I love the smell of oil paint and the sensitivity of the brushes on the canvas.
I have delighted over time, looking at my own development in the process of creating a picture or a drawing, the pureness and the slow way of coming to maturity, and the many ways of getting control over form problems.
The old greek word "En to Pan" - the all is one -is the vital principle of my work.
I want to show the simularity and connectivity of all entities and species.
I try to emphasize the different aspects of human behaviour as well as the most important moments of mankind.
I my paintings I try to express this by using an abstract as well as an almost manieristic way of painting.
The old encyclopedic plates, used to "marouffler" the canvas contain the information obtained in mankind's quest for answers.
I use mathematical models and formulas as a way of softening the impact of the almost prehistoric search for answers.
These mathematical models add a quietening effect to the unquieteness and fear of the modern age.
My pictures are a kind of Tankas, a philosophical approach, which gives the lector an interpretation which is totally his own.
I try to achieve an emotional harmony to enter into a state of aesthetical satisfaction.
It is not a struggle to achieve objectivity, but a struggle to restore some of the fundamental values we have lost.
