| (Cleveland '76) BURP 004 | ||||||
| Music Hall Cleveland, USA, April 15, 1976 | ||||||
| 1.01 | [06:30] | [05:35] | Dance on a volcano | |||
| [00:55] | Thank you. Feeling pretty good. Alright. Good evening again, Cleveland. I'm sure some of you were here yesterday. And good evening to all those people out there listening on their radios in stereo, taping it. Yeah, we know it goes on, we know it goes on. Don't buy the album, take the radio show. Yes, I know. | |||||
| 1.02 | [05:10] | [00:31] | Well, the next thing we're gonna play... Last time, in fact last night and last time we played in this very building we played you our story of Rael called "The Lamb Lies Down On Broadway". And tonight, tonight we've taken three pieces from that story and we're gonna play them to you now as a short version. And we've retitled it for the purposes of the event "Lamb Cutlet". | |||
| 'The lamb' medley (type 1): | ||||||
| [04:39] | The lamb lies down on Broadway | |||||
| 1.03 | [02:57] | [02:57] | Fly on a windshield | |||
| 1.04 | [05:16] | [04:48] | The carpet crawlers | Phil sings this in a very high voice. | ||
| [00:28] | Thank you. Lovely, thank you. | |||||
| 1.05 | [12:06] | [01:04] | And the next tune, the next one, ah, what shall we do? The next one tells of two virgins, one over there in the male sector, called Romeo, and over there in the female sector called Juliet. And on weekends they're allowed to mingle, and Romeo this weekend wants to take Juliet's virginity. He can't wait. And so he's thinking to himself: "If I get me dad's car, where can I take Juliet so [...]" Although there is one place where he thinks he can take her to live out his sexual desires and that's the drive-in. And so he gets Juliet in the car and he goes down to the local drive-in and he set up at the back of the park where no-one can see them and he starts slowly to unzip Juliet's dress. Our Juliet's loving every minute. But of course unbeknown to those two, we sent our roving eye reporter down there, and in the car next door with his binoculars he told us what he say and we've... we're gonna tell you what he saw. It's called "The cinema show". | |||
| [10:20] | The cinema show | |||||
| [00:42] | Thank you! ... Alright! | |||||
| 1.06 | [06:39] | [00:43] | And now for the story of Harry. Harry the criminal. Harry the arch-enemy of all human beings. Actually, Harry was only a thief after all and I'm sure there are a lot of thieves in the audience, some of whom might have known Harry. Harry was, um, yes he was a criminal in Victorian London, and tonight he was gonna rob a safe. And we're gonna tell you just what happened 'cause Harry eventually got caught and due to a quirk of fate he managed to spend his sentence instead of in jail in the appeal courts. And this is his story, it's called "Robbery, assault and battery". | |||
| [05:38] | Robbery, assault and battery | |||||
| [00:18] | Ithangyou. | |||||
| 1.07 | [08:05] | [00:46] | [Mike:] Thank you. Anybody hot? So am I. There once lived a wolf - you might have heard this story before if you were here last night - anyway... ah, you did. This wolf, he found this very old record, and the record was called "Trespass". Mmh. And he wiped the dust off and he saw that one of the songs was all about him, this kinda scraggy old wolf this wolf. Eh? Never could understand the American accent. Anyway, sorry. This wolf ... What the heck. The next song is called "White mountain". | |||
| [06:12] | White mountain | |||||
| [01:07] | [Phil:] Thank you. And now ... And now, um, while we're having a quick rub-down here and changing a few tones there and putting a few volumes up and a few volumes down, I'd like to, ah, draw your attention to the, your left-hand side of the stage, near the back. Behind a row of metal, plastic and wood is someone you don't normally associate with us, but he's here as a special guest. Would you welcome Mr Bill Bruford. | |||||
| 2.01 | [10:10] | [00:11] | Okay, and now on with something from "Selling England". This is called "Firth of Fifth". | |||
| [08:09] | Firth of Fifth | |||||
| [01:50] | [Mike:] Thank you. Did you know you're on the radio tonight? You do. Nervous about it? Low down. Now, the third thing you have to know if you want to play in a group is the ballet-training. The ballet-training. Like that. Now Phil has studied this for years in Manchester, England, a small farming town, and over the years - Look at him go, look at him go. Mr Phil Collins! ... During the course of this next song he may, at any moment, break out into his exciting gyrations, as you see him going now. And if he does - well, I'm sorry. ... And we'd now like to play for you a song called "Supper's Ready". | |||||
| 2.02 | [23:19] | [23:00] | Supper's ready | |||
| [00:19] | Thank you! | |||||
| 2.03 | [06:13] | [05:01] | I know what I like | Very pronounced "lawnmower" sounds. | ||
| [01:12] | Thank you. And now, well that's about all from us. Ah, one more number. We'd like to thank everybody for coming, those that came yesterday as well, all of those millions out there on the radio listening and taping it - we know you're there, we know you're there. And, oh say "hello" to everybody on the radio, come on [audience cheers] Yeah, you're all nought, you're all vain! Okay, thanks very much. This is called "Los Endos". | |||||
| 2.04 | [07:13] | [06:33] | Los Endos | |||
| [00:40] | Thank you! | |||||
| 2.05 | [03:28] | [00:10] | Thank you once more! | |||
| 'It' medley: | ||||||
| [03:18] | It | |||||
| 2.06 | [02:14] | [02:08] | Watcher of the skies | |||