Life

First medical, then music studies in Stuttgart and Paris. Compositions of all genres including electroacoustic music.
Some major performances:
1990 creation of "Oeg-Su", SWF Symphony Orchestra (L.Zagrosek cond.), 1991 creation of "Nituok-Sa" at Donaueschinger Musiktage (SWF Symphony Orchestra, M.Gielen cond.), 1992 creation of "Reztiyou" for voice and live-electronics at Festival "Presence", Radio France, Paris,  1994 creation of "Kanaguri" for voice and live-electronics, 1996 creation of the full length orchestral piece "Tich-Do" in Frankfurt (HR-Symphony Orchestra, Lucas Vis cond.), 1998 presentation of the music-continuum "Hall of 25 tones" in Paris, 2000 presentation of "Naiukha" for voice and piano at New Hampshire Music festival, USA), 2003 creation of "Gandiyan" for orchestra, live-electronics and synthesizer in Stuttgart (Staatsorchester, L.Zagrosek cond.). 2009 creation of the "Requiem" for large orchestra, male choir and mezzosoprano in Tokyo (Tokyo Symphony Orchestra, R.Numajiri cond.), 2012 creation of the music drama "Ne Naprasno" for speakers and ensemble in St.Petersburg (F. Lednev cond.); 2015 creation of (..... Cantata of Good News) for choir, soloists, organ, synthesizer, piano and percussion;  2017 creation of "Quartets" for orchestra in Augsburg; 2018 creation of "Vertreibung/ Flucht/Hoffnung" in Aix en Provence, of "futuristic piece" in St.Petersburg. 2019 creation of the orchestral pieces "Orchraga" and "(....verwegen)" in Augsburg.

Radio-emissions devoted to his work by Deutschlandsender-Kultur and SFB

Development of a new interdisciplinary function-related analysis-approach, based on cybernetic principles. Presentation at the Darmstadt-summercourses as "main lecturer" 1988-1994. Publications on this topic in the series "Musikkonzepte" among others.  Use of this approach also in composition, e.g.  chords based on the "relativity-theory of dissonance", gradation of rhythmic pulsation states, dynamic action frameworks; the esthetic aim being "sonal music", that is music mainly based on the concept of "sound in variation ", however, supported by harmony, vitalized by rhythm and directed in a melodic way

Also pianistic activity mainly performing own pieces, in addition live-electronics- and synthesizer-performer, playing his synthesizerarray presenting his pieces composed for it. Recently also conductor of the International Music Ensemble Augsburg, which he founded and which performs his special "orchestral" music