EVITA International

INTERVIEW WITH VALERIE PERRI

Conducted by Tim Whittemore via e-mail

April 19-20, 2005

 

 

Valerie Perrine, er… *Perri*  has played the role of Eva Perón in cities across the United States and Canada.  She is considered by many fans to be one of the best American Evitas.

 

TW:  How did you first get the opportunity to play the role of Eva Perón in EVITA?    

 

VP:  I first performed the role of Eva as the alternate in the Los Angeles company where I did two matinees a week. It was a great story as to my casting. When I got the call from my agent he told me that Joanna Merlin (Hal [Prince]’s casting director) thought I might be too young to play the role of Evita and that I should prepare the Mistress’ song as well for the audition.  When I got to the audition there was a mix up and my name wasn’t even on the list to be seen. 

 

Joanna had pulled her back out and couldn’t make the plane trip from NY to LA so she sent her assistant John David Wilder. He was very kind and said, “We’ll squeeze you in.”  Upon entering the audition I heard a voice from the back of the Shubert Theater say, “Who are you auditioning for?” When I replied that I was told to prepare for both roles, I was promptly told that I could only do one of them so of course I picked the plum role to sing for. The voice was that of Paul Gemignani, the show’s musical supervisor and Broadway conductor. I was called back to sing for Hal Prince the following week on a Saturday where there were 5 women there singing for Eva. He asked two of us to come back Sunday morning:  my pal Loni Ackerman and me. I would have been happy to be in the chorus at that time but to be given the opportunity to do that role was a “pinch me, I can’t believe it” moment. It was a true Cinderella story for me for it was with that role that I got my Equity Card.

 

Valerie Perri, John Herrera and

Director Harold Prince in rehearsal


TW:  Where all have you played the part?

VP:  Every major city across the United States and Canada. The first time I sang the role was here in Los Angeles.  Six months later I was asked to head my own company in Chicago. We sat in Chicago for close to a year and then toured with lengthy stays in Washington D.C., Philadelphia, and Toronto.

 

In 1992, after my twins were born, I did yet another tour all across the U.S.,with babes in arms, that Larry Fuller, [the] original Broadway choreographer, directed. The headlines in all of the local newspapers were “Don’t Cry for me...my new baby twins”. The press had a field day with that story: “She changes diapers during the day and rules a country at night.”

TW:  Who else have you seen play the part?  Did you "take anything" from their interpretations?

VP:  I used to love watching other Evas do the role. At the time I was performing, I saw Patti LuPone, Terri Klausner, Loni Ackerman, and Derin Altay. All of their interpretations were fantastic. There was always something special about each one’s performance.  Loni was an incredible dancer and her “Buenos Aires” number was exciting to watch. Patti is an unbelievable actress and to see her bedroom scene and final broadcast sent chills up my spine. I guess you could say my favorite Evita was the one I was watching at that time. As far as taking any interpretations from other actresses, I would try things on occasion, but it never quite fit me and it would feel false so I would go back to just being honest on stage. There was plenty to discover from all that Tim Rice wrote and of course I read every book and journal I could get my hands on at the time.

TW:   What is your favorite part of the show to perform?

 

VP:  My favorite part every night was after the balcony scene when I would get the chance to act without saying a word. I used to love to stare into the mirror, with my back to the audience while listening to Che sing “High Flying, Adored.”   Hal and I used to call it “back acting”. It’s amazing what the posture of your body can do to convey an emotion to an audience.

 

There was one other moment that used to thrill me every night. It was after the aristocrats sing, “When will the chorus girl ever learn?”  I relished the moment of stepping out from stage left, after an amazingly fast costume change, taking a slight pause, and turning just my head toward the audience, and with all of the poise and charm, sing “The chorus girl hasn’t learned the lines you’d like to hear...”

 

It was also a challenge to be able to find the right pitch every night without there being any orchestration underneath the first note. It was so satisfying to be in sync with my conductor and have it flow right into the music. It was a very powerful moment for me.  

 

TW:   Is there a section in the show you find difficult to portray?

 

VP:  When I was first cast, I was younger than the handful of Evas that came before me and I found Eva in Act I so much easier to portray than Eva in Act II. It’s such a difficult task to make all of those transitions smoothly when you’re young. For instance, it was hard for me to grasp the lyric, “These are not the solutions they promised to be...” when I hadn’t gotten there yet in maturity to fully realize the power of that statement.

 

I found that when I did the role again in 1992, I had so much more understanding of how we make choices in life, thinking at that moment this is the answer to everything, only later to be disappointed and realize that the “answer was here all the time”. BINGO!

TW:  And my usual last question…  Do you have any funny/quirky/interesting stories to tell about your time in E
VITA?

VP:  My favorite story is when I was flown to New York to do all of my fittings of furs, costumes, and shoes, and to meet Patti [LuPone] after the show. They put me up in a suite at the Plaza Hotel. I got a phone call from the hotel desk at about 3pm saying that the photographers and reporters were downstairs wanting an interview. I knew there would be a photographer after the show and a reporter from the Associated Press to cover Patti and I meeting backstage and her congratulating me on being the newest Evita, but no one told me that they would be at the hotel.  I immediately phoned Mary Bryant who was the press person working on the show. She didn’t know anything about it and said she would research it and call me back. Ten minutes later, Mary phoned and was laughing saying that the press heard that Hal Prince just cast Valerie Perrine in the role of Evita and everyone wanted to get an exclusive on such a hot scoop.

It was definitely a most memorable time of my life and I thank you for your interest in keeping it all alive.
 
All the best,
Valerie
 

 

TW:  Thanks again Valerie! 

 

Please visit Ms. Perri’s site here!

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