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Arabic/English Literary Relations Mid Term 2
Answer one
question ( The First Question or
The Second Question).
1. The
First Question
1.a. How do the exiles of
Jabra and
of Sayigh
affect the contents and styles of
their poems?
1.b.Compare and contrast their poems in terms of the
heroism of the Palestinians,
the Arab
passivity, and the image of the
four poems
1.c.“ Aydan wa Aydan”,
1.d.“Bayt
min Hajar”,
1.e. “Yawmiyyat min ‘Am al-Waba”,
1.f. and
“Mu’allaqa”.
1.g.. Who is the speaker { I }of the following Poem? Who is {You}? What is the
title?
Analyze it and show its modern features that do (not) resemble T.S.
Eliot’s. .
New pains have
come which words cannot ease
And you are
far, having fortified yourself against us by death.
Perhaps you
knew what was going to come.
“… And no Christ or man stretches out a hand
to me.”…
How wonderful
the night is,
Gobbling
numbers and hours
Letting down its veils to test,
To end
And not to end.
2.
The Second Question
2.a.Who are the
three camps of poets in the 1950s and after ?
2.b.Name the group
that cites pagan allusions ,
Christian concepts of “sin ,
cross, and
2.c.Name the group that cites Marxist phraseology and
similar diction.
2.d.Name the group that cites the important use of
mono-rhyme poems with
the Khalili meters, and the repertoire of the past poetic diction ,among
others..
2.e. Define ‘Modernity’.
2.f. What is meant by ‘Tummuz
Movement’ ? Which group in 2.a.does the
‘Tummuz Movement’ belong to ? Why?
2.g. What are the sources of this movement? Explain.
2.h. Name seven Arab poets( just names) who belong to
this group?
2.i.Define ‘Objective Correlative’? Who first used it in criticism? Elaborate.
2.j.Identify the following quotations ? (Titles , Poets,
and meaning)
The First Quote Here is no water but rock
Rock and no water and the sandy
road…
=================================.
The Second Quote How we die
then give us your water
Alas ! You are stone-hearted and merciless ….
2.k.Compare the content and style of the two poems in
2.j. in terms of the use of the
concept of
resurrection and symbolism of ‘rain’
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