EVENT SCHEDULE
August 18-20 Wheeler County, GA
Drill/Fishing/Live Fire Encampment
September Let's talk about September as
there is Battle for the Bridge, Tunnel Hill
and Chancelorsville.
October 7-8 Andersonville Encampment
October 13-15 Jonesboro Living History
October 20-21 Pickett's Mill, Candlelight
Living History
October 27-29 Loudoun County, Virginia
Preservation March
November 10-12 Lafayette, GA Mahan's
Outpost
Members need to contact Jerry
Gouge regarding their desire to participate
in the above listed events. We need to
begin registering now. Some of the events
require a registration fee. Let's register as
a group for each of these events rather
than have individuals sending in their
monies. Contact Jerry Gouge at 800-824-
8083 days, 843-757-3689 evenings or at
[email protected]. Information
regarding future events will be published in
the future newsletters.
PROPOSED CANDIDATES
If anyone has a man they feel would
fit into what we are trying to accomplish,
feel free to mention his name to Jerry
Gouge who will publish his candidacy in the
next newsletter.
Proposed Candidates
Shane Karney
Ron Kelly
Jeff Jue
If you feel that these men do not fit with
our group call me. If I do not receive 2
negative votes for any of them then they
will be mailed invitations around the end of
July.
Outstanding Invitations
Peter Bonner
Mark Pollard
KENNESAW MTN
All of the feedback received to-date
has been positive. Everyone seemed to
enjoy themselves immensely. The food
was good, the drill was both well managed
and informative, the comradery was great.
The 1st Georgia State Line were excellent
host and Robby Mitchell and George Eason
did a great job in leading us through our
paces. I was greatly impressed when we
built the breastworks in such a short period
of time. We moved this huge tree as a
group, one that I thought immovable,
teamwork.
Those attending were: George
Eason, Rod Glock, Jerry Gouge, Ron
Green, Chuck Haskell, Dutch Henderson,
Andrew Jerram, Paul Jerram, Richard
Kelly, LeBron Matthews, Robby Mitchell,
Hunter Poythress and Mark Taylor.
FROM THE RANKS
There are many of us in the 1st
Georgia Regulars who hold senior positions
in other commands. At Kennesaw on
Friday night there were seven of us under
a shebang who all hold rank at the sergeant
or higher level. All seven were in the
ranks for the weekend serving as privates.
There was a lot of experience in that group
and there is a lot of experience in the
Regulars.
We must be constantly vigilant and
avoid all attempts at expressing ourselves
or voicing opinions while in front of the
public. When you are serving as a private
act as a private. Be quiet in the ranks and
do not attempt to influence the manner of
the drill or interfere in any way. Let the
officer and NCOs in charge do their job.
Let them make mistakes if necessary. The
time for discussion is back in camp, not in
front of the public. Basically be
professional.
FOOTPRINTS
Jerry Gouge has multiple copies
of Footprints of a Regiment by William
Andrews, 1st Sgt. Co. M, this is the
history of the 1st Georgia Regulars, if
you have not read it and would like to
borrow a copy get in touch with him.
If you have a borrowed book out on
loan please return it as soon as possible
so that others can borrow it.
MAHAN'S OUTPOST
We have paid for 15 slots for the
Mahan's event. So far I have received
payment from Rod Glock, Jerry Gouge,
Andrew Jerram, Paul Jerram, Jamie King,
and LeBron Matthews. That means there
are 9 open slots. I have word from a
number of you who have said that they are
going but I have not received your $5 yet.
Some of you have not committed yet as
you are not sure you have the proper
Federal gear. If you want to go we will
get you the equipment, do not let that put
you off. Let us help you.
Canteens of the Army of
Northern Virginia
Research Article submitted by Bret
Sumner, 4th Virginia
SWB Uniform and Standards Committee
Federal Canteens [1]
As we all know, the Federal army
was perhaps the most efficient
quartermaster for the Army of Northern
Virginia. There are numerous first person
accounts of Confederate soldiers utilizing
federal equipment, taken after a battle
from yanks who no longer needed it. I
recently read a first person account about
a Confederate private who, while a battle
was still raging, rushed in front of his own
line to obtain the haversack of a dead
federal soldier. (Several of us may
remember the SWB's very own Sgt. "Dusty"
Chapman of the 27th VA - doing something
similar this year during the Wilderness
Campaign at Sanders Field - to obtain
some yankee brogans!).
There were two basic patterns of
canteens issued to the Federal army during
the War Between the States: (1) the
"smoothside" pattern (aka 1858 pattern);
and (2) corrugated canteens (aka "bullseye"
canteens; aka 1862 pattern).
"Smoothside" canteens were
manufactured by a variety of Federal
contractors and were issued or produced
from the federal depots in New York,
Philadelphia, Cincinnati, and St. Louis.
The "Pattern of 1858" was described as a
"oblate spheroid tinned sheet iron" canteen,
which in modern parlance, translates to
"smoothside." The corrugated canteens
were first produced around July of 1862 by
the Philadelphia Depot. Corrugated
canteens generally had either 5, 7, or 11
rings on the sides, as opposed to being
smoothside, hence the modern parlance
"bullseye" canteen.
The New York Depot issued only
the smoothside canteen (1858 Pattern), it
did not have manufacturing capability and
therefore only received and shipped lots of
"complete" canteens received from its
contractors. New York Depot canteens had
the following characteristics:
1. The "body" of the canteen was made of
"oblate spheroid tinned sheet iron"
(translation = smoothside tin).
2. A spout of white metal (not tin),
occasionally mounted on the canteen with
large spout "shoulder" reinforcement that
bulged out from the
canteen.
3. The Stopper (cork with wire loop) was
attached with a jack chain, with a hole
punched in a tin strap keeper to hold the
chain.
4. New York Depot canteens had leather
slings until mid-1862, and then cotton,
linen, or cloth slings thereafter.
5. Most canteen covers were made of
course gray wool jean cloth. Some of this
jean cloth may have been dyed with
logwood, which would have faded
with exposure to the sun into a brownish
color.
The Philadelphia Depot issued
smoothside canteens until July, 1862 and
thereafter issued the "bullseye" pattern
canteen. The bullseye pattern
canteen had the following characteristics:
1. Corrugated sides with generally either 5
or 7 rings. 11-ring varieties were also
produced.
2. A spout of white metal (not tin).
3. The Stopper was attached with a string
or cord. No hole was punched into the tin
strap holder. Note: Only the New York
Depot produced jack chains for canteens.
Also, jack chains were not produced by any
Confederate state - jack chain
manufacturers were only located in the
North.
4. Leather slings - until approximately,
July 1862. By mid-1862, canteen straps
were made of one-inch white cotton herring
bone webbing.
5. Canteen covers were made of either (1)
cheap kersey; (2) cheap sky-blue or gray
satinet; (3) any other material available,
such as material from old blankets,
discarded overcoats, and upholstery
material.
General Characteristics of Federal
Canteens:
Canteen Slings:
Up until mid-1862, most federal
canteen sling was made of leather, with a
tin buckle and protector (which was a "lip"
of leather underneath the tin buckle,
apparently made to protect the uniform or
clothing from rust or staining). After
mid-1862, all federal depots manufactured
canteen slings were made of cotton, linen,
or cloth. The cloth straps had folded and
machine-sewn edges, or "four-panel, double
chevron" weave one-inch wide web. In
regard to non-leather canteen slings, its
interesting to note that numerous surviving
originals indicate that the soldiers modified
their canteen slings by shortening them and
then re-stitching the ends together. This
personal modification makes sense -
individual soldiers modified their slings to
fit their size, in an effort to keep their
canteen riding high on their body to avoid
the canteen banging against their legs or
hip.
Stopper Attachment:
As mentioned above, only the New
York Depot produced canteens with jack
chain stopper (cork) attachments.
Generally, all other Federal depots
attached the canteen stopper with
approximately 20 inches of stout cotton or
linen cord. The cord was tied in a loop and
passed through itself, first through the
stopper loop, and then through the sling
keeper loop.
Canteen Covers:
As mentioned above, the most
common material used for canteen covers
was cheap, course grey jean cloth or wool.
This material would oxidize with time and
develop into almost a "camel" color brown.
Other types of tan, brown, or gray jean
cloth were also used for covers.
Importantly, federal canteens with sky blue
covers were extremely rare, and dark blue
wool covers were non-existent.
Unfortunately, there is a prevalence of dark
blue or sky blue canteen covers in
re-enacting today. Dark blue wool was not
used for canteen covers because it was
fairly expensive and usually reserved for
the making of frock coats and sack coats.
Jean cloth was very inexpensive, yet
durable, material - and therefore more
practical for the construction of canteen
covers.
Confederate Canteens
I did not have time to conduct much
research regarding the issuance of canteens
produced by the Southern States and issued
to the Army of Northern Virginia. I have
not yet found any real documentation or
reliable secondary source material.
Obviously, there was a wide variety of
canteens worn by Confederate soldiers,
including a variety of wooden canteens
(most prominent in the Western Theatre),
tin drum canteens (please consult Echos of
Glory for representative examples), and
Federal canteens. I do know that
Confederate produced tin drum canteens
were issued to many ANV regiments in
1861 and early 1862. For example, I know
that some companies of the 4th Virginia
had tin drum canteens at First Manassas.
I also recently examined an extremely
detailed inventory of quartermaster and
ordnance records for the 4th Texas Vol.
Infantry - Hood's Texans (Longstreet's
Corps) and, interestingly, there are no
records for the issuance of canteens after
December 31, 1862. (I am in the process
of writing another article to discuss and
analyze these quartermaster records - they
are amazing).
Based upon examination of pictures
of Confederate prisoners (i.e. the famous
picture of Spotsylvania prisoners at "The
Punch Bowl" and the picture of prisoners
at White House Landing), it seems that
many of the Confederates with federal
canteens did not have any cover on them
whatsoever. It may be inferred from these
pictures that Confederate soldiers would
have "canabalized" their canteen covers in
order to use the materials for patching
worn clothing.
General Recommendations for
Fine-Tuning your impression:
(Remember - these recommendations are
just well-meaning advice from a pard, - and
should not be taken as directive or
mandatory requirement.)
1. Disregard sky blue or dark blue wool
canteen covers and replace with grey wool
or grey or brown jean cloth.
2. For late war impressions, the absence
of canteen covers and the utilization of
cloth or linen slings, as opposed to leather
slings would make sense.
3. Only smoothside (New York Depot)
canteens should have jack chain stopper
attachments. All other canteens should
have cord/string attaching the cork to the
canteen or no attachment at all.
4. Non-leather canteen slings should be
shortened to "ride high" on your body -
resting just above your hip. Extra holes can
be punched in leather slings to allow for
further shortening.
5. If you are doing an 1861-62 impression
and have a leather sling, you may wish to
consider purchasing a correctly construct
sling that has a "protector" (leather lip)
underneath the tin buckle. (Unfortunately,
there are very few people who make
correct reproductions - see below)
Modern Sutlers - Sources for Correct
Canteens:
1. Confederate Wooden Canteens: The best
source is Fort Branch Supply Co. - the
owner, Ken Bucher, makes an exact
reproduction of a Gardner pattern
Confederate wooden canteen, made of
juniper. This reproduction canteen is
copied from an original issued out of the
Raleigh Depot in North Carolina. Every
detail of this original canteen is
reproduced, including the depot stamp on
the sling, coopering the staves, applying the
banding, and sealing the inside with bees'
wax. These canteens are so authentic that
the National Park system and several
antique dealers requested that the
reproduction canteens be signed and
numbered to prevent one from being
passed off as an original. The cost is
$64.95 (which includes shipping). Contact
Information: Fort Branch Supply Co., P.O.
Box 190 Windsor, NC 27983; Phone: (919)
794-5400; e-mail: [email protected]
2. Federal Smoothside or Bullseye
Canteens: The most correct source is C&D
Jarnigan - yes, I said Jarnigan. However,
when ordering be sure to request a tin (not
stainless steel) canteen, with a canvas
sling and no cover. Jarnigan only offers
sky blue or dark blue canteen covers.
Contact: C&D Jarnigan - phone: (601)
287-4977; e-mail [email protected];
web-site: www.jarniginco.com
3. Correct Canteen Covers: Charlie Childs
offers a simple canteen cover kit
for $6.00. Contact: County Cloth, 13797-C
Georgetown St. NE, Paris, Ohio 44669;
phone: (330) 862-3307. You can choose the
material from his current selection of jean
and then he will send you a kit, with the
necessary markings and directions to assist
you in sewing the cover. Making your own
canteen cover is relatively simple and I
would be more than willing to assist (I
have no sewing ability to speak of, and I
still managed to make two decent canteen
covers).
In addition, I am hoping to obtain
some logwood dyed grey jean cloth in the
next couple of weeks, and I may be
offering canteen covers for sale at Cedar
Creek. My covers will be hand stitched and
I will hand-stitch the upper-half of the
cover at the event, as well as re-stitch your
cloth sling if necessary (for a modest fee or
a moderate amount of high quality liquor).
4. Correct Canteen Slings:
a. Cotton Web Straps: Leighton Young,
1601 Wingate Way Dunwoody
"Discipline Has Everything To Do With
Success."
Preliminary Notes on Martial Practice
(or the lack thereof) in Modern
Reenacting
By Robert A. Braun
Consider veteran soldiers during the War
of the Rebellion.
Not the survivors of one battle, but
veterans of many campaigns, marches,
skirmishes, foraging expeditions, and
pitched combats. How did these veterans
carry themselves? What was the "attitude"
of such soldiers 135 years ago? How much
has our modern assumptions colored the
reality of discipline within veteran
regiments? Or do we "know a veteran when
we see one?"
A simple experiment might expose
this last point. In which of the two sample
companies would you expect to find
veteran soldiers?
EXAMPLE 1.
At the command "Fall in!" the grizzled
sergeant fishes for his roll book in his
blouse. Corporals mark the company line as
soldiers, singularly and in small groups,
slowly amble towards the company line.
Talking and laughing, some with blouses
unbuttoned and trouser cuffs stuffed into
their socks, they shuffle and elbow into
their place in ranks. One man puffs on the
stub of a cigar; another drags his united
shoelaces through the mud of the company
street. Heads turn each which way as the
last of the soldiers comes into line. Some
rifle-muskets are carried at the shoulder;
others at the position of "Order, Arms."
Two men in the rear rank laugh
uncontrollably at some jest, while others
finish buckling their accouterment. At the
sergeant's command "Attention, Company!"
the company line bends and waivers as
some men continue to talk, while others
keep their pieces at an "order, Arms." The
First Corporal yells for the men to "Shut
up!" The sergeant again calls "Attention
Company" then, "Right Dress." The
company shuffles this way and that, with
corporals laboring to align the left of the
line with the right. A file-closer yells for
the man with the cigar to "Put that thing
out!" The smoker shouts a curse at the file-
closer as he crushes the cigar remnants into
the mud. The sergeant calls "Support
Arms," then "Attention to roll call."
EXAMPLE 2.
At the command "Fall in!" the grizzled
sergeant fishes for his roll book in his
blouse. Corporals mark the company line as
soldiers move at the double quick for their
places in line. Blouses buttoned, trousers
trim, and accouterment strapped, each man
arrives at his place in silence. Except for
an occasional tug at the blouse to ensure it
is smooth at the beltline, or a slight
adjustment to the hat, each stands at
"Attention" and at "Shoulder Arms."
Corporals and file-closers make
adjustments in low voices to ensure the
ranks are straight and square. When the
corporals look straight ahead, the Sergeant
knows the company is ready for the roll.
The sergeant calls "Support Arms," then
"Attention to roll call."
Which did you pick? Interestingly
enough* these examples, drawn from recent
reenacting experience, depict TWO self-
described "veteran" companies!
Then, as now, no one wants to
belong to a slip-shod, ramshackle
organization. Consequently, many of today's
Civil War reenacting groups adopt the
name, uniform and traditions of what I
term "prestige" regiments. Such prestige
regiments originally gained their
reputations for hard fighting or marching
by actually performing well and (for the
most part) surviving well under fire. All
too often, the people who don the uniform
and bear the name of these regiments bear
little resemblance to the soldiers of the
original organization. Why?
The answer is stunningly simple:
they have not learned the very basics
regarding what it took to be the soldiers
they are supposed to portray.
Naturally, there will be many that
will object to my strong assessment.
Among the objectors will be people that
claim a studied approach to their adopted
regiment. And among these are folks in
uniform who simply ignore or refuse to
salute officers, who render anachronistic
salutes (when they bother to salute at all),
who regularly abuse and backtalk corporals
and sergeants, and whose dialog is liberally
peppered with anachronistic phrases like
"Fire in th' hole!" and "Don't call me 'sir.' I
am a sergeant; I work for a living."
The key word that separates the
civilian world from the military world is
"discipline." Too many of today's reenacting
organizations look like backwoods
volunteer militia instead of the rough-cut
veteran troops they aspire to portray. One
manual of the period instructed new
soldiers: "Discipline has everything to do
with success. Anthony Wayne, with his two
Pennsylvania brigades, was considered
equal, in combat, to twice his force of the
enemy because his discipline was so rigid.
*Severe discipline enforced may be the
means of bringing a victory, where a lax
discipline would surely bring defeat and
disgrace." (1)
Discipline, coupled with the
"process" of veteranization was readily
evident to soldiers of the Civil War period.
Witness the new 124th New York Infantry
as they first encountered the veteran 86th
New York Infantry on brigade parade: "The
line of the 86th New York was not half so
long [as ours], having suffered severely
under McClellan in the Peninsular
campaign; but when its little companies of
tanned veterans, in their faded, dingy
looking blue, formed on their tattered,
weather-stained colors dressed to a perfect
line, with the slightest perceptible turn of
their heads, and brought their guns to an
order with a single thud we were ready to
doff our caps, as in the presence of our
superiors." How many of today's reenactors
take off their caps or hats when in the
presence of an officer? (2)
Our modern extrapolations of what
veterans must have been like should be
compared to the evidence provided by
soldier reminiscences and the manuals of
the period. For those of us who believe the
cigar smoker in Example 1. is a study in
the cavalier "veteran" attitude, I would
invite one's attention to the manuals of the
period. In 1864, August Kautz wrote: "A
slovenly attitude, frequent changes of
position, or much gesticulation, is
exceedingly unmilitary and looks bad*"
Kautz also outlined the army's traditional
expectation for soldiers and their
relationship with non-commissioned
officers (sergeants and corporals): "Non-
commissioned officers are entitled to
implicit obedience from soldiers, and they
should be obeyed and respected by the
men; and when a non-commissioned officer
fails in obtaining this regard and obedience
from the men, he fails in his most essential
qualifications." In regiments where Kautz's
counsel was adopted, it was more than
probable that any veteran "swaggering" was
done out of ranks and off-duty. (3)
Does the scene portrayed in
Example 1 replay itself often during
today's reenactments? For that matter, how
realistic is Example 2?
The annoying "militia" jaunt used by
too many "wanna-be" veteran types in
modern reenacting is easily explained: the
hobby doesn't just lack the potential for
death from bullets, shells, bayonets, and
the omnipotent specter of disease (which
suits most of us just fine!) it also lacks an
ability for commissioned officers and non-
commissioned officers to mete out
discipline as required under the "Articles of
War."
Haven't read the Articles of War?
Don't worry* you have plenty of company.
The Articles of War were "an Act for
establishing Rules and Articles for the
Government of the Armies of the United
States." It provided the rules and the
consequences for soldiers who deviated
from the rules. They carried the same
function and weight as the "Uniform Code
of Military Justice" does for soldiers today.
A reading of the "Articles" should be
required for each reenactor who fancies
himself a "solder" if for no other reason
that the Articles of War was more likely
than not read to each Federal Civil War
soldier at least once during his term of
service. The reality of the Articles of War
goes a long way to supporting the
behaviors cited in Example 2.
Let us return to our company in
Example 1. Remember the man who
shouted a curse to the file closer, because
he was smoking in the ranks? How many
times have you seen that scene replayed on
the reenactment field? The truth is that our
cigar smoker very well may have
committed an infraction of Article Six of
the Articles of War, towit: "Any officer or
soldier who shall behave himself with
contempt or disrespect towards his
commanding officer, shall be punished
according to the nature of his offence, by
the judgement of a court-martial." Simply
put our profane cigar smoker could
technically be charged with an offense
under Article Six, and tried by court-
martial! (4)
Ridiculous, you would say! Why the
court-martials docket would be jammed
with such miscreants! There would be no
room to charge the real criminals! Further,
the cigar-smoker swore at a "file-closer,"
and not "his commanding officer!" So
"technically," there is no offense under
Article Six!
Well, how do we not know (aside
from the obvious danger of smoking
around gunpowder) that the Colonel or
captain of this particular company has not
already issued orders against smoking in
ranks? If this is so, we have grounds to
prefer charges under to Article Six. It is
also possible that a more realistic
sensibility could have intervened. Much
time and trouble would have been
consumed in preferring a charge and
specification for review by court-martial. If
on active campaign, a trial by court-martial
could be delayed for weeks or months.
Rather, the miscreant could have been
dealt with in other ways. One such method
was inclusion of the man's name on the
Black List. Whenever a particularly
disagreeable task presented itself, the
Black List provided the detail for the work.
Worse, being on the Black List did not
exempt the wrongdoer from other tours of
duty that might arise on the regular duty
roster! (5)
What about talking in the ranks?
Witness the remarks of Lieutenant Charles
B. Hayden, 2d Michigan Infantry, written in
early January, 1862: "Corpls. Ball &
Coleman will be reduced to the ranks to
morrow for long continued neglect &
ignorance of duty. They have done no one
very serious thing but have been deficient
in a number of small ones. They could not
desist from talking & laughing in the ranks
had to be spoken to every day or two about
standing at attention at roll call. These
things are not allowed in a private, & in a
non-commissioned officer, who is expected
to be perfection itself in all the minutiae of
military affairs, it cannot be endured.
*Again they had no control over their
squads. They were rolled & tumbled about
at the will of the men. Disobedience to
Corpls. Is the germ and fountainhead of
insubordination in the whole army." From
this account, we learn that "talking and
laughing in ranks" and neglecting to stand
at attention at roll call are "are not allowed
in a private!" For these and other
infractions, Hayden's captain two corporals
reduced two corporals to the ranks! So,
what penalty should be incurred by our
"cigar smoker" and the talkers in Example
1? (6)
As we have seen, today's problem
with a lack of discipline that otherwise
would have been demanded in an actual
Civil War regiment is derived from two
basic errors: a.) the notion that "veterans"
in the hobby acquire their status through
excellence in drill or their material
impression, not their attitude; and b.) "since
you really can't enforce federal authority
over me according to Articles of War, I'm
still free to pretty much do as I please."
While the latter observation may be
technically true, the goal of enlightened
reenactors has always been to strive for the
closer, purer experience of nineteenth
century soldiering. To choose some
soldiering experiences and conveniently
ignore other less-palatable experiences is to
deny the original goal. Does this mean that
if a modern reenacting private is yelled at
or forced to carry a log for talking in ranks
or being late for a formation, one should
take this in stride and meekly accept the
"punishment" as a matter of discipline
and*."authenticity?" How would you answer
this?
For those of us that are convinced
that a more disciplined, thoughtful,
attentive posture needs to be taken when
one dons a uniform to portray a
SOLDIER yet aren't quite sure how to
attain that status, The Military Handbook
and Soldiers Manual has some advice: "An
earnest desire to excel, a close attention to
duty, and thoughtful observation will
render you an expert, to be pointed out by
the captain as 'one of my best men.' A
soldier's profession can only be learned by
practice and observation. Many a man goes
through an entire season's campaign
without attaining the a knowledge beyond
the simplest exercise and maneuvers
because of indifference to duty, and
inattention." (7)
Finally, for those of us who remain
unconvinced that veteran soldiers,
WITHOUT BEING TOLD, kept themselves
and their accouterment and equipage in
good order, cleaned their persons when
they could, cleaned their rifle-muskets,
kept their brasses bright, their shoes tied
and blackened, in short* did everything that
some claim today they can do once they
"get home" from a reenactment the 1864
words of August Kautz, bears special
emphasis:
"A well-instructed and disciplined
infantryman is always preparing for duty.
His hours of leisure are devoted to
preparation. His clothing is prepared and
cleaned, his knapsack is always packed, his
arms and accouterment in order, and his
ammunition secure." (8)
The soldier accounts and manuals of
the period from 1861-1864 point to specific
behaviors that marked high quality troops.
Veteran troops of the Civil War era were
prone to all the usual diversions and
temptations of camp and garrison life.
They were more prone to excesses in the
field. They often wore their hats at a
jaunty angle and occasionally modified
their clothing to suit their taste. Moreover,
when it came to drill, formations and
regular duty, they were easily discernable
from the "fresh fish" and "100 days men" on
whom they heaped their "veteran" derision.
Veterans had proven their dependability,
and were often called upon repeatedly to
spearhead an attack, rescue a blunder, or
cover a retreat. This sturdiness,
dependability, and discipline made them
the envy of their division. We would do
well to emulate this example if we truly
strive to honor the sacrifice of our Civil
War ancestors.
Tyrannical, popinjay officers will be
my subjects in a future discourse.
NOTES:
(1) Louis Le Grand, The Military Handbook and
Soldiers Manual*, "Personal Hints to the
Volunteer," pp. 26-7
(2) Charles H. Weygant, History of the One
Hundred and Twenty Fourth Regiment,
N.Y.S.V., p. 36.
(3) August Kautz, Customs of Service for Non-
Commissioned Officers and Soldiers, Paras. 55,
309.
(4) Revised United States Army Regulations of
1861, "Articles of War," p. 486.
(5) John D. Billings, Hardtack and Coffee, p.
145.
(6) Stephen W. Sears, For Country, Cause &
Leader: The Civil War Journal of Charles B.
Hayden, p. 171.
(7) Louis Le Grand, The Military Handbook and
Soldiers Manual*, "Personal Hints to the
Volunteer," p. 26.
(8) August Kautz, Customs of Service for Non-
Commissioned Officers and Soldiers, Para. 147.
15 LOW EFFORT, ZERO COST
WAYS TO IMPROVE YOUR
BATLEFIELD IMPRESSION
by Pvt. Glenn Milner
When you mention the ugly word
"authenticity" to some reenactors, the first
thing that pops into their head is dollar
signs and/or long hours of hand sewing. I
will try to show you in this article that it
doesn't have to be that way. As a matter of
fact, the first five and the last of these
items can be worked on half-way between
your ears while you recline in your favorite
chair consuming the beverage of your
choice. How's that for low effort?
Please allow me to say that the
author is making no claims of perfection. I
have done pretty much all of this stuff
wrong in the past at one time or another.
But, I'm trying to improve and that's all
I'm asking of you. Some reenactors call this
being "progressive" but it really doesn't
matter to me what you call it. As always,
keep in mind that recruits deserve, and
should be cut, a lot of slack in these and all
areas of reenacting.
Item #1 - Change your reenacting goal on
the battlefield.
Your goal should be to look like a
period soldier, not other reenactors
including me. If you're not willing to do
this, you may as well stop reading this
article now and I'll see you in the field,
pard. Study photographs of real soldiers in
the field. It doesn't cost anything to look at
period photographs in a library book. Most
libraries will have the ten volume
Photographic History of the Civil War by
Francis T. Miller or a five volume reprint
of it.
Item #2 - Resist the 20th century urge to
"stand out" in the crowd.
A real Civil War soldier who "stood
out" within his unit on the battlefield
became an aiming point for the enemy.
Why do you think that it was so hazardous
to be a color bearer? Even across a field
choked with smoke, the flag could be
picked out and the enemy knew somebody
was most likely standing under it. Real
soldiers fighting with Napoleonic tactics
would not have issued "shoot me first"
invitations to an enemy firing at them. "By
the second year of the war, the veterans on
both sides had discarded the finery of the
early period, adopted very plain and
functional dress, and had settled down to
the grim business of survival." (3)
Item #3 - Change your attitude about drill.
Civil war soldiers drilled so much
that their response to commands became
automatic. To me, nothing is more
embarrassing than stumbling around on the
battlefield without knowing how to
properly respond to a command. Please
remember that our overall company drill
proficiency is determined by our most
poorly drilled private. I'm not talking about
mistakes or lapses because everybody
commits those. Heck, I forget my "number"
all the time. We can't invest the time in
drill that real soldiers did, but you should
want to drill all you can within your
physical limits.
Item #4 - Don't be so sensitive about taking
orders or being yelled at.
After all, we're reenacting a life-
and-death situation and some agitation is
certainly appropriate. Also, bear in mind
that our officers and NCO's are, just like
the real ones were, trying to be heard
above the noise. Additionally, the midst of
battle is not the time to dazzle your pards
with your near-photographic quality
knowledge of 1855 Hardee's, 1862
Hardee's, Casey's, Scott's or Gilham's drill
manuals. In battle, obey now and argue
later. After all, there's nothing an officer
likes more than a spirited camp debate
over the finer points of drill and tactics;
right?
Item #5 - Don't "ham it up" on the
battlefield.
I'm sorry, but I can't see how you're
honoring anybody with cartoon-style hits,
suicide charges (you may as well be
wearing a sign board saying "Civil War
soldiers were idiots") or acting bulletproof.
In front of the spectators, act like you're
under fire and concerned about your health.
The minimal effort thing to do is to take a
stone-cold dead hit and lay there until
"resurrect" is called. By the way, this is not
the time to roll up on one elbow and light
a cigarette or watch the action. If you must
have a smoke or watch the action, please
limp to the rear out of the immediate sight
of the spectators.
Item #6 - Lose most or all of your hat
brass.
The vast majority of period
photographs taken of private soldiers in the
field show no hat brass. This is especially
true for Confederates. Don't take my word
for it; look for hat brass in photos of
Confederate dead, Confederate prisoners or
the few field photos of live Confederates.
It's pretty scarce and the brass that you do
see is probably going to be on a captured
Federal forage cap. Go back and re-read
Item #2.
Item #7 - Don't load your hat up with
"stuff".
Please don't decorate your hat with
silly stuff like coon tails, coon "bones",
playing cards or various brass emblems
proclaiming this or that. Yes, there were
specific units who wore distinctive
decorations on their hats with the
Pennsylvania "Bucktails" being one of the
more well-known ones. However, we don't
portray the 42nd, 149th or 150th
Pennsylvania. As bad as I hate to admit it
because of the potential for abuse, some
sources indicate that a feather in your
Confederate slouch was an authentic
practice. (2) But, please re-read Item #2
before you "feather up".
Item #8 - Wear your waist belt in a period-
correct fashion.
Soldiers wore their waist belts (and
trouser waist bands) at the "natural waist"
as was the custom in the 1860's. Roughly
speaking, wearing your waist belt at the
natural waist means wearing it so your belt
plate is over your belly button. If you're
wearing your jacket or sack coat, you can
do this even if you have incorrect, modern-
cut trousers with no rise in the waistband.
I would also suggest that you shorten your
cartridge box belt accordingly. The higher
you wear your gear, the less uncomfortable
it will be especially if you're loaded down
with some marching to do. Does anyone
remember Raymond, MS?
Item #9 - Wear your haversack outside your
waist belt.
The wearing of haversacks
underneath waist belts is a "reenactorism"
that seemingly will not die. I challenge you
to show me a period photograph or
eyewitness illustration showing this
practice. A soldier's accoutrements were
always put on first to make the soldier
ready for duty. Accoutrements consisted of
a cartridge box, a cap box, a bayonet with
scabbard and a waist belt. A haversack is
not an accoutrement and there are practical
reasons for not wearing it underneath the
waist belt. If the haversack is worn
correctly, a reenactor can drop his blanket
roll or knapsack at a short halt and swing
his haversack around to the front while
sitting on the ground and keeping his
accoutrements on. Another practical reason
for wearing your haversack correctly is that
it won't force you to wear it lower than
optimum for the load which leads me to
the next item.
Item #10 - Shorten the straps of your
haversack and canteen.
Again, the higher you wear your
gear, the less uncomfortable it will be. An
easily reversible way to try this is to
shorten them by tying knots in them. It
might take you several events and
adjustments to find your optimum. It's
documented that original Federal canteens
are often found with the common cotton
drill strap shortened by knotting. (1) Once
you decide your optimum "ride height" on
your haversack, it's probably more accurate
to shorten it by cutting and re-sewing the
strap. Keep in mind that sutlers sell these
items with extra-long straps to try to
accommodate as many different sized
people as they can.
Item #11 - Don't wear leggings or "gaiters".
Keep your gaiters to lend to recruits
to cover up modern footwear. Gaiters are
exactly like Item #7, silly hat decorations,
in that a very few specific units that we
don't portray wore them in the field. I can't
put it any better than "A typical soldier in
the field, after the first few months of the
war, wouldn't be caught dead with such a
silly and useless item." (3)
Item #12 - Don't wear sweat bands.
Please don't wear sweat bands even
those made from bandannas. The general
consensus is that this is a 20th century G.I.
practice probably originating with Vietnam
era veterans. Victorian men from the
1860's would have laughed themselves to
tears over some of the stuff reenactors
wear on their heads. If you're going to wear
a bandage around your head, at least put a
little fake blood on there so the spectators
will know it's a bandage.
Item #13 - Wear your blanket roll or
knapsack to the battle.
Except in specific cases where they
were ordered to do so, veteran soldiers
stopped dropping their rolls and knapsacks
before going into battle. Early in the war,
units frequently ended up miles from their
knapsack piles at the end of a day's battle.
They quickly learned the hard way that
they might not ever see them again even if
they were left under guard. If the knapsack
guards saw that a general retreat was
underway, they would set fire to the
knapsack piles and skeedaddle along with
everyone else. A single, rolled and end-tied
wool or gum blanket will really add to your
battlefield impression.
Item #14 - Don't wear your socks "bloused"
all the time.
This is not an incorrect practice, it's
just way overdone. Sock blousing is
documented to have been practiced by
some on both sides in the field. However,
I submit that there are far more period
photographs of Federals wearing their
trousers folded up or rolled up at the cuffs.
There are also a couple of practical reasons
for not doing it. Blousing will, eventually,
stretch and ruin your socks. Also, it lets
stuff get down into the top of your brogans
to irritate your ankles and feet. I'm just
suggesting that you might try folding or
rolling your cuffs every once in a while.
Item #15 - Don't despise reenactors who
talk about authenticity.
We're not trying to make your life
miserable. After all, the sun will probably
come up tomorrow even if you don't have
hand sewn button holes. We just feel that
the way to honor the soldiers is to act, look
and do like they did as closely as we know
how without being dangerous. And, "as
closely as we know how" changes over
time. Folks discover long-forgotten
artifacts, manuscripts and photographs all
the time which put us ever closer to
Johnny Reb and Billy Yank. I hope that
they would have approved.
References:
1. Coates, Earl J., "The Civil War Issue
Canteens: Patterns of 1858 and 1862",
Military Collector & Historian, Volume
XLVII: No. 3 (Fall 1995) This article
about Federal issue canteens is an
analysis based on surviving originals
with many from private collections.
2. Jensen, Leslie D., Johnny Reb: The
Uniform of the Confederate Army,
1861-1865, 1996, Stackpole Books. A
former curator at the Museum of the
Confederacy in Richmond, Les Jensen
invented the ten year old pattern
classification system of Confederate
depot jackets that you hear sutlers and
reenactors use and abuse all the time
(i.e. Richmond Depot Type II,
Richmond Depot Type III). In other
words, he's "the man" although he'll
modestly tell you in person that he's
not. By the way, this inexpensive little
paperback (about $13) is a great source
of expertly analyzed photographs of
Confederates both in the studio and in
the field.
3. Kinzer, Cal, "A Dozen Inexpensive Ways
to Improve Your Personal Impression"
currently residing on the Bullyboys'
website among others. Cal's article was
the inspiration for my little article.
Quotes are used by permission of the
author. Mr. Kinzer is an often published
veteran reenactor who's been writing
about authenticity in reenacting for 25
years including The Hardcracker
Handbook.