MY RULES:


- This site is only for trading
- Sorry but
NO 2:1
- Sorry but
NO MP3 (Very low quality!)
- I only trade my
MASTERS for your MASTERS
- I prefer to trade CD-R
- I can trade onto CD-R, DAT or TAPE
>>   I can transfer any Tape from my list onto CD-R but it not will be Remastered, no "Fade in", no "Fade Out", no "Index" of tracks
- Please, use Disk At Once (
DAO, not TAO!!!) if you send me TAO, I won't trade with you anymore. Check the discs before sending them
- Please, don't cut the songs!!!!!
- If you know the setlist, please send it - Use CD-R
TDK, SONY or MAXELL. I'll do the same. Don't use No Brand CD-R
- Don't need to send the cases
- Please send the CD-Rs or the DVDs Via Prrriority Airmail



These LIVE TAPES are live recordings which should not be confused with official released material.
Most of them were not recorded with professional equipements.
With these Live-Tapes YOU have the opportunity to listen gigs that true music fans recorded for private use only.

These Tapes probably never will see the light and never will appear in your music record store, but remember, these Audience-Live-Tapes don't lie, nothing is remixed, this is the real sound of the group. Or motherfuckers with instruments only, or great professionals that with their music send you to the paradise.



My Equipments:

Since December 2003: SONY TCD DAT D-7 and OKM-II R microphone with an adapter A3
From April 1996 to December 2003: SONY TCD DAT D-7 and SONY ECM-717 microphone
From October 1992 to April 1996: SONY TCD DAT D-3 and SONY ECM-S220 microphone
From April 1989 to October 1992: An AIWA analogic HS - J150
From November 1988 to April 1989: A shit of SANYO machine



The BOOTLEGS List consists of 9 columns:

1. Recording Date
2. City and Venue
3. Country
4. Running Time
5. Source
6. Quality Ratings (to my ears!)
7. Generation Copy
8. Recording Machine and Microphone
9. Some comments



Key to Sound Quality Ratings:

FM - Recorded from a FM broadcasting
Aud - Private recording from Audience
SDB - Recording from Soundboard or Mixing Desk
Stu - Studio Recordings
DAT - Private recording from audience with a Digital Audio Recorder (Professional Equipment)
MD - Private recording from audience with a Digital Audio Recorder (Mini-Disc)


M - Self recorded concert (MASTER)
1- Master Copy
0- Dat Clone (DAT to DAT)
0*- Cd clone (Cd to Cd or Dat to Cd, most of them are Master Copy)

D-III- SONY WM D-3
D-3- SONY DAT D-3
D-6- SONY WM D-6
D-7- SONY DAT D-7
D-8- SONY DAT D-8


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