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INT. SECURITY OFFICE - COLLEGE
Brian and Josh are both in security uniforms, looking
carefully at each other. Neither one looks very happy.
BRIAN
I know what you're doing.
JOSH
I don't know what you're talking about.
BRIAN
Just stop the bullshit! Leave it alone.
JOSH
Leave what alone?
BRIAN
Quit messing with me. I'm trying to be
nice. Just cut out the letters. They're
not working.
JOSH
Don't worry about it. It's out of your
hands.
BRIAN
No, it's not. You'll see that.
JOSH
Just deal with it.
BRIAN
Mind your own business and stay out of
ours. Final warning.
JOSH
Is that a threat?
Brian can't help but notices that Josh has taken a sinister
tone. But before he can say anything, Mitch walks up to
them. The anger quickly fades from their faces.
MITCH
Hey guys. I didn't know you were working
here.
JOSH
Gotta pay for college somehow.
MITCH
Are both of you going into law
enforcement?
BRIAN
Maybe.
JOSH
Not sure.
BRIAN
Did you need something?
MITCH
Oh yeah. My keys are locked in my car.
You have a slim jim or something like
that?
JOSH
I think so.
BRIAN
This job is so exciting.
Josh goes in the back to look for the slim jim.
MITCH
How's Claudia doing?
BRIAN
Better I guess.
MITCH
That's good. How are your profiles
coming?
BRIAN
Still doing research.
MITCH
Good. Then I'll be expecting something
great.
BRIAN
And you'll get it.
Josh comes back with the slim jim in hand.
JOSH
I think this'll do the trick. Let's see
if we can break into your car.
INT. KITCHEN - MITCH'S HOUSE
Anna is balancing her checkbook at the kitchen table, looking
frustrated. She doesn't even hear Mitch walk in.
MITCH
Hello.
She looks up with a start and then grins sheepishly.
ANNA
I didn't hear you come in.
MITCH
Money troubles?
ANNA
I just can't get the damn thing to come
out right.
MITCH
It happens. I haven't met a single
person who can balance one to the penny.
ANNA
I'd like to be the first.
Mitch walks to the sink and takes his wedding band off. He
sets it on the counter and begins washing his hands.
ANNA (cont'd)
Are you home for dinner tonight?
MITCH
Nope. I have to go back to the office
and do some things.
ANNA
Can you go to the store for me later?
I've got a ton of things to do tonight,
and I have to get up early.
MITCH
What time?
ANNA
Ten?
MITCH
I should be back by then. Leave a list on
the table, okay?
Mitch finishes washing his hands and turns the water off. He
wipes some water on his face, and then dries them on a towel.
ANNA
Are you all right?
MITCH
Yeah. Just a lot of work.
ANNA
Okay.
He kisses her on the cheek and starts out the door when Anna
clears her throat. Mitch turns around and sees that her eyes
are on the counter where his wedding band still lies.
MITCH
Oops.
He picks it up and puts it back on his finger, gives her one
more look, and then walks out the door.
INT. POSH RESTAURANT - NIGHT
Mitch and Laura are seated across from each other near a big
picture window showing the illuminated city.
LAURA
Nice place.
MITCH
I'm glad you like it. I kind of guessed.
I don't eat out very often. Unless you
count takeout.
Laura smiles, her eyes glowing like candles.
LAURA
Well you did good.
The WAITER comes over and hands them both menus.
WAITER
Would you care for some wine before you
order?
MITCH
No thank you. Water's fine.
LAURA
I'll have a glass of Chablis. You're not
having any Mitch?
MITCH
No, I'm fine.
LAURA
Oh c'mon, live a little. One glass isn't
going to kill you.
Mitch doesn't like where this is going and he takes on a firm
tone.
MITCH
No thank you.
Laura catches the hint and waves the Waiter away.
LAURA
I'm...I'm sorry. I was acting like an
idiot, and-
Mitch cuts in with a soft gentle voice.
MITCH
No you weren't.
LAURA
I should have known-
MITCH
How could you have?
LAURA
Because I'm very good at picking things
up.
MITCH
It's okay.
LAURA
Somebody told me a long time ago and...
MITCH
Who?
LAURA
Professor Smith.
MITCH
That dirty bastard...
Laura calms from her embarrassment, and she becomes very
tender.
LAURA
When I meet a man for the first time, I
usually know everything about him in
thirty seconds. But you...I couldn't
read you.
MITCH
Am I that mysterious?
LAURA
No, it's nothing like that.
The Waiter returns with her wine, but she shakes her head at
him.
WAITER
Here's your wine, ma'am.
LAURA
I'm sorry. I uh, changed my mind. I'd
like a Pepsi if you don't mind.
MITCH
Pepsi...Pepsi sounds good. Make that
two.
The Waiter whisks the wine away, rolling his eyes.
WAITER
I'll have it right out.
INT. HOMICIDE DIVISION - POLICE STATION
Wes hunches over at his desk looking over files. He doesn't
notice Kemper approach him.
KEMPER
Working late?
WES
What? Oh, it's you.
KEMPER
I'm a late worker myself.
WES
What do you need?
KEMPER
Just some information.
WES
Such as...
KEMPER
I need you to be honest with me.
WES
I am a cop.
KEMPER
(laughing)
That's a good one. Look, I'm playing on
a hunch here. I think Mitch Johvas knows
more than he's telling me. Do you know
anything about that?
WES
What could Mitch possibly know about all
this?
KEMPER
I've just got a feeling. You see, Mitch
and I go way back.
WES
At the FBI. Yeah, I know. You were both
agents in the profiling unit.
KEMPER
And I still am.
WES
I gathered that.
KEMPER
Mitch and I weren't that fond of each
other and I'm afraid he might be keeping
information from me because of our past.
WES
If he knows anything, he's not talking to
me about it.
KEMPER
I'm sure. But if he does and you don't
tell me, I'll have you both brought up on
charges. Understand?
WES
Perfectly.
Kemper leaves and Wes' face becomes troubled. He calls out
after Kemper.
WES (cont'd)
Wait!
KEMPER
Yes?
WES
Look, Mitch is in way over his head. I
only want to help him.
KEMPER
As do I.
INT. KITCHEN - MITCH'S HOUSE - NIGHT
Anna sits at the table looking impatiently at the clock on
the wall. It reads: 10:59 P.M. She checks her watch against
it.
EXT. DRIVEWAY - MITCH'S HOUSE - NIGHT
Anna gets in her car and drives away with a burst of angry
speed.
EXT. LAURA'S HOUSE - NIGHT
Mitch and Laura walk up the front steps to her house. Laura
turns around to face him.
LAURA
I had a wonderful time.
MITCH
Me too. It's been a long time since I've
felt this comfortable.
LAURA
I'm not sure I want it to end yet.
MITCH
I don't know what to do. I've never been
in a situation like this before.
LAURA
Don't ask me. I'm in it for selfish
reasons.
MITCH
(amused)
Selfish reasons?
LAURA
There's just something about you...we
make a good team.
They are move closer to each other.
MITCH
I can agree with that.
LAURA
Can you agree with this?
They kiss, slowly and tenderly at first, but then it turns to
passion. They break, and Laura takes Mitch's hand and leads
him towards the door.
INT. HOTEL ROOM - LEXINGTON INN
The room is very elegantly decorated. LARRY, a middle-aged
business man wearing an expensive suit, checks his tie in the
mirror.
JENNY, his escort comes out of the bathroom and wraps her
arms around him from behind.
JENNY
Are you ready honey?
LARRY
I'm always ready.
Jenny begins unbuttoning her blouse.
LARRY (cont'd)
You are a very beautiful woman.
JENNY
You ain't seen nothing yet.
Suddenly the Killer bursts out of the door from the adjoining
room wielding a wicked knife. The Killer grabs Jenny and
throws her across the room, slamming her head against the
wall.
She falls down, unconscious. Larry fearfully tries to run,
but the Killer grabs him.
EXT. LEXINGTON INN - NIGHT
All the rooms are quiet. Then Larry's arm crashes through
the window. His screams are silenced by the Killer, who
pulls him back inside.
With a quick motion, the Killer closes the curtains.
EXT. MITCH'S HOUSE - MORNING
Mitch walks up to the door, noticing a familiar car in the
driveway, but Anna's car is missing.
INT. LIVING ROOM - MITCH'S HOUSE
Mitch steps inside and is surprised to see Wes sitting in a
chair looking somber.
MITCH
Wes, what are you doing here? Where's
Anna?
WES
Mitch, sit down,
Mitch is starting to panic, looking for any sign of hope in
Wes' eyes.
MITCH
No. What the hell's going on?
WES
Take it easy. Sit down.
MITCH
TELL ME!!! TELL ME NOW!!!
WES
There was an accident.
Mitch stumbles and props himself up on the couch.
MITCH
What?
WES
Anna's dead, Mitch.
MITCH
What? Oh no...
Tears begin to form in his eyes.
WES
She was in a car wreck. She died
instantly.
MITCH
Oh God!
WES
I'm sorry Mitch.
Mitch sits on the couch and puts his head in his hands.
DISSOLVE TO:
EXT. MITCH'S HOUSE - DAY
Laura walks up the steps, noticing that Mitch's car is parked
half off the driveway, on the lawn.
She knocks softly on the door.
LAURA
Mitch?
MITCH (O.S)
Go away! No one's home!
LAURA
Mitch, it's Laura.
MITCH (O.S.)
Who?
Puzzled by that reply, Laura steps inside.
INT. LIVING ROOM - MITCH'S HOUSE
The place is a wreck. Books that lined the walls are strewn
everywhere. Laura sees Mitch, sitting in his chair, half
dressed and chugging down a bottle of whiskey.
LAURA
Mitch?
Mitch strains to see her through blurry eyes.
MITCH
Laurie? Is that you?
LAURA
Yes, it's me.
MITCH
What the hell are you doing here? My
wife will be home any second.
Laura notes that his bottle is almost empty.
LAURA
Mitch, are you drunk?
A cheerful belch is her reply.
LAURA (cont'd)
I know what happened.
His voice turns downright mean.
MITCH
You don't know shit!
LAURA
You don't have to do this. I know you're
hurting.
MITCH
What the fuck do you know?
LAURA
Just give me the bottle and we'll work
through this.
She approaches him slowly.
MITCH
Are you gonna tell me what to do too?
He stands on wobbly legs, taking the bottle with him.
LAURA
No, I just-
MITCH
You think you can just come in here and
boss me around?
LAURA
Mitch-
He hurls the bottle across the room, shattering it against
the wall. Whiskey drips down the wall like blood.
MITCH
FUCK YOU!!! FUCK YOU!!
He raises his hand to slap her, but when he sees her cowering
away, he turns into a baby.
MITCH (cont'd)
Oh Jesus! Oh sweet Jesus!
He sinks to his knees and begins sobbing uncontrollably.
Laura kneels down with him and takes him into her arms.
MITCH (cont'd)
I'm sorry...I'm so sorry...
LAURA
It's okay.
He grabs on to her for dear life, and she holds him tight.
MITCH
I just wanted to tell her I was sorry.
It woulda only took a few minutes.
LAURA
I know.
Laura cradles and rocks him like a mother holding an infant.
DISSOLVE TO:
INT. BEDROOM - MITCH'S HOUSE - LATER THAT NIGHT
Mitch is laying fully clothed in the bed, with Laura draped
over him like a blanket. She strokes his hair gently.
MITCH
I didn't treat her right...I let my job
take me over.
LAURA
Is that when you started...drinking?
MITCH
I know it's not an excuse. Plenty of
guys do my job and they're fine. I
couldn't take all the death I saw, day in
and day out. So much death and
cruelty....I become a different person
when I drink...I hit her twice. You know
what the worst part is about that? I
don't even remember doing it. I was so
drunk and feeling sorry for myself, I
don't even remember...we were never the
same after that. Even after I quit the
bureau and stopped drinking, it wasn't
the same. I tried everything, I did the
meetings...the damage was already done.
There's just some things that can't be
forgiven...
He falls into an exhausted sleep, and Laura lays holding him,
wide awake.
DISSOLVE TO:
EXT. GRAVEYARD - DAY
A cold rain falls over the group surrounding Anna's grave.
The cemetery is surrounded by trees making it somewhat of a
tomb itself.
Mitch stands near the grave, tears streaming from his eyes.
Laura is comforting him.
A PREACHER is in the middle of his eulogy.
PREACHER
And even though Anna is gone from this
world, her presence will always surround
us, and she will be with us for all time.
Her generous nature will come through in
all who loved her...
As the Preacher continues talking, Mitch steps forward and
pulls a rose out of his jacket. He tenderly lays it on top
of the coffin, and whispers, barely getting the words out.
MITCH
I'm sorry Anna.
Another wave of tears hits him, and he stands on wobbly legs,
Laura helping him up.
PREACHER
...be with you, and with the Holy Spirit
forever. A-men.
The small crowd disperses, talking to one another, but no one
comes up to Mitch.
LAURA
Come on. Let's go.
Mitch looks up through the trees, and sees a FIGURE in the
back of the forest, looking at them!
Mitch's instinct tells him that this is Gabriel.
MITCH
I'll be right back.
LAURA
What? Mitch, where are you going?
Mitch walks quickly across the graveyard towards Gabriel. He
still can't get a good look.
Gabriel suddenly turns and runs through the forest, with
Mitch giving chase.
Trees whips by Mitch's face as he desperately tears through
the brush. He can see Gabriel's black cloaked frame in the
distance.
Gabriel turns a corner and Mitch loses sight of him. The
trees break into a clearing and Mitch looks all around, but
Gabriel has vanished.
MITCH
What do you want from me?
The only sound is the rain falling.
EXT. OUTSIDE GRAVEYARD - DAY
Laura is standing by her car. A light drizzle still falls.
Relief floods over her face when she sees Mitch.
LAURA
What happened? Are you all right?
MITCH
I'm fine.
LAURA
Where did you go?
MITCH
It's not important. Look Laura, I'm not
sure how to say this.
She takes his hand, but he slides it away from her.
MITCH (cont'd)
I don't think we should see each other
anymore. Not for a while.
LAURA
Mitch, let me help you through this.
MITCH
You can't. I'm a....I was a married man,
and I did a horrible thing. Jesus, I
practically killed her myself. Anna and
I weren't okay, not for a long time, but
what I did was still wrong. And if I'm
with you, then I've ignored it.
LAURA
Mitch, please.
MITCH
I'm sorry.
He walks away from her. The raindrops on her face mix with
her tears.
INT. LIVING ROOM - MITCH'S HOUSE
Mitch is sitting on the couch looking at a picture of Anna.
The phone rings and he picks it up.
MITCH
(into phone)
Hello?
GABRIEL
(over phone)
Hello Professor.
MITCH
Gabriel?
GABRIEL
Did you go to the Cheshire Inn?
MITCH
You know I did. Why were you at my
wife's funeral?
GABRIEL
To offer my condolences. I didn't expect
to be seen.
MITCH
As long as you're telling the truth...why
me? Why do you think I can help you?
GABRIEL
You're against Proposition 55. I saw
your editorial in the paper, and it
affected me. I don't want to kill
anymore. I don't think I should be put
to death for murders I don't remember
doing.
MITCH
But you have to take responsibility for
them.
GABRIEL
And I intend to. But I have to know
what's wrong with me first.
I have to go, and I hate to do
this....Lexington Inn, room 402.
Mitch closes his eyes and sighs.
MITCH
Are you bragging, Gabriel?
GABRIEL
No! I am not proud for what I've done.
MITCH
I can try to help you, but if this is a
game, I'll pour the pellets in the gas
chamber myself.
The phone goes dead. Mitch thinks for a moment, then gets up
to leave.
EXT. LIBRARY - DAY
Mitch walks inside a huge old library, guarded by statues of
angels.
INT. LIBRARY - DAY
MONTAGE of Mitch doing research. He goes to various aisles
and takes psychology and crime books. It ends with Mitch
looking at a legal pad.
At the top it reads: Inside the Mind of a Serial Killer. By
Mitch Johvas. He looks over it one last time, wads it up and
throws it in the trash.
He goes back to his other legal pad, working on a profile of
Gabriel.
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