Table of Contents:


Editorials from 'round the world

She
by Emily Kreider

untitled
by Courtney Anderson

I sit in a breakroom of a place selling shit and watch the people I hope never
 to be:
by Laura Householder

BYON (Bring Your Own Noun) or (A Trip Into The New-And-Improved Interactive
Literary Experience, with 0 Calories From Fat!)
by Carly Maria Dobbins-Bucklad the XVII

The Hidden Dangers of Golfing or (D-I-Y Stories for People Who Are Having a
 Lewd Affair with the Parts of Speech) 
by Carly Maria Dobbins-Bucklad the XVII

brilliant blue
by Thom Guentner

mementos of an evening
by Thom Guentner

Metamorphosis?   a work in progress
by Sarah Harris

it was December
by Sarah Harris

Passing Passions
By Corrie Wagner

Transcendental Tranquility
By Corrie Wagner

Vertical Again
by Darcie Ramp

untitled
by Leslie Henderson

untitled
by anonymous

The Irrigation of the Martyr, or The Secular Post-Ethanim  
by Ehren Helmut Pflugfelder

Last Words


Passing Passions I told you it would be mixed blessings- midnight kisses under ecstasy blankets loving arms wrapped so tight that we have come up for air transitory togetherness- this chaotic coalition I begin to see a light shining- Shining so brightly from you It singes my eyelashes to see An ellipse of the sun at 3 a.m.- You told me how my unpolished words touched you That they shone like diamonds in the rough your tone is more serious than the color of your father's business suits and I'm scared that we're falling too fast Dropping like Alice down the rabbit's hole only you don't have a skirt and your only response is to cling tightly to me with my patchwork parachute dress as we fall among the stars breathing mystery and believing in miracles- they must exist if I found you? by Corrie Wagner
Transcendental Tranquility Darkness descends and the drowsy dogs flop into piles like last week's laundry. Eyes wired wide open, aware of the many hues hidden in the blackness. Out of the silent slumber skies comes the symphony of the sun scattering kisses of dew and early morning mist like a flower girl's rose petals paving the path of Apollo's chariot as it begins its race to the horizon. By Corrie Wagner
SHE She wakes in the morning picks out her clothes for NO ONE. As she goes through her morning routine, she's overwhelmed with emptiness. She walks out the door in a daze. Driving to work, she loses all train of thought. Her loneliness pushes on her shoulders. making her slump at her desk. While typing up a report she forgets why she's even there. At lunch she eats b/c she knows she should- not out of hunger. Out of the corner of her eye she sees a couple, laughing & touching- & becomes a bit nauseous. When it's time to get off of work she drives home on automatic pilot. Then she microwaves a 'dinner for one,' turns on the TV & stares blankly into the screen. As her eyelids grow heavy she turns out the lights & dreams of the someone who will get her out of her rut. ~by Emily Kreider
Untitled It may have been unoriginal, But when you said you were as constant as the Northern Star I wanted to believe you. I did believe in you- I DO believe you. If only I could find that star? Now, I know it's up there somewhere, But either I can't see that far Or it's hiding from me. Or maybe it exploded. Burst into a gazillion pieces and started a new universe. Sometimes I wish it would. ~by Courtney Anderson
Metamorphosis ?a work in progress? by Sarah Harris Life works in phases. Phases of time and place, but not always in them. I have undergone a phase of the spirit. Our world is shaped by the way in which we view it but it exists independently of ourselves. Sometimes it intrudes on us and we are forced to change. The world has intruded on my spirit. Life is an entity, it is independent of me and bigger than my capacity to enclose it. But yet I can't give up trying. This is why I am always forced to change. I think that I can understand life. I think that I can understand the world. And then the world laughs at me and disappears from beneath my feet. I must rebuild it, I must get dirt beneath my nails and beads of sweat on my skin. So I float for awhile. Maybe a long time, maybe a short time, maybe it doesn't matter. And the words flow and I build a new world with my pen and my soul. Because I do have a soul. It's just that I wouldn't recognize it if I met it selling vegetarian corn dogs on the street. We are harsh and silent creatures. None of us live in the same world and we are all of us alone. That's ok with me. I need a lot of room to truly breathe. Breathe heavy as I build lands and oceans and islands of pain and love and heartbreak. My new world is built up on top of a fault line and it makes it stronger - because we are all of us full up with cracks and chasms. I am deep and dark. I people my world with other souls, but I no longer assume they are at all like me. I step across oceans and islands and sky to see. And I wonder where they are and what worlds they are building. Abstract concepts have no place in my world. I have locked them away in a big golden vault and buried them in the fault line: Love, peace, self-awareness, Truth. They have no place here. They are what caused me to build: to float and not to fly; to drift. I feel a sense of deep emptiness now on the inside. I have built a world that my soul has no place in. So I lock it up inside the golden box too. And I wander the surface. I suppose, if it were to get out, with all its friends, they would form a theater group and perform in dimly lit coffee houses for crowds of art students and hippies. Perhaps I would search for them or at least try to see them perform. But I'd get lost trying to follow the Internet directions and end up sitting in a gas station somewhere, wondering where I went wrong - while Truth and Love played bongos somewhere to the bad poetry of my missing soul. World-building is much easier than trying to live in the world you've built. You take everything out and there is nothing to put back in. I am all externals. These words leave my self and touch the paper and they exist outside of me. I can no longer feel them. I miss that - the ability to feel things deeply - sometimes. But I put a planet on top of my fault so it's awfully hard to get in there. I am starting sometimes to forget. I liked my old world - the one that disappeared. I lived there a long time. It was friendly and familiar and full of frolicking and flowers and love and trust. It seemed so strong, it became so transparent, until I woke up and it was gone. You can't build your own world with flowers. It's got to be modern architectural design - all concrete and gigabytes and plate glass windows. Sterile. Hard. Real. I used to be happy - I'm not sure I remember what that's like. I'm not sure it wasn't a dream of someone else's life. I guess it's hard to be happy when you've locked it up in a box. Now I am real, or at least the outside of me is. I think of myself like a chocolate bunny, that you get in a plastic basket, nestled in plastic grass, on Easter morning. Excited by the thought of all that chocolate, you bite into it, only to discover that it's hollow inside. You feel a sense of sadness, disappointment, betrayal. That is what is inside the bunny. That is what I am. I used to think I was solid chocolate. Then I discovered I was inside a box. That the box was made of cardboard, thin cardboard, and the flowers and things were only a picture, flat, painted-on. Then I broke out of the box. Then I found out I was hollow.
BYON (Bring Your Own Noun) or (A Trip Into The New-And-Improved Interactive Literary Experience, with 0 Calories From Fat!) One day, (name of person)___________ decided to throw a party. He/She first stocked up on (pl noun)_________ for decorations and (pl noun)_________ for party favors. Then he/she figured it was time to invite people. The first person he/she called was (name)____________. They said that they were busy (verb ending in -ing)___________, and that after that they had to (verb present) ___________ the dog. Everyone else, though, said that they could come, and people started arriving every (number)_______ minutes. The doorbell rang, and (original name)___________ answered it to find (name)___________ , the great (a profession)_____________, and along with him/her were two (adjective)_____________ servants, named (name)__________ and (name)__________, both of whom ran straight for the food table and began gorging themselves on (food)____________ and (food)_____________. People were looking bored as (name)___________ began doing magic tricks with a (noun)__________ and a slightly-(adj)_________ (noun)___________ while standing on one of their heads. Apparently, (same name)____________ had grown up and performed in a circus, until replaced by a midget with a mullet. Shortly, though, the party really started hopping, because someone turned on the music. Pretty soon (a song) ______________________ began blaring over the (adj)____________ stereo. Everyone, especially (a name)____________ started "getting their groove on," and that's when things got kind of (adj)_______________. One of the (adj) ____________ neighbors called the police, who pulled up in just moments, sirens wailing on top of their shiny clean (vehicle)____________. People started (verb -ing)____________ and made a mad rush en masse for the exits. (previous name)__________ was trampled by (name)______________, and ended up in the hospital for an injured (body part)____________. So, (original name)___________ found himself/herself sitting among the (adj)____________ post-party wreckage, drinking (liquid)____________ alone.
brilliant blue I stared at the brilliant shade of blue that came from your eyes The candle burnt and filled the room with the faintest of light You told me that I make you feel like you're twelve I told you that I honestly believe you are an angel We lay in bed until one and talked about nothing As I stared at the brilliant shade of blue that escaped from your eyes Thom Guentner
mementos of an evening you had to go back to Buffalo but I didn't mind because your smell is still on my sheets and that's enough to keep me company your half-full cup of water is still on my nightstand and the old pop-tart box still has the ashes from your cigarettes in it i'm carrying around your chap stick you left on my floor because it reminds me of your soft lips and I can't wait until Friday so we can do it again Thom Guentner
The Hidden Dangers of Golfing or (D-I-Y Stories for People Who Are Having a Lewd Affair with the Parts of Speech) One (adj)__________ day? John, Paul, George, and (name)___________ went to the (adj)____________ golf course. They had worked (adv)_____________ the previous day at their jobs required them to spend hours (verb -ing)___________. The very first shot George made was a hole-in-(adj)____________. This irritated (original name)___________ so much he/she threw his/her (adj)_________ (pl noun)___________ into a nearby bush, which only made him/her more (adj) ____________. So at that point, (original name)____________ jumped into the golf cart and began to drive away (adv)___________, when suddenly (name) _____________ walked out onto the path in front of him/her. The golf cart swerved wildly, and then hit (second name)___________ and ran them over. (first name)__________ was upset at what he/she had done, and hurried to call 911 on his/her (noun)___________. An ambulance rushed on to the (adj) __________ grass, and after some (adj)____________ work by the trained (pl noun) __________, they got (second name)____________ stabilized and stowed (adv) ___________ away in the back in only (number)_________ minutes. However, (original name)____________ was so distressed by the event that he/she lost their sanity and spent the rest of his/her life saying (fun word)"___________!" while running around in circles collecting (pl noun)____________, believing he/she was a(n) (adj)___________, (adj)____________ (noun)___________. The End. By Carly Maria Dobbins-Bucklad the XVII
I sit in a breakroom of a place selling shit and watch the people I hope never to be: Middle-aged women desperately suck on their cigarettes and drone on about worthless husbands and their spawn Teenage girls tease their blonde hair (with black roots) while complaining of lousy lovers and bastard children Elderly ladies with their beehives and bifocals remember the good old days when selling shit was meaningful I watch them and feel guilt for my three-month shit fling as compared to their lifetime in hell For me, this breakroom is reason to laugh and all the more reason to return to the educated world of University For these people, this breakroom is all the center of life and all the more reason to begrudge me and my school Their boss is a tyrant whose sweat-stained shirt is a symbol of power and all a force not to be reckoned with My boss is the epitome of a wasted life with nothing to show but a fading dream- a dream that was lost when a stock boy decided this is as good as it gets If a shit-factory is as good as it gets, this sweaty hog is my king ~By Laura Householder "a poem dedicated to Hills, once located in the Cranberry Plaza"
It was december. By Sarah Harris It was December. She stared out listlessly into a seemingly endless sea of white, and wondered distractedly if it ended somewhere, and if so, what did it look like? Would the snow abruptly give way into a solid wall of sunshine? And if one were to stand across that divide would it be possible to remain simultaneously hot and cold? If so, She assumed it would feel much the way a soul might, a constant burning and freezing inside of you, all at the same time. So much better, she reflected as she returned to her desk and the transcendent glow of a computer screen, so much better to have given up all that, to devote oneself to usefulness and to small green pieces of paper. It was December. Not that He knew. The sun beat down always upon Him, the sweat poured down, and eventually the ache came. It would come gradually, creeping up slowly and softly like an old lover, until it got its fingers to your throat and wrung your neck. He was working in the fields this week. All around, as far as he could see, were tall stalks of wheat and corn. Back home, His mother was slowly starving to death, Her wrinkled skin becoming more and more loose, until the woman in it became utterly lost. Yet He tilled the earth, and thought nothing of it. The corn would grow, would be taken down, and exchanged for small green pieces of paper. He could touch it, could nurture it, but could not eat of it. And so the sun grew higher and the ache came with it. And God looked down.
Untiled by anonymous Washing off her repulsive dead skin with the exfoliating sand particles, she avoided looking in the mirror above the sink. She feebly reached for the green tube of specially medicated for oily skin cleaner and placed it on her wretched T-zone. It disgusted her to even touch her forehead but she worked the pungent concoction into her skin vigorously like a mother cleaning her child's vomit out of a carpet. Rinsing it all away she then snatched the clear bottle of moisturizer that smelled like rotten children, and spoiled milk. Head down, she rinsed like a machine. Numbly, she grabbed for the chemically formulated bottle of cover-up and matted it generously on her face, leaving and orange-tint mask. She grabbed for a stick of concealer and painted the underneath of her yellowed eyes to disguise the hint of purple. She picked up a small case of the same type of purple and used a stiff applicator to apply the dust to her small piggish eyes. Black tar-like mascara was soon clumped on her lashes and she used a lethal-looking instrument to clamp down upon the small thin hairs to curl them up. This accomplished, a small pencil followed up to her deformed-shaped lips and drew a mouth. Her eyebrows she had completely given up on, so she drew slanted arched above her eyes where the nasty hair used to spring about everywhere. "Carla, are you almost ready?" cried Kim. Giving a look behind her in the mirror at her huge ass, she walked towards Kim, ready as she'd ever be to go to the cafeteria for dinner.
Editorials From 'Round the World: I agree that superficially these numbers are staggering but you have to look beyond the numbers, and I know that alot of you veggies have less intelligence than the average Jerry Springer guest so I will break it down a little for you.... 1. Alot of the starvation, maybe 95%, happens in countries that the USA would not help even if our entire country were veggies. 2. Also, in some of these countries they don't even eat the damn cows. They use all these natural resources and no one can eat them because in some cultures cows are the highest form of life. I think that those people need to reprioritise. 3. OK 1/2 of the earths land mass is grazed by livestock but 3/4 of the entire world is water. Yes it is mostly saltwater but a process called desalinisation (the desalting of water for you Springer people) could be used but it is too costly. Did you know a human can live longer on water alone than the biggest variety of food available? 4. 64% of land in USA produces livestock feed. How much wool, milk, eggs.....does that produce? And the loss of 85% of top soil to livestock raising is bullshit. How much do you think we loose to condo and subdivision developers? 5. One acre of crop land disapears every 8 seconds. How much of that is lost to developers, fires, pollution, toxic waste.... 6. Ever think that some of that rainforest (none of which is in the US) is destroyed for military, governmental or drug purposes? 7. The amount of meat eaten in the South American countries is also missleading. Its to fucking hot there to raise cows. They try but you know what they get? Beef jerky. 8. The heart attack stats are good but so many more people die from car accidents than anything else. Anyone trying to ban cars and walk everywhere? 9. What exactly is humanely killing? Is hooking someone up to a chair and zapping them till their eyes pop out and they crap themselves humane? How 'bout dropping a 100 kiloton nuclear warhead on an unsuspecting city of Japanese people, TWICE?!?! This may sound cynical but me deciding not to eat red meat once a week or so is not going to help things in the most miniscule way. Just wanted to let you know that everything that you read is onesided. Any ideal can be proven if one uses the right stats and the right arguments for their own purposes. PS: Do you own any leather, cleaning products, down made products, clothes........ most items that you own can be linked to animal or human cruelty. You know how much that 10 year old that made those Nikes you are wearing makes an hour? ~Ben Eds: Hi. First off, thank you for replying in an editorial form. We're not so sure why you believe vegetarians are unintelligent, but we can only assume from the hostile elements within your letter that you are either ignorant (we left your spelling and grammar mistakes in), have had some grave injustice committed against your person by a vegetable, or perhaps both. We think that it's super that you read something and took some time out from your book burning, that you thought of a way to organize the facts in your head, used at least some higher level cognitive skills, and came up with an opinion on both vegetarians and "Fables." We here at "Fables" did not say that we are vegetarian. We never said that the statistics you read said anything. It was an independent article made up of facts. You interpreted the rest. We also do not agree with a large part of your letter (apparently you think that "Fables" supports the US military, atomic power, child labor, toxic waste, and capital punishment, all of which is untrue), and we applaud the fact that you can recognize that statistics can be skewed. These were. We believe that your ability in the field of logic is staggering, so much so that some of us were forced to sit down because we were laughing so hard. Please, use your ability to go and solve crimes! For the good of the city! And leave your prejudice, anger, and debilitating assumptions behind. PS: And no, we do not own any Nikes, land that is used to grow grain to feed animals doesn't produce wool or eggs, car accidents are not the #1 killer, "a lot" is two words, a human will eventually die without food, and well, you're a moron.
A cold abandoned silence Overcomes Again to my fears I have Succumbed My mind is speaking but no one answers My feelings I know but to say unsure to forever outlast time without effort devour the world can it help to pray on Sunday will it help to pray on any day are my tears enough to stop the crying to death and life none are immune will we ever know the world around us can we never stop feeling the human pain the way is to have a deepening soul to forever know the power of time. I am uneasy with familiar people untrusting of unknown faces But terrified beyond words of Those I love the most. I love, and I'm alone I want, and I don't know I need, and I'm afraid I love, and I am weak I want, and I'm weak I need, and I am lost I love, and I'm afraid I want, and I am lost I love, and I am lost by Leslie Henderson
"submission in the standard key of you/she" ~anonymous her brain is the wall of a telescope your conscience a nation of enemies her impatience home to telephone wires you imagine faces in planes circled super speed and charged emotion at the terminal brush by faint scents of five dollar soaps and briefcase leather she sees jukebox-softened profiles through six martini clouded vision by day she browses your favorite authors at night she sways nods her head you grab your elbows rock back on your heels on trains she scans slowly faces you do not attach your eyes to action just keep it close to know you walk among she's walking change and subway tokens you live through smoke and dollar bins she passes half-conscious through brief embraces with tactless men you dismiss on contact through barely concealed annoyance she posterizes the male defeats you catalogue the female downfalls she looks loud you quietly listen she hammers lust into submission feeds aquamarine landscapes with with nothing it's all unsurfaced he hears analogue transmissions ambient pleas panicked insidious faith but his is failed telemetry and hers is insecurity he is wet towels not a word aloud awash in "what if she's?" observe a gap that will not yield to want you sit down you read that book alone title pages sentience or call them abstract thought write about women who don't exist or trade some sparse emotions for notoriety type it up send it in and serve notice: say hey bitter language acrobats graceless tongue-tied grammar elite validate my forlorn hackneyed art and just print me already.
Vertical again I'm vertical again But barely standing I'm numb again But starting to feel I'm burning, consumed Wet. Lather. Rinse. Repeat. Breathe in. Breathe out. Silence. No one really hears No matter how much they care I think for myself But not just now-- I can't That's your job I don't know how As I wrap myself in memories I wonder If one day I'll be warm The chilled air is bitter But I'm not bitter The stars don't shine the same way That's all All the makeup in the world And all the fancy dresses Could not make me feel as beautiful As you could As we were As you are By Darcie Ramp
The Irrigation of the Martyr,or The Secular Post-Ethanim ~by Ehren Helmut Pflugfelder Horace was leaving his invalid (meant in more than one way) mother for the first time, though only to satiate his desire for high quality music in the form of Stephen Malkmus, formerly the lead singer of Pavement, now on his own after the breakup. Malkmus was touring some of the clubs on the East coast of the United States, and Horace was from none of the cities on the tour list; he was from Tempest, West Virginia, a town populated mostly by retirees and the workers of the chocolate factory that held the town together. On good quality days the town would smell of cookies and the children could get fatter just by breathing deeply. He now lived within the bowels of the new city, destined to become a fantastic man of many pursuits, able to be described as 'dynamic' by his peers who also used terrible methods of talking so that they sounded like the miniature toy train sets in his mind. He thought about his destiny often, realizing that he couldn't ever get anywhere unless it would adhere to the destiny which was set out before him in long bold strokes by the machines of the earth. Naturally, he had rebelled from his parents when he was in high school, and naturally, he had made comfortable friends with them again, but he had never gone into the profession they wanted him to. This was actually all part of the grand scheme of things as far as he was concerned. Also included in the 'grand scheme' were the odd things he dealt with which he called a love life and the furniture which he placed in his apartment, all from the same company and all from Europe. Markus would have faith in the destiny he believed himself to have until the day it ran out on him. The bus ride to New York was hazardous in itself; he had to sit next to a young man who kept touching himself seductively and kept asking for a mint, even though it became obvious to everyone in the first three seats of the bus that Horace had none. The man didn't smell like cookies, he smelled like gasoline and onions, good alone, but violent in the specific combination this young man chose. The new jacket that Horace had purchased at the Army/Navy store for the concert itched him like asbestos and a warm room. He'd take the jacket off, but his shirt was thin and he wasn't sure what the young man next to him would do. New York smelled like he expected it to, alive and with a slight hint of urine and cat. It smelled like people, the descendants of a million immigrants, of curry and spices from around the world, of Broadway, of angry vendors and young women from the salon, it smelled like prosperity and defeat, it smelled like New York in summer, baked from within and sure of itself, so much cooler than all of you and so much worse than all of you. Horace walked out of the bus station, ready to look for a map, and then his hotel. He believed he could invent an evening of monotone purpose. A taxi tried to run him over; it was only by the luck of the listen that he heard the taxi a moment before the cult felt bound by a destiny they believed, not too far from the ideological constraints of Markus's destiny. On the way back to his cubicle (one), Markus stepped on a tack that had refused to be picked up by the industrial size vacuum the night before. It stuck in the sole of his shoe, but didn't actually touch the base of his foot. When he stepped down, it was pushed flat against the bottom of the shoe, though still not touching his foot (that was the thickness of his soul.) On the way home (two), he saw a beggar in the street, but refused to stop for him, instead deciding to walk over the prone form. On the way to the bathroom in his apartment (seven), he thought of the things that meant the most to him and had some trouble with the concept. On the pillow that night, he pressed his head (four), hoping that his destiny would come to pass on the tomorrow day. On the rising of the sun the next day (wait), he woke up and cried, found his shoe, pulled the tack out, thought about his destiny, and then had some coffee while staring at the Hallmark sentiment on his wall which made less and less sense the more he pondered it. On the way to work, he saw the police carrying away the homeless man on the street, the very same one he passed the day before. Markus thought nothing of it (see nonexistent diagram #12.) At work, he had the misfortune to witness the act of Penelope being dropped off by her new fianc�e. During his coffee break, he read that the cult had been raided by police and was now in jail without the benefit of their shoelaces or probably their civil rights. Markus took a taxi home that night, as it turned cold and he didn't feel like walking, something he often didn't want to do. The cab driver was extremely nice and wanted to make conversation, another something Markus was rather averse to. Eventually they warmed up to each other and as the cabdriver dropped him off by his apartment, he was invited in, but couldn't because he was working. He then went to bed and died of a massive brain aneurysm, barely making a noise loud enough for the neighbors in the next apartment to hear while they were making love. He was buried by the state and no one thought about him for more than eight minutes, because it was too disconcerting to think about how much they were like him for much longer. It would have been to late to live. He bought a hot dog and a drink and walked around, stopping in Chinatown and looking around in central park; it all looked like the television shows about New York, nothing new. The sky was blue, but he rationalized that it was a "New York blue." The statues in the park of men on horses had only two feet on the ground, a sure sign that the people died in battle. All the statues in Tempest had all four feet on the ground, a sure sign that the person riding the horse died from things unrelated to the battle. The world was new again for Horace. About nightfall, when the sun fell down behind the buildings and the center of his world grew cool and cold, a world full of shadows, Horace neglected to take the subway to his hotel, deciding to walk instead, which was a mistake, because he was accosted and beaten on the way down an alley that he, for the reason of pure experience, wanted to venture down. The man who robbed Horace smelled of Thunderbird (one bottle warm and one bottle cold.) All Horace could taste was copper from the rivulets of blood pouring down his face and onto the pavement below his stained jeans. (Incidentally, the homeless man was a figment of Twiz's imagination.) While the young man was tasting his own blood, slowly recovering in the alley, not bothering to think about appearances or the shadows between the buildings, not trying to smell whatever it was that he thought New York City smelled like, only trying to control himself and not vomit up the blood that was shaken loose from his organs by the homeless man, who was now purchasing himself a cup of coffee and a doughnut, and was thinking about buying an all day pass on the subway and has already sold the concert ticket, having little respect for the success of Stephen Malkmus's solo career. All Horace could think of was a Jackson Pollack painting he once saw, but didn't understand. It was esophageal at best, all the dried, thick paint trying to fall off the canvas, but not making it, because of the terrible nature of the painting. Red and green collided with black streaks. It was called "Revenge of the Forest," or "Angry Trees," or something like that. Horace could picture his insides getting torn apart like the Pollack. The alley smelled like urine and cats. Jackson Pollack painted himself into a corner, just then. Horace then fell asleep and murdered the citizens of a thousand homes, individually. He killed the baker, the woman who whored herself out for sport, he slit the throat of the mayor, he kicked an old woman to death with an army boot, he burned down their houses and spilled blood into the streets. It wasn't a nightmare anymore. To his left, a cat urinated and then went off to find food. In the last moments of partial consciousness, he renounced his religion, making sure to eradicate any traces of what he could have been, forgetting about his mother, wherever she was, dead to the world anyway. The god that had sometimes controlled his life was going to die; it was going to be buried in a private ceremony that was tasteful, but thrifty, for the ones who still had money left were saving it for a rainy day when they could look out their window and hear the lack of birds and die inside all over again. The rain would fall in every backyard in the world, even in places where no property existed. The rain would soak every soldier to the bone, every housewife's tears, every child to death. The rain would fall forever. Horace thought, or tried to think about where he was and what he was here for. He discovered that New York was there for amusement of the people living there, that the rest of the world was something for the basement, it was only let out to breathe whenever New York felt like it. It was the first to fall off the earth. He felt around on his face for recognizable features, but found none. His lips were shaped like ripped pieces of meat in a display case and fell off in his hand, just like that bomber that crashed in China forty five years ago (their teeth came off in their hands.) He had nothing to be anymore. His lips were on the pavement, below his stained jeans.
Untitled by Julian Seiden Tom was walking down the street, smelling the crisp Fall air that whipped around his body. Buttoning up his flannel, he watched a golden pile of leaves twirl about on the pavement, shining in the bright yellow sunlight through a clear blue sky. Smiling, he thought about his girlfriend. He would be over at her house soon, he could see the blue roof in the distance. He thought about all the times they had together, how blissfully happy they were with each other, how life seemed to drift away into nothingness whenever they were together. He was suddenly reminded of his first time on an airplane, how the roaring jets that seemed to get louder and louder had made him sweat and shake in his seat, and how his girlfriend had held his hand the whole time and made all his fear go away. The memory was so strong in his mind it seemed like he was there experiencing it for a second time. He thought he could actually hear the jets of the plane. SPINGFIELD, ILLINOIS- A young man walking down the street was hit by a car yesterday afternoon. Thomas Feldspar, 19, was traveling to his girlfriend's house on Ridley Street when a dark blue Neon came out of nowhere and struck the man from behind. He thought of the time he was on his bike and had hit a rock, swerving out of control and crashing into a parked car. The pain had been intense, but his loving girlfriend had spent all the time she had with him, nursing his wounds over weeks and making all his discomfort fade away. It was as if he could feel the pain he had felt that day, how horrible it had been. He thought back to the time he and his girlfriend had been sledding on one grey-skied Winter's morning. They had gone down the hill together and had hit a bump, sending their sled and them flying into the air. It seemed like they were falling forever; they landed and rolled in the snow, laughing and kissing. They laid there for some time, staring up into the gently falling flakes and simply being in love with each other, the warmth of their hearts making the cold ded of winter seem to slip away. Remembering the sensation of falling through the air made Tom's body tingle. The car, estimated to be traveling t a speed of 60 miles per hour, sent the young man flying into the air for 50 feet before hitting the ground He thought of the time he bought his girlfriend a puppy for her birthday, how the cute little thing had jumped into his arms and licked his face with its scratchy tongue, almost like sandpaper, with so much love and admiration. It was as if he could feel it sliding across his face again. and coming to rest another fifteen feet down the street. He thought of the time he and his girlfriend had a water-gun fight with some of the neighborhood children, the water covering his body was warm from the burning summer sun. He wiped the water out of his eyes at it dripped down his face, the first thing he saw when he opened them was his girlfriend, her T-shirt clinging to her body and a smile on her face. They hid in the bushes and made out while the children laughed and played around them. He could almost feel the warm sweat and water flowing into his eyes, stinging them. When discovered, the car and driver were nowhere in sight and the body was covered in blood. He remembered the first time he and his girlfriend slept together, their love-making filling their bodies with heat and passion. When they were done they simply lay together, very still, their naked bodies pressed close, their hearts beating as one. They stayed that way as Tom drifted into sleep, happy, content, letting the whole world around him fade away into nothingness. Nothingness. He was pronounced dead at the scene due to massive internal trauma by the local authorities. While Thomas's family was not available for comment, his girlfriend had this to say about the tragedy: "I can't believe that he's gone. All I can think about is all the memories we've had together."
Mother-Fucker by Michael Likar Thoughts of aggression, Yet my mind is still passive. Languidly laughing inside. Room with a view. Insight, Cosmic corruption. Iron fist wish, Full of empty space. Rotten egg salad, Twisted, ripe mother-fucker? Who are we, to do anything; about anything? No good piece? Ungrateful bastard. Grateful world.
Wretch ~by Michael Likar I am the wretch of all evil. Your pain is but a fraction of the pain, pains and hell that I have felt. Is it not enough that I would gladly give my life, my sight and whatever material possessions I hold, to, and or, for you? I am lost. The years roll by. No sign of the forth seal. But, he is coming. You see his face in your worst dreams. You see his fury in the hearts of evil men. I am this wretch, of which I speak of. And in this life I will sleep, Until my time is called upon.
Sordid I grit my teeth and smile Through these tears of vile Happiness overtakes me Loneliness rapes and shakes me We have given our hearts away, a sordid boon I let you get too close, way too soon Shouldn't be a surprise to be broken God lost somehow- don't know where or when I grit my teeth and smile Through these tears of vile Happiness overtakes me Loneliness rapes and shakes me Your joy was always my goal I never knew it would leave such a hole Alone and watching you change I didn't know it would take such a toll I grit my teeth and smile Through these tears of vile Happiness overtakes me Loneliness rapes and shakes me Realization it had to be Just the way you told me Eases my mind and pulls at my heart New knowledge has torn me apart I grit my teeth and smile Through these tears of vile Happiness overtakes me Loneliness rapes and shakes me Afraid to make the same mistakes I continue to cry through my freedom Unable to forget, but happy for peace Revelations- I do need them I grit my teeth and smile Through these tears of vile Happiness overtakes me Loneliness rapes and shakes me Watching your life, I smile and wave I pretend not to notice how you behave Closer to myself than ever before Looking for something- there must be more I grit my teeth and smile Through these tears of vile Happiness overtakes me Loneliness rapes and shakes me Grit and smile Tears of vile Overtake me Rape and shake me Smile Vile Overtaken ~by Rebekah Garris
Last Words: Good god almighty, we've done it again. Another issue of "Fables From the Postmodern Age" has seen the light of day. This time we have expanded to include some new sections, new features, and a whole lot more fun with language. I've been very excited about the response from the community and very encouraged by the number of submissions we've received recently. Which brings up a point, I've heard some people ask themselves "I'm not really a postmodern writer, but I want to contribute to this wonderful literary effort; what ever am I to do?" Well, the answer is simple; all you have to do is send in whatever you want to. End of story. Just because you might not be a postmodern writer, it doesn't mean your effort is any less valid than anyone else's. Postmodernism is cool and all, but it's like I sometimes say, "It's a nice place to visit, but I wouldn't want to live there." So send away to [email protected], or drop your stuff off in the Sigma Tau Delta mailbox in the English Department with your name and phone #. If the opportunity (and about eight hours of quality time with a scanner) presents itself, this journal might also go online at ______________________________________________ Keep looking for the flyers and such around campus for the next deadline so we can get another one of these little beasties out before the end of the semester. ~Ehren Helmut Pflugfelder, Ed.
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