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The glazes used at the pottery will be a combination of common glaze recipies that are found in ceramic resourse books. Some examples include Leach White, Temmoku, Babu celadon, Egg shell white and some others. In concert with the glazes there will be slips that work together with the fly ash in the kiln to create their own unique affects.

There are also intentions to develop a pallete of glazes and decorating slips/oxides acquired from local resources.

The ultimate goal of this pottery is to be a fully indigenous studio, making use of local clays and glazing/decorating materials.

Why bother???

First, the idea of developing a unique and local product has been very appealing to this potter.

Second, there is the idea that less overhead cost means a better return for the business. However, as the saying goes, "Spend time, save money." There is a serious time investment made to accomodate this approach to the creative process.

Third, there is a theraputic quality to working in this manner. The greater personal investment in the preparation of the materials adds to the satisfaction found in the end result, for the maker and end user.
The Clay
The Glazes
The Kiln
The Showroom
Studio Space
MAP to Pine Hill Pottery
View of the Wood-fired Kiln and the color pallette
of the First-firing.
Clay Recipe 2-4, fired to Cone 10 (2345*F) with 5 common studio glazes. Small hex-cylinders represent colors in oxidation: raw, Leach White, Tenmoku, Shino-Type, Babu Celadon and Sraw Tan.
Indigenous clay, simply put through a 60/in. mesh screen and fired to Cone 6 (2291*F) with commercial glazes. Upon closer inspection you would notice that about a third of the glazes are so dramatically absorbed by the clay that they hardly even look glazed. Others required up to three coats of glaze in order to communicate their intended color. Glazes with higher clay content were consistently more effective.
This is a portion of Sunflower Seed Ash that has been screened and will be used, in combination with glaze clay and Custer Feldspar, to develop a natural ash glaze.
The Glazes
Babu Celedon ^9-10
Custer Feldspar    4000gm
Flint                      3000gm
Whiting                 2000gm
EPK                      1000gm
Tin Oxide                200gm
Yellow Ochre          100gm
Bentonite OR          200gm
Glaze Clay
                            10500gm
Leach White ^9-10
Custer Feldspar    3375gm
Nepheline Syen.   1125gm
Whiting                 1800gm
Flint                      2700gm
Bentonite                180gm
Zircopax                 900gm

                            10080gm
Shino Type ^9-10
Soda Ash                   335gm
Kona F-4 Feldspar  1466gm
Nepheline Syen.      5026gm
Spodumene              1257gm
Ball Clay                  1624gm
EPK                           292gm

                                10000gm
Tenmoku
(Good Black) ^9-10

Custer Feldspar   3003gm
Flint                     3640gm
Whiting                1547gm
EPK                       910gm
Iron Oxide            1001gm

                           10101gm
Copper Red ^9-10
Silicone Carbide          35gm
Frit #3134                 425gm
Potash Feldspar      6400gm
Frit #624                   100gm
Whiting                     250gm
Zinc Oxide             137.5gm
Bentonite                  250gm
Flint                        2250gm
Tin Oxide                  125gm
Copper Carbonate      70gm
                        
                           10042.5gm
Reitz Rutile ^9-10
Nepheline Syen.  7000gm
Whiting                  500gm
Gerstley Borate     200gm
Petalite                 1500gm
Kaolin (EPK)         800gm
Rutile                     800gm

                           10080gm
The Clay
The Glazes
Wood-fire Kiln
The Showroom
Studio Space
Workshops
Raku Kiln
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