Turkish Delight
Composed, arranged and conducted Rogier van Otterloo
Partner on composing: Louis van ijk
Release: 1973
Label: CBS
Engineer: Jan Adier
Producer: Ruud Jacobs
Cover Design: Jan Vermeulen
Harmonica and Gitar: Toots Tielemans
Piano: Rob Franken and Louis van Dijk
Gitar: Peter Nieuwerf
Bass: Rob Langereis
Contrabass: Jacques Schols
Drums: Louis Debij and John Engels
Hobo and English Horn: Nils Walen
Flute: Ary Jongman
Vocal: Letty de Jong
Violin: Jonny Kroon Jr.


Tracklist
1.   Dat Mistige Rooie Beest                     That Foggy Red Beast
2.   Na de Val                                          After the Fall
3.   Requiem Voor een Dooie Mus             Requiem for a Death Sparrow
4.   Variatie op 'dat Mistige Rooie Beest'    Variation on 'That Foggy Red Beast'
5.   Heksencentrale                                  Witch exchange
6.   Moord Met Geduld                            Murder With Patience
7.   Een Hoofd Met een Deurtje                A Head With a Little Door
8.  Turks Fruit                                       Turkish Delight
9.   Niets Aan Te Doen                            Nothing To Do About
10. Rosa Turbinata                                 
11. Rose Is a Rose Is a Rose Is a Rose    
12. Wat Zonde                                        What a shame
6:31
3:01
1:34
4:32
0:37
2:17
1:45
3:33
2:38
3:53
3:41
1:59
Total 35:03
Paul Verhoeven was going to turn Jan Wolkers novel Turkish Delight into a film. At the time filmproducer Rob Houwer and Wolkers insisted on the involvement of composer William Breuker with the scoring process of the movie.Back in those days Breuker hadn't done any filmscoring yet.Neither had van Otterloo, who was asked by Verhoeven to score his film, totally disagreeing with the writer and producer choice. It took the composer about 2 weeks to get the score done, with some help of Louis van Dijk, who composed the variation on 'That Foggy Red Beast' and did some piano work.Van Otterloo composed a truly amazing and unforgettable Main theme.Without even blinking an eye it seems, he combines classical elements with jazzy elements.The power of the scores lies for a great deal in the performing elements, not forgetting his composing work is still enormously complex.The people utilised by Rogier all knew their tasks and performed it with an immense enthousiasm.The real appreciaction goes out to Toots Tielemand, who provided powerfull harmonica solos. Another switch, not likely to forget, is the wordless voice of a choir, leaded by Letty de Jong.She also sung on Van Otterloo score for 'Help, de Dokter Verzuipt (Help, the Doctor is Drowning).The theme is very easy to whistling and probably one of the most recognizable Dutch filmscore themes of all times. The composer can handle the mood needed for the film and does a great job in coverting the musical mood to any situation.Spannend out melodies turning into a theme has become known as his trademark on this one.He captures the realationship between Rutger Hauer and Monique van der Ven in every mood, full of amazing rich sounds variations.
Another incredible thing which happened was that some of a filmcomposer work gets even so populair that it appears in the  Pop hitlists. The same thing happened to Van Otterloo's score. And in how many cases a single gets released and gets sold a lot? Not very often but Van Otterloo did it with the  release of a promotional single.See the photo below.
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