chapter 36
THE MEANING OF THE BEAUTIFUL
THE MEANING OF THE BEAUTIFUL
Sunday morning on my return from Rome last
nite
6:00 am Feb.
6, 2000
What is the drive that propels the human being to
create the Beautiful? Whence the form, the color,the proportion, the
shape, the grandeur, the massive sweep,and the originality of the
great works of art?
What force drove someone to create the
overwhelming beauty of the altar Mosaic of the basilica of Maria
Maggiore? The facade of the Cathedral of Siena? The sweep of St. Paul's
outside the walls? The loveliness of Santa Ignese in the Piazza Navona?
Who can look at the ceiling of the Sistine chapel
and the painting of the Last Judgment, called the most beautiful wall
painting in the world and not GASP in astonishment? Who can view
these marvels and not doubt his own eyes? Is it all an illusion?
This coculd not be created by human beings, could it? Yet-- there
is it--before me--- and more and more and more.
How does one grasp or understand or explain
this beauty to oneself?
Is it sheerly an artistic urge which cannot be
denied? Is it a force within certain gifted people which simpl,y MUST
come out? This is probably true---up to a point!
Is it something impoverished artists did for
money? To satisfy wealthy and powerful patrons--like Popes,Kingss
and landowners? This is probably true---up to a point!
Is it a matter of competition
among the Lords of the " manor" striving to outdo each other?
Is it keeping up with or outdoing the
Joneses of an earlier era? This is probably true-- up to a point!
But there is another factor which is probably
unacceptable to a secular mind and likewise uncomfortable to the modern
spirit. There is an inherent drive in the human soul to reach out for
and to touch the DIVINE. There is in all of us an underlying sense of
The Something Else! The Blessed apostle Paul noted this
factor in Athens as he observed their altar to the UNKNOWN GOD!
In ancient Rome, in the preChristian ascendency,
there was ( and is ) a magnificent edifice called the
"Pantheon" which was a temple erected by the pagan
Romans to ALL the gods.
If underveloped,there was a belief that the divine
had an influence on human affairs. Later the great St.Augustine of
Hippo made his own famous statement in his "
Confessions"
( understood as testimonies). " Thou
hast made us for Thyself,O God, and our hearts are restless until they rest in
Thee."
Interestingly, the Pantheon,previously a temple
to polytheism, remains as beautiful and awesome as ever, but as a
Christian Catholic church in which the sacrifice of the Mass is celebrated
daily. The divine is touched by the human each day enclosed
by this physical beauty.
This development and transition from the
pagan to the Christian is further illustrated
by the pagan monuments in the Roman Scavi.
For example, one sarcophogus has on one earlier side intricate carvings
showing pagan belief while on the other and later side there are
carvings indicating the Christian notion of life after death. It was as
if there was a building and development from the pagan custom of sliding
down to the cadavers supplies of bread and wine to the Christian
notion of the eternal feast with Christ in heaven.
However, we were taught in Rome that
the incredible Michaelangelo was not only the great art genius of ALL
time but that he was basically a theologian! When one views
his work, such a statement seems like bringing coals to Newcastle. When
one marvels and meditates and soaks in the magnificence which is
the Sistine chapel, it is obvious that no one could do THAT
without a profound sense of and belief in God. This man
touched God. Wilhelm Ropke once wrote that ".......the
ultimate source of our civilization's disease is..... the
desperate attempt to get along without God"
There would be no Sistine chapel or
Siena facade or Burial of the Count if these artisans
had not touched or been touched by God.
So, what is the drive to beauty? It is surely
complex but clearly based on the Supreme Being.
Even if this is seen, it still drives the
soul. Recall the English poet, Francis Thompson, in his
"Hound of Heaven" in which he describes
--with beauty-- the search of the human being for the BEAUTY. No matter what
the mode, the drive to the beautiful ( hidden as it may be) is a God search
and reaching to touch the effable-- to give glory to God. This is why
even the lowliest peasant, anywhere,wishes to be part of the Glory--even
if that means only that he throws his few lire or rupees or pennies into
the " box" for the " maintenance of the
Bascilica."
No wonder we are awed by the Moses and the David
and the Pieta! They tune us in to our REAL frequency--------the
Lord, the One Who is !
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