Field Musicians of the Civil War






With the firing on Fort Sumter and the start of the Civil War, the mass raising of regiments also called for the need to recruit large numbers of musicians. Army regulations of 1863 allowed the superintendent of recruiting depots to cause "such of the recruits as are found to possess a natural talent for music, to be instructed on the fife, bugle, and drum, and other military instruments; the boys of twelve years and upward, may be under his direction, be enlisted for this purpose. But as recruits under eighteen years of age and under size must be discharged, if the are not capable of learning music, care should be taken to enlist those only who have a natural talent for music." Many musicians who had served in their local militias filled the ranks of the bands of volunteer units. On some occaisions, recruits who recognized what the instruments were, even though they couldn't play them, or perhaps gave them a toot in their childhood were assigned to the band.

Army regulations called for each regiment to field 1 fifer and drummer per company of 100 men, supervised by the drum major. His was a position of overall authority. He was directly responsible for the musical and military training of all of the field musicians in his regiment. He wrote necessary requisitions, and organized and assigned the calls for each day, after consulting with the regimental adjutant. He saw to the training of new recruits, and submitted requests to the adjutant for replacement personnel. He established times for practice and supervised its execution. He was the first man of the regiment up in the morning and the last one to bed at night.

The drum major, in addition to mastering the music, had to master the baton. Baton movements were divided into three basic categories. A fourth group pertained to special ceremonies. There were seven movements requiring special responses from the corps, seven that required physical movement of the field music and band, four that pertained to the drums alone, and three of which were used only for parades and battles.

One of the parade movements resulted din the only left-handed salute prescribed for use in the United States Army.

"When within ten paces of the reviewing Officer, make numerous revolutions with the staff until arriving directly in front of said officer, when, with a quick motion, the staff will be brought under the right arm, pommel and right arm extended upward and obliquely to the front; at the same time, the back of the left hand will be carried to the front of the cap, head and eyes turned toward the Officer until the salute has been acknowledged by him; after which, make a few revolutions with the staff, and return it to its former position before giving the salute."




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