THE MATRIX RELOADED: THE ABRIDGED SCRIPT�

                       By Rod Hilton


FADE IN:

EXT.  DARK, NOIR-ESQUE CITY STREET

A computer model of CARRIE-ANNE MOSS with an
inhuman-looking face flies out of a window, shoots at an
agent, and is killed.

INT.  THE NEBUCHADNEZZAR - BLUE

KEANU REEVES wakes up from his nightmare.  CARRIE-ANNE
MOSS, played by a human being, is laying next to him.

                        KEANU REEVES
            Whoa.

                      CARRIE-ANNE MOSS
            What's the matter? Did you wet the
            bed again?

                        KEANU REEVES
            I had this dream.  You flew out of
            a window in slow-motion and shot at
            an agent and he killed you.

                      CARRIE-ANNE MOSS
            Well of course you dreamed that -
            you've gone online and watched the
            Matrix Reloaded trailer like fifty
            times in the past two days.

                        KEANU REEVES
            Did you see the computer generated
            me fight all those Agent Smiths? It
            was awesome! I'm gonna go hack in
            and watch it again now.

INT.  DARK, NOIR-ESQUE SEWER

LAURENCE FISHBURNE, CARRIE-ANNE MOSS, and KEANU REEVES join
#SewerChat with all the other rebels.

                     LAURENCE FISHBURNE
            Gimme ops! I want ops!

                     JADA PINKETT SMITH
            Shut up.  Listen everyone.  The
            Osiris has sent a transmission - the
            machines are drilling straight down
            to Zion.  It's a wonder they didn't
            think to do this sooner.

                     LAURENCE FISHBURNE
            Ops! Ops! Ops!

                     JADA PINKETT SMITH
            Fine! Jesus.

* SexyJada69 sets mode: +o TheOneBeliever.

                     LAURENCE FISHBURNE
            Woohoo!

* SexyJada69 was kicked by TheOneBeliever (Don't hog ops!)
* Joins: SexyJada69

                     JADA PINKETT SMITH
            Not funny.

                     LAURENCE FISHBURNE
            Sorry.  Okay, everyone.  I believe
            the Gloria Foster will contact us
            soon, so I need one ship to stay
            back here and be available if she
            makes contact.  This goes directly
            against the order of our military
            commander, but he's a total dick, so
            fuck him.

* SexyJada69 has quit (irc.logos.net irc.thematrix.com)
* -[Ghost]- has quit (irc.logos.net irc.thematrix.com)
* StokChar02 has quit (irc.rebels.net irc.thematrix.com)
* StokChar01 has quit (irc.rebels.net irc.thematrix.com)
* TheOne has quit (irc.nebuchadnezzar.net
irc.thematrix.com)
* Trin303 has quit (irc.nebuchadnezzar.net
irc.thematrix.com)

                     LAURENCE FISHBURNE
            Oh shit.

* Joins: -[Ghost]-
* Joins: StokChar02
* Joins: TheOne
* Joins: AgentJohnson
* Joins: Trin303
* Joins: StokChar01
* Joins: AgentJackson
* Joins: SexyJada69
* irc.thematrix.com sets mode: +o AgentJohnson
* irc.thematrix.com sets mode: +o AgentJackson
* AgentJackson sets mode: -o TheOneBeliever
* AgentJohnson changes topic to 'Th3 M4tr1x h4s j00
h4h4!!1!'

                     JADA PINKETT SMITH
            Agents! Get the hell out of here!

* Parts: SexyJada69
* Parts: StokChar01
* Parts: StokChar02
* Parts: Trin303
* Parts: TheOneBeliever
* Parts: -[Ghost]-

                        KEANU REEVES
            I don't feel the slightest bit
            intimidated, and as a result the
            audience feels absolutely no danger.

                       AGENT JACKSON
            That's a shame, since this is the
            first fight scene and should really
            get them hyperventilating.

They use kung fu and KEANU beats the crap out of the AGENTS
and flies away.

INT.  ZION

All of the ships head to ZION.  Nothing happens for a
while. Characters talk to other characters.  Eventually,
there is an erotic rave scene, but it too is somewhat
boring. The AUDIENCE goes to sleep.

                          AUDIENCE
            This is what they're fighting to
            save? It sucks! Wake me when they're
            back in the matrix.

Eventually, GLORIA FOSTER contacts KEANU, and they visit
her.

EXT.  WELL-LIT, NON-NOIR PARK

KEANU sits down next to GLORIA FOSTER after fighting SING
NGAI for no good reason.

                       GLORIA FOSTER
            Hello Keanu.  My dialogue this time
            around isn't anywhere near as well
            written as the last time we talked,
            so let me get to the chase.  I'm a
            program, all of your decisions have
            already been made, Trinity is going
            to die, and you need to find Randall
            Duk Kim.  Gotta run!

                        KEANU REEVES
            Got it.  Hey, have you seen that
            spoon-bending kid from before? There
            haven't been any cool quotable
            phrases in this movie and I think he
            could help.

GLORA shakes her head and leaves.

                        HUGO WEAVING
            Mr.  Anderson.

                        KEANU REEVES
            That's good, but it really came
            from the first movie.  Got anything
            else?

Suddenly, a bunch of other HUGO WEAVINGS show up.  They
FIGHT to VIDEO GAME MUSIC.  Despite all of the enormous
hype, it is extremely clear when the scene switches into
CGI-mode.

                        HUGO WEAVING
            Why are you using kung fu? Can't
            you jump inside us and delete us
            like in the last movie? Isn't that
            one of your super awesome powers?

                        KEANU REEVES
            Nah, the only real new power I have
            is flight.

                        HUGO WEAVING
            That sucks.

                        KEANU REEVES
            Not as badly as my appearance when
            I do my little mid-air spin move
            with this pole.

He fights and fights and fights and eventually gives up and
flies away.

INT.  WELL-LIT, NON-NOIR RESTAURANT

LAURENCE, CARRIE-ANNE, and KEANU enter the restaurant and
talk to LAMBERT WILSON.

                     LAURENCE FISHBURNE
            We want Randall Duk Kim.  I am
            totally dead serious here, as I
            always am.

                       LAMBERT WILSON
            I won't give him to you, but you
            can use my girlfriend, Monica
            Belluci to go behind my back and get
            him. Now if you'll excuse me, I'm
            going to go have some matrix sex.

                       MONICA BELLUCI
            Grrr, I get so mad when he cheats
            on me.  To spite him, I will give
            you Randall.

                        KEANU REEVES
            Wait, you're a program right? So
            some machine actually specifically
            programmed you and gave you the
            ability to be jealous, conniving,
            and spiteful?

                       MONICA BELLUCI
            Not only that, but they made me a
            hornball. I will only help if you
            make out with me.

                     LAURENCE FISHBURNE
            What? It's bad enough that the
            agents no longer pose any threat at
            all, but now these are the kind of
            obstacles we must overcome to save
            Zion? Make out with Monica Belluci?
            What will we have to do next, eat
            our way through a prison wall made
            of chocolate?

MONICA helps them and they escape with RANDALL DUK KIM in a
car.

                     LAURENCE FISHBURNE
            Hurry, we have to get Randall out
            of here!

                      CARRIE-ANNE MOSS
            And take him where, exactly?

                     LAURENCE FISHBURNE
            Uhhhh..  away from the bad guys? It
            doesn't matter, we're just waiting
            for Neo to save us.

                      CARRIE-ANNE MOSS
            Don't you realize that without any
            real goal, this scene is utterly
            without tension, regardless of how
            cool it is, stylistically?

                     LAURENCE FISHBURNE
            This is a matrix film, there's no
            point to anything other than style.

They are CHASED by TWO ALBINO RASTAFARIANS.  More video
game music plays in the background.

                   ALBINO RASTAFARIAN #1
            We are utterly pointless.

                   ALBINO RASTAFARIAN #2
            Yes we are.

Eventually, KEANU REEVES saves them all and takes them to a
secret hideout.

INT.  DARK, NOIR-ESQUE CONFERENCE ROOM

LAURENCE, KEANU, CARRIE-ANNE, JADA, and VARIOUS OTHER
REBELS meet with RANDALL DUK KIM.

                      RANDALL DUK KIM
            To save your world, you must strike
            at exactly midnight..  it will
            require a complicated three-pronged
            attack...

                          AUDIENCE
            Holy shit, we're at the climax of
            the film! I haven't seen anything
            from this in the trailer - it must
            be fucking amazing, especially since
            it has to top the burly brawl and
            the car chase.

We see a montage of shots from the important mission while
RANDALL and THE REBELS discuss the plan in voiceover.  Once
the discussion is over, the problem is solved.  KEANU enters
a ROOM OF LIGHT.

INT.  WELL-LIT, NON-NOIR WHITE ROOM

KEANU enters a white room, the walls of which are covered
in monitors.  A chair spins around to reveal THE EXPLAINER.

                        KEANU REEVES
            Who are you?

                       THE EXPLAINER
            I am The Explainer.  I designed the
            matrix screenplay.  Unable to
            decently explain the convoluted plot
            well, I have resorted to putting
            myself here in the final act and
            having you ask all of the questions
            the audience wants to ask.
                 (dramatic pause)
            You must begin by asking your own
            questions then gradually switch to
            asking those of the audience, in
            order to not make this scene any
            more awkward than it already is.
            Concordantly, while your first
            question may be the most pertinent,
            you may or may not realize it is
            also the most irrelevant.

                        KEANU REEVES
            Why am I here?

                       THE EXPLAINER
            Many years ago, shortly before the
            success of Speed, you sold your soul
            to the devil in exchange for a
            promise of notoriety that your
            piss-poor acting skills do not
            deserve. This series is the
            actualization of this promise.

                        KEANU REEVES
            What was the Osiris? And who was
            that kid in zion who kept pestering
            me?

                       THE EXPLAINER
            You will find the answers to these
            questions by purchasing The
            Animatrix, a collection of nine
            animated shorts from some of Anime's
            top directors.

                        KEANU REEVES
            Alright.  Well, what was that crap
            Glora said about vampires and
            werewolves? And how did Jada Pinkett
            Smith get to Laurence Fishburne
            during the car chase? And what the
            hell happened during the power plant
            takeover climax that-wasn't?

                       THE EXPLAINER
            You will find the answers to those
            questions by purchasing the Enter
            The Matrix game, available for
            Windows, Playstation2, Xbox, and
            Gamecube. Enter the Matrix features
            awesome gunplay and spectacular
            martial arts that bend the rules of
            the Matrix.  This game isn't just
            set in the Matrix universe--it's an
            integral part of the experience,
            with a story that weaves in and out
            of The Matrix Reloaded.  Enter the
            Matrix is the story behind the
            story.

                        KEANU REEVES
            Fine! Then tell me this, what the
            hell is with Hugo Weaving saying he
            and I have some special connection?
            And how come I can control machines
            in the real world? And will we win
            the war if I don't choose the door
            to my right?

                       THE EXPLAINER
            You will find the answers to these
            questions when you watch The Matrix
            Revolutions, coming later in 2003.

                        KEANU REEVES
            I hate you.

                       THE EXPLAINER
            Perhaps you should drink more
            Powerade.

                        KEANU REEVES
            Just answer me one question.  We're
            not going to find out that the real
            world is in another matrix, are we?

                       THE EXPLAINER
            Christ I hope not.

KEANU leaves and flies to save CARRIE-ANNE MOSS from being
shot. She is SHOT anyway.  Then KEANU reaches into her
matrix code and pulls out the bullet in a comical fashion.

                      CARRIE-ANNE MOSS
            That was preposterous.

                        KEANU REEVES
            Wait till you see what I do outside
            of the ship.

THE CREDITS roll, as DISC ONE of the soundtrack is played
in its entirety.

END
                                                           
Copyright 2003 Rod Hilton. All Rights Reserved. This document may be reproduced verbatim (allowing censorship and translation) as long as the author's name is preserved and this notice is either preserved or referenced.
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