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The first thing I think about is the pain.
Wires digging into skin.
Each note killing a nerve in the point

of the finger. Yet, he plays on, fingers racing, blurry
to the eye. As his solo begins, his left index
finger pins the E-string at the thirteenth fret

and he tilts his head back, eyes shut by
sweat stinging like needles. I think
about the days and nights of practice sounding

in that one rising and arcing note, the hours spent
chasing scales across the finger board, catching
and wrapping them in cutting steel wire,

the thousands times he must have missed that fret,
strangled the note, doing it again and again,
over and over, until the pain was just right,

practicing the same sequence, the same pattern
across the rail lines of frets
until he felt only a sparkling numbness.

When the song ends and the last ringing cymbal
quiets, a spattering of applause rises from the blue smoke
in the bar and the guitarist fades into black

as the stage lights go down. Then, from somewhere,
a pinching scream escapes from the speakers.
Slowly and softly at first, then clear and biting

it flies from the amplifiers like some arrow flung
to pierce skin. Everyone turns, listening in silence,
until the scream stops all by itself

leaving only the hum of a waiting electrical flow.
duende2112 Arturo Vasquez II 2000
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