JUKEBOX
curated by LIZ HUGHES
presented by
EXPERIMENTA, Australia

Beauty Kit
Pleix, France, 2002, 2�17 mins
This series of four seductive and shocking advertisements predict a terrifying
future where plastic surgery is becoming normal even for little girls. Using slick
marketing and sophisticated technology to sell rhinoplasty and brest
augmentatoin, it ironically advises that kids should no longer wait for mother
nature.

Plaid: Itsu
Pleix, France, 2002, 3�30 mins
This work is a parable of our consumer society whose obsessions with sex and
the bottom line are spinning out of control. The endless possibilities of
scientific discovery sends the cast on an ecstatic journey to the limits of reality.
The result is wild corporate gluttony, where bigger is better, and the boundaries
between aggressive business and carnal pleasure are blurred.

You are here
Bull.Miletic, Australia, 2001, 5�41 mins
You are here depicts Death Valley�s Racetrack dry lakebed, where rocks
weighing hundreds of pounds inexplicably move, sometimes several hundred
feet across the surface of dry silt. The work questions our true position in the
world and our understanding of nature through scientific explanations.

See Saw

David McDowell, Australia, 2002, 2�49 mins
This animation alludes to a sense of loss of one's bearings in the world, or loss
of the ability to interpret those bearings. It suggests a condition of being on a
passage, but a passage during which the comprehension that the passage itself
has a destination has collapsed: the passenger becomes prisoner of the
passage.

S-Crash
Lindsay Cox and Victor Holder, Australia, 2002, 3 mins
In this split-screen comic scenario the inescapable nature of noise has
horrendously funny consequences. An urban battle between human and
technology ensues when a paper thin wall between the cramped apartments of
an ambitious DJ and his irritable neighbour reverberates with loud repetitive
beats.

9 to 5 City Shunt
Michael Eyre, Australia, 2002, 2�25 mins
A glimpse at the drudgery of urban life. Programmed by the promises of the
corporate world, these automatons in suits are herded through a multi-coloured
cityscape with unthinking obedience.
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