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My
father, a knife in one hand, blood and a handful of entrails
profesionally hunging from the other, the sight already drawing the
path that the cut will trace later, the greedy dance of the knife
that will steal from the pig even the last piece of meat. My father with
a knife in a hand, saying me 'take hold of this' while he gives me the entail
tree
without looking, before sinking again in what before,
absurdly shortly before, was a living and healthy pig. And little blood
drops falling from a lung, splattering in the dust. And I scaring away
flies, for they don't know about bereavements.
My father arrived at the
unending plain that was Argentina, being barely a lad, and they assigned him a
mare. A circle of smiling cowboys watched him approach the animal, that puffed
and blew and stomped over the flattened soil of the yard. One foot in the
stirrup, and the animal turns about, hardly held by the bridle and my
father's pulse. Laughter, behind. Second try, second laughter. And my father
who jumps over the animal's back and presses his legs around her, and the mare
that once defeated the surprise starts galloping, and my father with the
unending plain around him, so different from the usual up and down of the
Gredos mounts where he had been raised, who screams to the animal 'sooner or
later you'll get
tired!' An eternity later my father,
between claps, returns to the yard, driving back his exhausted mount.
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