chapter 36 THE MEANING OF THE BEAUTIFUL

THE MEANING OF THE BEAUTIFUL

 
Sunday morning on my return from Rome  last nite
6:00 am       Feb. 6, 2000
 
What is the drive that propels the human being to create the Beautiful?  Whence the form, the color,the proportion, the shape, the grandeur, the massive sweep,and the  originality  of the
 great works of art?
 
What force drove someone to create the overwhelming beauty  of the altar Mosaic of  the basilica of Maria Maggiore?  The facade of the Cathedral of Siena? The sweep of St. Paul's outside the walls?  The loveliness of Santa Ignese in the Piazza Navona?
 
Who can look at the ceiling of the Sistine chapel and the painting of the Last Judgment, called the most beautiful wall painting in the world  and not  GASP in astonishment? Who can view these marvels and not doubt his own eyes?  Is it all an illusion?  This coculd not be created by human beings, could it?   Yet-- there is it--before me--- and more and more and more.
 
How does one grasp or understand or explain  this beauty to oneself?
 
Is it sheerly an artistic urge which cannot be denied? Is it  a force within certain gifted people which simpl,y MUST  come out?   This is probably true---up to a point!
 
Is it something impoverished artists  did for money?  To satisfy  wealthy and powerful patrons--like Popes,Kingss and landowners?   This is probably true---up to a point!
 
Is it a matter  of competition   among the  Lords of the " manor" striving to outdo each other?
Is it  keeping up with  or outdoing the  Joneses  of an earlier era?  This is probably true-- up to a point!
 
But there is another factor which is probably unacceptable to a secular mind and  likewise uncomfortable to the modern spirit. There is an inherent drive in the human soul to  reach out for and to touch the  DIVINE. There is in all of us an underlying sense of The Something Else!  The Blessed apostle  Paul noted  this  factor in Athens as he observed their altar to the UNKNOWN  GOD!
 
In ancient Rome, in the preChristian ascendency, there was  ( and  is ) a magnificent edifice called the "Pantheon" which was a temple erected  by the pagan  Romans  to ALL  the gods.
If underveloped,there was a belief that the divine  had an influence  on human affairs. Later the great St.Augustine  of Hippo made  his own famous statement in his  " Confessions"
( understood as  testimonies). " Thou hast made us for Thyself,O God, and our hearts are restless until they rest in Thee."
 
Interestingly, the Pantheon,previously a temple  to polytheism, remains as beautiful and awesome as ever, but as  a Christian Catholic church in which the sacrifice of the Mass is celebrated daily. The divine is touched  by the human each day   enclosed by this physical beauty.
 
This development  and transition from the pagan to the Christian is further illustrated
by the pagan monuments  in the Roman Scavi. For example, one sarcophogus has on  one earlier side intricate carvings showing pagan belief  while on the other and later side there are carvings indicating the  Christian notion of life after death. It was as if there was a building and  development from the pagan custom of sliding  down to the cadavers  supplies of bread and wine  to the Christian notion  of the eternal feast with Christ in heaven.
 
However, we  were taught  in Rome that the incredible Michaelangelo was not only the  great art genius of ALL  time but that he was  basically  a theologian!  When one views  his work, such a statement  seems like bringing coals to Newcastle. When one marvels  and meditates and soaks in the  magnificence which is the Sistine chapel, it is obvious  that no one could do THAT  without a profound  sense of  and belief in God.  This man  touched God. Wilhelm Ropke once wrote  that  ".......the ultimate source of our civilization's   disease is..... the desperate attempt to get along without God"
 
There would be no Sistine chapel or  Siena facade or  Burial of the Count  if these  artisans  had not touched  or been touched by God.
 
So, what is the drive to beauty? It is surely complex but clearly based  on the Supreme Being.
Even if this is seen, it  still drives the soul.  Recall the English poet, Francis Thompson, in his
"Hound of Heaven" in which he describes --with beauty-- the search of the human being for the BEAUTY. No matter what the mode, the drive to the beautiful ( hidden as it may be) is a God search and reaching to touch the effable-- to give glory to God. This is why  even the lowliest peasant, anywhere,wishes to  be part of the Glory--even if that means only that he  throws his few lire or rupees or pennies into the " box"  for the  " maintenance  of the Bascilica."
 
No wonder we are awed by the Moses and the David and the Pieta!  They tune us in to our REAL  frequency--------the Lord, the One Who  is !

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