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Metered Ramblings
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And here are the poems I was brave/stupid enough to actually post:
And then a little prose to discredit the title of the page:
And for the most recent addition, a section on my more academic works. The first 'lil composition was actually my "thesis" while in Maastricht. But read to enjoy, because while it was an attempt at an intellectual dissertation, I did have a good bit of Europe left to see. But I guess if I had to stay "at home" and write about something, sexuality wasn't such a bad topic! The second one is an essay I wrote for Honors English, ended up published in some "Welcome to Comp I" textbook, where it can live out it's life successfully making students grumble under their breaths about having to read it. I'm actually quite proud of that, even if the essay is just a bit mediocre in my opinion.
On My Skin.
I smell you on my skin,
Away, but with me.
I taste you on my lips,
Here, but gone.
An affair of the senses,
A rush of intoxication,
What is this game we play?
Ragged and jagged,
Conversation runs,
Our lips made for meeting,
Speaking only for fun.
I smell you, I feel you,
But what do I know?
What air do you breathe,
What makes you you?
In my life,
Two great distractions.
One this security of love,
One this fearful passion.
The baby blues and the brown,
The rock and the river,
The known, the unknown,
The bourgeois and the laborer.
One loves me, one wants me.
Neither of them sees me,
Yet they both feel me.
But will they feel me stay?
The known, the devil known,
And the unknown, problems anew.
What is this lingering thought?
This unconscious desire?
It is all about depth,
But I�m drowning in the shallows,
And I don�t know the answer,
For I lack the question.
I don�t know the answer,
I don�t know where I went wrong,
But the problem is definitely
Your smell on my skin.
What It�s About.
It isn�t about needing things,
It�s about wanting things.
It isn�t having what you want,
It�s about wanting what you have.
It isn�t about what you have,
It is about what you need.
You know you are a writer when you write to express instead of simply
communicate, when the sight of a blank page or an empty computer screen makes
your fingers itch and your heart burn. And when you write.
You, my friend, are trapped in a cell. A lucky few of you are in cells so
obvious as to have bars and cement floors. At least you can see the confines
your life has been pushed into. But there are others. They work in nice white
cubicles that release them only after they have sucked them dry of energy and
ruined the chance that anything but the television will be seen for the rest of
the night. But those aren�t the only restrictive white walls. No, some cells
hide under the well accepted pretense that they are liberating or enlightening.
We send our children off to colleges and pack them in dorm rooms, telling
ourselves that they are free thinkers when in reality they have just traded
mumbling the latest Friends catch phrase for a regurgitated version of whatever
crap their favorite professor thought up while in his last opium haze.
Yet some of you still don�t see the cells. If you aren�t living in the
florescent glow of the open sign at the local bar, you are probably reveling in
the joy of being free of sin, set free by some wonderful religion that has
coerced you into thinking that everything everyone else does is sin. And you
will remain relatively sure of that conviction, because to think otherwise is
tantamount to blasphemy. And getting very close to seeing the cell.
Now you wonder, �What is the answer? Where is this going?� Ok, you agree, you
are in a cell, trapped by your job, your faith, your family, your addictions.
Now where is the escape? How do you become one of the few that know the answers
and that really think and live outside the box? You won�t because you, my
friend, are still thinking inside the cell. You live in cells within cells
within cells. Anyone that writes has something important to say, and anything
repeated more than twice is fact. You still expect every essay to have a nice
pat resolution, and you still think that doctors don�t party the night before
surgery.
So writing an essay with just four paragraphs, minus the critical conclusion,
would be tantamount to what? Bad writing? Says who? The people that define the
cell you live in?
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