Liberty CD 1993
Axelrod, David David Axelrod Mo'Wax CD 2001
Ayers, Kevin Joy of a Toy BGO CD 1969
Ayers, Kevin Whatevershebringswesing BGO CD 1971
Ayers, Kevin The Confessions of Dr. Dream BGO CD 1974
Ayers, Kevin Odd Ditties CD-R 1976
Ayers, Kevin (and The Whole World) Shooting at the Moon BGO CD 1970
Ayers/Harris/Everall Mesmeric Enabling Device Soleilmoon CD  
Ayler, Albert Spiritual Unity ESP / Get Back CD 1964 (2000)
Ayler, Albert Bells / Prophecy ESP / ZYX CD 1965 (1998)
Aztec Camera High Land, Hard Rain Sire CD 1983
Aztec Camera Stray Reprise LP 1990
Aztec Mystic, the The Shining Path EP Underground Resistance 12  
Azusa Plane, the 1: Fall / Meander Doorstep Vinyl 7 1995
Azusa Plane, the America is Dreaming of Universal String Theory Colorful Clouds for Acoustics 2CD 1998
Azusa Plane, the The Highway’s Jammed with Broken Hearts (K-RAA-K)3 CD 2001
Azusa Plane, the Tycho Magnetic Anomaly and the Full Consciousness of Hidden Harmony Camera Obscura CD 1997. One Fender guitar, an eight-track tape recorder and a healthy ration of reverb and other effects pedals birth entire worlds of sound in the hands of Philadelphia’s Jason DiEmilio. The Azusa Plane (the name comes from Akira Kurosawa) was originally a self-limiting vehicle for a series of ten collectible seven-inch singles. With his first album-length portion of Plane-age, DiEmilio spreads his wings, reveling in the possibilities afforded by unlimited space. Tycho's four tracks are split between wonder-works of imbricated, delay-soaked echoes and liquid melodic glimmers (“Temporal Continuum,” “The Miracle of the Octave”) and monolithic glacial floes of cavernous drone (“Implications of Holomovement”). DiEmilio’s radiant fabric is woven with threads borrowed from the romantic/pastoral school of six-string poetry (Vini Reilly, Roy Montgomery, Stars of the Lid, Flying Saucer Attack) as well as from the noisier likes of Skullflower, Total, Our glassie Azoth and Maeror Tri. Tycho also reflects the massed-guitar orchestrations of Rhys Chatham and Glenn Branca, direct inspirations for the 28 minutes of mirrored oceanic splendor and celestial melismata that close the disc (“Armonia Aphanes Phaneros Kreisson”). On both scales, intimate and infinite, DiEmilio perfects the sonic smoke-and-mirrors trickery of The Azusa Plane, imprinting mirages and illusions upon seemingly amorphous tone-drift.
Azusa Plane, the Cheltenham Ochre 10  
Azusa Plane, the Jacques Offenbach's Opera Efforts Amish LP  
Azusa Plane, the Lou, Nico, John, Sterling & Maureen Blackbean & Placenta LP  
Azusa Plane, the / Füxa 2: Beyond Infinite / Opelwerks Doorstep Vinyl 7  
Azusa Plane, the / Grimble Grumble A Minimalist Plot to Destroy Modern Rockism / Second Mind Enraptured 7  
Azusa Plane, the / Juicy Eureka Calvin Johnson Has Saved Rock for an Entire Generation / Air - Bedlam Lissy's 7  
Azusa Plane, the / Lab Rat Instress vol. 5: Hal / Que por Bien no Venga Road Cone 7  
Azusa Plane, the / Loren MazzaCane-Connors 3: Every Wave Has its Own Integrity / Spirit Doorstep Vinyl 7  
Azusa Plane, the / Octal Song for Claudia Cardinale / I've Fallen Earworm/Worm23 7  
Azusa Plane, the / Roy Montgomery She was Into S&M… / Cumulus & Fugue Colorful Clouds for Acoustics 7  
Hosted by www.Geocities.ws

1