INDIANA JONES AND THE SERPENT OF EDEN
Written by Joseph D. Blackerby
Ext. Berlin - niGHT
The camera FLIES over the city, the twinkling lights below in the various homes and buildings peaceful and inviting.  As WE sweep over further, the lights disappear and the landscape becomes dark.
The terrain changes dramatically.  The remnants of a huge battle are still here.  Jagged sections of concrete litter the ground and the buildings are hollow -- mere shells of former prosperity, twisted and destroyed.  A true nightmare.
TITLE: UFI STUDIOS PRESENTS
TITLE: A BLACKSMITH PICTURES PRODUCTION
TITLE: INDIANA JONES AND THE SERPENT OF EDEN
Ext. War torn city block - nIGHT
What's left of the street is empty and desolate.  An eerie wind WHISTLES as it blows between the holes in the buildings.  It's a ghost town.  Then --
The slight shift of rubble moving.  A footstep.  A dark figure moves between the buildings, keeping to the shadows.  The figure hears a noise.  The head cocks, turning into the moonlight. 
A familiar hat is outlined in the dark.  The figure steps out of the shadows into the dim light.
INDIANA JONES (Harrison Ford), dressed in his trademark leather jacket and hat.  He looks older than we remember, but still rugged and ready for action.
His eyes focus on a building across the street.  He takes a quick glance -- a survey for activity.  Seeing none, he hurries across and into the building.
TITLE: BERLIN -- 1949
Int. DECAYING BUILDING - NIGHT
The building is four stories tall, but it's a miracle that it's still standing.  Bomb damage has made the structure very unstable and the occasional GROAN of metal echoes through the ground floor.
Indy makes his way across the floor.  He hears a strange noise and his hand goes to his Smith and Wesson Hand Ejector revolver.  His hand relaxes when he sees what it is -- a rat.
He quickens his pace to the back of the building.  He heads down a narrow hallway and ducks out of sight into:  
Int. dECAYING BUILDING - office - nIGHT
Charred remains of furniture litter the room.  Indy scans the area intently.  His eyes rest on a light fixture on the wall.   
He approaches and using a little strength, pulls the fixture out.  The fixture extends, made of solid metal -- not like a real fixture at all.  
Indy turns it clockwise like a handle.  There's a loud CLICK.
The floor next to Indy slides back revealing a set of stairs beneath!  Indy grins and heads down. 
Int. deCAYING BUILDING - bunker - nIGHT
The stairs lead down to a dusty bunker that seems largely undisturbed compared to the wreckage above.  Indy wipes a heavy sheet of cobwebs and dust from the wall to reveal --
A faded SWASTIKA.  Indy runs his hands over it -- almost lovingly.  Then it's apparent why: There's a hidden button on the left side of it. 
He presses it and the Swastika opens.  A hidden panel!  Indy runs his hand over the day old stubble on his face.  He reaches inside.
Indy
Hello, beautiful.
There's a shimmer of gold as he pulls out the CHACHAPOYAN IDOL.  It looks just as he remembers it from the temple in South America.  
He puts the Idol in his bag.  A frown comes over his face when he looks back inside the panel.  He carefully takes out a rolled SCROLL and looks it over, fascinated. 
He tucks it into his inside jacket pocket, turns around -- triumphant.  He freezes in his tracks.
A group of Germans block the stairs, guns and rifles pointed at him.  They're not dressed as soldiers.  More like mercenaries. 
One steps forward, his piercing blue eyes staring into Indy's soul.  This is WOLF VOGEL (Ralph Fiennes). Slick, polished and deadly.
Vogel
You must be Dr. Jones.
INDY
You know me?
VOGEL
By reputation.  
INDY
Is that good or bad?
VOGEL
That depends on which circles you walk in.  Gun, please.
Indy reluctantly slides his revolver across the floor. 
VOGEL
Your bag too.  
Gritting his teeth, Indy throws the bag to him.  Vogel takes out the Idol and looks it over. 
VOGEL
Magnificent.  And what made you think you were entitled to it? 
InDY
I found it.  It was just dropped off in the wrong place. 
VOGEL
Ah, Belloq, your fellow archeologist.  He turned out to be...not one of our best choices.  
(waves his gun)
Shall we?
Int. DecAYING BUILDING - nIGHT
Vogel leads Indy out of the bunker at gunpoint, followed by his men.  When they reach the top, Indy turns to face them. 
VOGEL
I'm curious to know how you found the bunker. 
INDY
I'm an archeologist.
VOGEL
And one of the best from what I've been told.  But we both know there's more to the story.  Tell me.
INDY
I don't answer to Nazi's. 
VOGEL
(chuckles)
What makes you say that?
INDY
I can smell it. 
Vogel's face turns to anger. 
VOGEL
You should watch your tongue.  I have developed a very good system for cutting them out. 
One of the Vogel's men looks through Indy's bag and speaks urgently in German to Vogel.  But Indy makes out the name "HERR VOGEL".  Indy mouth the name like he knows it. 
VOGEL
(to Indy)
Where is it?  Where is the scroll? 
INDY
I don't know what you're talking about. 
Vogel steps up slowly, menacing.  With a cold eye, he hits Indy hard across the face. 
VOGEL
No more games. 
The tense moment is interrupted when a huge chunk of ceiling falls down nearby with an explosion of concrete.  Indy seizes the moment -- 
He pushes Vogel back and runs for the exit.  Just as he nears it, another one of Vogel's men steps out from the doorway, brandishing a Luger. 
Indy barely has time to jump out of the line of fire as bullets whiz by. He takes his only other option -- the stairs leading up. 
Vogel's men draw their weapons and give chase. 
VoGEL
Kill him! 
Int. Second floor - decaying building - nIGHT
Indy reaches the top of the landing.  Looks around for a way out.  He hears the thunder of footsteps behind him and runs for cover behind one of the walls. 
The mercenaries reach the second floor and fan out, looking for their prey.  
Indy readies his whip.  As the shadow nears him, Indy snaps the leather weapon around the Mercenary's neck and yanks hard.
The Mercenary's head slams up against the concrete wall.  He's out cold before he hits the floor.  Indy grabs the Luger out of the Mercenary's hand just as he's spotted.
The maze of ruined walls becomes a battlefield.  Indy trades shots with the other Mercenaries as he tries to find an escape. 
He finds a series of jagged pieces of wall along the outside and uses them to climb up to --
Int. Third floor - decaying building - nIGHT
Indy looks satisfied as he hears the frustrated noises below as the Mercenaries continue their search.  He grins, turns --
-- and is stopped by a brick wall.  At least that's what it feels like.  Indy looks up into the eyes of a lone Mercenary, a huge, muscular BRUTE.
Indy sighs and offers a weak smirk.
InDY
Wrong floor. 
The Brute grabs Indy by the jacket and throws him across the room.  He skids along the floor before crashing into an old fireplace.  Chunks of brick fall down on him. 
Indy slowly gets to his feet and faces off with the Brute.  They trade punches, but the Brute's are much more powerful.  Indy gets knocked back against wall and he goes through it. 
A piece of dry wall is thrown away as Indy attempts to free himself from the rubble.  The Brute picks up a metal pole and raises it above his head --
At the last second Indy grabs a wooden post and blocks the swing.  He jabs the Brute in the ribs and scrambles to his feet. 
He swings the post and catches the Brute across the face sending him down to the floor.  Indy spots a support beam teetering on collapse. 
Indy takes out his whip and grabs the support beam with it.  With a hard tug it tumbles down bringing tons of rubble down with it.  The Brute is buried. 
The Mercenaries below have heard the noise and head up the stairs.
Indy quickly runs to the edge of the building.  Another building stands nearby.  He spots a suspension wire in between.  Perfect.
With a flash of the whip, Indy snags the wire and swings to the other building.  He ducks out of the way just as the Mercenaries reach the top of the stairs. 
Vogel looks furious when he sees no sign of Indy. 
Ext. DeCAYING BUILDING - nIGHT
Indy sneaks over to two trucks Vogel's men arrived in.  He slides into the driver's seat of one and starts it up.  Then he sees a satchel with a single grenade.  An idea forms. 
He runs over to the other truck, jams the grenade into the exhaust pipe and pulls the pin.  As he heads back to his own truck, he hears shouts from above.  He's been spotted. 
VoGEL
DOWNSTAIRS!! HE'S GETTING AWAY!
Indy drives away as the Mercenaries rush out of the building.  Several hop aboard the truck as Vogel runs over.
VOGEL
Get him!  Don't --
As the truck pulls away, the grenade goes off.  Several mercenaries are lost in a huge fireball.  Vogel is thrown back. 
He clutches his face in pain.  Blood oozes through his fingers and down his hand. 
With one enraged eye, he watches Indy's dust trail disappear.
DISSOLVE TO:
Ext. college - dAY
Students mill back and forth between the classical style buildings. 
IndY (V.O.)
Archeology is a unique science...
Int. College lecture hall - dAY
Indy, dressed in his professor style tweed jacket and glasses faces the class.  He writes two words on the board: HISTORY and MYTHOLOGY. 
InDY
Faith and religion have no place in it.  When you are excavating a site, you have to check all your beliefs at the door and be able to examine the site from an objective mind. 
Int. Corridor - college - dAY
Just outside the lecture hall, someone is watching Indy through the glass in the door.  It's a familiar SHOT, one we've seen before.  
INDY
It is truly a science where fact and fiction are constantly colliding into a jumbled mess. 
Int. COLLEGE LECTURE HALL - dAY
The door opens.  Indy looks up and sees DONALD WRIGHT (Tom Wilkinson), with a crisp tailored suit.  Much more stiff than who used to walk through the door: Marcus Brody.  
Indy can't help but to look disappointed that it isn't his friend.  He turns back to the class. 
INDY
An elaborate puzzle that by using scientific methods, can be sorted out.  In short, our job --
He draws diagonal lines from the words History and Mythology until they meet.
INDY
-- is to find out where mythology ends and history begins. 
The bell RINGS and the class hurries for the exits. 
INDY
Remember, there's a test next week on the excavation of the Peruvian Temples!  And final papers are due in less than two weeks!
As the room empties, Wright approaches Indy. 
INDY
Mr. Wright.  Nice to see you.
They shakes hands.  It's a little uncomfortable for both.
WrighT
Please.  Formalities are over.  Call me Donald.  I've heard you hit a bit of rough spot in Berlin.  Glad to see you made it back in one piece. 
INDY
There are still a few that don't want the Nazi party to have died with Hitler. 
WRIGHT
And the Idol? 
INDY
I had a bit of an exit problem.  The Idol didn't make it with me, I'm afraid. 
WRIGHT
A shame, for sure.  No chance of getting it back?
INDY
With the people who took it, I would guess that it will be several years before it surfaces again.  But the trip wasn't a total loss. 
WRIGHT
It wasn't? 
INDY
I just hope you're as easily impressed as Marcus was. 
Int. Museum - dAY
Indy and Wright pass by two massive pillars that frame the entrance to the museum.  They head for a door marked: RESTORATION. 
They pass by a plaque with a picture of MARCUS BRODY and the heading: IN MEMORIAM. 
Int. Restoration room - museum - dAY
Indy and Wright surround a RESTORATION TECH as he carefully examines and attempts to preserve the scroll that Indy took from the bunker.  Wright looks it over curiously.
WrIGHT
A scroll? 
InDY
Found it in the same bunker as the Idol.  Funny thing is, the Germans seemed more interested in it.
WRIGHT
Is that right? 
(takes a closer look)
What does it say? 
INDY
It's in French, but it doesn't make sense.  Some kind of code maybe.  The scroll looks like early fifteenth century. 
Wright's eyes go to a strange looking symbol in the corner. 
WRIGHT
Now this is odd. 
INDY
I know.  Haven't seen anything like it. 
WRIGHT
I have.  But for the life of me, I can't remember where. 
INDY
If the Nazi's had it, then it's not just some artifact.  There was a purpose to it.  Let me know if you find anything. 
As Indy leaves, Wright gets lost in the scroll. 
Ext. Indy's house - nIGHT
An older 1946 Ford Pickup pulls into the driveway of a small suburban house.  Indy gets out carrying a briefcase satchel and sighs when he sees the overgrown lawn. 
Int. Living room - indy's house - nIGHT
Indy walks out in his robe, freshly showered.  He clears off the mountain of books from an end table and sets a stack of student papers on it. 
He pours himself a glass of bourbon and settles into an easy chair, taking out the first paper from the stack.  The title reads: THE ARCHEOLOGY OF GREECE.  He sighs and stares off into space. 
DISSOLVE TO:
Int. LiVING ROOM - INDY'S HOUSE - mORNING
A PIERCING RING.  The phone.  Indy jerks awake, still in the chair.  He looks down at the paper: It's the same one he started with.  
He groans as he stands and hurries to the phone.
InDY
Hello?
(listens)
I'll be right there. 
Int. wright's office - museum - morning
Indy lets himself in.  Wright sits behind his desk, trying to hide his excitement.  
INDY
Did you find something? 
WrIGHT
Indeed I did.
(gesturing)
Sit, sit. 
As Indy takes a seat, Wright pushes over a magnificent old dagger.  Indy picks it up curiously. 
INDY
I'm not sure I understand.
WRIGHT
Look at the hilt. 
Indy looks it over, then spots it: The same symbol on the scroll is etched very faintly on the bottom of the hilt. 
INDY
What does it mean? 
WRIGHT
It was made by an early French explorer.  Antonie Laumet.  Heard of him? 
INDY
One of the pioneers of his day.  Traveled all over the world in search of the mysteries of life.  Very ambitious. 
WRIGHT
Quite right.  The symbol is his mark. 
INDY
(understands)
It's a cataloging system!  When he made these discoveries, he would make sure that he got the credit.  
WRIGHT
Legend has it that Laumet had a private library for hidden storage, but thus far it has never been found.  In fact, these items and only a handful of others are the few that have surfaced. 
INDY
Do you know who discovered this dagger? That might be a good place to start. 
Wright leans forward smiling.
WRIGHT
Indy, do you believe in irony? 
INDY
Only when it's in my favor.  Who found this? 
WRIGHT
Your father. 
Indy looks surprised. 
Ext. Jones house - dAY
A small, quaint house in a quiet neighborhood.  Indy pulls his truck in, hops out and heads to the front door.  When it reaches it --
-- it's ajar.  Worried, he creaks open the door and goes inside.
Int. Living room - jones house - dAY
Full of books and looks somewhat similar to Indy's.  There doesn't seem to be anyone home.  It's very quiet.  Indy looks alarmed and searches the house.
INDY
Dad? 
No answer.  Then he hears a noise outside.  He hurries to the back door.
Ext. backyard - jones house - dAY
Indy steps outside into a small paradise.  The yard is full of flower beds, complete with a goldfish pond and tiny waterfall. 
He spots a hunched over figure near a flower bed.  As he rushes over --
INDY
DAD? 
The FIGURE raises up.  As the brim of the floppy Panama hat tilts, it reveals the face of HENRY JONES SR. (Sean Connery)
HENRY
Junior? 
Indy breathes a sigh of relief. 
INDY
Geez dad, you scared me to death.  I thought you might of --
HENRY
What are you talking about? 
INDY
Your door, Dad.  You left your front door wide open. 
Henry smiles, brushes it off.
HENRY
Must've forgotten to close it when I brought my flowers in. 
INDY
You can't be doing that.  You never know when somebody could --
HENRY
Point taken.  Now did you come here to talk to be about home security, or did you have another reason?
INDY
There is -- something else. 
HENRY
Excellent.  You can help me plant the rest of these. 
He points to a long line of flowers in small pots, ready to be planted. 
INDY
I don't really know how...
HENRY
You're an archeologist, right?
(off Indy's nod)
You dig things up, right?
(another nod)
Then you can plant flowers.  Roll up your sleeves.  This will be a bit messy. 
DISSOLVE TO:
Ext. BACKYARD - JONES HOUSE - later
Father and son have streaks of dirt on their sweaty faces as they work in the garden. 
InDY
This isn't a hobby I would have pegged you for. 
HENRY
Your mother would spend hours in the garden, you remember?  She absolutely loved it.  I wanted to find out why. 
INDY
Have you? 
HENRY
It's an escape.  Just you and the work.  My time with the past is over.  The present is what I wish to enjoy. 
INDY
There's a dagger at the museum, found by you.  Remember it? 
HENRY
Indeed.  An old colleague of mine allowed me access to a hidden library that had just been unearthed.  I thought I might find something about the Grail there. 
INDY
The dagger was in the library? 
HENRY
Hidden inside one of the books.  It didn't catch my interest until I saw the mark of Laumet. 
Indy pauses his work, thinking hard.
INDY
Laumet is a real mystery.  I only know bits and pieces about his travels.  What I can't figure out is why the Nazi's think he's so important. 
HENRY
The Nazi's?  But I thought --
INDY
They were defeated.  It doesn't mean they're dead. 
HENRY
Laumet's speciality was biblical lore.  Some of his knowledge is in my Grail diary.  It's even said that he's found and walked through the actual Garden of Eden.  
INDY
I found a scroll, written by Laumet.  His words in are in some kind of code.  Do you know anyone who might help? 
HENRY
In London there's a historian who's supposedly an expert on Laumet. But what have you gotten yourself into? 
INDY
I don't know yet.  But it could be fun.  I could use your help.  You're the best researcher I know.  
Henry puts a reassuring hand on Indy's shoulder. 
HENRY
I'm honored.  But I'm finished.  I've taken my journey.
INDY
What's that supposed to mean? 
HENRY
I'm worried about you.  You go on these quests and your focus is nothing short of incredible.  But when I look into your eyes you seem so -- lost. 
INDY
I'm not lost.  
HENRY
Junior, the quest for knowledge is a noble path, but it is a lonely one.  One day you will have to decide how much knowledge is enough. 
INDY
You mean is it worth my life?
HENRY
Not just your life.  Your soul. 
Indy sits back, letting this sink in. 
Int. College hallway - dAY
Indy paces back and forth in front of large double doors nervously, dressed in his suit.  
THE DOORS OPEN.  Wright walks out, heads straight for Indy.
InDY
Well?
WrIGHT
I did what I could.  I'm sorry.
INDY
You've gotta be kidding me!  What do they expect --
WRIGHT
You've been on a bit of a dry streak lately and the board wasn't comfortable funding the trip.
INDY
Do they even understand what's at stake here? 
WRIGHT
Of course they don't.  That's the problem. 
INDY
I'll go over their heads.  Go on my own. 
WRIGHT
Visas are tough to get these days.  The war may be over, but without the backing of the college, you may be out of luck. 
INDY
Marcus would know how to get around this. 
WRIGHT
Perhaps so.  He had a lot of connections I don't have and I am truly sorry for that.  My hands are tied.
Indy grits his teeth.  He knows it's true. 
INDY
Then what am I supposed to do?
WRIGHT
Go home.  Grade your papers.  Give me some time. 
INDY
I don't have that option.
He stomps off down the hall leaving Wright looking defeated.
A YOUNG MAN (Ryan Reynolds), cleanly dressed, sits on a nearby bench.  As Indy passes, he waits a moment, then follows. 
Ext. College courtyard - dAY
Indy skulks down the sidewalk, pondering his next move.  As he nears a turn he looks to the window in front of him. There, in the reflection is the young man.
He pretends not to notice and turns the corner.  He strolls casually, then takes a turn in between two buildings down another sidewalk. 
The Young Man follows, heading for the corner.  As he turns --
-- he runs smack into Indy, who's been waiting.  Indy wraps a firm hand around his collar. 
InDY
I really hope you have a good reason for following me. 
Young man
Actually...I do.  I can help you. 
INDY
Start talking. 
YOUNG MAN
I can get you into England.  My father has connections --
INDY
Your father?  What kind of fool do you --
He stops, looking over the boy's face.  Something familiar. 
INDY
Have we met?
YoUNG MAN
Thomas.  Thomas Brody. 
The name hits Indy like a ton of bricks.  He immediately relaxes his grip. 
INDY
Tom?
Tom
You remember me. 
INDY
Of course I do.  You aced my classes -- no help from your father, I assume. 
TOM
Most of the time I was teaching him. 
They share a mutual grin.  
INDY
Let's go catch up. 
As they walk down the sidewalk --
TOM
You weren't really gonna hurt me, were you?
INDY
Well yeah, I was thinkin' about it. 
Int. College library - dAY
Indy scans the bookshelves while Tom sits at a table, thumbing through a book.
TOM
So you think these Nazi guys are trying to find Laumet's library? 
INDY
Whatever's there, they seem to think it's important. 
TOM
And your theory? 
INDY
Laumet's notoriety came from his supposed discovery of the Garden of Eden.  
TOM
What's the significance?  What could they want there? 
Indy plops a book down in front of Tom, open to a painting of a tropical paradise. 
INDY
The Bible says it's where life began.  I don't know what exactly they could want there, but I do know that if it still exists, they think it's a source of great power. 
(leans heavily on the chair)
Tom, I'm sorry I didn't come to the funeral.  I was in Singapore -- when he passed -- I didn't know until I got back. 
TOM
You were right where he wanted you to be.  He must have told the story of his journey with you to find the Holy Grail a thousand times.  And every time, it was new -- it was like he was reliving it again for the first time. 
INDY
He was one of my best -- probably the best friend I had. 
TOM
And that's why I want to help you.  Actually, we can help each other.  When do we leave? 
INDY
We? 
TOM
I'm going with you.  I have to go with you. 
Indy tries to be nice, but very firm.
INDY
There is real danger out there and I can't be baby-sitting you. 
TOM
Look, I need to do my thesis and you need a research assistant.  I know how to stay out of the way. 
(off Indy's glare)
If anyone needs to be punched, I'll let you do it, all right? 
The only answer Tom gets is a glare. 
Ext. Airfield - dAY
Tom carries a small pack on board the plane.  Indy follows behind, dressed as a gentleman. 
Int. Airplane - dAY
Indy takes his seat and leans back, relaxing.  Tom looks too excited to relax. 
TOM
I appreciate this a lot Dr. Jones.  If there's anything I can do --
InDY
Just keep quiet and let me sleep.  It's a long trip.
He tilts his hat down and looks completely at peace.  Tom stares out the window and sighs.  It will be a long trip. 
Ext. Airplane - flying
SUPERIMPOSED over a MAP tracing the route from New York area to England where it stops at LONDON. 
DISSOLVE TO:
Ext. London museum - evENING
A Taxi drops Indy and Tom at the entrance to the museum.  The Cabbie unloads their luggage.  Indy looks uncomfortable in his suit and tie. 
INDY
Get the bags, will ya? 
Tom looks annoyed and snatches the bags up, following Indy up the steps and inside. 
Int. foyer - london musuem - eVENING
Indy and Tom enter grand foyer, carved in huge pillars with floors of marble.  A WOMAN stands at the desk writing on a pad.  She looks up when she spots the two.
WOMAN
Can I help you? 
InDY
Could you tell Dr. Sage that Dr. Jones is here?  
WOMAN
Are you expected?
INDY
I left several messages with the museum -- but no, I never heard back. 
WOMAN
Then I suggest you return in the morning and make an appointment. 
She finishes writing and begins her walk out the door.  Indy sneaks a glance at the pad and sees the signature -- SAGE. 
He now takes a closer look at the Woman.  She's dressed crisply and her blond hair is pulled back in a neat bun.  He's found MADISON SAGE(Rosamund Pike). 
INDY
Then tell Dr. Sage that I'm sorry I missed him.  I would have liked his expertise on the Laumet scroll I've found. 
Madison stops in her tracks. 
Madison
Subtlety is not one your strong points, is it Dr. Jones? 
INDY
Guilty as charged. 
She turns and puts on a curt smile.  She shakes Indy's hand.
MADISON
Dr. Sage, but call me Madison. 
INDY
My father spoke very highly of yours. 
MADISON
I have heard of your exploits.  Very impressive.  And your companion? 
TOM
I just carry the bags. 
MADISON
Well then you can carry them a bit longer.  My office is upstairs. 
Madison smirks as she turns, unseen to Tom, but Indy spots it.  As she heads up the stairs Tom turns to Indy. 
TOM
The British have no sense of humor. 
As they go upstairs, a shadow crosses the outside door. 
Int. madison's office - london museum - nIGHT
Madison's eyes go over the scroll studying every square inch.  
INDY
What do you think?
MADISON
I think it's fascinating.  I have not laid eyes on anything new from Laumet in a long time. 
TOM
What was found before? 
MADISON
Not much, I'm afraid.  Laumet was a bit eccentric and protective of his findings.  It's rumored that he discovered the Moses Seraph. 
TOM
The Moses Seraph?  Like in serpent?
INDY
It's like a small statue.  Moses supposedly put the seraph on his staff and it warded off the serpents. 
MADISON
Which could be translated as evil.
INDY
Or maybe not.  Legend has it that the Garden of Eden is guarded by a Serpent. 
MADISON
But we don't believe in legends, do we?  We're scientists.  Laumet sought out everything related to the Garden, but was very cryptic about his findings.  Like in this scroll.  The top line is obviously in French.
InDY
(from memory)
The moment you eat, your eyes shall be opened. 
MADISON
Correct, from the book of Genesis.  The Serpent tempting Eve to eat the forbidden fruit.  But Laumet was very fond of riddles.  The rest of the scroll seems too random to be anything but a code.  
They look over the bottom half of the scroll.
INDY
Looks like words in French followed by a Hebrew character.  Safe to say it's probably biblical.  Look at some of the capitalization.  Some words have capitals in the middle.  The phase on top -- the land of Nod.  
MADISON
Where Cain settled after expulsion. 
ToM
(looking it over)
I don't this scroll is the way to Eden.
MADISON
What makes you say that? 
TOM
Logic.  For one, it was too easy to find.  Didn't you say that Laumet has a secret library someplace?  That would be the place to hide the Seraph and the location.  I think this scroll leads to the library. 
Madison looks back at the scroll -- her eyes light up. 
MADISON
You're right.  It's not the land of Nod, it's my land of Nod. 
TOM
Okay, I was feeling pretty smart until that last sentence. 
INDY
My land of Nod...literal translation -- wanderer. 
MADISON
Another term for an explorer!
INDY
I want a copy of this.  
He waits, then turns to Tom as if expecting something.
INDY
Well? 
TOM
Well what? 
(realizes what he means and groans)
Aw, you gotta be kidding...
MADISON
(amused)
I think there's some on the table in the hallway. 
Tom stomps out and Indy grins widely.
MADISON
Dr. Jones, I do believe you are a bit of a scoundrel. 
INDY
Is that a compliment?  
MADISON
Not really. 
INDY
Well maybe I'm not a scoundrel.  Maybe I'm complicated. 
MADISON
You don't seem very complicated to me.  
INDY
But you're intrigued. 
MADISON
Curious. 
INDY
I think you like scoundrels.  We could talk about it -- over dinner.
MADISON
I hope you enjoy dining alone.  Most scoundrel's do.
She walks into another section of the adjoining office.  Indy sighs.
INDY
The British have no sense of humor. 
Int. foyer - london museum - nighT
Indy and Tom head down the stairs to the ground floor.  Tom tries to stifle a chuckle, but it doesn't work.
INDY
Did I miss a joke? 
TOM
It's nothing -- well, actually, my dad -- well, he spoke so...highly of your 'abilities' with women.  
INDY
And?
TOM
And I just found it ironic that you struck out. 
INDY
I didn't strike out. 
TOM
Don't kid yourself.  I could see my breath when she gave you the cold shoulder.  Times have changed and you're too insensitive.
INDY
Look kid, I did not strike out.  Who says I'm even interested in her any -- what do you mean insensitive? 
TOM
You act like she would be lucky to have you...
Indy spots a shadow move on the upper floor. 
ToM
And you interrupt people when they are trying to --
INDY
Shhhh!
TOM
You see?  That's what I'm talking --
INDY
SHHHH!!
The urgency quiets Tom.  They both glance around, but Indy's eyes are more focused.  He's searching.
TOM
(whispers)
What is it? 
INDY
Something's wrong.  Give me the bag. 
Tom hands him a suitcase.  Indy quickly pulls his revolver out and sets the bag back down. 
TOM
We've been in London less than a day and you're already causing trouble? 
INDY
Usually happens sooner.  C'mon. 
He leads Tom back up the stairs. 
Int. Office hallway - london museum - night
Indy's footsteps softly echo down the marble floors.  He ducks inside and checks various doors.  Nothing.  He motions for Tom to stay back. 
Int. MADISON'S OFFICE - LONDON MUSEUM - nIGHT
The door CREAKS open and Indy enters.  Looks empty -- then a noise. 
He opens the closet door.  Madison's inside, bound and gagged!  Indy quickly removes the gag. 
MADISON
The scroll!  He's got the scroll!
Indy turns to see a GERMAN THIEF running through the adjoining office.  He tries to open the door, but it's locked. 
With a quick heave, he grabs a chair and SMASHES it through the window.  In a flash, he leaps through. 
INDY
(to Tom)
Take care of her!
He runs out the door after the thug, while Tom hurries to untie Madison. 
Int. Exhibition hall - loNDON MUSEUM - nIGHT
Large and expansive with lots of walls and priceless displays.  Plenty of places to hide. 
Indy enters, slow, calculating.  He surveys the room -- knows the Thief is in here somewhere. 
Just as he steps forward -- 
The German Thief SLAMS a pole down on Indy's arm.  The revolver slides across the floor and out of sight. 
Indy rushes the Thief and tackles him head on.  They tumble back into an ancient Chinese history exhibit. 
The base of a stand holding a vase wobbles.  It falls off.  Indy lets the Thief go and grabs the vase, setting it down gently. 
He scrambles to his feet just in time to receive a hard punch from the Thief. 
Another comes, but Indy ducks, returning several punches and an elbow to the gut. 
They continue their fist-fight, dodging and using the exhibits for cover. 
When they crash into another display case, Indy reaches out to save a rare piece of pottery. 
InDY
(annoyed)
Do you have any idea how old this is? 
The Thief jabs Indy in the ribs.  The pottery falls, SMASHING on the floor.  Indy looks up -- eyes blazing. 
He lashes out with a vicious attack, taking the Thief by surprise.  He does a bad job of blocking Indy's punches. 
The Thief spots a sword on a display wall.  He ducks behind an exhibit -- grabs it and wields it in front of Indy. 
Indy spins out of the way as the sword comes crashing down again and again, destroying centuries of history. 
When a display case nearby is smashed, Indy sees a large metal burial mask.
He grabs it and blocks just as the sword comes crashing down.  With a quick reflex, he swings the mask and cracks it across the Thief's face. 
Dazed, the Thief stumbles back. 
INDY
Now give me the scroll!
German thief 
I think not, Dr. Jones.  You Americans always claim victory much too soon. 
He grabs something from his coat and tosses it to the ground.  It rolls in between Indy's legs.  A LIVE GRENADE.
INDY
Aw, hell. 
With a burst of speed he rushes away -- the grenade goes off behind him.
There's a loud EXPLOSION and Indy leaps behind a sarcophagus just as the flames burst overhead.
The dust and rubble settles.  Indy stands, brushing himself off, takes in the destruction of the exhibits.
Then he spots movement -- the window!  The chase is back on.
Ext. London mUSEUM roof - nIGHT
Indy climbs up a ladder to the roof, bathed in moonlight and shadows.  Just on the other side he sees movement and heads for it. 
The Thief pulls out a small gun shaped device -- a homemade grapple gun.  He fires it across the open space to the next building.
The grapple buries itself in a brick wall on the opposite roof.  He takes out a small metal handle and clips it on to the line. 
Just as Indy reaches him, he slides across, landing lightly on the other roof. 
Indy quickly pulls his belt off and starts to follow across. 
When he's barely halfway, his face freezes in terror. 
THE THIEF IS CUTTING THE LINE!
Indy tries to stop, but can just slow down.  He grabs on to the bare wire --
The line SNAPS and he swings back towards the museum.  
Int. MaDISON'S OFFICE - LONDON MUSEUM - nIGHT
Tom has finished untying Madison when his head turns.  He frowns. 
TOM
You hear something? 
MADISON
No, I --
With a loud CRASH, Indy breaks through the window and lands roughly on the floor, skidding across right into Madison's lap. 
He looks up into her hypnotic blue eyes.
INDY
Hi. 
ToM
Were the stairs broken?
Madison quickly stands, knocking Indy's head to the floor.  He lays back, catching his breath. 
Int. Guard's station - london muSEUM - lATER
Indy takes off his ripped tweed jacket while Madison gets out a small first aid kit.  
Indy grimaces as he pulls a small piece of glass out of his arm.  Madison dabs iodine on the wound.
MADISON
Are all your evenings this interesting? 
INDY
Story of my life. 
MADISON
So the scroll is gone?
INDY
(nods)
There's not much time.  It won't be long before they figure out the code. 
MADISON
I know of someone who may be able to help.  He's a bit -- eccentric, but he's an avid reader on Laumet. 
INDY
Do you trust him?
MADISON
No.  But as you said, we're out of time -- this is going to sting a bit --
She presses iodine on a nasty cut and Indy yelps in pain. 
MADISON
Oh, don't be such a baby.  
Ext. Durrigan's mansion - dAY
Enormous and artistic architecture, impeccable taste, but overblown and arrogant.
Indy and Madison exit a taxi and are waved through the iron gates by the guards.  They head up a lavishly landscaped driveway.
INDY
You forgot to mention this guy was a millionaire.  
MADISON
Ronald Durrigan has more money than he'll ever know what to do with.  There are rumors of piles and piles of cash just sitting in rooms in his house.
INDY
Do you know what a ton of money smells like?  Rotting paper.  
MADISON
I told you I don't trust him.  But I believe he can help us.
INDY
I don't trust anyone who has the means to go over my head. 
MADISON
Just give it a chance.  He's harmless.  Besides, I see you left your little bodyguard behind.
INDY
Tom?  I sent him to the library to look up some of the words in the scroll.
MADISON
He agreed to go?
INDY
After a few choice words -- yeah.
They reach the door and Madison rings the bell.  An elegant BUTLER answers.
Butler
Mr. Durrigan has been expecting you. 
Int. Living room - durrigan mansion - dAY
A long room with vaulted ceilings and packed elegantly with antiques and books.  RONALD DURRIGAN (Jonathan Pryce) rises from a massive chair to greet his guests.  
Durrigan
Welcome, welcome!  Madison, it's always a pleasure.
(shaking Indy's hand)
Dr. Jones, your exploits are nothing short of legendary.  Someday we must take a lunch so I may hear them.  
The door opens to the side and Indy looks surprised to see TWO BLACK PANTHERS, stroll in without chains or leashes. 
They snarl a little, but Durrigan holds his hand up commandingly.  
DURRIGAN
Stop. 
The Panthers stop immediately, but never take their green eyes off Indy and Madison. 
INDY
Your pets?
DURRIGAN
My humblest apologies.  I do forget about their tendency to intimidate my guests.  But fear not.  They obey my every command without question.  
(to Panthers)
Go!
With a final short snarl, the Panthers head out another door and Durrigan pulls it shut. 
DURRIGAN
Now, I believe you have something to show me? 
Int. London library - dAY
A maze of history.  Stacks and stacks of books line every shelf and corridor. Tom hurries down one eagerly, pushing a rolling ladder. 
He stops near one and climbs the ladder quickly.  He scans through the books until he finds what he's looking for.  He pulls out the book and climbs down.
With good speed, he flips through the book until he stops on a specific page.  
Awkwardly, he takes a pen and notepad and jots down a single word : Home. 
Satisfied, he climbs the ladder again, about to push the book back in its place --
Through the gap in the shelf he SEES A FACE!  Mean, ugly.  Startled he falls back landing hard on the floor.  
He spots a shadow on the other side whip by.  He's being pursued. 
Scrambling to his feet, he runs as fast as he can the other way. 
Books whip by and he can hear his pursuer breathing hard on the other side. 
He takes a sharp turn, then another.  Finally he emerges in the central lobby.  Plenty of people.  He looks back -- nobody's there. 
Int. Study - durrigan's mansion - dAY
Durrigan scans the scroll copy, eyes alive with wonder. 
DURRIGAN
It's fantastic!  Where did you find it? 
INDY
We're not sure where it was found originally.
DURRIGAN
Another one of your adventures, no doubt.  I'm curious to understand why other scientists never seem to get in as much trouble as you. 
INDY
Just lucky, I guess. 
DURRIGAN
I admire your modesty.  But I can see a great deal of pride hiding behind it.  I suspect your arrogance is the root of much of your troubles. 
INDY
I do what I can to keep it out of the wrong hands.  Look, why do I feel like I'm being interrogated? 
Durrigan backs down, once again taking a pleasant tone.
DURRIGAN
I do apologize.  In my fascination with human nature I have a nasty habit of being rather confrontational.  I did not mean to offend. 
(turning back to the scroll copy)
Back to the scroll, shall we?  
MaDISON
It's some kind of code, but the key to solving it is eluding us.
DURRIGAN
These kinds of codes require ciphers of some kind. Clues left behind through the ages long lost to the sands of time.  Laumet was very protective of his findings and breaking the code will be next to impossible to break without the right cipher. 
INDY
From what I've read, Laumet was a bit of a show-off.  I find it hard to believe that he would go through the trouble of creating a code that could never be broken. 
DURRIGAN
Time is very unpredictable.  Entire civilizations have been decimated in the blink of an eye; a whole society being reduced to a paragraph in a history book.  
MADISON
So you think the cipher is gone?
DURRIGAN
I'm saying it's a possibility.  But you could find the cipher under a doormat and I would not at all be surprised. 
He rolls up the scroll copy and hands it back. 
DURRIGAN
This scroll is truly a great mystery.  If you happen to stumble onto any more clues, I would be very happy to aid you in any way I can. 
MADISON
Thank you very much for your time Mr. Durrigan. 
Indy shakes his hand.
DURRIGAN
I do hope you will still consider my offer for lunch.  
As Indy and Madison head for the door --
DURRIGAN
Dr. Jones!  Finding the cipher won't be the solution to your problem.  Laumet controlled more historical artifacts and riches and knew what consequences might come.  If you locate the cipher, you will face a much bigger problem.
INDY
Like what?
DURRIGAN
Staying alive.
Int. LonDON LIBRARY - dAY
Tom sits at a reading table, completely engrossed in a book.  He's writing furiously on his pad, barely able to contain his excitement. 
He looks up -- notices that the library crowd has thinned out.  Getting nervous, he hurries and finishes up.
Int. english taxi - dAY
The taxi drives through the historic streets showcasing Big Ben, among other landmarks.  Indy doesn't even notice.  He's lost in thought.
MADISON
Did you get the sense --
INDY
He wasn't telling us everything.
MADISON
I've never seen him give up on a challenge like that so quickly.  Especially when it comes to Laumet. 
INDY
Then we need to assume that we're on our own from here on out. 
Madison softly sneezes.  Indy grins, thinks it's cute.  He hands her a handkerchief.  She nods her thanks.  
MADISON
I don't get out much.  Always seem to catch a sniffle when I do.
INDY
Typical English air.  Look, about earlier -- my comments were out of line. 
MADISON
I was actually a  little flattered at first.  Doesn't seem to happen very much.  
INDY
I can't imagine why.  
MADISON
(blushes)
The lonely life of a scientist I suppose.
INDY
I know exactly what you mean.
It's an electric moment.  Their faces are getting closer together --
The taxi lurches as it turns, breaking the moment.  Madison looks out the window, then turns to the DRIVER.
MADISON
I think you made a wrong turn.
No answer.  It's getting tense.
INDY
Excuse me, but the lady said --
The Driver turns, brandishing a Luger!  Indy immediately bolts forward twisting the Driver's hand upwards.
The gun fires, putting several holes in the roof.  Indy and the Driver struggle for control.  Indy punches him a few times, but it doesn't seem to have much effect.
The taxi veers out of control, weaving back and forth through the street.  It's heading for the sidewalk --
MADISON
Watch out!
Indy and the Driver turn their attention to the road as the taxi barrels down the sidewalk, street vendors leaping out of the way as their carts are demolished. 
Keeping one hand on the Driver's gun hand, Indy uses the other to swerve the taxi back into the road. 
The two wrestle with Indy being dragged into the front seat.  The taxi heads straight for another car!
MADISON
Indy, the car!
Indy uses his feet to push the wheel to the left making the taxi narrowly avoid an accident. 
The fight intensifies.  Indy and the Driver trade vicious punches back and forth, while trying to control the Luger.
INDY
Madison, take the wheel!
Madison leans over the seat, trying to steer the out of control taxi.  She dodges traffic, trying to keep it on the road. 
She sees a big traffic jam up ahead.  She doesn't know what to do.
MADISON
INDYYYYYYY!!!!
At the last moment, she swerves the taxi left into an --
OPEN FISH MARKET
Fish fly into the air as the taxi crashes into the bins.  Angry vendors shout as the taxi destroys everything in its path. 
Indy has grabbed the Luger, but the Driver struggles for it.  It raises up, then -- BLAM!  The passenger window shatters.
With a big punch, Indy drops the Luger outside the window.  It clatters on the street. 
Madison sees a narrow alley as the only exit ahead and she aims for it. 
Indy punches the Driver and forces half his body out of the window.  As he sees the alley approach, he gives the Driver a big kick --
As the taxi enters the alley, the Driver flies out of the window and SMACKS into the brick wall.  He falls into a crumpled heap on the ground. 
Indy slides into the driver's seat and the taxi zooms away.
Ext. London street - dAY
The taxi pulls to a stop next to Tom, who is waiting by the corner.  He looks over the broken window and the bullet holes in the roof as Indy and Madison get out.
TOM
I was going to tell you how exciting my day was, but somehow I don't think it'll compare. 
INDY
Do you have something?
TOM
Oh, I've got something. 
Int. MadISON'S OFFICE - LONDON MUSEUM - dAY
Tom has books spread out over the desk as he paces with excitement.  
TOM
Laumet was even more clever than I gave him credit for. It's not a secret message.  It's a map.
Indy and Madison look over the scroll copy, trying to see it. 
INDY
This is the Hebrew character for N.  Are you saying --
MADISON
It's North.  
TOM
(pointing)
It took me awhile to figure it out because there is no E or W in the Hebrew alphabet.  So instead Laumet used the words for --
INDY
Rising sun and setting sun. 
TOM
Exactly.
MADISON
Brilliant.
TOM
I wouldn't say brilliant.  I'm more of a --
MADISON
Laumet was brilliant. 
TOM
Oh.  Each direction was part of a sentence, all from the Bible.  Each verse represents a length.  Could be paces, could be meters. 
MADISON
It would be meters.  
InDY
I don't see a starting point.  
TOM
You're looking right at it.  That part took me the longest.  Look at the first sentence.
INDY
My French is a little rusty, but --
(reads)
Where my road of the teacher shall lead me home into the arms of my one true love and three beautiful children.
TOM
Laumet never took a wife, nor had children, so why would he make a statement like this?  It's an address.  The starting point!
MADISON
I'm afraid I don't understand that one. 
TOM
Another word for teacher is ecolier -- or scholar.  Laumet was from Paris and there is a Scholar street in Paris.  Put the numbers together that represent his fictional wife and children.
MADISON
One - one - three. 
INDY
One-thirteen Scholar street.
MADISON
So it's to Paris then. 
INDY
(to Tom)
I dunno.  This is getting pretty dangerous.  Are you sure you want to come?
TOM
Are you kidding?  It's just starting to get interesting!
Indy grins and we --
DISSOLVE TO:
Ext. Airplane - flying
SUPERIMPOSED over a MAP tracing the route from London to France, stopping at Paris.  
Ext. Paris street - dAY
Indy and Madison follow Tom, whose nose is buried in a map. 
InDY
Are you sure you know where you're going kid? 
ToM
Of course I do.  It's right -- 
(puts down the map)
Here. 
They face a huge, expansive cemetery.  
ToM
Ummm...
INDY
It's gonna be a long day. 
Ext. paris cemetery - dAY
The cemetery is flooded with a thick fog shrouding its true size. 
Indy and Madison walk down separate rows, looking at tombstones.  Tom is further down.
MaDISON
This is like trying to find a needle in a haystack.
INDY
That's if this is the right haystack.  This whole thing could be wrong.
TOM (O.S.)
I heard that!
Indy points Madison down another path and walks parallel down a different one. 
MADISON
So there is no Mrs. Jones?
INDY
Nah, I like hanging around with dead people too much.  I guess you're in the same boat? 
MADISON
I'm too impatient.  It's very black and white to me.  I'm too practical, I suppose. 
INDY
Nothing wrong with that. 
MADISON
It's a bit of a curse actually.  I don't believe that a man can 'grow' on you just by continually spending time together. 
INDY
Chemistry, eh?
MADISON
The mind of a scientist. 
Indy smiles, but his face turns solemn when he sees a shadow running in the fog.  He softly whistles under his breath to Tom and waves him over. 
TOM
What's going on?
INDY
We're not alone. 
(points to a mausoleum)
Take her in there.  Don't make a sound. 
TOM
But I can help --
INDY
This is not the time.  Go.
Tom reluctantly guides Madison over to the mausoleum.  Indy runs into the fog.
MADISON
Is he brave, or stupid?
TOM
There's a difference? 
BACK TO INDY --
Running silently between the tombstones.  He draws his revolver, tries to spot any other movement. 
He ducks behind a large crypt and moves around the back side.  In the near distance, there's a FIGURE standing with their back to him. 
The hammer on his revolver softly CLICKS as he pulls it back.  He sneaks up on the Figure.  He's almost there when the Figure turns --
It's Vogel.  Smiling like he was expecting this.  One side of his face is damaged and freshly stitched up. 
VOGEL
Dr. Jones.  How fortunate it is that we meet once again. 
INDY
Sorry if I don't shake hands.  Keep 'em where I can see 'em.  Open palms.
Vogel obeys, still smiling like he's one up. 
VOGEL
You were much harder to track than I gave you credit for.  
INDY
Yeah, your taxi driver had to bail out.  The fish market wanted a little German on the menu. 
VOGEL
I find it amusing that you think you're in a position to jest.  Now where is the entrance to Laumet's musuem?  If you tell me, you and your friends may leave, alive.  
INDY
Why don't you figure it out for yourselves? 
VOGEL
Dr. Jones, I have more patience than my unfortunate brother, but I do have my limits. 
INDY
Your brother?
Suddenly it hits him --
BEGIN FLASHBACK
From "Indiana Jones and the Last Crusade" 
-- VOGEL'S BROTHER approaches Indy, who's tied with his father Henry in a chair.
VOGEL's brother
This is how we say goodbye in Germany.
He hits Indy hard, knocking his head back into Henry's.
-- Indy and Vogel's Brother fight it out on the out-of-control tank that's heading for a cliff.  Indy jumps off --
The tank falls down the cliff, Vogel's Brother SCREAMING the entire way down.
END FLASHBACK
Indy spots shadows moving in the fog.  He's being surrounded.
VoGEL
You see Dr. Jones, you owe me much more, but I am willing to take my revenge another day.  
INDY
What if I told you that I don't know where it is? 
VOGEL
Then I would be talking to a dead man. 
INDY
I've been told that before. 
Indy senses something is wrong.  He jumps behind a tombstone just as hail of gunfire erupts around him. 
Chunks of granite shower down on him.  A quick peek reveals two GERMAN THUGS standing just behind Vogel, brandishing sub-machine guns. 
Indy fires a quick shot back, takes a deep breath --
He bolts through the cemetery, weaving between the tombstones as the bullets spray around him. 
Int. Mausoleum - dAY
Tom and Madison both hear the gunfire and exchange worried glances. 
MADISON
Do we stay in here?  What if we're found?  
TOM
Then we'd be sitting ducks.  We need to go. 
He quietly opens the door and peeks out. 
TOM
All clear.  Let's go. 
Madison follows him out. 
Ext. pARIS CEMETERY - dAY
Indy makes his way through the fog.  He can't see three feet in front of him. 
There is an eerie quiet.  He hears the CRUNCH of a footstep. Stops in his tracks. 
He continues forward when -- he hears the CLICK of a gun cocking.  It's just ahead.  A burst of speed --
One of the German Thugs is right in front.  Before he can get a shot off, Indy attacks. 
They struggle with the gun.  Indy elbows the Thug in the gut.  As the Thug swings, Indy punches him in the ribs.  The gun falls to the ground, tumbling away from them. 
The Thug runs and tackles Indy.  The force is so strong, they're both knocked back.  Indy's back takes the brunt of the impact as they CRASH through a tombstone. 
They tumble across the ground, trading punches, each trying to gain control.  Indy manages to scramble to his feet. 
He grabs a big piece of the splintered tombstone and as the Thug gets to his feet, Indy swings the tombstone.
With a loud THUD, the tombstone shatters in a cloud of dust and the Thug is out cold. 
Another part of the cemetary --
Tom wades through the fog, straining his eyes to see.  Madison follows close behind.  They speak in a hushed tone. 
MADISON
I can't see anything. 
TOM
I think I see something up ahead. 
They continue on, trying not to make any sound.  Occasional shouts in German makes them freeze. 
MADISON
I think we need to go back. 
TOM
I don't even know where that is. 
Suddenly a face looms out of the fog right in front of Tom.  Quickly the GERMAN ATTACKER grabs Tom and with two quick punches, brings him down. 
He points his Luger at Madison and waves her over.  When she gets close, he forces her down to her knees.  
Tom gets to his knees and the Attacker aims his gun square at his face.  The hammer goes back -- Tom closes his eyes, prepares to die --
BLAM!  Tom squints, wondering why he isn't dead.  The Attacker looks at him in surprise, then looks down to his shirt.
Blood soaks through the shirt and he blinks in a final daze -- falls to his knees and dies. 
As his body falls over, Tom sees Indy standing behind.  Tom collapses on all fours, overwhelmed.  Madison helps him up. 
ToM
Am I a sissy for telling you how scared I was? 
MADISON
Not at all. 
INDY
We need to move. 
(to Tom)
C'mon, Sissy. 
TOM
That's not funny.
(to Madison)
Is he funny?
Indy leads them down a path with large mausoleums on both sides.  It provides them some cover.  
They move quickly until Indy stops in his tracks. 
TOM
What are you doing? 
Indy turns and points to a mausoleum on his right.  Tom and Madison both look.  It's unmistakable. 
The mark of Laumet is etched over the doorway to the mausoleum. 
Int. Laumet's mausoleum - dAY
The door CREAKS open.  Indy lets Madison and Tom go ahead and then pulls the door shut behind him. 
The mausoleum is lavishly carved in marble and granite.  A large tomb lies in the center with the same cryptic markings. 
TOM
This tomb is nicer than my house. 
INDY
The entrance has got to be here somewhere. 
MADISON
The riddle on Laumet's scroll.  'The moment you eat, your eyes shall be opened'. We can assumed the our eyes being opened means gaining access to his library, his knowledge. 
Indy glances around the room, studying the carvings. 
INDY
Moment you eat...moment you eat...
TOM
We need to figure this out fast.  There's no telling when they'll figure out we're in here. 
INDY
Look around the tomb.  Remember what I've taught you --
TOM
I know, I know.  Study each detail objectively. 
INDY
But do it fast. 
TOM
You never taught me that.
They start the search. 
Ext. pARIS CEMETERY - dAY
Vogel walks through the gravestones, flanked by two gunmen.  Vogel's right hand man LUKAS (Richard Roxburgh), emerges from the fog and joins him. 
Lukas
They seem to have eluded us. 
VOGEL
They are here somewhere.  Unearth every corpse in this cemetery if need be.
As they walk along, Vogel senses something in Lukas.
VOGEL
You are troubled. 
LUKAS
Forgive me.  I have fought alongside you in times where I thought neither of us would make out alive --
VOGEL
But you are unsure about our current path. 
LUKAS
The Garden of Eden is shrouded in legend, a myth.  I wish I had your confidence that it truly existed.  I truly want to have in this. 
VOGEL
Worry not, my trusted friend.  You don't need to have faith.
LUKAS
I don't understand.  
VOGEL
Soon, you shall have proof.  Just find Jones and he will lead us. 
Lukas salutes, recharged in belief.  He hurries away.  Another figure walks up next to Vogel. 
It's Durrigan.
DURRIGAN
I had assumed you had everything under control.
VOGEL
And it is.  Know your place.
DURRIGAN
And know yours.
Int. LaUMET'S MAUSOLEUM - dAY
Tom runs his hand along the wall, feeling every carved groove for a clue.  Frustrated, Madison searches the opposite wall. 
As Indy looks over the tomb itself, he notices her deep sigh.
INDY
Not what you expected? 
MADISON
It seems every step closer we get, there is something blocking our way. 
INDY
You haven't been in the field much, huh? 
MADISON
I've wanted to.  It never worked in my favor to go. 
INDY
Patience is the key.  Once you master that, the answers to the tomb's riddles find you. 
TOM
Although there aren't usually maniacal ex-Nazi's who are looking to blow your head off. 
INDY
You'd be surprised how often that happens. 
He stops his search and rests against the tomb.  His fingers tap the side and he's surprised when a small section moves.
Excited, he kneels down and runs his hands over the carvings on the tomb.  
INDY
I'll be...
Madison and Tom join him, looking over the tomb's carvings.  Indy reaches out and moves a small square of the carving.
MADISON
It's a puzzle!  A sliding puzzle. 
TOM
Amazing...
Indy begins moving the squares around, and they all look for a pattern, something to build out of the sliding puzzle. 
MADISON
The moment you eat...
A picture is forming out of the carvings.  Indy's eyes glow.  He slides the last few squares into place. 
The puzzle forms a picture of an apple. 
INDY
Your eyes shall be opened.
He presses the apple like a button and a low RUMBLE fills the chamber. 
The tomb slides back to reveal a set of stairs underneath!
MADISON
We've found it.  Is this what archeology is really like?
INDY
Even better. 
Indy starts down the steps.
Int. Tunnel under laumet's tomb - dAY
Indy creates a makeshift torch and lights it.  The tunnel is narrow and long, made of hard dirt and occasional flimsy looking supports. 
He motions for Madison and Tom, who join him.  Indy hands Tom the torch and heads back up the steps.
TOM
What are you doing?
INDY
Covering our tracks. 
Ext. pARIS CEMETERY - dAY
Vogel walks down the same line of mausoleums that Indy did earlier.  His gunmen spread out, checking every possible hiding place.  
As a wave of fog clears, Vogel can clearly see Laumet's symbol on the mausoleum.  His lips form a sinister smile. 
Int. LaUMET'S MAUSOLEUM - dAY
Indy hurries up from the tomb and begins scrambling the puzzle until it's unrecognizable. 
The tomb slab begins closing.  He doesn't have much time. 
He hears the sound of the mausoleum door OPENING.  He turns -- sees Vogel's face, smiling back at him. 
Vogel draws his Luger and fires just as Indy dives into the closing tomb. 
Enraged, Vogel rushes forward just barely making out Indy's smirk before the tomb seals shut. 
He SCREAMS out German obscenities while trying to push the tomb back open.  
Lukas rushes in, gun drawn -- finds Vogel fuming.
LUKAS
What is it, Herr Vogel? 
VOGEL
They've found the tomb!
LUKAS
Have you discovered how they managed to enter?
Vogel delivers a surprising hard slap to Lukas, who looks stunned.
VOGEL
That is to remind you not to ask questions like that again. 
After a moment to bottle up his anger, Lukas nods.
LUKAS
Of course, Herr Vogel. 
VOGEL
I saw a tunnel under there before it closed.  What lies under this cemetery? 
LUKAS
The catacombs run beneath us, I believe.
He closes his eyes, waiting for another strike, but it doesn't come. 
VOGEL
There is more than one entrance to the catacombs, ja?  Come with me.  We may not know where they are, but I do know where they'll end up.
As he passes Lukas, he tosses a handkerchief to him.  
VOGEL
Clean yourself up.  
Lukas notices a thin trail of blood coming from his mouth.  He dabs it with the handkerchief. 
Int. TuNNEL UNDER LAUMET'S TOMB - dAY
Indy joins Tom and Madison in the tunnel.  He can't help but notice Tom's glare. 
INDY
What?
TOM
Did you think about how we're going to get out of here before you sealed us in? 
INDY
I was a little more concerned about avoiding the bullets being shot at me. 
TOM
Maybe you like gambling with your life, but I'm not real fond of it!
INDY
You knew the danger!  I never told you anything different.  You wanted to come. 
TOM
I wanted to explore, not be hunted by some death squad, locked in a tomb to become someone else's science project!  My father never --
INDY
Marcus respected the danger.  That's the difference! 
TOM
My father wouldn't know danger if it was standing right in front of him. 
INDY
What does any of this have to do with your father? 
TOM
The time he was supposed to spend with me, he spent with you and I want to know WHY!  What is so damned important about you? 
Madison steps in the middle of the brewing fight. 
MADISON
HEY! Calm down, the both of you!
Tom just now notices a tear running down his face and angrily wipes it off. 
MADISON
I don't want to hear another word about this.  We don't even know we're sealed in here.  Let's just follow the tunnel.
(to Tom)
If we find out we are trapped in here, then you can kill him, but until that time, BE QUIET. 
Both Indy and Tom are silent, in awe of her outburst. 
MADISON
Now march, the both of you.
She leads them down the length of the tunnel into --
Int. Catacombs under paris - dAY
As Madison proceeds down the corridor, she notices a change in the walls.  Skulls and bones line the tunnel like a grisly wallpaper from floor to ceiling. 
MADISON
These are the catacombs?  I've heard of them.
INDY
During the French Revolution, the bodies were piling up so high, that they had to move the older cemeteries down here. 
MADISON
Death art.  How charming. 
INDY
Up ahead.  Look. 
On the small archway ahead of them, is the etched mark of Laumet. 
INDY
Take out the map.
Tom unfolds the scroll copy and moves closer to the torchlight to see. 
TOM
Twenty seven meters.
They begin their walk down the tunnel.  They pass several turning spots but keep on. 
TOM
Okay...it looks like we go north, for fifteen meters. 
Indy takes the turn continuing down.  The grinning skull cast eerie shadows on the walls. 
TOM
Now west for ten meters. 
As Indy turns, he realizes that he's facing a wall. 
INDY
There's nothing here. 
TOM
I counted the steps.  The turn should be here. 
INDY
Are you sure you're reading it right? 
TOM
It's right.  I know it is. 
Sighing, Indy begins pulling skulls and bones out of the wall. 
MADISON
Should you be doing that? 
As Indy pulls away a section of bones, he can see a hole behind.  He reaches in -- it's deep.  Strains to reach them --
There's a loud CLICK and a section of the wall swings open.  A hidden door!
As they walk through --
TOM
I told you I was right...
Int. Secret tunnel - dAY
The walls are no longer full of bones and they all jump a little when the door shuts behind them. 
INDY
From here on out, step where I step.  No exceptions. 
He walks carefully, inspecting every section of floor and wall, trying to spot a trap. 
MADISON
Do you expect there to be traps?
INDY
If Laumet went through this much trouble to hide his museum, then he would also protect it.  
MADISON
And what happens if a trap is sprung?
INDY
(points to Tom)
Run faster than him. 
TOM
Cute.  There should be a left coming up. 
Indy motions them to stop as he turns the corner.  He takes the torch and kneels, looking the tunnel over. 
MADISON
Anything?
INDY
Hard to tell.  Just stay quiet and right behind me. 
He starts down the tunnel, being very careful where he steps.  A few steps down and Tom brings his noise out of the map.  
TOM
(loudly)
Should be a straightaway for a while!
Indy turns back to shush him, but it's too late.
CLOSE ON A GEAR
A simple gear rests on a thin wire that looks hundreds of years old.  As Tom's voice carries through the tunnel, the wire VIBRATES.
The gear releases and begins turning.
BACK TO THE TUNNEL
A low RUMBLE floods through.  Indy looks for the source. 
MADISON
What's happening? 
INDY
I don't know.  Now stay still!
Then a big WHOOSH sounds just ahead.  When Indy sees what's happened --
INDY
Oh no...
A strip along the base of both walls flips up and a greenish liquid spills out onto the floor sending up smoke.  ACID.
MADISON
Is that what I think it is? 
They all watch in horror as the floor begins melting away, revealing a deep chasm below. 
INDY
We can't go back.
TOM
We have to run it? 
INDY
It's the only way. 
MADISON
Indy, I can't do --
INDY
You have to.  Now go!
He breaks into a run and leaps over a small section of floor that has already fallen away. 
INDY
Come on!
Madison sprints across, followed by Tom.  Indy leads them over as they jump from floor space to floor space.  
As Tom jumps over one, another section of the tunnel floor falls away right behind his heels. 
He wobbles, but manages to balance himself and keep going. 
Up ahead, the acid is working faster and more of the floor is missing.  The jumps get longer and longer.  
Just after Indy jumps, Madison follows, but just as she lands the floor beneath her collapses.  She grabs on to the edge and screams in pain. 
MADISON
It's burning me!
Indy leaps back on his stomach and grabs her arms so she can let go of the edge. 
INDY
Don't let go of me!
But a steady drip of acid is plopping on her arm.  She winces with each drop.
INDY
Tom!  Get over here!
Tom quickly leaps over another way and hops back over to where Indy's laying. 
TOM
What can I do?
INDY
Get my whip!
Moving fast, Tom grabs the whip and lowers it down.  The floor continues to dissolve around them.  Not much time. 
INDY
Grab the whip!  Wrap it around your wrist!
MADISON
I can't!
INDY
Yes you can!  Now do it!  I'll pull you up!
Reluctantly, Madison does and wraps the end of the whip around her wrist. 
INDY
You got her Tom?
TOM
(groaning)
For now.  Hurry!
Indy scrambles to his feet, quickly wiping the acid from his shirt.  He grabs on to the whip and together, he and Tom pull Madison up. 
Within seconds, they're running again.  Almost to the end of the tunnel --
The floor in front of them collapses!
With even stopping they leap over, barely catching the other side.  They run around a corner and out of sight. 
Int. main tunnel - dAY
Indy pulls out a canteen and dilutes the acid on both his clothes and Madison's hands and arms.  All three have various holes in their clothes. 
Madison shakes with fear.  Indy gently looks over her hands. 
INDY
How are you doing?
MADISON
I want to go back to my museum.  I want scones, I want tea --
INDY
It looks like you just have a few second degree burns.  Nothing serious. 
MADISON
Were you listening to me?  I want to go home!  Right now!
INDY
Madison, you're going to be fine.  You need to calm down.
MADISON
I will NOT calm down!  And there is nothing you can do about -- 
With a quick step forward, Indy takes her in his arms and kisses her, passionately.  
Tom's jaw goes to the floor.  Madison struggles at first, then gives in, putting her arms around him. 
Indy steps back, expecting to get hit.
INDY
Are you calm?
MADISON
Actually, I'm a bit dizzy. 
INDY
Good enough.
He guides her down the passage.  Tom shakes his head.
TOM
I usually get slapped for that.
Int. Entrance to Laumet's library - dAY
A large iron door looms in front of them.  Madison, whose hands are now bandaged with cloth, looks it over, in awe.
MADISON
You found it.  You really found it.
INDY
We found it.
She smiles shyly.  Tom, still studying the map, looks puzzled.
TOM
I don't get it.
INDY
You look like you're surprised to find it. 
TOM
I am.  The map has three more direction markers on it. 
Indy steps next to him and looks it over.  Sure enough, there are three more lines of directions. 
He breaks away and walks to the door, looking at everything.  His eyes fall on a compass, embedded in the door and shaped like a combination lock. 
Excited, he hurries to the compass dial and is able to turn it.  
INDY
What's the map say?
TOM
North...West...then East.
Indy spins the dial.  When he reaches the last setting of east, there is a loud CLICK, followed by a small BOOM. 
The library door opens!
Int. Laumet's library - dAY
It's not a library so much as a museum.  A large room, full of hundreds, if not thousands of years of history.  Artifacts and writings are positioned everywhere.
MADISON
It's extraordinary!
TOM
There must be thousands of items in here.  
But Indy's eyes are only focused on one.  A box sitting in the middle of the room. 
MADISON
Is that what we're looking for?
INDY
Only one way to find out. 
He opens it slowly and reaches inside.  He comes out with an elaborately carved golden serpent head. 
INDY
The Moses Seraph. 
TOM
But what about the Garden?  
Indy inspects the box and pulls out a false bottom.  Inside is a tattered parchment.  He unfolds it: THE MAP. 
Madison and Tom huddle in and look at it. 
INDY
Africa.  It's in Africa.  
MADISON
Near the Congo region.  We're but mere steps away. 
Indy's eyes focus on a small jar.  Inside is a small beetle.  It looks dead. 
INDY
That's odd. 
He opens the jar and inspects the beetle.  It's crusty and looks like pottery.
MADISON
Is it made of clay?
INDY
Yeah, but look at the detail.
The beetle suddenly MOVES.  It wiggles around.  Startled, Indy drops it and stamps on it. 
He looks under his shoe.  It's nothing but dust.  Indy realizes something, takes a deep breath.
INDY
I think I know why they want to find the Garden so badly. 
Int. eNTRANCE TO LAUMET'S LIBRARY - dAY
Indy comes out of the library and follows a short tunnel to a dead-end wall.  He pushes and it swings out -- A one way door.   He turns back to Madison and Tom. 
INDY
I think this is our way out. 
Int. Paris sewer - dAY
The tunnel empties into a massive sewer tunnel that stands well over twenty feet high.  As they walk, Indy notices Madison wincing at her hands.
He stops and looks them over.
INDY
How are they?
MADISON
I'm fine.  Really.  
INDY
I'm sorry.  I'm better than that -- I should have spotted it. 
MADISON
But you saved me.  
INDY
But it doesn't seem like enough. 
TOM
Excuse me, but could you guys have that little moment outside of the sewer? 
Indy shoots him an annoyed glare and continues walking.  Then he stops suddenly --
INDY
Hear that?
TOM
Hear what? 
A low GROWLING echoes softly through the sewer tunnel.  All three stop and listen -- but look puzzled. 
MADISON
I don't know what --
Then the growling becomes a ROAR -- the sound of a loud engine.  Indy realizes --
INDY
RUN!  RUN!!
They take off down the tunnel, running from the sound.  It gets louder and louder --
Five motorcycles ZOOM into view, rushing after them.  One comes up right behind Tom.  He leaps into a side tunnel to avoid it.
Int. Side sewer tunnel - dAY
Tom picks himself and leans out of the tunnel. 
TOM
Guys!  Wait!
But the Driver of the motorcycle has turned around to chase him.
He adjusts his day pack and runs down the tunnel as fast as he can.  The motorcycle follows him in.
It's catching up to him at an alarming rate. 
Int. PaRIS SEWER - dAY
Indy takes out his whip as the first Driver gains on them.  He pulls Madison out of the way, dodging as it streaks past. 
In an instant, Indy has his whip ready and flicks it after the Driver.  It wraps around his neck and with a hard tug, he flies backwards off the bike.
The motorcycle skids to a stop on the ground.  Indy runs up and mounts it -- turns to Madison.
INDY
Get on!
Madison gets on behind him and with a loud REV of the engine, they take off down the tunnel, the other two Riders in hot pursuit.
Int. SiDE SEWER TUNNELs - dAY
Tom drops to his stomach as the motorcycle runs by.  He takes the opportunity to duck down a different, smaller tunnel.  
He exhales deeply, gaining a little confidence when a light in front of him blinds him. 
An engine kicks on.  A MOTORCYCLE in front of him!  He starts back the other way. 
The other motorcycle has boxed him in.  He's trapped!
Int. PaRIS SEWER - dAY
Indy's motorcycle speeds through the tunnel, kicking up water behind.  Madison hangs on for dear life. 
The three German Riders are gaining on them.  One takes out a Luger and fires. 
Indy swerves back and forth to avoid the shots.  He speeds up and the chase intensifies. 
The other Rider comes up alongside and aims his Luger. Indy swerves over and knocks the gun from his hand. 
The Rider reaches out and grabs Madison.  He's pulling on her hard and she's trying to hang on. 
MADISON
Indy!  I can't hold on!
Indy moves closer to the Rider to ease the pressure.  With a lightning right, he punches the Rider, but it doesn't seem to have much effect. 
Up ahead he notices an archway in the tunnel with two narrow walls on each side.  An idea forms.
He keeps pace with the Rider, making him hug the circular wall.  At the last minute, he comes down hard on the Rider's arm.
The Rider releases Madison and she pulls herself back on the motorcycle.  
The archway is just ahead.  At the last second, Indy pulls the bike to the left and enters. 
The Rider doesn't have enough time.  He SCREAMS as he crashes full force into the archway wall.
His motorcycle EXPLODES in a grand fireball. 
Int. Sewer entrance - dAY
A big archway entrance to the sewer system.  Water flows in from various pipes in all directions. 

One of the German Riders pushes Tom into the chamber where Vogel waits with a slight smile on his face. 
VOGEL
I think you have something that belongs to me.
The Rider strips the pack from Tom and tosses it to Vogel.  When he sees the map inside, he nods in satisfaction.  He turns back to Tom.
VOGEL
You are just a boy.  Why did Dr. Jones bring you? 
TOM
Good company, I guess.
Vogel vioiously strikes Tom across the face.  Tom wipes the blood from his mouth.
VOGEL
Perhaps you would like to answer again?  I do have methods I can use which are far more uncivilized.  I don't like to, but I am more than capable. 
TOM
I've been helping him decipher the code. 
VOGEL
You are as smart as I thought you were.  Thank you for your answer. 
Lukas steps forward and speaks softly.
LUKAS
Should I take care of him?
VOGEL
(stern)
No!  I am a soldier, not an executioner.  We will take him with us.  He may be of use.
LUKAS
And then what?
VOGEL
He goes free.  But if he tries to escape, then you may kill him.
Tom gulps in fear when he hears this. 
Int. PaRIS SEWER - dAY
With two more motorcycles behind him, Indy revs the engine and attempts to outrun them. 
As one gets close, the Rider pulls out his Luger and prepares to fire. 
MADISON
You have to move!
INDY
Why?
(looks behind)
Oh.
He guns the bike as fast as it will go and turns up the wall. 
In the circular tube-like tunnel, Indy does a complete loop over and behind the German Rider. 
In complete surprise the German Rider tries to point his gun back, but it's too late. 
Indy has pulled out his revolver and fires several shots.  The Rider flies off his motorcycle and crashes into the side wall, not moving. 
The last Rider grimaces and speeds up. 
The motorcycles race through the tunnel at perilous speeds, using the circular tunnel for sharp turns. 
Just ahead, Indy sees the tunnel is ending in a drop-off.  He speeds up again.
MADISON
What are you doing?
INDY
Trust me!
MADISON
I don't even know you --
Her voice becomes a SCREAM as they leap into mid-air.  They have entered a junction station, full of pipes. 
The motorcycle lands on top of one of the pipes and Indy continues on.
The Rider lands behind them.  He made it too! 
The bikes run on top of the pipe.  One slight move left or right and they will tumble into a long freefall into darkness. 
INDY
Is he still back there?
MADISON
Yes!  What are you going to do?
INDY
Not sure.  I hadn't really planned on him making that jump. 
MADISON
That's just grea -- WATCH OUT!!
They have entered a low ceiling area and objects hang down right in front of them.
Indy and Madison duck just as another pipe whizzes over their heads. 
It's an obstacle course like no other.  They have to weave and duck or they'll lose their heads. 
The Rider is able to keep up.  Indy is astonished.  He looks a bit further ahead, then over the side. 
INDY
I've got an idea.  We're jumping, okay? 
MADISON
You must be joking!
INDY
That water down there is deep.  We can make it!
Madison holds on tighter as they near the edge --
The motorcycle launches into the air, arcing beautifully.  Indy and Madison leap off the side. 
The Rider makes the jump, but it's too late when he sees what's happened. 
Indy's bike CRASHES and EXPLODES into the wall ahead.  The Rider puts his arms up, SCREAMS and his bike disappears into the explosion. 
Indy and Madison fall down and land in the water with a big SPLASH. 
There's another big fireball and then silence.  
Waterlogged, Indy and Madison climb out of the water into a separate tunnel.
MADISON
You don't do anything normally, do you?
INDY
Never. 
He can see daylight ahead. 
INDY
C'mon, this is our way out.  We can circle around and figure out what happened to Tom. 
Ext. private airfield - dAY
Two large wire cages with Durrigan's panthers are loaded into a cargo hold of a small, private aircraft.  
One of the workers slips and the cage drops down a little.  The panthers go nuts, snarling at him.  Durrigan walks up behind him.
DURRIGAN
You will be more careful or I will open the cage and let them have a snack.
The Worker fearfully nods and continues loading.  Vogel comes out of the plane to meet Lukas, who is escorting a handcuffed Tom. 
VOGEL
Take him aboard. 
DURRIGAN
You know, when I overpack, I tend to dump my spare luggage. 
VOGEL
While I do appreciate your investment in this operation, I am a strict about my orders being carried out. 
DURRIGAN
I'm not one of your soldiers.
VOGEL
You may very well be an important man back in England, but out here you are nothing more than a signature on the check.  Now let me do my job and stop getting in the way. 
He walks away curtly while Durrigan fumes. 
Ext. Hill near the airfield - dAY
Indy looks through binoculars at the boarding plane. 
INDY
Damn it. 
MADISON
What is it?
He hands her the binoculars and when she looks through them --
MADISON
Damn it.  Durrigan?  What's he doing involved in all of this?
INDY
Must be more interested then he led us on to be.  We gotta get on that plane. 
MADISON
But how?
Indy shrugs innocently. 
Int. cargo warehouse - airfield - dAY
Two cargo loaders walk by the mounds of crates, on their way out when --
A hand reaches out and grabs them both -- pulls them behind the crates.  
The sound of several loud PUNCHES and then silence.  A few moments later Indy and Madison walks out dressed in the worker's uniforms. 
Indy pulls his shirt in -- it's too tight. 
INDY
Why do I always pick the skinny guy? 
Ext. Private airfield - dAY
Durrigan's plane has started the engines and prepping to leave.
Indy and Madison walk towards the back end.  Indy opens the cargo hold and helps Madison inside.
A Worker runs up, yelling in French.  Indy puts out his hands to calm him, then lashes out with a quick punch, knocking him out cold. 
He hops aboard the plane and shuts the hold. 
Int. Cargo hold - dAY
Indy turns and comes face to face with one of the caged panthers.  It SNARLS at him and pounds the cage to get out. 
INDY
It's gonna be a long flight. 
He leads Madison to the opposite corner of the hold. 
Int. duRRIGAN'S plane - dAY
First class in every respect.  Tom sits in the back, still handcuffed.  Durrigan brings him a glass of water, which he gulps down. 
DURRIGAN
Would you like some more?
Tom nervously nods.  Durrigan walks to the small kitchen and pours another glass. 
DURRIGAN
So you're Jones' young friend.  Do you have any idea why he left you?
TOM
He'll be along. 
DURRIGAN
Of course.  I have heard stories of his persistent nature.  He has always been a curious subject to me.
TOM
I've never pegged him as curious. 
DURRIGAN
He seeks some of the most legendary finds in the world, but only for the discovery. 
TOM
What else is there? 
DURRIGAN
Do you have any idea what the Garden of Eden truly is? 
TOM
The place where life began.
DURRIGAN
No.  It is the most powerful place on Earth.  It alone holds the power to heal, to destroy, to create.  Whoever controls the Garden, controls all life on this planet. 
TOM
I don't believe it.
DURRIGAN
You will. 
TOM
You know what strikes me as incredibly strange?  You didn't even make the discovery.  You stole it.
An smug smile creeps over Durrigan's face.
DURRIGAN
Real power is never earned.  It's taken. 
Int. CarGO HOLD - dAY
Madison puts her arms around her, shivering.  Indy puts his arm around her and she snuggles into him.  She takes the Moses Seraph out of Indy's shoulder bag.
MADISON
Can I ask you something? 
INDY
(almost asleep)
Mmm...
MADISON
What's so important about all of this?
INDY
I don't follow. 
MADISON
I'm excited as anybody to possibly find the Garden, but I've been struggling with why I want to find it so bad.  What drew you to archeology? 
Indy sits up, alert now.  It's like this is the first time he's actually had to think about it. 
INDY
I'm not sure -- I was drawn to it as a kid.  It didn't matter what kind of civilization or history.  I just wanted to know about it, know what they were like. 
MADISON
But that's not why Durrigan wants to find it.  In the library, you said you knew why they wanted to find the Garden.
INDY
In Jewish folklore there's a legend about the creation of life.  Have you ever heard of the Golem? 
MADISON
A servant made of clay or something, isn't it? 
INDY
Exactly.  They created a person from clay and it came to life.  The legend also said that it was believed that the clay used was from the Garden of Eden.  The very clay God created Adam and Eve with.
MADISON
(realizing)
Oh my God. 
INDY
Vogel's going to try and rebuild the Nazi party.  
MADISON
How are we going to stop him? 
INDY
The only way I know how.  Improvise.
Ext. Airplane - dAY
SUPERIMPOSED over the plane flying is a line tracing the route from Paris to an area near the Congo region in Africa. 
Ext. African airstrip - dAY
As the plane comes to a stop, Indy and Madison jump out of the cargo hold and duck into the thick growth of the African jungle. 
They watch as SINGI, an African guide meets Durrigan as they get off the plane. 
DURRIGAN
Is everything in order, Singi?
Singi
Just as you ordered it sir. 
DURRIGAN
Excellent.  
DISSOLVE TO:
Ext. Jungle trail - dAY
A caravan of trucks rumbles through the dense jungle.  The CAMERA focuses on the last truck in line.  Indy peeks out from behind the canvas. 
Int. Cargo truck - dAY
Indy steps back inside as the truck bounces along.
INDY
This isn't going to be easy.  We can't do anything until we get Tom out of there. 
MADISON
What about the map?  
INDY
Destroy it. 
MADISON
But what about the discovery?  The desire to know? 
INDY
Sometimes you have to decide how much knowledge is too much.  A wise old man taught me that. 
MADISON
Better not to know, rather than the wrong people knowing, right?
INDY
Exactly.
MADISON
I guess it's time for that improvisation to kick in.  What plan have you got? 
INDY
(beat)
Not a thing. 
Int. Cargo truck cab - dAY
A SWEATY DRIVER wipes his wet forehead in the humid air.  He turns to the PASSENGER SOLDIER sitting next to him. 
Sweaty driver
I need a drink.
The Passenger Soldier passes him a canteen of water.  The Sweaty Driver takes a swig.
SwEATY DRIVER
Something stronger. 
Passenger soldier
I think there's a full bottle of Vodka in the back. 
SWEATY DRIVER
What are you waiting for?  
The Passenger Soldier crawls out the window.
Ext. Cargo truck - dAY
The Passenger Soldier makes his way along the side of the truck.  
Int. Cargo trUCK - dAY
The Passenger Soldier calmly enters the back of the truck and stops in his tracks.  Indy and Madison stand there, looking just as surprised.
Indy flashes a trademark grin.
INDY
Wrong truck. 
The Passenger Soldier lurches forward and the two trade punches.  Passenger Soldier is a better fighter and expertly delivers two punches and a kick before Indy can react. 
Passenger Soldier performs a strong kick and Indy flies through the canvas and truck frame. 
Ext./int. Cargo truck - dAY
Indy hangs on to the canvas for dear life.  The trucks are now going up a steep mountain.  Indy looks down and sees the endless abyss below. 
There's a loud RIIIIPPPP!
The canvas is ripping free.  Indy climbs with a purpose up the side of the truck.  The last of the canvas breaks free -- he's not gonna make it. 
In a flash, he pulls out his whip and as the canvas breaks free he lashes his whip around the frame of the truck. 
He can now see the Passenger Soldier advancing on Madison. 
CLOSE ON THE SWEATY DRIVER
He spots Indy in his side mirror and shouts something unintelligible, but definitely profane. 
BACK TO THE CARGO TRUCK
Indy is bumping roughly up against the truck frame, trying to hang on to his whip. 
Madison tries to stand and Passenger Soldier backslaps her hard.  He pulls the Moses Seraph from her hand and smiles like he's won a prize. 
He sees Indy climbing back up and rushes over.  He pounds Indy's hand whenever he tries to grab the frame. 
Indy's about to lose his grip --
WHAM!  Passenger Soldier looks dazed.  He falls to the ground and Madison stands behind him, holding a crowbar. 
INT. DURRIGAN'S TRUCK - DAY
Tom sits sullenly while Durrigan and Vogel study the map.
VOGEL
We should be nearing the entrance now. 
Vogel glances in his side mirror and sees the body of Passenger Soldier get flung out of the back of the truck.
He shouts out the window.
VOGEL
The truck the truck!
As he brings his head back in --
DURRIGAN
What is it?
VOGEL
It's Jones. 
Tom can't mask his grin. 
CLOSE ON THE FRONT OF THE TRUCK
The truck ahead of the Cargo Truck slows down.  Several of Vogel's men leap out of the back onto the hood of the Cargo Truck. 
BACK TO INSIDE THE CARGO TRUCK
Indy climbs into the back just they start swinging in.  Indy does his best to knock the soldiers off, but there are more and more coming. 
Lukas enters and sees the Moses Seraph.  He grabs it and immediately climbs out. 
MADISON
He has the Seraph!
Indy runs for it, but is met by several of Vogel's men.  He tries to fight them, but there are too many.  One of them lands a heavy punch --
Indy flies out of the truck and over the cliff.  No sign on him.  Gone. 
Madison looks in despair, but no sign.  The Soldier waves her back with his Luger. 
Int. DURRIGAN'S TRUCK - dAY
With all distraction on Indy, Tom seizes the moment, flings his door open and leaps out of the truck.
DURRIGAN
GET HIM!
VOGEL
Let him go.  He serves no purpose now.  At the very least, he can find Dr. Jones and bury him. 
Lukas brings back the Seraph and Vogel looks it over.
VOGEL
Stunning...absolutely stunning. 
Ext. JungLE TRAIL - dAY
Tom, still handcuffed in front, runs along the path, looking over the side. 
He sees a hand -- then another.  Indy slowly starts pulling himself up. 
Tom helps the best he can and he looks relieved when Indy stands back on solid ground. 
TOM
Are you all right?
INDY
They've got Madison.
TOM
We'll get her back. 
INDY
C'mon.  There's not much time.
He starts jogging down the path.  Tom waits --
TOM
I'm fine, thank you.  Don't worry about me...
He heads off after Indy. 
Ext. Eden temple entrance - dAY
Vogel steps out of his truck and looks up the large mountain in front of them. 
About halfway up is the massive mouth of a cave entrance.  He smiles triumphantly.  Durrigan, just as amazed looks up at the entrance.
DURRIGAN
We've found it. 
Ext. Jungle - dAY
Indy and Tom run through the dense foliage as fast as they can.  They follow the distinct impressions of recent tire tracks. 
A few more yards ahead and Indy spots a turnoff.
INDY
This way!
TOM
Are you sure?  They may have gone the other way.  
INDY
I don't think so.
TOM
Why don't you believe me?
INDY
I knew your father.
TOM
Oh c'mon.  That story about him getting lost in his own museum was a myth.  It never happened.
(off Indy's look)
Did it?  All right, you win.
Int. Eden caves - dAY
As the sun shines behind them, Durrigan and Vogel enter the cave, bringing Madison with them.  Vogel takes a torch and throws it inside.
It falls -- seems like forever.  Now they get their first look. 
The cave is a maze of steps and walls, going up and down for several stories.  Huge waterfalls complete the masterpiece of rock. 
Vogel shifts nervously as Durrigan's two panthers follow him inside. 
VOGEL
Must they come? 
DURRIGAN
They are my protection.  And as long as you are under my good graces, they will protect you as well.
(to Madison)
Well, my dear.  What do you think? 
MADISON
I'm hoping that these rocks are as slippery as they look. 
DURRIGAN
You have such a way with words.  You are truly a woman to be admired.
He grabs her arm hard, sinking his fingers in.
DURRIGAN
But yet, you also need to learn your place.
He shoves her forward.
DURRIGAN
You lead.
(to Vogel)
Bring your men.
Vogel waves his men on and they all enter the cave. 
Ext. edeN TEMPLE ENTRANCE - dAY
Indy and Tom burst out of the jungle -- both look relieved to see the trucks.  They both look up the mountain.
TOM
Oh, you gotta be kidding me. 
INDY
What? 
TOM
I don't do so well with heights. 
INDY
You can't conquer your fears unless you face them. 
TOM
Easy for you to say. 
INDY
Let's climb. 
They start for the base of the mountain. 
Int. EdEN CAVES - dAY
With unsteady footing, Madison walks down a flight of stone steps.  They reach the bottom that is filled with various waterfall pools.  
They all look up and can see an exit way above, but there are several sets of stairs that lead up. 
DURRIGAN
Which way? 
Vogel checks the map and shakes his head, puzzled. 
VOGEL
It doesn't say.
Durrigan turns to Madison. 
DURRIGAN
Well, Ms. Sage?
MADISON
I - I'm not sure. 
DURRIGAN
You had better make the right choice.  I don't give second chances. 
Madison thinks a moment, then walks around the sets the stairs.  On the back of one, she can see Laumet's mark etched into the stone. 
MADISON
This one. 
DURRIGAN
Let's hope for your sake, you are right. 
Madison leads the group up the stairs. 
Ext. EdEN TEMPLE ENTRANCE - dAY
Indy and Tom have made it up about halfway to the entrance.  The climb is tricky in spots. 
TOM
Tell me again why I wanted to come with you?
INDY
You wanted to get to know your father.
TOM
So?
INDY
He would been down at the bottom of the mountain. 
TOM
Oh. 
INDY
It's not that he wouldn't have wanted to come --
TOM
I know, I know.  He was clumsy.  Have you ever heard the Mummy tomb story?
Indy thinks a moment, then laughs. 
INDY
Yeah, I remember that. 
TOM
He was in that thing for twelve hours before anyone realized he was locked in. 
INDY
I know he did funny things, but I hope that you respect him.  
TOM
I do.  I just wish I understood him. 
INDY
You already do.  
Indy pulls himself up to the cave entrance.  He helps Tom up the last few feet. 
Int. EdEN CAVES - dAY
Indy steps inside and surveys the entire cave.
INDY
Incredible...
He starts down the steps, Tom close behind.
Int. Eden cave tunnel - dAY
Lukas runs up to Vogel and whispers something to him.  Vogel leans in to Durrigan.
VOGEL
It seems we have guests. 
Madison's eyes light up.  Durrigan sees this and scowls. 
DURRIGAN
I'll take care of it. 
He kneels down to his panthers.  
DURRIGAN
It's playtime. 
He motions them back towards the tunnel and they promptly obey.  Durrigan then motions Madison to keep moving. 
Int. edEN CAVES - dAY
Indy and Tom hurry down the steps until they reach the floor next to the waterfall pools.  
INDY
Halfway there. 
TOM
Which steps? 
INDY
Dunno.  Have to look.
TOM
We don't have to.  
Indy looks up and sees the panthers heading down a set of stairs.  They SNARL when they spot their prey. 
INDY
RUN!
Tom and Indy each bolt up separate sets of stairs.  The panthers split up, each following one. 
Taking two steps at a time, Indy runs up a curved set of stairs.  With incredible agility, the panther chases him, gaining ground every second. 
The steps turn into a dead end.  He's trapped!  Just across, he can see another set of stairs.  It's a long jump -- but what choice does he have?
He takes a deep breath and with a burst of speed, he hurtles himself through the air.  He catches the edge of the stairs, and struggles to hang on. 
Wasting no time, he pulls himself up onto the steps. 
Without a second thought, the panther leaps across and lands nimbly on the stairs just behind Indy. 
Indy slowly backs down the stairs, the panther following his every move.
INDY
Nice kitty...
He draws his revolver like it's no big deal.  A similar attitude to when he faced a swordsman in "Raiders of the Lost Ark". 
He grins and pulls the trigger.  CLICK.  CLICK, CLICK.  No bullets.   He grins at the oncoming beast. 
INDY
Well, I'm screwed. 
The panther pounces!  Indy leaps out of the way at the last second and kicks the panther across the face.   It HOWLS and backs up a bit.
ON TOM
Tom races up another set of stairs, the other panther close behind. 
TOM
I'm dead, I'm dead, I'm dead...
The panther gains and manages to sink a claw into Tom's leg.  He YELLS in pain and scrambles up the steps.  He circles around a large waterfall. 
He takes a deep breath and with primal cry jumps through the waterfall.  He hurtles down and lands with a loud SPLASH in the pool below 
The panther races down the steps after him.  He hurries out of the pool and runs up a small slope.  The panther is catching up fast. 
Tom spots a group of unsteady rocks on the right, held up only by a small pillar.
He puts his shoulder into it just as the panther rounds the corner. 
TOM
I....HATE...CATS!!!
The pillar sways and falls over bringing a slew of small boulders with it.
The panther is buried completely under the mounds of rocks. 
BACK TO INDY
The panther heads up the stairs slowly.  It knows it has Indy right where it wants him. 
Just as it jumps, Indy rolls off the stairs, hanging on underneath.  As the panther leans over, trying to claw at him, Indy swings himself around the other side.
As he swings around the steps, he kicks the panther off the steps. 
With a final SNARL, the panther falls to its death below. 
Indy joins Tom at the bottom.  
INDY
That was fun. 
They both hear a noise above.  At the top of the steps, Vogel stands there, a rocket launcher in his hands. 
VOGEL
Goodbye, Dr. Jones. 
Indy and Tom run as fast as they can.   Vogel FIRES the rocket.  At the last second, Indy pulls Tom into an alcove.
The rocket hits, causing a blinding EXPLOSION.  Tons of rocks and boulders fall on top of the area where Indy and Tom once stood.
The dust settles.  Vogel looks over his handiwork.  Nothing is moving below.  He nods in satisfaction. 
Int. EdEN CAVE TUNNEL - dAY
Vogel hands off the rocket launcher to one of his men and walks back to Durrigan and Madison. 
VOGEL
That -- is how you take care of things. 
DURRIGAN
They're dead?
VOGEL
Buried under the mountain.
Madison's eyes fill with tears.  Durrigan looks down the tunnel, expectantly.
DURRIGAN
And my pets.
VOGEL
They were -- inefficient. 
Durrigan's face becomes dark.  His lip quivers in anger, but he turns and continues walking down the tunnel, where a bright light shines. 
Ext. the garden of eden - dAY
The tunnel empties into paradise.  
A tropical landscape more beautiful than any in the world.  Crystal clear waterfalls and lagoons mix with the lush greenery of the land.
Durrigan's face lights up in excitement. 
DURRIGAN
The Garden of Eden.  
The Garden sits in the middle of the hollowed mountain, surrounded on all sides by rocky walls that never seem to end. 
The group ventures further into the Garden, passing by the incredible surroundings. 
DURRIGAN
Do you realize what this means?
MADISON
No.  And I'm not entirely sure you do either. 
DURRIGAN
We have found paradise.  The place where God himself created man and woman. 
MADISON
It's the one pure place on the planet and your only desire is to corrupt it. 
DURRIGAN
You are a fool to believe that anything in this world is perfect.
VOGEL
(spots something)
There!
They all look to a small hill ahead.  There in the middle of a clearing is a single lush tree. 
DURRIGAN
The Tree of Life!  Nobody eat its fruit!  It is a cursed tree.
He hurries to it, looking over every square inch.  
VOGEL
The place where man fell.  But he shall rise again. 
Beneath the tree is a rich looking clay-like earth.  Vogel kneels next to it and Lukas picks some up.  They look at each other with complete joy.
VOGEL
Germany shall be whole again. 
He stands and addresses his men.
VOGEL
You all know what to do!
Angrily, Durrigan steps forward.
DURRIGAN
No one does anything without my permission!  Don't you even think of going over my head. 
Vogel pulls out his Luger -- aims it at him.
VOGEL
I won't go over it.  I'll go through it.  Now sit down with Ms. Sage and pray that my attention doesn't fall on you again.
Durrigan sits down with Madison, his eyes burning with rage. 
Vogel and his men have already started shaping large mounds of the clay. 
Int. EdEN CAVES - evENING
The cave is deathly quiet.  Then the sound of ROCKS MOVING.  A hand emerges from the pile of boulders and dust.
Tom clears away the rocks in the dim, fading light.  He turns back to the alcove, where Indy still lies.  Dead, maybe unconscious. 
Gently Tom shakes Indy's shoulders.  With a low GROAN, Indy comes to. 
INDY
Ugh...I don't think this headache is going away anytime soon.  How long have we been out?
TOM
I don't know, but it's almost dark. 
INDY
Damn.  C'mon, we'd better get moving. 
He stands, then collapses. 
TOM
Maybe a couple of minutes --
INDY
Yeah, a couple of minutes.  
TOM
How do you feel?
INDY
Old.
Tom grins.
Ext. The GARDEN OF EDEN - nIGHT
As darkness envelopes the Garden, Vogel's men have made several roaring fires.  As one of Vogel's men steps away, Madison looks in horror at their creation. 
There are five statues that resemble large men, but their faces are expressionless and only have eyes.  
Vogel looks extremely pleased.  With a grand gesture --
VOGEL
LIVE...
One of the creature's arms moves!  The Golem Soldiers all begin moving, all their cold eyes on Vogel. 
VOGEL
More...
Immediately, the Golem Soldiers begin constructing new soldiers.  Vogel turns to face Durrigan and Madison.
VOGEL
There will be no army that can face me.
MADISON
You're more of a monster than your soldiers. 
VOGEL
No.  I have the power of God. 
AT THE EDGE OF THE GARDEN
Indy and Tom race along the edge of the trees, keeping to the shadows.  As they get closer they see the monstrous Golem Soldiers creating new ones. 
INDY
I was afraid of that. 
TOM
Look at the clay!  It's like they never even touched any. 
INDY
Which means they can make as many as they want. 
TOM
What are we going to do?  I don't know you even stop these things. 
INDY
Wait a minute!  The tree!  It has a guardian! 
TOM
Are you sure you want to do that? 
INDY
It's the only way.  We need a distraction. 
He looks at Tom, getting an idea. 
TOM
(unsure)
What?
The tree of life
More of Vogel's Golem Soldiers are coming to life.  Vogel looks towards the tree line and sees a familiar leather jacket running into the shadows. 
VOGEL
You are more resourceful than I gave you credit for, Dr. Jones. 
He turns to the Golem Soldiers. 
VOGEL
Get him. 
The Golem Soldiers surge forward with unbelievable speed and agility.  They race after Indy and in an instant, they capture him. 
One throws him over its shoulder and brings him back to the tree.  When it sets him on the ground Vogel walks over smiling --
IT'S NOT INDY!  It's Tom.
His smile turns into anger -- it intensifies when he hears a familiar voice behind him. 
INDY
Sorry to mislead you Vogel, but I was starving.
Vogel whips around, sees Indy standing next to the tree.  He has plucked an apple from it. 
DURRIGAN
You mustn't let him eat that!
VOGEL
Stop him!
The Golem Soldiers advance, but it's too late.  Indy takes a deep bite out of it.  
INDY
This has got to be the best apple I've ever had.
(to Vogel)
Want a bite? 
The entire Garden rumbles and becomes a loud ROAR of an earthquake.  Everyone is thrown off balance. 
Then from a nearby waterfall -- a thin tongue darts out followed by a giant pointed head.
A SNAKE with a head the size of a truck passes through the water.  It's scales are the color of blood and the teeth are long sharp spears.
This is the SERPENT OF EDEN.
The entire camp goes into a full panic.  
VOGEL
WHAT HAVE YOU DONE?
Vogel's men begin firing at the creature, but it doesn't have an effect.  It charges ahead and with one strike, a soldier is consumed. 
INDY
That is a big snake.
TOM
You were expecting something else?
INDY
I hate snakes. 
TOM
Well, you can't conquer your fears unless you face them. 
INDY
I knew that'd come back to bite me.
TOM
In this case, literally. 
Indy runs to Madison and guides her to Tom.
INDY
Get out of here!  Find someplace to hide!
MADISON
What about you?
INDY
I've got to get the Moses Seraph.  It's the only thing that can stop it!
DURRIGAN
You've got to help me! I can pay you whatever you want!  I can --
Madison belts him across the face, sending him straight to the ground. 
MADISON
God, that felt good.
The Serpent is on a rampage, attacking Vogel's men left and right.  It's a total massacre. 
Defeated and enraged, Vogel runs for a large rocky area, full of little waterfalls with one big one high on top.  He has the Moses Seraph in hand.
Indy starts after him, but two Golem Soldiers block his path.  He takes out his whip and prepares for battle. 
TOM AND MADISON 
-- run for the cave tunnel when Lukas runs and stands in their way.   He draws a jagged knife. 
LUKAS
You have destroyed everything I believe in.  Now I will destroy you. 
He advances, making vicious swipes with the blade.  Tom picks up a large branch and uses it to block the next blow. 
Lukas is a deadly fighter and slashes Tom across the chest, tearing through his shirt and grazing his flesh. 
Tom spins out of the next swipe and clocks Lukas against the head.  Lukas is dazed, but not stopped. 
With a primal cry, Lukas charges and tackles Tom.  The two tumble across the ground.  
Lukas gets the upper hand and brings the knife down towards Tom's throat. 
Tom grabs his hand and holds it back, but is struggling under the soldier's strength.
Madison grabs the branch and hits Lukas with it, but he grabs the branch, pulls her closer and hits her.  She falls back to the ground. 
He turns his attention back to Tom.  The knife comes closer and closer to his face --
Something catches Lukas' eye.  He turns to look -- TOO LATE.
The Serpent lunges by and in the blink of an eye, Lukas is gone. 
Madison helps Tom to his feet. 
NEAR THE WATERFALL CLIFF 
The Golem Soldiers advance.  Indy strikes out with his whip, but it doesn't seem to faze them. 
One lunges and hits him hard across the face.  Indy flies back on the ground and rolls to his feet. 
He throws a punch, but it sinks right into the Golem's skin, not even making a dent.  
The Golem Soldier grabs Indy's arm and flings him like a rag doll, right into the other Golem Soldier's punch. 
Indy falls in a heap on the ground, the shakily stands.
INDY
Guess you two don't know the meaning of a fair fight. 
One Golem Soldier rushes forward with terrifying speed.  Indy stands firm until the last second --
He turns and leg sweeps the Golem.  It sails forward straight into a bonfire.  
It jumps out, completely engulfed.  It scrambles around until it finally falls on its knees.  
When it hits the ground, the dried earth crumbles into dust.
Knowing the Golem's weakness, Indy grabs a burning branch from the fire and brandishes it against the Golem Soldier. 
The two square off, each taking attacks on each other.  The Golem Soldier leaps and strikes Indy across the mid-section.
Indy takes the torch and buries it into the soft skin of the Golem Soldier.  
The eyes of the Golem go wide as a puff of smoke emits from its wound, then -- 
The Golem Soldier bursts into flames and explodes in a cloud of smoke and dust. 
Indy runs for the waterfall cliff and starts after Vogel. 
Close to the cave tunnel
Tom and Madison head for the tunnel entrance.  Tom looks behind them --
The Serpent has zeroed in on them.
TOM
Oh no...Madison run!
They backtrack through the trees, dodging branches and growth.  The Serpent slithers through, gaining every second. 
Tom runs straight into Durrigan, who looks sweaty and panicked. 
DURRIGAN
Get away!  Get away!
MADISON
It's right behind us!  Run!
They take off past him.  He does his best to run, but trips in the brush, falling face down. 
He hears a sinister HISSING.  He turns around -- his eyes go wide.
The Serpent towers over him, eyes glowing green.  It punches down --
Durrigan is swallowed whole.
The waterfall cliff
Indy scales the cliff after Vogel and is gaining on him.  He hears shouting below and looks down.  Tom and Madison are standing at the bottom.
From his vantage point, Indy can see the Serpent making its way towards them.
INDY
Climb up!  NOW!
Tom helps Madison up the cliff and they begin to climb. 
Vogel sees Indy's progress and call out to the remaining three Golem Soldiers. 
VoGEL
Attack them!
The Golem Soldiers run forward and begin scaling the cliff just before the Serpent arrives. 
Tom sees the Golem Soldiers climbing up at a frightening pace. 
TOM
Go, go!
The Serpent begins climbing a tree that is growing from the Waterfall Cliff.  
Indy's about to reach Vogel when he sees how close the Golem Soldiers are to Tom and Madison.  
INDY
Hang on!  I'm coming!
He jumps down to a flatter section of the cliff and leaps from rock to rock, trying to get down as fast as he can.
Tom pulls Madison through a small waterfall into a small alcove.  They wait, barely able to breathe. 
A dark figure stands just outside the waterfall.  It enters and they see the blank stare of one of the Golem Soldiers. 
It reaches out for them -- Madison SCREAMS. 
A shadow swings by and kicks the Golem Soldier.  It stumbles and falls off the cliff, SMASHING into a million pieces at the bottom. 
Indy walks through the waterfall, water dripping from his Fedora.  He grins and Madison runs into his arms. 
INDY
Time to go. 
FURTHER UP THE CLIFF
Vogel is still climbing, clutching the Moses Seraph in his hand. 
He hears the HISSING of the Serpent.  He turns, shaking and holds out the Seraph. 
The Serpent, now extended from the tree just in front of him, stops and doesn't move closer.   Vogel smiles, relieved. 
As the Serpent turns away, the tail catches Vogel across the back and he falls down the side the cliff, landing roughly on a flat spot. 
The Moses Seraph falls from his hand and lands in some rocks further down the cliff. 
BACK TO INDY
He's seen what's happened and heads for the Seraph.  The last two Golem Soldiers climb up fast behind him.  He punches one back, but the other grabs his leg. 
MADISON
Indy, watch out!
Indy twists as the Serpent strikes the rocks right next to him.  
He recovers and kicks the Golem Soldier back. The Golem Soldier turns -- and is cut in half by the Serpent's next strike. 
Tom and Madison are about to start climbing again, when the last Golem Soldier grabs Tom.  It holds him out over the edge of the cliff. 
MADISON
You let him go!
She takes two rocks and bashes them together against the Golem's head.  It wobbles and drops Tom. 
Tom grabs the edge of the cliff and with his other hand pulls the Golem Soldier over. 
Madison helps him back up. 
Indy and Vogel reach the Moses Seraph at the same time.  As Vogel reaches for it, Indy punches him back. 
They trade vicious punches back and forth on the narrow cliff ledge.  But now the Serpent has found them again.
Still coiled against the tree, it strikes out at them while they fight, taking out sections of the ledge. 
Vogel gets the upper hand and holds Indy down, punching him repeatedly. 
VOGEL
The future will be mine!  
Vogel hits Indy again, leaving him dazed.  He stands, victorious and takes the Seraph.  He walks to the edge of the waterfall and is about to jump when -- 
Indy stands back up and unleashes a furious round of punches.  Vogel teeters on the edge.
INDY
This is your only future.
With a mighty kick, Vogel gets knocked off the cliff.  The Moses Seraph flies out of his hand and Indy leans out to catch it. 
In mid-air, the Serpent grabs Vogel.   His SCREAMS fades as he's eaten.  
Indy grabs the Seraph, but loses his balance and falls.
He takes out his whip, lashes a tree and swings right above Tom and Madison. 
As soon as he lands, the Serpent is back.  It's about to attack when Indy holds out the Seraph. 
The Serpent stops, just stares at them. 
Then in an instant, it's gone, slithering back down the cliff and out of sight. 
Madison goes into Indy's arms and they all rest against the cliff.  It's over.
DISSOLVE TO:
Ext. tHE GARDEN OF EDEN - moRNING
As Indy, Madison and Tom start to enter the tunnel that leads out of the Garden, they all take one more look at the paradise they're about to leave. 
MADISON
It's a shame that no one else can see this. 
TOM
We're not ready.  
Indy takes out Laumet's map and strikes his lighter.  He burns the map.
INDY
Sometimes knowledge isn't enough.  Until we learn responsibility, it will remain hidden.
DISSOLVE TO:
Ext. EDEN TEMPLE ENTRANCE - dAY
Indy tosses a grenade near the cave entrance and heads back down the mountain. 
There's a loud EXPLOSION and the cave seals itself.
Ext. Jungle TRAIL - dAY
Tom drives one of Vogel's trucks through the jungle.  Madison climbs in the back and motions for Indy.
MADISON
I think there's another discovery to be made back here, Dr. Jones.
Indy grins and begins to climb back.
INDY
I always like to increase my knowledge. 
TOM
Well what do I do?  I don't even know where the hell I'm going!
INDY
Just do what I do.  Improvise.
Ext. African plain - dAY
Indy and Madison kiss romantically in the back of the truck.  Indy lowers the canvas flap.
The truck drives away into the sun. 
THE FAMILIAR "RAIDERS MARCH" BEGINS PLAYING AS WE 
GO TO CREDITS